Old Time Songs & Square Dance [Import]
Old Time Songs & Square Dance [Import]
ASIN: B00080SE14
Track Listings
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1. Little Green Valley
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2. Cowboy Jack
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3. Frankie & Albert
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4. Hard Luck Guy
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5. If Brother Jack Were Here
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6. If I Could Only Blot Out the Past
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7. I'm a Texas Cowboy
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8. Little Ah Sid
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9. Old & Only in the Way
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10. When It's Harvest Time, My Sweet Angeline
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11. Sweet Evalina
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12. Sweet Sunny South
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13. Take Me Back to Colorado
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14. Habit
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15. Zeb Turney's Gal
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16. Sally Goodwin
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17. Soldier's Joy
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18. Walking Up Town
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19. Light Foot Bill
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20. Wagoner
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See all 21 tracks on this disc
Old Time Songs & Square Dance,Arkie the Arkansas Woodchopper,Bacm,Country/Bluegrass,United States of America
Average customer rating:
- Early Childhood Classics - Old Favorites With A New Twist
- One of the best young children's CDs!
- Great Kid Tunes
- Great music, great twist
- A favorite at library storytime
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Early Childhood Classics - Old Favorites With A New Twist
Hap Palmer
Manufacturer: Hap-Pal Music/Newsound
ProductGroup: Music
Binding: Audio CD
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- So Big - Activity Songs For Little Ones
- Learning Basic Skills Through Music Vol. 1
- Getting to know Myself
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ASIN: B00004RDLD
Release Date: 2000-02-01 |
Tracks:
- Itsy Bitsy Spider
- Pat-A-Cake
- I'm a Little Teapot
- Old Mac Donald
- Touch Your Toes To Your Nose
- Circle Songs: The Mulberry Bush, Ring Around the Rosy, Hokey Pokey
- Open Shut Them
- One, Two, Buckle My Shoe
- Head, Shoulders, Knees and Toes
- Bingo
- The Elephant
- I'm Glad I'm Me
- Twinkle, Twinkle Little Star
- The Wheels on the Bus
- Good-bye Song
Amazon.com
Hap Palmer may be best known for his vocal contributions to the hugely popular Baby Songs video series, but parents of 2- to 5-year-olds, particularly those with a sturdier than average educational bent, will find a lot to love on Early Childhood Classics: Old Favorites with a New Twist. This release rids itself of tiresome attempts to turn performances of simple songs like "The Itsy Bitsy Spider" into minor personal masterpieces and instead injects its de rigueur dose of creativity directly into familiar lyrics. For instance, while there's the usual cow and pig on Old MacDonald's farm, we're also introduced to Henrietta's House, where there's a cat, Zebediah's zoo with its tiger, and the puppy in Pamelina's pet shop. Similarly, instead of the usual "Pat-a-Cake" cliffhanger, where the cake's put in the oven and that's all she wrote, we get to hear the ding-ding-ding when it's done and layer on the frosting. The sequence of songs is repeated instrumentally after Palmer's interpretations to allow for sing-alongs and the dreaming up of more new lyrics--a useful device for caregivers who think like teachers (those who don't, though, can make use of clever movement and activity suggestions in the liner notes). Each song's wordplay and simple rhymes are catchy enough to fall into the can't-fail category when it comes to enhancing vocabulary, phonics, and vocabulary skills, and the surprise lyrics lend themselves nicely to attentive listening. Early Childhood Classics delivers old-fashioned fun in a satisfyingly unsplashy way. --Tammy La Gorce
Album Description
Here is a joyful collection of all time favorite activity songs for young children. Hap Palmer's unique renditions preserve the charm and simplicity of traditional songs while adding new, original lyrics and melodies to extend and enrich the familiar classics.
The simplicity and repetition of these songs guarantee active participation by encouraging children to sing and move with the music. While having fun and participating actively, children develop motor and musical skills and learn about animals, counting, identification of body parts, and phonics. As children sing along, responding to the imagery and humor of the lyrics, reading readiness is also enhanced. Alliteration and rhyme develop a child's ear for the sounds of language - an important pre-reading skill.
These songs are developmentally appropriate for the very young child - infant to 5 years. However, the familiar melodies and contemporary arrangements also elicit surprisingly gusty participation from first and second grade students. A variety of musical styles adds new life to well known songs with swing, blue grass, country, classical, rock, pop, and blues arrangements.
Fifteen songs are presented with vocal interpretation. The sequence is then repeated instrumentally providing opportunities for singing along and creating new lyrics using children's ideas. The instrumental selections also familiarize children with the sounds of a variety of musical instruments including piano, bass, drums, guitar, violin, viola, cello, trumpet, trombone, tuba, French horn, saxophone, flute, English horn, accordion, and a variety of percussion instruments such as conga drums, bougaraboo drum, ouiro, shaker, wood block and tambourine.
The instrumental versions of each song can be used in the following ways:
1. After children have learned words with the vocal version, they can sing along hearing only the music.
2. Children can create their own lyrics and sing the song using their ideas.
3. The music can accompany sessions in movement exploration and creative movement.
Suggestions for activities and variations are not limited to those presented in this guide book. There are endless possibilities awaiting your creative impulse.
Customer Reviews:
Early Childhood Classics - Old Favorites With A New Twist.......2007-05-26
We listen to this CD almost evry day while driving around in the car. My daughter loves singing the songs!!! They are all good. Well worth the money!!
One of the best young children's CDs!.......2006-02-24
My almost 4 year old is a huge Hap Palmer fan, and it's catching on to me. Just listen to one of his CDs, and you'll understand. This one in particular is great. I love how he makes beloved children songs even better. I never thought I'd be just as happy to hear a children's CD as one of my own, but this is so catchy, and it is priceless hearing my young daughter singing along to the words! It's great for her memory skills, remembering and singing to all the songs, and it's great for her learning rhyme and rhythm. The lyrics he adds are sooo fun and cathy and sweet. I love this guy!
Great Kid Tunes.......2006-02-18
I bought this for my daughter, who is two, and my older kids love it as much as she does. Easy to remember lyrics and catchy tunes make this a great cd to listen to.
Great music, great twist.......2005-10-28
If standard kid's tunes play in your house or car all day long, you will love this refreshing cd and your kid's won't miss a beat. I don't understand the 2 star review. If you don't like something, that's fine. But the reviewer's logic is very skewed in that they said it didn't meet their expectations, even though 1) The cd was a gift, and 2) The title of the cd tells you that it's not an album of "to-the-letter" standards. So if you don't like the music or your child doesn't like it, fine. But don't rate it down because you had ridiculous expectations from something you didn't even want or buy. If you are open-minded and enjoy good, fun, music you will love this. There is varied musical accompaniment and Hap sings great and truly seems to feel the music (unlike most performers of children's standards). Of course, the ultimate critic is the child. My daughter LOVES this cd (she's 21 months old now and has been listening to it since 12 months). Again, if you want standard kid songs, you may be disappointed with this because the music and words are different (usually, each song starts in a traditional manner but then non-standard lyrics and music follow). But if you want a twist without leaving the traditional songs altogether, buy this. I don't think you will be disappointed.
A favorite at library storytime.......2005-10-19
I'm a children's librarian in Illinois and this cd has become one I use at almost every storytime. I especially love "Twinkle Twinkle Little Star" because it contains a verse inserted by Hap Palmer which allows me to introduce Shakespeare to the tiniest child. He uses a line from "A Midsummer Night's Dream" -- "silver bow new bent in heaven" to describe the moon. I have entire families singing along, learning a famous quotation painlessly! And it's a beautiful, calming song to use at the end of a storytime. Parents and kids love it!
