Trying to Love You [CD-single] [Import]

Trying to Love You [CD-single] [Import]

ASIN: B0001XQDQG

Track Listings

1. Trying To Love You

2. Maybe It's Love

Tracks:

Come Let Us Sound With Melody
Tune Thy Musicke To Thy Hart
Come You Pretty False-Ey'D Wanton
There Is None, O None But You
Sweet Exclude Mee Not
I Care Not For These Ladies
Though You Are Yoong And I Am Olde
Fire, Fire, Fire, Fire!
What Then Is Love But Mourning?
Shall I Come, Sweet Love, To Thee?
Beauty, Since You So Much Desire
What Is It All That Men Possesse?
The Sypres Curten Of The Night
Jacke And Jone They Think No Ill
It Fell On A Sommers Daie
When To Her Lute Corrina Sings
My Sweetest Lesbia
Her Rosie Cheekes, Her Ever Smiling Eyes
Faire, If You Expect Admiring
There Is A Garden In Her Face
Author Of Light
Never Weather-Beaten Saile
Most Sweet And Pleasing Are Thy Wayes
To Musicke Bent Is My Retyred Minded
Thou Joy'St, Fond Boy
Turne All Thy Thoughts To Eyes
Vaile, Love Mine Eyes
Miserere My Maker

Customer Reviews:

Fine recital of neglected composer.......2000-10-29

I'd agree with the earlier reviewer that this CD is for those who have already tried Dowland. However Dowland has been fortunate in the recording studio and Campion much neglected (this appears to be the only disc dedicated to him currently available) so Naxos deserve our thanks for having brought Rickards and Linell back together for a second disc. What is particularly encouraging is to find a whole disc of songs, not just a few raisins in a cake of viol music which is how Dowland and his contemporaries are normally represented. Not that I've anything against mixed recitals - the collaborations of Fretwork with Red Byrd are beautiful - but it tends to be the same better known songs.

The first recordings of early English music on the Naxos label (I'm thinking of Summerly's earlier recordings of Byrd, Tomkins, Gibbons) lacked texts, that has been corrected in later releases, including both this disc (timing 52:52), and the earlier Rickards Dowland recital (8.553381, 1997, timing 74:08). Sound on both discs is more than adequate.

Good Performance but the content?.......2000-02-01

I make no claims to being knowledable about the intricacies of this music. But if I were giving stars I'd give the performance four or five and the content...um...that's the hard part.

I bought this out of curiosity. Campion's lyrics turn up occasionally in anthologies of poetry and I was curious to hear the songs. I own Rickards and Linell's "Dowland: Flow my tears and other lute songs" and i play it often so I also wanted to know what Dowland's competition sounded like.

Firstly, the performance is of the same high standard as on the other disk. Which is good. Linell plays well and Rickards' voice is fine. The liner notes provide good background information as well as the words to the songs. The only real complaint I could have about the performance is probably related to production: The lute sounds small, thin and distant compared with, say, Bream's lute on "The golden age of English Lute music" or Lindberg's on "The complete solo lute music". This is true of the pair's Dowland recording as well but it may only be a drawback if you're trying to use the performances as a guide to playing the songs yourself. ( I was).

The real drawback to this recording though is the material. Play the Dowland and you're liable to find yourself humming odd snatches of the songs. Play the Campion and you're liable to have difficulty remembering any of the individual tunes. Nor do the lyrics redeem the music. He probably was a "better " lyric writer than Dowland (whatever that means) but music wise Dowland beats him hollow.

Tracks:

Beauty, Since You So Much Desire
Love Me Or Not
Your Fair Looks
Never Love Unless You Can
O Never To Be Moved
The Cypress Curtain Of The Night
Awake Thou Spring Of Speaking Grace
Come, You Pretty False-Eyed Wanton
So Tired Are All My Thoughts
Fire, Fire
Pined I Am, And Like To Die
Author Of Light
See Where She Flies
Fair, If You Expect Admiring
Shall I Come, Sweet Love, To Thee?
It Fell On A Summer's Day
Kind Are Her Answers
Beauty Is But A Painted Hell
Sweet Exclude Me Not
Are You What Your Fair Looks Express?
I Care Not For These Ladies
Never Weather-Beaten Sail

