Roll on Down
Roll on Down
ASIN: B0000CDL7R
Track Listings
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1. Roll On Down
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2. What Took You So Long
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3. Pardon Me
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4. I'm Flyin'
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5. The Gardener & The Seed
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6. Odd Things
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7. Reasons
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8. Don't You Worry
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9. Lose Your Mind In The Music
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10. Those Ol' Winter Blues
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11. Jonnie D & Me
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12. Catch A Falling Star
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Roll on Down,Theresa Demarest,Joshua Records,Country,Folk,Pop,This Critically acclaimed Singer Songwriter masterfully mixes Blues/Jazz/FolkPop genres
Average customer rating:
- Bell & Gershwin
- Enchanting
- Joshua Bell's playing is exquisite
- S'Wonderful
- My Starter Bell CD
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Joshua Bell - Gershwin Fantasy
Joshua Bell , George Gershwin , and John [composer] Williams
Manufacturer: Sony
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Similar Items:
- Romance of the Violin
- Voice of the Violin
- Joshua Bell ~ Bernstein - West Side Story Suite
- The Essential Joshua Bell
- Tchaikovsky: Violin Concerto [Hybrid SACD]
ASIN: B000009OP5
Release Date: 1998-07-28 |
Tracks:
- Fantasy For Violin And Orchestra On Porgy And Bess
- Three Preludes: I. Allegro ben ritmato e deciso
- Three Preludes: II. Andante
- Three Preludes: III. Allegro ben ritmato e deciso
- Songs For Violin And Orchestra: I Got Rhythm
- Songs For Violin And Orchestra: Embraceable You
- Songs For Violin And Orchestra: Nice Work If You Can Get It
- Songs For Violin And Orchestra: Liza
- Songs For Violin And Orchestra: But Not For Me
- Songs For Violin And Orchestra: Sweet And Low-Down
- Songs For Violin And Orchestra: Love Is Here To Stay
Amazon.com essential recording
On Gershwin Fantasy, Joshua Bell's Stradivari embraces the lyrical spirit of Gershwin's Porgy and Bess with more success than most vocalists. Accompanied by the London Symphony Orchestra, Bell's violin literally sings through "It Ain't Necessarily So," "Summertime," "I Got Rhythm," and "Love Is Here to Stay," while John Williams (Saving Private Ryan, Schindler's List) serves double duty as conductor and pianist on several tracks. Three Preludes employs the violin and piano transcription by Jascha Heifetz, a longtime Gershwin friend, and features Bell at his jazziest. Even Gershwin himself--well, the recording of a 1926 piano roll of the composer--joins the virtuoso on the swinging "Sweet and Low-Down." --Jason Verlinde
Customer Reviews:
Bell & Gershwin.......2007-05-20
Two of my faves, George Gershwin and Joshual Bell -
Can't beat that!
Also, "Porgy" is a fave opera... so three out of three isn't bad!
Enchanting.......2007-03-24
A very talented (to say the least) young musician playing the beautiful music of a very talented composer. I listen over and over again and especially like his rendition of "Embraceable You" and "But Not For Me" . . I'm a romantic!
Joshua Bell's playing is exquisite.......2005-07-08
Joshua Bell's exquisite playing turns these arrangements into Gold. In the hands of Perlman or Shaham these arrangements would be pure shmaltz, but Bell's playing is of the highest caliber.
S'Wonderful.......2004-10-20
Love it! I had heard of Josh Bell but never had purchased any of his music. I am a full fan now. This cd is wonderful. I am a Gershwin fan and have been for years. Bell breathes new life into the old classics and the result is breathtaking. His touch with the violin is beyound discription. He even plays with George in one cut, Sweet and Low Down. That alone is worth the price of the cd. Buy this cd and expect to be enchanted. It has been in my changer for weeks now, I can't get enough.
My Starter Bell CD.......2003-11-05
This CD was my introduction to Joshua Bell after hearing a track on our local Washington, DC, classical radio station. It was hard not to be struck not only by the warmth of Mr. Bell's playing but also by his phrasing. He is almost never flashy, but his nuances made me find new musical possibilities which I hope -- but somehow doubt -- Gershwin intended. This is Gershwin as you have never heard him before, and it desires a place in anyone's classical or jazz collection.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Frédéric Chopin
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Definitely NOT Down and Definitely ON THE FARM...
- For completists only
- An Often Underrated Album!
- Only for the greatest of Feat enthusiasts
- Some gems with a couple of misfires... but what gems!