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Life and Works of Ludwig van Beethoven
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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100 Hymns & Songs of Inspiration
Manufacturer: Castle Music UK
ProductGroup: Music
Binding: Audio CD
All Works by Arne
| Arne, Thomas Augustin
| ( A )
| Featured Composers, A-Z
| Classical
| Styles
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General
| Duruflé, Maurice
| ( D )
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All Works by Handel
| Handel, George Frideric
| ( H )
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Monk, William Henry
| ( M )
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All Works by Rutter
| Rutter, John
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All Works by Sullivan
| Sullivan, Arthur
| ( S )
| Featured Composers, A-Z
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Vaughan Williams, Ralph
| ( V )
| Featured Composers, A-Z
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All Works by Bruckner
| Bruckner, Anton
| ( B )
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Anthems
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Similar Items:
- A Heritage of Hymns: Classic Recordings of the Great Songs of Faith and Inspiration
- Abide with Me and other favourite hymns
- Best Loved Hymns
- 101 Classic Piano Hymns
- Praise to the Lord - Hymns From St. Paul's Cathedral
ASIN: B00008GEKT
Release Date: 2003-04-14 |
Tracks:
- Love Divine All Loves Excelling - Choir Of Gloucester Cathedral
- Father Hear the Prayer We Offer - Choir Of Gloucester Cathedral
- Now Thank We All Our God - Choir Of Gloucester Cathedral
- This Day, The First of Days - Choir Of Gloucester Cathedral
- Stars of the Morning So Gloriously Bright - Choir Of Gloucester Cathedral
- God Save the Queen - Choir Of Gloucester Cathedral
- Day of Resurrection - Choir Of Gloucester Cathedral
- God Rest You Merry Gentlemen - Choir Of Gloucester Cathedral
- Of the Father's Heart Begotten - Choir Of Gloucester Cathedral
- O Come All Ye Faithful - Choir Of Gloucester Cathedral
- Awake My Soul and With the Sun - Choir Of Norwich Cathedral
- Thine Arm O Lord in Days of Old - Choir Of Norwich Cathedral
- All People That on Earth Do Dwell - Choir Of Norwich Cathedral
- Good Christian Men Rejoice and Sing - Choir Of Norwich Cathedral
- There Is a Green Hill - Choir Of Norwich Cathedral
- Lord of Beauty - Choir Of Sheffield Cathedral
- Rejoice Today With One Accord - Choir Of Sheffield Cathedral
- New Every Morning - Choir Of Sheffield Cathedral
- Lead Us Heavenly Father Lead Us - Choir Of Sheffield Cathedral
- O God Our Help in Ages Past - Choir Of Sheffield Cathedral
Tracks:
- Morning Has Broken - Choir Of Marlborough College Chapel
- Happy Are They - Choir Of Marlborough College Chapel
- In Christ There Is No East or West - Choir Of Marlborough College Chapel
- Silent Night - Choir Of Marlborough College Chapel
- Be Thou My Guardian - Choir Of Marlborough College Chapel
- Ye Servants of the Lord - Choir Of Marlborough College Chapel
- At the Name of Jesus Every Knee Shall Bow - Choir Of Marlborough College Chapel
- To Thee O Lord Our Hearts We Raise - Choir Of Marlborough College Chapel
- Behold the Great Creator Makes - Choir Of Marlborough College Chapel
- Rejoice the Lord Is King - Choir Of Marlborough College Chapel
- Creator of the Stars of Night - Ely Cathedral Choir
- He Comes With Clouds Descending - Ely Cathedral Choir
- O Little Town of Bethlehem - Ely Cathedral Choir
- Alleluya Alleyluya Alleyluya - Ely Cathedral Choir
- This Is the Day the Lord Hath Made - Ely Cathedral Choir
- How Sweet the Name of Jesus Sounds - Ely Cathedral Choir
- Lord Thy Word Abideth - Ely Cathedral Choir
- Jesus Lord We Look to Thee - Ely Cathedral Choir
- O Lord Our God Arise - Ely Cathedral Choir
- Lord of All Hopefulness - Ely Cathedral Choir
Tracks:
- Soldiers of Christ Arise - Choir Of Wakefield Cathedral
- Lift Up Your Hearts - Choir Of Wakefield Cathedral
- Holy Father, Cheer Our Way - Choir Of Wakefield Cathedral
- Maker of the Sun - Choir Of Wakefield Cathedral
- O King Most High - Choir Of Wakefield Cathedral
- O Praise Our Great and Glorious Lord - Choir Of Wakefield Cathedral
- Forgive Our Sins as We Forgive - Choir Of Wakefield Cathedral
- We Love the Place O God - Choir Of Wakefield Cathedral
- Let Us With a Gladsome Mind - Choir Of Wakefield Cathedral
- Give Rest O Christ - Choir Of Wakefield Cathedral
- Come Holy Ghost Our Hearts Inspire - Choir Of Truro Cathedral
- O Thou in All Thy Might So Far - Choir Of Truro Cathedral
- O Christ, Who Art the Light and Day - Choir Of Truro Cathedral
- O God Thy Soldiers' Crown and Guard - Choir Of Truro Cathedral
- Strife Is O'er the Battle Done - Choir Of Truro Cathedral
- O Christ Our Hope, Our Hearts' Desire - Choir Of Truro Cathedral
- Jesus Shall Reign - Choir Of Truro Cathedral
- God of Love My Shepherd Is - Choir Of Truro Cathedral
- O Jesu Saviour of Mankind - Choir Of Truro Cathedral
- Immortal Invisible God Only Wise - Choir Of Truro Cathedral
Tracks:
- Ride on Ride on in Majesty - Choir Of All Saints - Margaret Street, London
- All Glory Laud and Honour - Choir Of All Saints - Margaret Street, London
- Come Rejoicing - Choir Of All Saints - Margaret Street, London
- God Is Love and Where True Love Is - Choir Of All Saints - Margaret Street, London
- Magnificat: The Great Advent Antiphons - Choir Of All Saints - Margaret Street, London
- Come, Christ's Beloved - Choir Of All Saints - Margaret Street, London
- Children of the Hebrews (Palm Procession) - Choir Of All Saints - Margaret Street, London
- Veneration of the Cross/The Reproaches (Veneratum and Reproaches) - Choir Of All Saints - Margaret Street, London
- Once in Royal David's City - Choir Of Keble College
- God Be in My Head - Choir Of Keble College
- O Thou Who Camest from Above - Choir Of Keble College
- Judge Eternal Throned in Splendour - Choir Of St Edmunsbury Cathedral
- Christ the Lord Is Risen Again - Choir Of St Edmunsbury Cathedral
- For All the Saints - Choir Of St Edmunsbury Cathedral
- Thy Hand O God Has Guided - Choir Of St Edmunsbury Cathedral
- Christ the Dawn of Our Salvation - Choir Of Eastbourne College Chapel
- I Was Glad - Choir Of Eastbourne College Chapel
- Dear Lord and Father of Mankind - Choir Of Eastbourne College Chapel
- Locus Iste - Choir Of Eastbourne College Chapel
- Praise My Soul the King of Heaven - Choir Of Eastbourne College Chapel
Tracks:
- Stand Up! Stand Up for Jesus! - The Choir of the Abbey School, Tewkesbury
- While Shepherds Watched Their Flocks - The Choir of the Abbey School, Tewkesbury
- O Worship the King - The Choir of the Abbey School, Tewkesbury
- O Heavenly Word of God on High - Choir Of The Collegiate Church Of St Mary
- Praise to the Lord, The Almighty - Choir Of The Collegiate Church Of St Mary
- Jesus Christ Is Risen Today - The Choir of York Minister
- First Nowell - The Choir of York Minister
- Abide with Me - The Choir of York Minister
- Breathe on Me Breath of God - Choir Of Keble College
- Rock of Ages - Choir Of Keble College
- On This Day, The First of Days - Choir Of Keble College
- Jesu Sweet and Mary - Choir Of Eastbourne College Chapel
- O Quam Gloriosum - Choir Of Eastbourne College Chapel
- Ye Holy Angels Bright - Choir Of Eastbourne College Chapel
- O for a Closer Walk With God - Choir Of Eastbourne College Chapel
- Prayer of St Patrick - Choir Of Eastbourne College Chapel
- Lord's Prayer - Choir Of Eastbourne College Chapel
- Blessed Be the God and Father - Choir Of Eastbourne College Chapel
- Day Thou Gavest Lord Is Ended - Choir Of Eastbourne College Chapel
- Jerusalem (And Did Those Feet in Ancient Times) - Choir Of Eastbourne College Chapel
Album Description
Full Title - 100 Hymns & Songs Of Inspiration. UK box-set featuring 100 tracks performed by Britain's finest Cathedral Choirs including, Gloucester Cathedral, Norwich Cathedral, Sheffield Cathedral, & many more. Five standard jewel cases housed in a slipbox. Castle Pulse. 2003.