Customer Reviews:

a voice teacher and early music fan.......2006-12-24

Thomas Campion (1567-1620) was a poet as well as a musician, and his songs definately reflect this ability, for they could just as well be read as sung. Philip Rosseter ( his friend) states that his 118 songs were "superfluous blossomes of his deeper Studies," no doubt referring to his Latin poetry , or perhaps medicine, which was his profession. What Campion did better than Dowland, or any other English composer of the day, was to "couple my words and notes lovingly together, which will be much for him to doe that hath not power over both." It is best to listen to them in order of priority to poem, melody and lastly singer. His melodies are simplistic and unadorned by shocking harmony designed to overpower the weight of the word itself. T.S. Eliot was in no doubt about Campion's quality:"except for Shakespeare, the most accomplished master of rhymed lyric of his time."
The performance of these songs by Drew Minter (countertenor) accompanied by Paul O'Dette (lute) is really quite outstanding. I must say that this disc is so much better than Minter's other disc of lute songs "Sweeter Than Roses". His voice had a much clearer tone quality and he did not get 'nasal' or 'edgy' as he is prone to do. He kept his voice light and distinct with very neat diction. When he goes for a loud full sound like Michael Chance or David Daniels his voice is not pleasant to hear. But this album is very good and his emotional investment into each song was excellent. Just a very good LISTEN!!!!

Serious Drawback.......2006-04-08

Elizabethan Songs. Twenty-two songs by Thomas Campion (1567 – 1620), performed by Drew Minter (countertenor) and Paul O’Dette (lute).
Recorded in November 1989 at Bethel United Church of Christ, Manchester, Michigan.
Harmonia Mundi. Originally issued as HMU 907023, now re-issued as part of the budget-price Classical Express series as HMCX 3957023. Total time: 58’23”.

Thomas Campion was a contemporary of both Shakespeare and Dowland and was a medical doctor who wrote poetry which he also set to music. Drew Minter performs twenty-two of these here with his inimitable coppery countertenor, a voice which is, in fact, very beautiful, but needs considerable getting used to if you are new to it. (Minter sings at alto pitch, but nobody would mistake him for a female!) He is accompanied by master lutenist Paul O’Dette, whose contribution remains fairly quietly in the background. The songs themselves are, of course, in Elizabethan English, making them rather difficult to understand. And this is where this CD suffers a serious drawback: the texts are not printed in the thin CD booklet; instead, there is a note saying that they can be downloaded from the internet, but when I tried to visit the site mentioned (on more than one occasion recently), the server was down, the address unknown. I nevertheless enjoyed listening, but without really knowing what Minter was singing so delightfully about. Campion’s melodies sound to my ear a little “samish”, and I occasionally found myself wishing that the program had been interrupted by a lute solo or two.

Pleasant recital of Dowland contemporary.......2001-03-28

There is little overlap between this Campion CD and the similar recital featuring another American countertenor, Steven Rickards, on Naxos. However if forced to choose between the two note that the Naxos release includes sung texts, while this one from Classical Express does not. On the other hand O'Dette is a more characterful lute player.

Lehár: The Merry Widow (Highlights) (Sung In English)

Average customer rating:

This One Is Good---But Not "The Best"
Joan Sutherland under the baton of Richard Bonynge
Performances better than the recording

Lehár: The Merry Widow (Highlights) (Sung In English)

Manufacturer: Umvd Import
ProductGroup: Music
Binding: Audio CD

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The Merry Widow
Lehar - Merry Widow / Kenny, Skovhus, Kirchschlager, Turay, Kunzel, San Francisco Opera
Lehár - The Merry Widow / Schwarzkopf, Wächter, Steffek, Gedda, Knapp, von Matacic
Music of Sigmund Romberg
The Best of Operetta, Vol. 1

ASIN: B0000263HG
Release Date: 2002-01-28

Tracks:

Overture
March & Duet A Highly Respectable Wife
Hanna's Entrance Gentlemen, No More
Solo I'm Off To Chez Maxim
Duet Proceed, One Girl Has Almond Eyes
Finale Ladies Choice
Vijla Song Let's All Now Waken Memories
Duet Such A Silly Soldier Boy
Romanza Love In My Heart Was Dying
Finale This Match Should Last At Least A Year
The Cake Walk
Njegus' Aria I Was Born By Cruel Fate
Cancan We're The Famous Maxim Playgirls
Duet Love Unspoken, Faith Unbroken