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Down on the Farm
Little Feat
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Time Loves a Hero
- The Last Record Album
- Sailin' Shoes
- Dixie Chicken
- Little Feat
ASIN: B000002KK9
Release Date: 1990-10-25 |
Tracks:
- Down On The Farm
- Six Feet Of Snow
- Perfect Imperfection
- Kokomo
- Be One Now
- Straight From The Heart
- Front Page News
- Wake Up Dreaming
- Feel The Groove
Customer Reviews:
Definitely NOT Down and Definitely ON THE FARM..........2006-06-24
Little Feat is such an unusually talented and funky band - probably one of the best American bands of all time. And I think that this is their strongest CD. Many Litte Feat songs have such incredibly complex rythmns and beats; they almost seem to not follow a steady beat, yet the songs are very tight and in their own way, are never off beat. Very unique songs! This CD, from 1979, was Lowell George's last, as he died right after the production. It has 4 very solid tunes - Perfect Imperfection, Front Page News, Straight From The Heart, and Wake Up Dreaming. I remember buying this album right after it came out and I played it to several friends - withing a month or so, all of them bought the album. Very high praise indeed - this a wonderful CD. You can't go wrong.
For completists only.......2006-05-25
Down On the Farm would be Little Feat's final studio album to feature their leader Lowell George as the band would complete the release soon after his untimely death. While their previous release, Time Loves a Hero, showed an exciting new direction in fusion, Down on the Farm sounds like the band phoned it in. The great songs as well as their strong musical interplay were gone and a very glossy production didn't help matters.
The title track is the best song here and remains a staple of their live show. "Six Feet of Snow", which the band still performs in a much stronger bluegrass version, and "Kokomo" are the only other tracks you could all decent and would have been better if they weren't so overproduced. The rest of the album comes off sounding way too professional, kind of like when the Allman Brothers Band went adult contemporary in the early-80's. In fact, Lowell George's vocals sound very similar to Dickey Betts at times. The performances have very little passion and the album gets progressively worse from "Be One Now" to the end. Based on the fact that George's death was a severe blow to the band, you can forgive them for this release and the band would put out several strong albums after they regrouped in the late-80's. However, I would recommend this only to a diehard fan who wants to have their entire catalog.
An Often Underrated Album!.......2005-05-12
"Down on the Farm" was the last album to feature leadsinger, guitarist and songwriter Lowell George. Actually George had left the band before the album was finished, and sadly during a solo tour in 1979 he died from a heart-attack. George had always been the driving force in the band, but due to healthproblems ( drugs/alcohol) his position in the band had diminished after "Feats Don't Fail Me Now".
The previous album "Time Loves a Hero" had very little input from George and their musical style had become much more slick and and funky.
After George's death the other bandmembers decided to finish the album they had been working on before George left. Fortunately George had recorded vocals for most of the tracks, and he wrote 5 of the songs on the album. The album is often referred to as one of the weaker albums from the George era, a fact I never understood. It's no exaggeration that it's one my personal favourites.
George's vocals were never better and his songs are oustanding. "Be One Now" is simply heartbreaking. "Kokomo" and "Six Feet of Snow" are as good as anything on "Dixie Chicken" or "Feats". The title track written by Barrere is catchy and funky and featuring one his strongest vocal performances - I used to believe it was George singing.
Among the rest of the album's tracks "Straight From the Heart", written by George and Payne also deserves to be brought out.
The final two tracks could be the reason that the album as a whole is often underrated. They nice tracks; a little too polished for my taste, with very litle, if any, input from George. Still a great album.
Only for the greatest of Feat enthusiasts.......2004-08-02
This album was created using bits and pieces of an unfinished album found in Lowell's studio after his death. Be warned that Lowell never heard anything close to the final version of these songs. To credit him with co-production of "Down on the Farm" was a compliment to him at best and a commericial-backed white lie at worst. The truth is somewhere in between.
Having said the above, I'm still glad his buddies released it because it gave the world a few more nuggets of his slide work and amazing voice to hold onto in his absence.