Customer Reviews:
The picture.......2006-12-11
I haven't purchased the CD but the picture of the inside of a church on the cover is not of a British church, like one would assume since it says its a recording of British choirs. This picture is of Notre Dame Basilica in Montreal, Quebec, Canada. Just thought i'd let you know. I'll be honest; I'm one to judge things by it's cover and if the company took such care to choose a 'British' church for their British choir CD, I'm willing to bet the music is equally well selected... I'm being sarcastic. But I gave the product 5 stars because I didn't want to hurt its ratings just because i'm cynical. But check out the church if you're ever in Montreal, it's truly beautiful... here I'm not being sarcastic.
Average customer rating:
- An essential component of a good old-time collection.
- As Good As It Comes
- HELL BROKE LOOSE IN GEORGIA & OTHER OLD-TIME FAVORITES
- Incredibly rollicking sounds from long ago and far away.
|
Old-Time Fiddle Tunes And Songs From North Georgia
Gid Tanner & His Skillet Lickers
Manufacturer: County Records
ProductGroup: Music
Binding: Audio CD
General
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Similar Items:
- Music From The Lost Provinces: Old-Time Stringbands From Ashe County, North Carolina & Vicinity 1927-1931
- Old Time Texas Fiddler 1922-1929
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- Folks, He Sure Do Pull Some Bow! Vintage Fiddle Music 1927-1935: Blues, Jazz, Stomps, Shuffles & Rags
ASIN: B0000012FA
Release Date: 1996-04-16 |
Tracks:
- Rocky Pallet
- Rock That Cradle Lucy
- Soldier's Joy
- Sal's Gone To The Cider Mill
- Ride Old Buck To Water
- Molly Put The Kettle On
- Hell Broke Loose In Georgia
- Fly Around My Pretty Little Miss
- Liberty
- Devilish Mary
- Cackling Hen And Rooster Too
- Miss McLeod's Reel
- Pretty Little Widow
- Dixie
- Broken Down Gambler
- Leather Breeches
Amazon.com
Decades before rock & roll, the Skillet Lickers blasted through raucous old-time romps that still sound as fresh and edgy as they must've sounded back in the 1920s, when they emerged as hillbilly music's leading artist. Fiddles endlessly blaze and soar over dance calls and raw, down-home hollers while Riley Puckett's guitar work keeps it all anchored. Puckett was probably the first star guitarist of old-time music and his unique, single-string style of rhythm guitar--harmonically fluid but rhythmically adventurous--proved essential to the development of bluegrass, not only for early rhythm guitarists, but later on for lead flat-pickers like Doc Watson, who enhanced it and moved it to the foreground. The songs, from "Soldier's Joy" to "Cackling Hen" to "Dixie" to "Leather Breeches," fiddlers' standards even then, remain so today thanks in large part to these historic recordings. --Marc Greilsamer
Customer Reviews:
An essential component of a good old-time collection........2005-12-06
Gid Tanner is a legendary old-time fiddler, so much so that old-time fans are frequently seen wearing t-shirts that say "Gid is My Co-Pilot". The old-time style here is, to discerning ears, quite different than the more common "Round Peak" style, made most famous by fiddler Tommy Jarrell, and quite obviously different than, say, Ozark fiddling. None of the styles are any better or worse, just different, and serious old-time fans will enjoy picking apart the nuances of styles.
More casual old-time fans will enjoy this record as well, though, for both the excellent repertoire and top-notch musicianship. If you think O Brother Where Art Thou is the real deal, I suggest picking this up and having a listen.
As Good As It Comes.......2005-08-31
This very fine cd - from County Records of Virginia - is superb!
County have once again produced a well balanced selection from the archives and have presented it to the public for their delectation. I would recommend this item to all lovers of traditional American Country Music. Don't let it pass you by.
HELL BROKE LOOSE IN GEORGIA & OTHER OLD-TIME FAVORITES.......2000-06-12
Dave Freeman's bluegrass and old-time country label, COUNTY, has been churning out "essential-listening" reissue albums for sometime now, all of which are classics that should be in every devotee's music library. A case in point is this 1996 compilation, THE SKILLET LICKERS: OLD TIME FIDDLE TUNES & SONGS FROM NORTH GEORGIA. Here we have on one CD 16 choice numbers, culled from the 88 sides recorded between 1926 -1931, by that great old-time string band, GID TANNER & HIS SKILLET LICKERS.
Our musical journey back in time starts off with the classic North Georgia-style fiddle tune, ROCKY PALLET, recorded in 1929, and ends with fiddle aces Clayton McMichen and Lowes Stokes, in true Skillet Licker fashion, wildly ripping through their 1930 rendition of that old-time warhorse, LEATHER BREECHES (the American version of LORD MACDONALD'S REEL). The Skillet Licker's unique sound was characterized by the interplay of the harmonizing fiddles (anywhere from 2 to 4 at a time, played by Clayton McMichen, Bert Layne, Lowe Stokes and/or Gid Tanner), Riley Puckett's inovative running bass lines on the guitar and Fate Norris' or Gid's rhythmic 5-string banjo accompaniment. Their highly syncopated, driving North Georgia style reflected the heavy influence of the African-American pre-blues fiddle and banjo tradition.
It was the Skillet Lickers, perhaps more than any other of the early old-time greats, that informed the evolution of the modern old-time string band sound in the 1970s and 80s. While seminal Revival bands like the Highwoods String Band and Bubba George drew their repertoires from many different sources and Southern regional traditions, it was the Skillet Lickers' fun-loving, raucous approach that truly inspired them and served as a model on which to base their own distinctive styles.
As always, this COUNTY album reflects that label's high standards. The original 78 rpm recordings have been remastered nicely and sound great, even to the virgin ears of listeners uninitiated in the mysteries of the raw, scratchy essence of these musical time capsules. The liner notes include highly informative essays by old-time musicologists Norm Cohen and Rich Nevins (though I have to disagree with Rich's dismissal of Fate Norris' banjo playing) and full discographical information on each cut.
If you want to turn on your friends outside the old-time fold to the inherent joys of your favorite music, this CD would be a good starting place. Likewise, I would recommend it to novice old-time musicians looking for some great classic tunes to add to their own repertoires.
Incredibly rollicking sounds from long ago and far away........1998-12-21
One of the finest old time fiddlin' bands, ever. A collection of old time ("hillbilly") 78's from 1920's and early 1930's. Artists include Lowe Stokes, Clayton MacMitchen, Gid Tanner, Riley Puckett, Bertie Layne and Fate Norris (usually inaudible, unfortunately), this CD is guaranteed to either get your feet moving uncontrollably, whether it be dancing or running as far away as you can get from it.
Numbers on this disc include "Hell Broke Loose in Georgia", "The Broken Down Gambler", and a very rollicking version of "Dixie" (hey, they WERE from Atlanta!)
All in all, a CD to please the old-time enthusiast, and annoy just about everyone else.
IMPORTANT NOTE: As with many "country" bands of the time (1920's), these guys had their share of songs that would be considered embarassing and even unacceptable today. NONE of those numbers are on this disc.
Average customer rating:
- okay
- A promise about to be fulfilled
- Amazing collection - amazing voice.