Customer Reviews:

This One Is Good---But Not "The Best".......2006-09-12

Type the following into the search on Amazon to find the best English version of The Merry Widow: Léhar: The Land of Smiles; The Merry Widow; The Count of Luxembourg (Highlights)

Arguably "The Best" English "Merry Widow ", September 11, 2006

The "best version" of the "Merry Widow" is NOT this one. The best version is the one with English translation by Christopher Hassel sung by June Bronhill. I loved that rendition ever since I first heard it in about 1960. What's to love? First the translation is the best I've heard. The language doesn't sound "stilted" as some others. And, you can understand almost every word sung. Plus, the famous song, "Vilja" has some wording that moves me every time I hear it: The soprano sings, "Love me and I'll DIE for you!" with "die" somewhat emphasized. I don't know, there's just something "powerful" about someone saying they'd "die" for love! AND, at the end of "Vilja" the chorus and soprano raise to a crescendo hitting a high note together. In many renditions the chorus is heard but not the soprano on the final high note. In THIS version, the soprano, June Bronhill, can be heard rising to the final high note LOUDER than the chorus---which gives a very thrilling effect as she holds that final note, I assure you!

The "problem" is that this June Bronhill, Reid, and Hassel version is hard to find on CD. For example, the Bronhill CD is made in Holland and "there is one left", so it says on Amazon. But, if you can find it, I think it would be very much worth a listen. Then, after hearing it, if you think there's a "better" Merry Widow, please let ME know! Thanks. Email:boland7214@aol.

Joan Sutherland under the baton of Richard Bonynge.......2004-02-24

THE MERRY WIDOW, Franz Lehar's dizzying and delightful operetta chestnut, is given the grand treatment in this highlights album featuring Joan Sutherland.

There have been many widows (including June Bronhill, Anna Moffo, Beverly Sills), though Joan Sutherland's WIDOW has always been especially grand. The supporting cast on this recording features Werner Krenn as Count Danilo with Valerie Masterson as Valencienne, Regina Resnik as Zo-Zo and John Brecknock as Camille, with Francis Egerton, John Fryatt, Graeme Ewer and the Ambrosian Singers.

Sutherland's performance as Hanna Glawari is full of masterful strokes and she approaches the score with a twinkle in her eye, aware of the comedy in the piece. Richard Bonynge conducts the National Philharmonic Orchestra and they are especially chill-inducing with the Overture.

All-in-all a superlative recording at a bargain price.

Performances better than the recording.......2004-01-18

Unfortunately this CD was made from the Australian TV tapeing of The Merry Widow, a shame that the microphones are not of high enough quality to capture the really fine performances, it is hard enough to understand what is being sung when properly recorded let alone when the equipment stinks, however if you enjoy Joan Southerland as much as I do you can overlook the flaws in the recording and just get carried away with the voice, it would be nice if a libretto had been included, a rarity today, that used to be common in the era of the LP

A.E. Housman: A Shropshire Lad, Complete in verse and song

Average customer rating:

A.E. Housman: A Shropshire Lad, Complete in verse and song
Alan Bates , Anthony Rolfe Johnson , and Graham Johnson
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005S85Q
Release Date: 2001-12-11

Average customer rating:

a voice teacher and early music fan

Campion: English Ayres

Manufacturer: Linn Records
ProductGroup: Music
Binding: Audio CD

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Partsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music

Tracks:

Come Cheerful Day
The Peaceful Western Wind
Turn Back You Wanton Flyer
It Fell On A Summers Day
When To Her Lute
Break Now My Heart And Die
My Love Hath Vowed
I Care Not For These Ladies
Shall I Come, Sweet Love, To Thee?
Fire, Fire
All Looks Be Pale
Jack And Joan
There Is A Garden In Her Face
Fain Would I Wed
Sweet, Exclude Me Not
Could My Heart More Tongues Employ
Kind Are Her Answers
A Secret Love Or Two
Beauty Is But A Painted Hell
Oft Have I Sighed
I Must Complain
Leave Prolonging Thy Distress
The Cypress Curtain Of The Night Is Spread
Author Of Light
Never Weather-Beaten Sail