Some gems with a couple of misfires... but what gems!.......2004-01-17
Many people are bit hard on this album, Lowell George's last with the group before his untimely death. While it may not be as brilliant as "Dixie Chicken" or "Feats Don't Fail Me Now," it is a definite improvement over "Time Loves A Hero." This is largely because Lowell contributions to this album are much greater than the previous one. And the songs he has written or co-written are great. "Kokomo" and "Be One Now" are the George standouts and Barrere contributes one of his best songs, "Perfect Imperfection." "Six Feet of Snow" is the band's one foray into Zydeco and is pretty good, too. The only real misfires on this album are the overlong closer, "Feel the Groove," and "Wake Up Dreaming." "Front Page News" is alright and the title track is solid. This is maybe not the best Feat album but it ranks pretty closely with "Last Record Album" and even the weaker tracks are quite listenable. And, as always, Lowell's voice and slide guitar playing are gorgeous and the entire band plays brilliantly.
Average customer rating:
- spirituals lite
- Elijah Rock
- Pretenders
- It's a wow!
- Soulful and moving
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Go Down, Moses
Chicago a cappella , and artistic director Jonathan Miller
Manufacturer: The Orchard
ProductGroup: Music
Binding: Audio CD
General
| Christian & Gospel
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Gospel
| Christian & Gospel
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Similar Items:
- Wade In The Water, Vol.1:African American Spirituals:The Concert Tradition
- In Bright Mansions
- Give Me Jesus | Spirituals by Barbara Hendricks and The Moses Hogan Singers
- Great American Spirituals, Vol. 9
- Great Day - A Cappella Negro Spirituals
ASIN: B00005B8QB
Release Date: 2001-04-17 |
Tracks:
- I couldn't hear nobody pray (arr. William Henry Smith)
- Run to Jesus (Fisk Jubilee Singers collection)
- Elijah Rock (arr. Moses Hogan)
- Steal Away (arr. Joseph Jennings)
- Go Down, Moses (arr. Peter Saltzman)
- Hush! Somebody's callin' my name (arr. Brazeal Dennard)
- In dat great gittin' up mornin' (arr. Jester Hairston)
- Go, preach my Gospel (ed. William Dargan)
- Hold on (ed. Jackson)
- Hold on (arr. Jester Hairston)
- Fix me, Jesus (arr. Hall Johnson)
- Walk toggeder childron (ed. Nathaniel Dett)
- Roll, Jordan, Roll (arr. Nashville Bluegrass Band)
- We shall walk thro the Valley (Fisk Jubilee Singers collection)
- Oh, Freedom (arr. Hall Johnson)
- Go Down, Moses (Fisk Jubilee Singers collection)
Customer Reviews:
spirituals lite.......2007-06-05
Yes, they can sing. But can they sing spirituals? Yes. But do I want to hear them sing spirituals? NO. White people singing spirituals is boring and tired.
Elijah Rock.......2007-02-03
If you like sacred acapella, you're bound to like "Go Down, Moses," performed by Chicago Acapella. This group does such a fantastic job of achieving a clean, beautiful blended sound. And frankly, I don't care if they are mostly white or if their performance is not "authentic." It sounds heavenly, and that's all that matters as far as I'm concerned.
My favorite track on this CD is "Elijah Rock." Although the composer is listed as "anonymous," the arrangement performed is actually that of the late Moses Hogan. I have yet to come across a recorded performance of Hogan's "Elijah Rock" that does as much justice to the piece as Chicago Acapella's. Their sound, blend, dynamics, pitch, rhythm- everything you need in a choral performance- is spot on here. All of the other recordings of "Elijah Rock" I've listened to do 1 of 2 things (if not both) very quickly- rush the tempo or go flat. Chicago Acapella does neither. In addition, the sound editing and engineering are as good as one could expect. By the way, this is available on iTunes for $9.99, with individual songs for sale. I only bought 2 songs on this CD: "Roll Jordan" and "Elijah Rock." Not that the other songs are bad, they're all well-performed, but these 2, especially "Elijah Rock," are the ones that I can listen to over and over again and never get tired of.
Pretenders.......2003-11-27
You wont find a picture of the singers for this cd on the cover. I was miffed when I found out they are mostly all white. You couldn't tell from the name of the group, or the politically correct use of the term African American instead of negro. I was just hoping for the kind of nuance you hear in African American church choirs. This choir mimics the Negro spiritual ok, but you can't help but wonder how much better it would be if they used actual African American singers and direction. The real thing is always better than the pretender. Nevertheless the voices are proffessional so I did get something out of it.
It's a wow!.......2001-11-17
We've all heard "Go down Moses"...at least we think we have. This NEW version brings NEW beauty to an ancient favorite. The arrangement is superb. The voices are superb. The effect is superb. An amazing and moving experience.