- Amazing recordings
- First Rate Singing!
|
DEBUT ~ Nathan Gunn - "American Anthem" from Ragtime to Art Song / Kevin Murphy
Nathan Gunn , and Kevin Murphy
Manufacturer: EMI Classics
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Binding: Audio CD
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Similar Items:
- Barber: Prayers of Kierkegaard/Bartok: Cantata profanna/Vaughan Williams: Dona nobis pacem
- Brahms: A German Requiem (New English Adaptation)
- John Adams: Shaker Loops; The Wound-Dresser; Short Ride in a Fast Machine
- Bernstein: Symphony No. 1 "Jeremiah"; Concerto for Orchestra "Jubilee Games"
- Prokofiev - War and Peace / Bertini, Gunn, Kit, Mamsirova, Gouriakova, Brubaker, Paris Opera
ASIN: B00000IWW3
Release Date: 1999-05-18 |
Tracks:
- Shenandoah
- Brother Can You Spare A Dime?
- Early In The Morning
- The Lordly Hudson
- At Howard Hawks' House
- Holding Each Other
- The Lass From The Low Countree
- Recuerdo
- Nocturne
- Sure On This Shining Night
- Fur (Murray The Furrier)
- Over The Piano
- Black Max (As Told By The De Kooning Boys)
- Slugging A Vampire
- Two Little Flowers
- General William Booth Enters Into Heaven
- The Lamb
- I Wonder As I Wander
- At The River
- Long Time Ago
- Lean Away
- American Anthem
Customer Reviews:
okay.......2007-01-05
I heard wonderful things about this recording... but was a little disappointed. It is good, but nothing spectacular.
A promise about to be fulfilled.......2006-12-17
Not all of EMI's Debut seeries make it to the U.S., but since this one features an American singer, it did (as did the one featuring rising pianist Jonathan Biss). Nathan gunn is certainly well kn0wn now, after high-profile Met appearances in The Magic Flute and Harbison's An American Tragedy. The past few years have seen him mature, even though his voice will never be heroic. Gunn is very well suited to songs, although he makes a moving (and physically handsome) Billy Budd.
Her he sounds a little stiff, and he cannot carry off the numbers that re comic (Bolcom's Fur) or popular (Buddy, Can You Spare a Dime?), but his straightforward masculinity works extremely well in Gene Scheer's Holding Each Other, he has enough poetry for Barber's Sure on This Shining Night, and just enough savoir faire for Rorem's Early One Morning. The voice itself isn't intrinsically beautiful, which may in the end mean that Gunn falls behind young counterparts like Gerald Finley and Simon Keenlyside, both of whom he resembles. Even so, this is a nice debut, and one can say that gunn's promise is being fulfilled.
Amazing collection - amazing voice........2006-02-22
Nathan Gunn has chosen a collection of mostly obscure songs and has applied his remarkable baritone voice to music not usually in the operatic repetoire. What results is a CD of depth, some humor, and extraordinary listenability. It's nice to see one of my favorite opera stars branch out. Bravo!
Amazing recordings.......2006-01-02
I first listened to this recording at the recommendation of a voice teacher and I am eternally grateful. I strongly recommend this album. Nathan Gunn is an extremely talented singer. As a singer myself (also a baritone like Nathan Gunn) I find much in his voice to model.
Nathan Gunn has an extremely beautiful voice, superb technique and execution, and has a very natural sound. There is an old steriotype of opera as sounding forced or artificial, but Nathan Gunn does a great job of avoiding this. He does a great job of communicating the "story" of the song to the listener, and I frequently found myself taken to the world of the song. Listening to many of his songs are like opening a good book and Nathan Gunn takes you there.
Highly recommended.
First Rate Singing!.......2005-12-20
I only recently discovered Mr. Gunn, but after hearing this recording, it makes me wonder why his name has eluded me for so long. Simply put, Nathan Gunn sings like a god! His voice is pure, and hypnotically beautiful to listen to. Turn on this CD and you will be wrapped in the most luxurious blanket of sound--his phrasing is impeccable, and his dynamics are wonderfully varied without being affected. His recording of Barber's "Nocturne" is haunting. "Brother, Can You Spare a Dime" shows he isn't afraid of low notes, and the ending has some of the most spectacular high notes I've ever heard from a baritone. The Copland songs are also well done, as are the two John Jacob Niles selections. I wasn't familiar with Gene Scheer's songs prior to this CD, but they are all quite remarkable, though most especially "Lean Away" and "American Anthem." This is the best addition to my CD collection in a long time. I'm only saddened by the fact he doesn't have more recordings available. Mr. Gunn, I know you're busy with your opera schedule, but for those of us who can't make it to New York to see you in person, please record another CD!
Average customer rating:
- Return to Sanity
- Have Some Madeira
- British humour at its best
- If you haven't heard this...
- Gentle Satire
|
Complete Flanders & Swann
Manufacturer: EMI Int'l
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Songs of Michael Flanders & Donald Swann
- At the Drop of a Hat
- The Best of Flanders & Swan - A Transport of Delight
- Beyond The Fringe (1961 Original London Cast)
- Too Many Songs by Tom Lehrer
ASIN: B000006T4S
Release Date: 1997-04-30 |
Tracks:
- Warthog, The (The Hog Beneath The Skin)
- The Sea Horse
- The Chameleon
- Whale, The (Mopy Dick)
- Je Suis Le Tenebreux
- Songs For Our Time
- A Song Of The Weather - Flanders & Swann
- The Reluctant Cannibal
- Greensleeves
- Misalliance
- Kokoraki
- Madeira M'Dear?
- Too Many Cookers
- Built Up Area
- In The Bath (From 'At The Drop Of A Hat')
- Sea Fever
- The Hippopotamus Song
Tracks:
- The Gas Man Cometh
- Sounding Brass
- Los Olividados
- In The Desert
- The Sloth
- The Rhinoceros
- Kangaroo Tango
- Jaguar
- Dead Ducks
- The Elephant
- By Air
- Slow Train
- A Song Of Patriotic Prejudice - Flanders & Swann
- The Humming Bird
- The Portuguese Man-Of-War
- Sea Fever
- The Hippopotamus Song
Tracks:
- The Gas Man Cometh
- Sounding Brass
- Los Olividados
- In The Desert
- The Sloth
- The Rhinoceros
- Kangaroo Tango
- Jaguar
- Dead Ducks
- The Elephant
- By Air
- Slow Train
- A Song Of Patriotic Prejudice - Flanders & Swann
- The Humming Bird
- The Portuguese Man-Of-War
- The Wild Boar
- The Ostrich
- The Wompom
- Twice Shy
- Commonwealth Fair
- P** P* B**** B** D******
- Paris
- Eine Kleine Nacht Musik Cha Cha Cha
- The Hundred Song
- Food For Thought
Album Details
Fantastic Triple CD Box Set of the Recorded Works of One of Britain's Most Popular Comedy Duos. Their Keen Observations of Everyday British Life and Abilities to Exemplify them in Song Made them the Darlings of the UK. Cleverness, Wit and Absoute Hilarity were the Order of the Day, in Just About Any Style of Music. Pure Comic Genius on Three Discs!
Customer Reviews:
Return to Sanity.......2005-07-27
Before Monty Python, before the Beatles, before "'Enery the Aigth Oi Am" there was the subtle, sweet, insdious humor of Flanders and Swann, and their lyrics remain part of the recognition rituals of Ivy Leaguers of the sixties. For any aging hippies or yuppies who find life WAY more stressful than we ever expected, and for whom the down side of alcohol, sex, and drugs has become apparent, I recommend listening several times to "In the Bath". It raises a cry for peace among the nations by inviting all the leaders to sit congenially steaming in a communal bathtub. And they reminding us of our essential self-interest when they add the proviso "as long as Swann and Flanders get the end without the taps." On those nights when we suspect that there isn't any point to it all, reach for the Flanders and Swann. They won't convince you there is any meaning to life, but they'll make it a lot easier to bear. Don't even try to do without it.
Have Some Madeira.......2005-07-06
Not every line in Flanders and Swann has become part of our 37-year marriage, but many have. As our turntables fail, we are pleased that we can relive all the fun stuff we used to collect. Nothing is like this duo, especially what you usually hear as French horn by Mozart converted into "I found that horn go(r)ne." And, of course,
"Have some Madeira, m'dear" is an all-time favorite.