Customer Reviews:

a voice teacher and early music fan.......2005-12-23

What a great line-up of singers on this disc! Although Campions' songs are written as solo songs he stated at the time that they may also be enjoyed as part songs. On this CD they are tastefully mixed both vocally and instrumentally. There are trios with soprano, tenor, baritone and lute where the lute is treated almost like another voice part. Each of the singers has a solo or two and Chance has several. It is also good to keep in mind that Thomas Campion (l567-l620) was a poet as well as a musician who had the capability of putting together the two art forms, words and music. As he says, "lovingly coupled together." From over 100 songs it was difficult to select only 25, but Campion helped us by placing his prize songs often at the beginning of a volume. And it is certainly appropriate to present these chosen songs with varied vocal combinations. My favorites are the last three on the album: "The Sypres curten of the night is spread" (Michael Chance); "Author of Light" (quartet:(Elliott-soprano;Chance-countertenor;Padmore-tenor;Harvey -baritone) and "Never weather-beaten Saile" (Chance).

Brian Asawa - The Dark Is My Delight And Other 16th Century Lute Songs / Tayler

Average customer rating:

Too Rushed, Low on Feeling
Beyond mediocre
Pretty voice sings pretty songs, but it's pretty mediocre...
HEAVEN!!!
HEAVEN!!!!!!!!!!!!!!!

Brian Asawa - The Dark Is My Delight And Other 16th Century Lute Songs / Tayler

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Brian Asawa - more than a day ~ music of Ned Rorem
Brian Asawa - Vocalise / Marriner, Academy of St. Martin in the Fields

ASIN: B000003G9X
Release Date: 1997-10-14

Tracks:

Come Again, Sweet Love Doth Now Invite
His Golden Locks Time Hath To Silver Turn'd
Flow My Tears
It Was A Time When Silly Bees Could Speak
Sorrow, Stay!
Can She Excuse My Wrongs
A Shepherd In A Shade His Plaining Made
Time Stands Still
Go, Crystal Tears
I Saw My Lady Weep
Away With These Self-Loving Lads
Now Hath Flora Robb'd Her Bow'rs
Author Of Light, Revive My Dying Sprite
Come Let Us Sound With Melody The Praises
Oft Have I Sigh'd For Him That Hears Me Not
Turn Back, You Wanton Flyer
This Merry Pleasant Spring
There Were Three Ravens
The Dark Is My Delight
Willow Song
Miserere My Maker
Where The Bee Sucks
O Death, Rock Me Asleep

Amazon.com

As one of the leaders of an exciting new generation of countertenors, Brian Asawa benefits not only from his distinctive voice, but also from his record label's publicity machine, which has made his name and his first two recordings strongly recognized by critics and listeners. Asawa's success at the Metropolitan Opera Auditions in 1991 and his many opera performances in the United States and abroad certainly haven't hurt his career. The voice we hear is unquestionably pretty and technically refined, but its throaty, dark timbre sounds more like the efforts of a man trying to sound like a woman. He just doesn't have that uniquely male countertenor quality exemplified by three of Asawa's more engaging colleagues--Andreas Scholl, David Daniels, and Daniel Taylor. That's not to say that these performances of some of the 16th century's loveliest songs are not eminently listenable and occasionally sublime. Asawa's agile voice projects a strong character coupled with an effortless delivery that will appeal to many listeners. He has an annoying habit, however, of singing slightly behind the beat and gradually leaning into longer-held notes. --David Vernier

Customer Reviews:

Too Rushed, Low on Feeling.......2006-03-04

I've really tried to like Brian Osawa but when I hear this CD, it sounds to me like he's faking his way through the songs, though I doubt he in fact is. It's passionless.Thankfully I bought this CD used for only $9.99 CDN. Regretably, I will likely be selling it back to the used CD store from which it came. Daniel Taylor and James Bowman's Love Bade me Welcome would be a much better selection, i bought it new and its worth every cent!

Beyond mediocre.......1999-08-26

Sorry, but this self-involved, primping prissy, gen-x "amerrican" version of lute song is a far cry from what I would have hoped to have heard from this supposed "promising" artist. The only promise we can hope for is that he stops inflicting this pap on us. If this is the future of opera, get me outta here.