If you've never heard Chicago a cappella, this would be a wonderful first exposure to a group so musical, so diverse, so entertaining that you'll wish to revisit it often.
Soulful and moving.......2001-08-07
What great ensemble! Whether you love spirituals or not, this recording is sure to impress you with the amazing vocals. Each performer brings out their own personality, but also blends into a unified whole. And the arrangements are a lot of fun!
Average customer rating:
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Down in the Bunker
The Steve Gibbons Band
Manufacturer: Road Goes on Forever
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
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Similar Items:
- Any Road Up/Rollin' On
ASIN: B00005YWPG
Release Date: 2007-01-22 |
Tracks:
- No Spitting on the Bus
- Any Road Up
- Down in the Bunker
- Big J.C.
- Mary Ain't Goin' Home
- Down in the City
- Let's Do It Again
- Eddy Vortex
- Chelita
- When You Get Outside
- Grace
- Tulane [*]
- Gold Coast [*]
- Body Talk [*]
- Let Me Go [*]
- Satisfying Moves [*]
- I Am Here [*]
- Great Escape [*]
- Get Up and Dance [*]
Album Details
2007 Digitally Remastered Reissue of the Album Classic Where the Birmingham-born Guitarist and Former Member of the Idle Race Hit his Peak of Popularity. This Set is Generally Regarded as his Finest Recorded Moment, When Everything Gelled for the Working Class Rocker in the Studio. This Edition Add Eight Songs that Didn't Appear on the Original Issue.
Average customer rating:
- Traditional songs of the sea.
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Homeward Bound
Revels
Manufacturer: Revels Records
ProductGroup: Music
Binding: Audio CD
General
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Pop Rock
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ASIN: B00006JM8D
Release Date: 2002-10-01 |
Tracks:
- Roll Down
- Can't You Dance The Polka?
- Threescore And Ten
- The Maid On The Shore
- Ocean
- The Leaving Of Liverpool
- Here's A Health To The Company
- Drake's Drum
- Run Th eRiggin' Again
- Noah's Ark
- The Herring's Head
- The Fush Of The Sea/Yea Ho, Little Fish
- Dance Set
- Euroclydon
- Adieu, Sweet Lovely Nancy
- Boston
- Blood-Red Roses
- Anchor Song
- Lady Franklin's Lament
- The Last Leviathan
- Rolling Down To Old Maui
- The Jamestown Homeward Bound
- Rolling Home To Old New England
Customer Reviews:
Traditional songs of the sea........2007-07-07
If one likes traditional songs created during the days of the sail ship from the U.S. and England, then this is a good cd for that. I enjoyed it very much.
Average customer rating:
- The damage that Weezer has wrought.
- Pinkerton-esque
- A disappointment
- Great Guitar Pop
- Experimental yet excellent...
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Spending Time On The Borderline
Ozma
Manufacturer: Kung Fu Records
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
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Indie Rock
| Indie & Lo-Fi
| Alternative Rock
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| Indie & Lo-Fi
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Similar Items:
- Pasadena
- Return of the Rentals
- Land Air Sea
- High/Low
- With Love and Squalor
ASIN: B00008MJ3V
Release Date: 2003-05-06 |
Tracks:
- Spending Time
- Your Name
- Come Home Andrea
- Bad Dogs
- Utsukushii Shibuya
- Turtleneck Coverup
- Gameover
- Curve in the Old 1-9
- Restart
- Eponine
- Wake Up
- Light Years Will Burn
Customer Reviews:
The damage that Weezer has wrought. .......2006-03-03
If sweater-vests could rock out, they'd sound like Ozma. "Spending Time ..." may remind you of Scooter lookalikes furiously banging their heads and giving devil horns.
Ozma got their big break by opening for Weezer. Both share the annoying capacity for blending guitars with cheesy 80's synths. The perfect example is the title track, which could've been used in a promo for "Joanie Loves Chachi."
Another similar trait is irritating, whiny vocals with no range. On "Eponine", and other tracks, there's a definite Queen influence, especially in the bombastic guitars. But the singing is so wimpy and lifeless, it'll make you appreciate how unique Freddie Mercury was.
Ozma are so bland, sorting out socks might seem more exciting. Or sweater-vests.