British humour at its best.......2003-03-15
When I started out as a teacher of English, I had the most wonderful colleague as a mentor -- when she retired she gave me three LPs with much of what is on these CDs, and it must be one of the best gifts I have ever been given. Practically all of it makes me smile or laugh out loud (although I must admit that some, like The Armadillo and Slow Train, make me so melancholy that I can just feel my lower lip tremble and my eyes fill up). How can you beat lines like "Hail to thee, blithe Wompom", or "The English are moral, the English are good / And clever, and modest, and misunderstood"? I find they make great listening exercises for my teenaged students as well -- they consider it ancient, but incredibly funny!
If you haven't heard this..........2003-01-16
The great comedic pairing of the late Michael Flanders (vocals) and Donald Swann (piano and occasional vocals) must surely rank among the hall of fame of comic singers and songwriters. Descended from the British music hall tradition, these two men wrote and performed music which still sparkles with wit today, some 40 or more years since it was recorded.
After being told to take up singing as a means of strengthening his polio-weakened lungs, the wheelchair-bound Flanders teamed up with pianist Swann and proceeded to write such classic songs as "The Hippo Song (Mud Mud Glorious Mud)", "The Gasman Cometh", "The Gnu Song", "A Transport of Delight" and many others. As well as a gently satirical spirit, all these songs feature the sublime wordplay and interplay of both men.
The first two discs of this box set are actual concerts - "At The Drop Of A Hat" and its successor "At The Drop Of Another Hat". Recorded at the height of the duo's popularity and form, the sound quality is surprisingly good for recordings this old.
"At The Drop Of A Hat" opens with three of the Flanders and Swann classics. "Transport Of Delight", a song in praise of the "97 horsepower omnibus" features the wonderful harmonies of the duo on lines like "any more fares" and Flanders' dead-on impression of a London busdriver "Geddardait, we're full right up inside". "Song of Reproduction" deals with the new, as it was then, stereo technology and features Flanders delivering an incredible monologue using every conceivable piece of audiophile jargon. "The Gnu Song" (in which "gnu" is pronounced phonetically) is a real treat. The audience's reaction to the reappearance of the gnu is superb.
As well as this opening trio, the disc features Flanders' snippets of "Songs For Our Time" (in which he experiments with conventions of hit songs), "Song of the Weather" (a rundown of English weather throughout the year), "The Reluctant Cannibal" (featuring Swann in the tititular role and the chorus "I can't eat people/I won't eat people/eatin' people is wrong"), Swann's foray into Greek folksong "Kokraki" and the justifiably famous "Madeira M'Dear". The performance ends with a rousing version of "The Hippo Song".
Flanders is in fine voice throughout and his comments introducing each song are delivered with deadpan accuracy. The story behind "The Gnu Song" is an absolute masterpiece. Flanders' monologue about the creation of "Greensleeves" is also superb - "'Greenfleeves'. That's an interesting name for a fong" (referencing old English script) being just a taste.
"Another Hat" begins in equally fine form with "Gasman Cometh" and "Ill Wind". "Gasman", presaged as "a tale of unending domestic upheaval", is sure to have most people who've ever dealt with unreliable tradesmen nodding in agreement, while "Ill Wind" is Flanders' attempt at setting words to a French horn concerto featuring the immortal lines "I lost that horn/lost that horn/lost that horn/found that horn/gorn". The performance continues with Swann's Russian/English song "In The Desert", the ending of which is truly side-splitting. "All Gall" (a reinterpretation of "This Old Man" to fit then-French President Charles de Gaulle) is a little dated but very cleverly done. "Song of Patriotic Prejudice", with its introduction and opening lines grabbing the audience's attention is another triumph, while the "Hippo Encore" is a great end to the performance.
Again Flanders is at his peak. His loving description of the Spanish olive-stuffers ("Olividados") and his superb story about flying ("By Air") are both brilliant examples of the shaggy dog story.
My favourite from both of these discs would have to be "First and Second Law". Flanders decides to educate Swann in elementary science and picks on the first and second laws of thermodynamics ("heat is work and work is heat" and "heat cannot of itself pass from one body to a hotter body") and the repetition of these phrases in time to Swann's barely-there piano accompaniment is one of the finest moments in British comedy.
The third disc is largely forgettable. It begins with a series of animal-related songs performed in a studio and without much of Flanders' rambling introductions. "Warthog" has its moments, while the others were clearly not performed in front of an audience for a reason. "Wompom" is also mildly diverting, presenting a story about a made-up substance which is the answer to everything.
The rest of the disc is then filled out with much earlier material in a rather poorly-recorded concert. "20 Tons of TNT" (related to the calculation the pair had done which gave that as the amount of TNT per person on the planet at the time) provides food for thought, but little more.
Is this box set for everyone? No. Much of the humour both within and without the songs does require a bit of background knowledge to what was going on in Britain and Europe at the time (1960s), John Profumo is referenced a few times as well as Charles de Gaulle and the Common Market, while a smattering of classical music knowledge can help out a bit with Swann's work and "Ill Wind". The fact that my grandfather (who's in his late 70s) recalls hearing these songs and laughing may give an indication as to the age of some of the subject matter. Equally the fact that "First and Second Law" references an awful lot of physics might do the same.
Nevertheless, for anyone who loves British humour done in a gentle manner or who is interested in the source of "mud mud glorious mud/nothing quite like it for cooling the blood", give these CDs some serious consideration.
Gentle Satire.......2002-04-03
I've been singing Flanders and Swann every day In the Bath since I first heard them in 1964. If you don't know them, think Gilbert and Sullivan by way of English music hall and Noel Coward, with a bit of Tom Lehrer musical satire and classic Bob Newhart or Charlie Manna monologues. F&S commented gently on their times: "The purpose of satire, it has been rightly said, is to strip away the veneer of comfortable illusion and cozy half-truth. And our job, as I see it, is to put it back again." Quite simply the best comic songs and patter of the 20th century. Michael died in 1975, Donald in 1994. Goodnight, Mabel Figworthy, wherever you are.
Here are some samples of Michael's verbal wit.
Wordplay:
- "A Transport of Delight," their song of the pleasures of the double-decker bus "has recently been adopted as the theme song of the Underground resistance movement."
- Speculating that Henry VIII wrote Greensleeves: "and the royalties go to royalty."
- About a tennis referee late in the day: "the umpire upon whom the sun never sets."
- Explaining how he was hoisted in his wheelchair onto airliners by a fork lift: "Why they need a great machine like that to lift forks I do not know. Well, they're only plastic, now, aren't they?"
- On status symbols: "The object is to Gunga Din your neighbor: 'I'm a better man than you' is the acid test," and, "let's bang our status cymbals with the best."
- To a disenchanted cannibal: "You used to be a regular anthropophagi."
- Of a lecher: "And he said as he hastened to put out the cat, the wine, his cigar, and the lamps," while the girl "lowered her standards by raising her glass, her courage, her eyes, and his hopes."
- At the corrida d'olivas (the Andorran festival of olive stuffing, not to be confused with the Spanish corrida de toros, or bullfight): "And a great cry goes up of Ole! He has made an 'ol."
- "It's no good going up to a scientist and saying to him like you would to anybody else, 'Good morning, how are you, lend me a quid, and so on.' He'll just glare at you, or make a rude retort."
Throw-aways
- During the height of the cold war the Soviet Union sent the Moscow Ballet on a world tour. Donald sang one chorus of the Hippopotamus Song "mud, mud, glorious mud - nothing quite like it for cooling the blood" in Russian. Michael: "That should improve our cultural relations."
- During the 1963 Mandy Rice-Davies and Christine Keeler scandal: "None of that going around saying no smoke without fire. Nil cumbustibus, Profumo." Also, from "Friendly Duet," "such models of friendship are precious and rare, while the friendship of models is not."
- "Now if you're writing a musical, as I'm sure practically all of you are, . . ."