Pretty voice sings pretty songs, but it's pretty mediocre..........1999-07-04

This album of 16th century songs was VERY highly recommended to me by a store clerk at my local music retailer. I did not preview the album before buying it, but was intrigued by the seeming popular nature of the albums production and promotion. As a 20th centuruy composer and performer, I have dealt extensively with the human voice, in all it's many guises and forms. Asawa's voice has a sweet and fairly clean alto character, but the desired strenth and passion of the counter tenor labeling is obviously lacking. I do not doubt that future albums, perhaps featuring a more complex instrumentation and format will show that Mr. Asawa's voice can be something more than a young alto with an overindulgent rubato complex. The album is not the worst I have heard utilizing "non-traditional" male voices, but the clarity of line and sensitivity needed to convey emotion in these songs is something that perhaps is better left to a more tenured voice. I am ooking forward to seeing what the future brings us from Mr. Asawa, but I do hope he will be braver with the timbres and colors in his voice. It is truly a shame not to let the emotive quality of the counter tenor voice lead the way over "technical" purity.

HEAVEN!!!.......1998-10-01

When you start the CD and sit back you will literally think you have died and gone to heaven! Brian Asawa is heaven on Earth!

If you have not heard anything from Brian, you are in for an extraordinary treat. Brian's voice is an incredible gift that every person should be exposed to. "The Dark is My Delight" is a wonderful display of Brian's range and vocal gifts. A collection of mostly 14th Century lute songs, it is a perfect subject for Brian's unique voice. "Come Again, Sweet Love" is a perfect opening song as it gives you his full range and style. In the beginning you cannot believe that this sweet, melodious voice can be coming from a human, muchless a male. You'll be thinking that throughout this wonderful CD.

There are few CDs that are so extraordinary but then again this is Brian's first CD. EVERYONE should listen and expose themselves to Brian Asawa's talents. He can only be looked upon as a rising countertenor star soon to be at the same level as the "great tenors!" I am not exaggerating. FIVE STARS and TWO THUMBS UP!!! There is nothing more I can say!

HEAVEN!!!!!!!!!!!!!!!.......1998-09-30

Brian Asawa is simply heaven on Earth! Nothing else can describe that wonderous voice of his. You literally feel like you have died and are hearing the angels welcome you to their kingdom. When you listen to the CD you'll understand!

The compilation of songs here are an excellent line-up for Brian. It allows him to, in a sense, tell you stories with excellent lute accompaniment. "Come Again, Sweet Love" was an excellent choice to lead off the CD as it showcases the extraordinary abilities of Brian. His sweet and melodic voice almost transports you back to the late 1500s when this song was written. In fact, you will probably get that feeling with every song on this CD but it is to Brian's abilities that we credit this.

Tracks:

Wass Soll Der Zorn - Elisabeth Rethberg/Coenraad Van Bos
Ich Esse Nun Mein Brot - Elisabeth Rethberg/Coenraad Van Bos
Wie Soll Ich Frohlich Sein - Elisabeth Rethberg/Coenraad Van Bos
Wie Lange Schon - Elisabeth Rethberg/Coenraad Van Bos
Du Sagst Mir - Elisabeth Rethberg/Coenraad Van Bos
Ich Liess Mir Sagen - Elisabeth Rethberg/Coenraad Van Bos
Woll Kenn'Ich Euren Stand - Elisabeth Rethberg/Coenraad Van Bos
Man Sagt Mir - Elisabeth Rethberg/Coenraad Van Bos
Wenn Du, Mein Liebster - Elisabeth Rethberg/Coenraad Van Bos
Mein Liebster Singt - Ria Ginster/Michael Raucheisen
O War'Dein Haus - Ria Ginster/Michael Raucheisen
Gesegnet Sei Das Grun - Ria Ginster/Michael Raucheisen
Mir Ward Gesagt - Ria Ginster/Michael Raucheisen
Mein Liebster Ist So Klein - Ria Ginster/Michael Raucheisen
Ich Hab'In Penna - Ria Ginster/Michael Raucheisen
Gesegnet Sei, Durch Den Die Welt - Gerhard Husch/Hanns Udo Muller
Ihr Seid Allerschonste - Gerhard Husch/Hanns Udo Muller
Hoffartig Seid Ihr - Gerhard Husch/Hanns Udo Muller
Dass Doch Gemalt - Gerhard Husch/Hanns Udo Muller
Und Willst Du - Gerhard Husch/Hanns Udo Muller
Wenn Du Mich - Gerhard Husch/Hanns Udo Muller
Heut'Nacht Erhob Ich Mich - Gerhard Husch/Hanns Udo Muller
Ein Standchen - Gerhard Husch/Hanns Udo Muller
Nunn Lass Uns Frieden - Alexander Kipnis
Wir Haben Beide - Alexander Kipnis
Geselle, Woll'N Wir Uns - Alexander Kipnis
Heb'Auf Den Blondes Haupt - Alexander Kipnis
Sterb'Ich, So Hullt In Blumen - Coenraad Van Bos
Wie Viele Zeit - Alexander Kipnis
Was Fur Ein Lied - Alexander Kipnis
Muhvoll Komm'Ich - Elisabeth Rethberg/Coenraad Van Bos
Auf Den Grunen Balkon - Gerhard Husch/Hanns Udo Muller
Treibe Nur Mit Lieben Spott - Gerhard Husch/Hanns Udo Muller
Trau'Nicht Der Liebe - Ria Ginster/Gerald Moore
Sie Blasen - Ria Ginster/Gerald Moore
Biterolf - Herbert Janssen/Michael Raucheisen
Seufzer - Herbert Janssen/Michael Raucheisen
Gebet - Herbert Janssen/Michael Raucheisen