Pinkerton-esque.......2004-12-03
Let me begin by saying that this review was written after Ozma's 2004 breakup. This was, to say the least, quite a heartbreak. And since there's been plenty of apt time to reflect upon Ozma's debut and sophomore albums [yes, the ones that sound like Weezer], I can now undoubtedly say that "Spending Time On The Borderline" is Ozma at its best. To put it plainly...a masterpiece. Admittedly, when I first picked this album up and popped it into my CD player, I was NOT impressed. Ozma could have broke up at that very moment and my response would have been, "Who cares...they're no good anymore." But as albums do have a tendency to grow on you, I decided to give this one a try. After all, what did I have to lose? Slowly and steadily certain tracks started to pop out at me..."Hey, 'Come Home Andrea' is one catchy song!" And, "Whoa, this Japanese song sure is poppy!" Then there are the deeper songs on the album, like "Eponine", "Bad Dogs", and "Game Over". They take a bit longer to love, but the wait is certainly worth it. To sum it all up, there's not a single track on this album that I wouldn't want to listen to, anywhere, anytime. Despite the mysterious tension that corrupted Brummel and Slegr, I, for one, know that they went out [no pun intended] on a good note with "Spending Time On The Borderline". Another "Pinkerton"? Perhaps. But only time will tell...
*Ryan and José have started up a new band labeled "Yes Dear". Hopefully they can continue their largely unpublicized legacy. Check them out at myspace.com/yesdear
A disappointment.......2004-11-05
I bought this album because I heard that Ozma was similar to Rooney and Weezer (bands I think are good). Ozma sure does have some similarities in this album (though they're probably more comparable to a Christian band like Reliant K), but that doesn't make the album any good. The whole album is very boring. There's just nothing special to it. I recommend that you pass on this.
Great Guitar Pop.......2004-10-16
I think that Ozma is consistently one of the more "interesting" bands to come along. I do hear the Weezer influence, but at the same time it is filtered through a lot of other bands (Queen anyone?) as well as a lot of originality. The two part vocal melodies, instrumentation, tones, etc. are fully realized on this "studio" album. I like the whole Ozma catalog, but the production on this disc kicks all the other ones in the rear. As a guitarist, I have to hand it to Ryen. This is consistently one of the better riff orientated guitar albums that I have heard in a long time. He can also shred like a beast, but all his guitar lines support the song melodically and rhythmically. You can't ask for more from a guitarist. All the guitar is there for a reason. This is playing that I aspire to. It reminds me a lot of Brian May.
As for the songs, "Your Name" is one of the most orginal ballads I have heard in a while. I love "Bad Dogs" even though most don't. The lead on that song is exceptional.
Experimental yet excellent..........2004-02-29
Ozma definitely shows some maturity musically with this album. I did a review of this CD for my school newspaper (over 1500 studnents/staff/parents read the newspaper), so hopefully I can get the word out about Ozma to some people.
1. Spending Time - the band experiments with some guitar textures and spiffy synth lines. May take a few listens to get used to. 7/10
2. Your Name - good vocals, perfect melody. 8.5/10
3. Come Home Andrea - a vaguely Celtic, alt-country tune that even people who hate country will like. One of the best tracks on the album. 9/10
4. Bad Dogs - marching band percussion leads into a hard rockin' song. 8.5/10
5. Utsukushii Shibuya - great bass line, nice flute and strings. 9.5/10
6. Turtleneck - probably the worst track. nice metaphorical lyrics though. 6.5/10
7. Game Over - catchiest track. my personal favorite. - 10/10
8. Curve In The Old 1-9 - elaborate and brilliant, both lyrically and musically. - 9/10
9. Restart - another GREAT track. such a perfect melody. - 9.5/10
10. Eponine - fun to sing along to. very catchy. - 9/10
11. Wake Up - nice vocals from Rachel Haden (Jimmy Eat World, Nada Surf, Weezer). 8.5/10
12. Light Years Will Burn - not my favorite. still pretty good though. 7.5/10
Overall: 8.5/10
Definitely awesome.
Average customer rating:
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Down on the Farm
Little Feat
Manufacturer: Wea
ProductGroup: Music
Binding: Audio CD
Blues Rock
| Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Southern Rock
| Classic Rock
| Styles
| Music
Album-Oriented Rock (AOR)
| Classic Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
Similar Items:
- Dixie Chicken
- Time Loves a Hero
- Little Feat
- The Last Record Album
- Sailin' Shoes
ASIN: B000O76PE4
Release Date: 2007-06-04 |
Tracks:
- Down on the Farm
- Six Feet of Snow
- Perfect Imperfection
- Kokomo
- Be One Now
- Straight from the Heart
- Front Page News
- Wake up Dreaming
- Feel the Groove
Album Details
Japanese Limited Edition Issue of the Album Classic in a Deluxe, Miniaturized LP Sleeve Replica of the Original Vinyl Album Artwork.