- Of Donald: "You know that no one has a higher regard for your music . . . than you do yourself. I merely meant that you are not great because you are not dead. If you wish to be great you must stop composing and start decomposing."
- "We never found a rhyme for (Soviet Premier Nikita) "Kruschev" until he was dead: Did he die or was he "pushed off"?"
- "We spent two dreadful, uh, delightful years, entertaining the Americans whose need, let's face it, is greater even than yours. Of course, when we're over there we say that the other way 'round."
- "No matter what you may say about the Germans, and who doesn't . . ."
- "Some of the songs that have made our names a household word, like slop-bucket . . ."
- "They've started testing cars now. They started at 10 years, then 5, now three. There's even some talk of having them tested before they leave the factory."
Absurdities
- "I'm delirious about our new oven fitted with the eye-level grill. This means that without my having to bend down the hot fat can squirt straight into my eye."
- A spectator during the construction of Stonehenge: "So, it's not going to be lived in. Well, that's something anyway. So what is it, then? It's a what?! A calendar?! A bit big for a calendar isn't it? You'd look pretty foolish with that on your desk."
- "Donald knocked himself out this morning. Got one of those new pop-up toasters. Nasty things."
Incredible multiple rhymes:
- "The fair hippoptama he aimed to entice from her seat on her hilltop above, as she hadn't got a ma to give her advice, went tip-toeing down to her love."
- Of Josephine: "Nonsense, said Bonaparte. She lives on her own, apart, in her own apartment."
- "Oh let us be married if our parents don't mind. We'd be happy and inseparable. Inextricably entwined. We'd live happily every after, said the Honeysuckle to the Bindweed."
- "And you'll always see a single lace-less left-hand leather boot. A bootless British river bank's a shock. We leave them there at midnight, you can track a member's route by the alternating print of boot and sock."
Average customer rating:
- Upbeat American Music Sung with Impeccable Style
- Ambassadors of American Song
- This is one to share with friends
- Two Cents from the English Teacher
- A Parental Review -- Toddler Freindly American Songs
|
Long Time Ago - Copland / Dawn Upshaw & Thomas Hampson
Manufacturer: Teldec
ProductGroup: Music
Binding: Audio CD
Ballets
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| Copland, Aaron
| ( C )
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Similar Items:
- Song of America
- Knoxville Summer of 1915
- I Wish It So
- Copland: Old American Songs/Canticle Of Freedom/Four Motets
- American Dreamer: Songs of Stephen Foster; Thomas Hampson; Jay Unger; Molly Mason
ASIN: B000000SHU
Release Date: 1994-05-31 |
Tracks:
- Old American Songs (Orchestral Version): The Boatmen's Dance
- Old American Songs (Orchestral Version): The Dodger
- Old American Songs (Orchestral Version): Long Time Ago
- Old American Songs (Orchestral Version): Simple Gifts
- Old American Songs (Orchestral Version): I Bought Me A Cat
- Old American Songs (Orchestral Version): The Little Horses
- Old American Songs (Orchestral Version): Zion's Walls
- Old American Songs (Orchestral Version): The Golden Willow Tree
- Old American Songs (Orchestral Version): At The River
- Old American Songs (Orchestral Version): Ching-A-Ring Chaw
- Down A Country Lane
- Eight Poems Of Emily Dickinson: Nature, The Gentlest Mother
- Eight Poems Of Emily Dickinson: There Came A Wind Like A Bugle
- Eight Poems Of Emily Dickinson: The World Feels Dusty
- Eight Poems Of Emily Dickinson: Heart, We Will Forget Him!
- Eight Poems Of Emily Dickinson: Dear March, Come In!
- Eight Poems Of Emily Dickinson: Sleep Is Supposed To Be
- Eight Poems Of Emily Dickinson: Going To Heaven!
- Eight Poems Of Emily Dickinson: The Chariot
- Billy The Kid: Waltz
- Billy The Kid (Selection): Prairie Night
- Billy The Kid (Seletion): Celebration Dance
Amazon.com
Copland's Eight Songs of Emily Dickinson comprise one of the finest song cycles by an American composer, and a perfect meeting of minds between poet and composer. Dickinson's verses and Copland's music alternate plain-spun honesty and wry humor with sudden, unpredictable bursts of passion and pain and a complete lack of false sentimentality. The Old American Songs are simply a good time and you'll recognize many of the tunes even if you haven't remembered the words. Hampson and Upshaw are two of the finest American singers alive, and they perform this music as though they have a proprietary interest in it. A terrific record. --David Hurwitz
Customer Reviews:
Upbeat American Music Sung with Impeccable Style.......2006-02-24
Thomas Hampson has an amazing artistic range and this CD compilation shows his lighter side. The first time I heard him sing the children's nursery rhyme Fiddle I Fee, I laughed out loud. Who knew he did animal noises too? My six year old daughter also loves this compilaton.
Ambassadors of American Song.......2005-10-25
Baritone Thomas Hampson, soprano Dawn Upshaw, and Hugh Wolff conducting the Saint Paul Chamber Orchestra combine in this memorable CD to offer a program featuring songs of the American composer, Aaron Copland (1900 --1990). While American popular song has spread worldwide, too many listeners remain unaware of American achievement in the realm of the art song.
To remedy this situation, Thomas Hampson is currently on tour under the auspices of the Library of Congress in a project describing the history of creativity in the United States. He has been described as the "Ambassador of American Song", has founded the Hampsong Foundation to promote the American art song, and works tirelessly to bring American song to the attention of a wide audience. Dawn Upshaw has enjoyed wide renown as an opera singer as well as a singer of song. I became familiar with Hugh Wolff during his tenure as the associate conductor of the National Symphony Orchestra under Rostropovich. For many years, he has conducted the highly-regarded St. Paul Chamber Orchestra. The combination of Copland, Hampson, Upshaw and Wolff on this CD is irresistable.
The CD features two groups of orchestral songs. Hampson performs Copland's "Old American Songs," two sets of five songs each that Copland arranged for small orchestra in 1955. These songs consist of American tunes of various origins that Copland transformed and arranged peerlessly for orchestra. In their naivity and Americana, these songs capture something precious in the spirit of the United States. The songs include the famous "Simple Gifts" that became the centerpiece of Copland's "Appalachian Spring." The collection includes sentimental love songs, ("Long Time Ago"), a humorous and timely political campaign song ("The Dodger") that Hampson seems particularly to enjoy, spirituals ("At the River"), children's songs, and ministrel songs ( a lively "Boatman's Dance" initially composed by Daniel Emmett, the composer of "Dixie"). It is difficult to think of a more appealing and accessible introduction to American song than this collection. Hampson sings with gusto and enthusiasm. He is obviously enjoying himself and the music.
Copland's orchestral setting of eight poems by Emily Dickinson offers a different form of art song. Copland initially set 12 Dickinson poems for voice and piano and arranged 8 of these settings for orchestra. These songs are thorough-composed and follow closely Dickinson's shifting and unconventional poetic meter. Ms. Upshaw sings in a declamatory, intense way. In common with the setting of American songs, Copland's Dickinson songs show a transparent, light orchestration in which the wind instruments, in particular, are used to great effect to set the stage for the music. Copland's settings and Ms. Upshaw's singing capture the enigmatic character of this difficult but beloved American poet. Dickinson's poems are untitled, and Copland generally took the opening lines as the title of his settings. Of the eight songs, "Heart we will forget him", singing of a frustrated love, has deep poignancy. Dickinson's feelings and ambivalences towards religion are explored in "The World Feels Dusty", "Going to Heaven" and "The Chariot" which begins with the famous line, "Because I would not stop for Death, /He kindly stopped for me." Copland's setting of "Nature the Gentlest Mother" is for the most part in a pastoral mood with an opening solo for the flute. "There came a wind like a bugle" is dramatic and declamatory. Copland captures the angular, brisk character of a spring wind in "Dear March, Come In!" and the song "Sleep is supposed to be" features a moderatly paced melody with accompaniment in the winds. Copland's Dickinson settings are a high point in American art song.