Tracks:

Auf Ein Altes Bild - Herbert Janssen/Michael Raucheisen
An Die Geliebte - Herbert Janssen/Michael Raucheisen
Verborgenheit - Herbert Janssen/Michael Raucheisen
Denk'Es, O Seele - Herbert Janssen/Michael Raucheisen
Bei Einer Trauung - Herbert Janssen/Michael Raucheisen
Ein Stundlein Wohl Vor Tag - Ria Ginster/Michael Raucheisen
Elfenlied - Ria Ginster/Michael Raucheisen
Wie Glanzt Der - Alexander Kipnis/Gerald Moore
Cophtisches Lied I - Alexander Kipnis/Gerald Moore
Der Musikant - Alexander Kipnis/Gerald Moore
Der Soldat I - Alexander Kipnis/Gerald Moore
Der Schreckenberger - Alexander Kipnis/Gerald Moore
Der Feuerreiter - Helge Roswaenge/Gerald Moore
Gesellenlied - Helge Roswaenge/Gerald Moore
Migon I: Heiss Mich Nicht Reden - Marta Fuchs/Michael Raucheisen
Migon III: So lasst Mich Scheinen - Marta Fuchs/Michael Raucheisen
An Den Schlaf - Karl Erb/Gerald Moore
Lebe Wohl - Karl Erb/Gerald Moore
Ach, Im Maien War'S - Karl Erb/Gerald Moore
Herz, Verzage - Karl Erb/Gerald Moore
Storchenbotschaft - Marta Fuchs/Gerald Moore
Neue Liebe - Marta Fuchs/Michael Raucheisen
Dereinst, Dereinst - Herbert Janssen/Gerald Moore
Alle Gingen - Herbert Janssen/Gerald Moore
Tief Im Herzen - Herbert Janssen/Gerald Moore
Zur Ruh - Herbert Janssen/Gerald Moore
Komm, O Tod - Herbert Janssen/Gerald Moore
Wiegenleid (Im Sommer) - Tiana Lemnitz/MIchael Raucheisen

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Campion: Ayres

Manufacturer: Harmonia Mundi
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

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ASIN: B0000007CL
Release Date: 1992-12-07

Average customer rating:

Julianne Baird is the reason to buy this CD

Celtic Caravans - Road to Romanticism

Manufacturer: MSR Classics
ProductGroup: Music
Binding: Audio CD

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General | Folk | Styles | Music

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ASIN: B0002RROZU
Release Date: 2004-07-27

Tracks:

Traditional Scottish Songs (arr. Haydn)
Traditional Welsh Airs
Traditional Scottish Songs (arr. Haydn)
Instrumental Variations
Original English Songs (Haydn)
Traditional Scottish Instrumentals
Original English Songs (Haydn)
Traditional Welsh Airs (arr. Haydn)

Album Description

Traditional Celtic music has almost continually enlivened the world of formal classical music. While Celtic-speaking peoples lived through much of central Europe during the first millennium BCE -- including modern France, Austria, Switzerland and beyond -- during the following 2000 years leading up to our own time, their range has gradually narrowed to just the British Isles and western France. While 'Celtic' in America and Britain increasingly refers simply to 'Irish' music, in Europe 'Celtic' may refer broadly to the music of any of the far-flung branches of the ancient linguistic tree.