Average customer rating:
- pshhh
- Just got it the other day
- awesome
- Backed up the hype
- Better and better
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The Pathetic Aesthetic
The Librarians
Manufacturer: Pandacide Records
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Punk Revival
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
Punk-Pop
| Hardcore & Punk
| Alternative Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
General
| Alternative Rock
| Indie Music
| Stores
| Music
Rock
| Alternative Rock
| Indie Music
| Stores
| Music
ASIN: B00006JO1V
Release Date: 2002-08-01 |
Tracks:
- Peace & Quiet
- Come Down And Rock
- Victoria
- Too Fat To Frug
- Blast Off To Heaven
- Rockstar
- You (And This Bottle)
- Pissing On Your Party
- It's Love
- Thank You For Fucking Me
- Gimme Yer Love
Customer Reviews:
pshhh.......2004-01-02
i have to say, i saw their live show, and it rocked my socks. so i bought the cd and i was very dissapointed. it definetly doesnt capture their live preformance. so id say, go see their show if you need a kick in a glass.
Just got it the other day.......2003-05-15
Hasn't left my car cd player yet. Rocks. Truely rocks!
awesome.......2003-05-06
saw these guys the other day with someone called "extreme elvis". I must tell you, he was extreem. However, no one seems to be able to top the Librarians live. Not even the King himself, now in extreme form, can touch the raw energy these guys put out. I wish there were more bands like this and I hope they all stay slightly below the radar of the masses.
Backed up the hype.......2003-04-26
As catchy, rocking and simply impressive for a first album this is I can't give it a full five stars. But let's remeber this isn't olympic diving and a four is pretty darn good. I can say that this is one of the rare occasions where the reviews of the album were pretty dead on.
Better and better.......2003-04-23
Not only does this album get better with every listen, it actually gets better through the album. Thank You For Me is simply incredible! I once listened to this album for three hours in a row on a late night interstate drive. It kept me both awake and rocking!
Average customer rating:
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Shag on Down by the Union Hall
Little Richard
Manufacturer: Specialty
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Gospel
| Christian & Gospel
| Styles
| Music
General
| R&B
| Styles
| Music
General
| Rock
| Styles
| Music
General
| Oldies & Retro
| Rock
| Styles
| Music
General
| Oldies
| Pop
| Styles
| Music
Similar Items:
- The Georgia Peach
- Get Down With It: The Okeh Sessions
- The Life And Times Of Little Richard
- Hoodoo Man Blues
- Orphans [Fold-out Digipak with 24-page booklet]
ASIN: B000000QO2
Release Date: 1996-03-19 |
Tracks:
- Kansas City
- Maybe I'm Right
- Tutti Frutti
- Directly From My Heart
- Long Tall Sally (The Thing)
- Heeby-Jeebies Love
- I Got It
- Ready Teddy
- Rip It Up
- Good Golly Miss Molly
- Hound Dog
- Baby Face
- The Girl Can't Help It
- By The Light Of The Silvery Moon
- Royal Crown Hair Dressing Ad
- Keep A-Knockin'
- Boo Hoo Hoo Hoo (I'll Never Let You Go)
- Early One Morning
- She Knows How To Rock
- Miss Ann
- Well Alright!
- Bama Lama Bama Loo
- Poor Boy Paul
- Annie Is Back
Customer Reviews:
Part 2 of a great set.......2002-05-11
A companion disc to Specialty's "The Georgia Peach". The big hits are on that CD; this disc gathers some lesser 45s along with some alternate takes of the hits. "The Georgia Peach" is the essential Little Richard CD; this one is less important but certainly quite enjoyable. Nice booklet, great sound. Rockin'!
Album Review:
- Rookie Season
- Sammy Kershaw, Jeff Bates and Sherrie Austin Karaoke Top Tunes TT-213
- Say It Isn't So
- Sight & Sound
- Spirit on the Road
- Stephanie Urbina Jones
- Strictly Business/A Good Woman Is Hard to Find [CD-single]
- Thank You Baby for Making Someday Come So Soon, Pt. 2 [CD-single] [Import]
- The Best of Alabama: Original Hits
- The Best of Ed Crawford and the Mystery Men Quartet
Album Review
Album Review