The CD also includes two works for the St Chamber Orchestra alone. Copland's gentle "Down a Country Lane" is a work of under three minutes that has become one of the most famous of his compositions. The three selections from "Billy the Kid" with which the CD concludes show Copland integrating American folk tunes, in the manner of Charles Ives, with his own material and with masterful orchestration. Listen to the bassoon waltz theme in the opening "Waltz", the winds and brass exchanging themes in the plaintive "Prairie Night" and the big drum crashes and the use of the winds in the finale, "Celebration Dance".
The CD includes the texts of all the songs, together with French and German translations.
This CD will appeal to both new and experienced lovers of music. Hampson, together with Ms. Upshaw and Maestro Wolff, serve well as "Ambassadors of American Song" on this release.
This is one to share with friends.......2002-03-14
I've seen Thomas Hampson Live a couple of times, and I believe he has one of the most glorious voices in the world. If "Simple Gifts" doesn't make you a little weepy, your heart must be made of stone.
Two Cents from the English Teacher.......2001-12-05
I am a big fan of both Emily Dickinson and Dawn Upshaw, so I was really excited to see this CD with Dawn Upshaw singing arrangements (by Aaron Copland no less!) of eight super Emily Dickinson poems. Trying to interpret ED is no easy task (for an English teacher or a composer), and I think that Copland does a beautiful job of putting to music the thoughts and words of the recluse poet. Upshaw does a beautiful job of interpreting them vocally. Dickinson's poems have an energy and personal intensity that both Copland and Upshaw manage to capture. I use this CD every year with my juniors to show them a "classical" and musical side of literature. Quite frankly, I would rate it "five stars" just for these eight tracks--I rarely listen to the others, I'm sure to my loss. After reading the other reviews, I'll have to check them out. . . . I think Emily Dickinson would listen to these tracks, smile smirkily to herself, go back upstairs and write a poem about the experience. I think she would be pleased. . . .
A Parental Review -- Toddler Freindly American Songs.......2001-08-19
I have been thinking when is a good time to introduce Opera voice to my toddler daughter. I realized that it is not the timing issue, it is more a decision about the composition, melody and performance. And Thomas Hampson's American Songs is the hidden jewel. His interpretation of "Bought me a cat" (along with Hugh Wolff conducting Saint Paul Chamber Orchestra) is whimsical, sparkling, colorful, dynamic, delightful and toddler friendly. It is also a perfect exposure to fun and mighty part of American Music. However, I will wait a little bit longer before playing the other half of album, Dawn Upshaw's Dickinson poems, to my little one.
Average customer rating:
- Time Capsule
- Unexpected
- An album to treasure
- A classic recording of American songs
- The sessions of sweet silent thought stirred
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Songs by Stephen Foster, Vol. 1-2
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Stephen Foster Songs: Parlor & Minstrel Songs, Dance Tunes & Instrumentals
- Stephen Foster Song Book
- American Dreamer: Songs of Stephen Foster; Thomas Hampson; Jay Unger; Molly Mason
- Swanee: The Music of Stephen Foster
- DOO-DAH: Stephen Foster and the Rise of American Popular Culture
ASIN: B000005IYE
Release Date: 1992-05-28 |
Tracks:
- Songs By Stephen Foster: Jeanie With The Light Brown Hair
- Songs By Stephen Foster: There's A Good Time Coming
- Songs By Stephen Foster: Was My Brother In The Battle?
- Songs By Stephen Foster: Sweetly She Sleeps, My Alice Fair
- Songs By Stephen Foster: If You've Only Got A Moustache
- Songs By Stephen Foster: Gentle Annie
- Songs By Stephen Foster: Wilt Thou Be Gone, Love?
- Songs By Stephen Foster: That's What's The Matter
- Songs By Stephen Foster: Ah! May The Red Rose Live Alway
- Songs By Stephen Foster: I'm Nothing But A Plain Old Soldier
- Songs By Stephen Foster: Beautiful Dreamer
- Songs By Stephen Foster: Mr. & Mrs. Brown
- Songs By Stephen Foster: Slumber My Darling
- Songs By Stephen Foster: Some Folks
- Songs By Stephen Foster: We Are Coming, Father Abraam, 300,000 More
- Songs By Stephen Foster: Linger In Blissful Repose
- Songs By Stephen Foster: There Are Plenty Of Fish In The Sea
- Songs By Stephen Foster: Come Where My Love Lies Dreaming
- Songs By Stephen Foster: The Soiree Polka
- Songs By Stephen Foster: Better Times Are Coming
- Songs By Stephen Foster: Katy Bell
- Songs By Stephen Foster: The Hour For Thee And Me
- Songs By Stephen Foster: Summer Longings
Customer Reviews:
Time Capsule.......2006-11-30
The voices and instruments, like the songs, are straight from the mid-19th century. If you want to be transported back in time 150 years to a wonderful parlor performance of Foster's songs, this is the album to do it. The voices are marvelous and trained, and one must imagine that the strict phrasing and style are what one would have expected at the time. The cheap upright piano is perfect.
But the one perfect moment for me is the ONLY good extant rendition of "Was My Brother in the Battle?". Accompanied on a harmonium or pump reed organ, if this song doesn't tempt a tear, you simply aren't a romantic.
Very highly recommended.
Unexpected.......2005-11-26
Quality of this recording is fantastic! Performances are superb! However, they don't fit being an example of Foster's music and times. I was expecting banjos and a Mississippi Sound - therfore, very, very disappointed in this CD and consider and a waste of money. Be sure to LISTEN to a few examples to match what you are looking for and what the CD offers. I, unfortunately did not listen before I bought. I rate this low only because my expectations were shattered. This IS a fine CD if opera styles are ok for an example of this southern, 1800's composer's work.
An album to treasure.......2004-09-23
The landmark Library of Congress album, now on enhanced CD. Years
ago, I went on a six-months field assignment to a remote area of
Africa, where I could take only what music I could carry in a vest
pocket. I chose a tape player and two albums: a recital by Perlman
and this album on tape, and was content. If you love American
music, sung poetry, beautiful singing and deeply moving musicality,
this is an album you will treasure for a lifetime.
A classic recording of American songs.......2004-08-22
What can I say that hasn't already been said below? I only wanted to reiterate how wonderful this album is and assure the reader the sound is spectacular on CD. This is a live recording, and intentionally so, as the idea was to create a "parlor" experience as these were parlor songs to be sung by family and friends around the old upright piano. I especially liked the comment about the upright piano which, indeed, does croak and clank throughout the performance adding a note of "authenticity" without becoming obtrusive.
If only Ms. DeGaetani had graced my parlor...
The sessions of sweet silent thought stirred.......2003-11-22
I have never heard such unadulterated extraworldy sound emanate from two human voices and what would otherwise be firewood (the period instruments played by Gilbert Kalish). It stirs profound patriotism and a deep sentimentality for our early days when a civilized people pined to find virtue by examining its own body-- the north and the south, the small town, the simple flag, and the beauty of gentile manly and womanly love expressed through equisite song. There is no other music I would rather hear 'when summoning up the remembrance of things past.' The ghost of the early American parlor will prick your skin through these simple hymns and you may escape for a moment our troubled and busy times.
Average customer rating:
- Inspirational!