Our program explores actual Scottish, Welsh and Irish music as well as arrangements conceived by Haydn and Beethoven to flatter the 'exotic' taste of art-music audiences. In addition, we present Haydn's canzonettas, which are essentially newly created works inspired by English folksong style. At this time, when music was beginning to overflow the banks of Classicism to become Romanticism, the term 'Celtic'had not truly emerged as a political and artistic term. Only in the late 19th century did the 'Celtic Twilight' movement associated with William Butler Yeats consciously attempt to revive ancient relationships between the various far-flung Celtic peoples.

Customer Reviews:

Julianne Baird is the reason to buy this CD.......2007-04-06

If you love Celtic music as I do, this is a must have for your CD colletion. Julianne Baird has more than a beautiful voice; she is a first rate musician and interpreter of these traditional Scottish and Welsh songs.

Check out the third item on the sampler. I think you will love the traditional scottish songs arranged by Haydn.

The CD also includes original English songs by Haydn as well as Haydn and Beethoven arrangements of traditional celtic folk songs and instrumental variations. Lux Musica is the ensemble of flute, violin, violoncello, and keyboard. Their music is well done, but Julianne Baird is the reason to buy this CD.

This is just pure enjoyment.

Average customer rating:

Starry-Cast Forza

La Forza Del Destino [Highlights]

Manufacturer: Gala
ProductGroup: Music
Binding: Audio CD

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General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

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ASIN: B00000FXLO
Release Date: 2000-06-06

Tracks:

Act I: 'Help Me, Madam' - Antonietta Stella/Giuseppe Di Stefano
Act II. Prayer: 'Eternal Father, Lord...' - Ettore Bastianini/Antonietta Stella
Act II: 'Here's To Our Good Company' - Giulietta Simionato
Act II. Aria: 'At Last I Am Here. I Give Thee Thanks, O God!' - Antonietta Stella
Act II: 'Mother, Merciful Virgin...' - Antonietta Stella/Walter Kreppel
Act II. Finale II: 'The Holy Name Of God Our Lord Be Blessed' - Walter Kreppel
Act II: 'May Our Lady Of The Angels' - Antonietta Stella
Act III. Scene And Romance: 'Life Itself Is Hell To The Sorrowful...' - Giuseppe Di Stefano
Act III: 'O You Who Dwell Among The Angels...' - Giuseppe Di Stefano
Act III. Scene And Duet: 'You Must Swear To Me' - Giuseppe Di Stefano/Ettore Bastianini
Act III. Scene And Aria: 'To Die! What A Tremendous Thing!' - Ettore Bastianini
Act III: 'Fatal Vessel Of My Destiny...' - Ettore Bastianini
Act III: 'But If I Might Find Some Other Proof?' - Ettore Bastianini
Act III. Rataplan: 'Rataplan, Rataplan, The Love Of Glory' - Giulietta Simionato
Act IV. Scene And Duet: 'It Was Useless, Alvaro, To Hide From The World...' - Ettore Bastianini/Giuseppe Di Stefano
Act IV: 'Fierce Words And Threats' - Giuseppe Di Stefano/Ettore Bastianini
Act IV. Melodia: 'Peace, Peace, O My God!' - Antonietta Stella
Act IV. Scene And Trio Finale: 'I Am Dying! Confession!' - Ettore Bastianini/Giuseppe Di Stefano/Antonietta Stella
Act IV: 'Do Not Curse, Humble Yourself Before Him Who Is Holy And Just...' - Walter Kreppel/Antonietta Stella/Giuseppe Di Stefano

Customer Reviews:

Starry-Cast Forza.......2000-08-13

Although this performance has been previously issued complete (at least on LP), this well-filled disc of excerpts is a steal at the price. Sound is excellent and natural. The sadly neglected Stella reminds us how fortunate we would be to have her for this repertoire today. Simionato and Bastianini are at their best - enough said! Only Di Stefano inevitably disappoints with the remnants of a beautiful but, by 1960, irreparably abused voice. A wonderful souvenir of a great era in Verdi singing! Mitropoulos is perhaps not at his very best, but this was done shortly before his death when he was already exhausted; still Mitropoulos and the Vienna Philharminic could never be without interest.

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