- hymns we sang in church
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Abide With Me
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Hymns Through the Centuries
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ASIN: B000024236
Release Date: 1996-06-10 |
Tracks:
- Praise, My Soul, The King of Heaven - Choir of King's College, Stephen Cleobury
- Christ Is Made the Sure Foundation - Choir of King's College, Stephen Cleobury
- All Glory, Laud and Honour - Choir of King's College, Stephen Cleobury
- When I Survey the Wondrous Cross - Choir of King's College, Stephen Cleobury
- Day of Resurrection - Choir of King's College, Stephen Cleobury
- O God, Our Help in Ages Past - Choir of King's College, Stephen Cleobury
- Dear Lord and Father of Mankind - Choir of King's College, Stephen Cleobury
- Praise to the Holiest in the Height - Choir of King's College, Stephen Cleobury
- Praise to the Lord - Choir of King's College, Stephen Cleobury
- Church's One Foundation - Choir of King's College, Stephen Cleobury
- Crown Him With Many Crowns - Choir of King's College, Stephen Cleobury
- Love Divine, All Loves Excelling - Choir of King's College, Stephen Cleobury
- Holy, Holy, Holy! Lord God Almighty - Choir of King's College, Stephen Cleobury
- Now Thank We All Our God - Choir of King's College, Stephen Cleobury
- Abide with Me - Choir of King's College, Stephen Cleobury
- O Praise Ye the Lord - Choir of King's College, Stephen Cleobury
- Drop, Drop, Slow Tears - Choir of King's College, Sir David Willcocks
- Glory Be to Jesus - Choir of King's College, Sir David Willcocks
- There Is a Green Hill Far Away - Choir of King's College, Sir David Willcocks
- According to Thy Gracious Word - Choir of King's College, Sir David Willcocks
- Holy Father, Cheer Our Way - Choir of King's College, Sir David Willcocks
- Glory to Thee, My God, This Night - Choir of King's College, Sir David Willcocks
- Day Thou Gavest, Lord, Is Ended - Choir of King's College, Sir David Willcocks
- Hark! A Thrilling Voice Is Sounding - Choir of King's College, Sir David Willcocks
- On Jordan's Bank the Baptist's Cry - Choir of King's College, Sir David Willcocks
Tracks:
- Onward, Christian Soldiers - Huddersfield Choral Society, Wyn Morris
- Lord's My Shepherd - Huddersfield Choral Society, Wyn Morris
- Guide Me, O Thou Great Jehovah - Huddersfield Choral Society, Wyn Morris
- All People That on Earth Do Dwell - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
- O Come, O Come, Emmanuel - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
- Forty Days and Forty Nights - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
- O Sacred Head, Now Wounded - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
- Christ the Lord Is Risen Today - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
- Head That Once Was Crown'd With Thorns - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
- Rock of Ages - Choir of King's College, Maurice Vinden
- Eternal Father, Strong to Save - Choir of King's College, Maurice Vinden
- All Things Bright and Beautiful - Choir of Paisley Abbey, George McPhee
- Be Thou My Vision - Choir of Paisley Abbey, George McPhee
- Be Still, My Soul - Choir of Paisley Abbey, George McPhee
- King of Love My Shepherd Is - Choir of Paisley Abbey, George McPhee
- Let Us With a Gladsome Mind - Choir of Paisley Abbey, George McPhee
- For All the Saints - Choir of Paisley Abbey, George McPhee
- O Worship the King - Choir of Paisley Abbey, George McPhee
- Come, Thou Long-Expected Jesus - Choir of King's College, George Guest
- Let All Mortal Flesh Keep Silence - Choir of King's College, George Guest
- Spirit of Mercy, Truth, And Love - Choir of King's College, George Guest
- Lead Us, Heavenly Father, Lead Us - Choir of King's College, George Guest
- Immortal, Invisible, God Only Wise - Choir of King's College, George Guest
- Jesu, Lover of My Soul - Choir of King's College, George Guest
- Jerusalem - Bournemouth Symphony Orchestra, Choir of King's College, ,
Album Details
Compiled Here Are Fifty of the Most Beloved Hymns Performed by Three of England's Most Distinguished Choirs. Every Selection Here is Sung in an Appropriately Dignified Manner and If You're Up for Over Two Hours of Consistently Well-rendered Quintessentially English Treatments of These Vernacular Favorites it Simply Doesn't Get Any Better Than This.
Customer Reviews:
Inspirational!.......2004-10-08
Majestic hymns sung with British accents. A great combination! I haven't noticed any objectionable sounds on my copy.
hymns we sang in church.......2003-02-16
i grew up in a traditional presbyterian church that had a pipe organ. i wanted a cd of many of the hymns that we sang in church sung by a choir and accompanied by a pipe organ. this cd fulfilled my wishes perfectly. the hymns are performed in a very straight-forward fashion with no show-boating or excess flourishes which is exactly what i wanted. this is not gospel music but what i refer to as liturgical music to indicate that it is religious music but not gospel music. i would give it 5 stars but there is a slight hiss. other than that the recording quality is very good.
Average customer rating:
- Still singin' those mountain ballads after all these years
|
Best of the Carter Family
The Carter Family
Manufacturer: Prism Platinum
ProductGroup: Music
Binding: Audio CD
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ASIN: B00004KRZF
Release Date: 2001-03-22 |
Tracks:
- Keep on the Sunny Side
- Wildwood Flower
- Bury Me Under the Weeping Willow
- Anchored in Love
- Worried Man Blues
- John Hardy Was a Desperate Little Man
- I'm Thinking Tonight of My Blue Eyes
- My Clinch Mountain Top
- Foggy Mountain Top
- Little Darling Pal of Mine
- Sailor Boy
- When I'm Gone
- Single Girl , Married Girl
- Rambling Boy
- Mountain of Tennessee
- My Old Cottage Home
- Wandering Boy
- In the Valley of the Shenandoah
- Storms Are on the Ocean
- Meet Me by the Moonlight Alone
- Dying Soldier
- Lonesome Valley
- Chewing Gum
- Jimmie Rogers Visits the Carter Family
Customer Reviews:
Still singin' those mountain ballads after all these years.......2006-12-05
Country music fans today, just listen to the music and enjoy it for what it is, but did we ever really think about the starts of country music? Who started it? What kind of songs did they sing? Were they any good? Did their children follow in their footsteps and were they sucessful?
So many questions!! This CD is the answer. The first family of country music was the Carter Family, A.P., Sara, and Maybelle of Clinch Mountain, VA. But they were much more than mountain hilbillies who liked to party on friday nights. They wrote songs about lost love, the place they knew and loved, and most of all, just fun songs.
We start off with the legendary. "Keep on the Sunny Side," the Carter's theme song. This song is basically about how if we just look on the bright side of things, they aren't so bad after all. "Storms and clouds will in time pass away, and the sun again will shine, bright and clear."
Hey June Carter fans? Did you know where "Wildwood Flower" came from? It was from the good ol' Carter Family! Actually, it was one of their first hits, probably the most reknown carter family song in the world. About lost love, it's a song you'll want to sing 24/7!
"Worried Man Blues," is my very favorite Carter Family song. It has a catchy tune, and a good beat. The song is about a man who is sentenced to go to prison, but he has no idea what he's done. Filled with fun and laughter, this will become and family favorite.
"My Clinch Mountain Home," tells you alot about the Carter's backaround history. It reflects the carter's lives from "Ole Virginny."
"Foggy Mountain Top," is a great song. It features Sara's yodeling, and Maybelle's great guitar pickin'. This song, like "My Clinch Mountain Home", secretly shares backaround information about life as a Carter as well.
Ah, "Single Girl, Married Girl," the Carter's first hit, and undoubtfully their most sucessful. This is a solo for Sara, and also a solo for her autoharp.
In "My Old Cottage Home," A.P. does most of the singing, which is rare since he usually only did backup. Very similar to "My Clinch Mountain Home," but also very different. It's one of my favorites, so yuo will proabaly liek it too.
"The Valley of Shanandoah," is a very sad song. It tells a story about how a man fell in love with a beautiful girl in the past summer and promises to return to her next year so they can be married. Sadly, when the man returns, he finds that his true love had passed away into the great kingdom above. Teh song may be sad, but it capture your heart.
"Chewing Gum," is a really fun song to sing, and it really helps past the tiem away. A song that Sara wrote when she was a child, "Chewing Gum," features many funny lines that will make you laugh out loud as if you were watching Hee-Haw!
If you buy this CD, it's liek hearing the Carter's story through music. It's truly any country msuic fan's treasure. Be sure to read my other revies for June Carter Cash's "Press On", "Wildwood Flower", "Keep on teh Sunyn Side: Her life in Music, and "Live Recordings from the Lousiana Hayride."
June
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