I'm Alone Because I Love You [Import]

I'm Alone Because I Love You [Import]

ASIN: B0000A59T2

Editorial Reviews
Product Description
Not just more tunes - like 'Careless' and the title track - that Jim never recorded but beautiful renditions of favorites like 'You Belong To Me', plus rare photos & notes. 31 digitally remastered tracks including six bonus tracks, 'I'm Alone Because I Lo

Tracks:

Be My Love
I'll Never Love You
Because You're Mine
The Song Angels Sing
Drink, Drink, Drink
Serenade
The Loveliest Night of the Year
La Donna E Mobile
Because
For You Alone
Golden Days
Deep In My Heart, Dear
If I Loved You
Yours Is My Heart Alone
One Night Of Love
Beloved
Beautiful Love
With A Song In My Heart
You Are My Love
Call Me Fool

Tracks:

All The Things You Are
My Song,My Love
Love Is The Sweetest Thing
Will You Remember
Granada
Lolita
Serenade
Temptation
Lygia
Lady of Spain
This Land
Lee-Ah-Loo
Tina-Lina
Boom Biddy Boom Boom
The Bayou Lullaby
The Lord's Prayer
And Here You Are
Song of Songs
Somewhere A Voice Is Calling
I Never Knew

Tracks:

Ciribiribin
Wonder Why
Come Dance With Me
O Sole Mio
Younger Than Springtime
For the First Time (Come Prima)
Never Till Now
Arrivederci, Roma
If You Were Mine
Behold!
A Night to Remember
Love in a Home
Do You Wonder
Softly as in a Morning Sunrise
One Alone
Aida:Celeste Aida
Carmen: Flower Song
La Traviata: Brindisi
Rigoletto:Questa O Quella
Pagliacci:Vesti La Giubba
Cavalleria Rusticana: Addio Alla Madre

Customer Reviews:

Selections from the Greatest Voice of the Last Hundred Years.......2007-03-13

Mario Lanza was, arguably, the greatest tenor and greatest singer of this and the last century. It is difficult to appreciate him without listening to a variety of selections. This collection has some of his best recordings and exhibits the versatility and variety that he possessed that permitted him to "crossover" from opera to popular music with a ease.

I recommend this for those who already know Lanza to some extent but want to go into more depth and understand his marvelous skills.

A Must Have .......2006-12-12

I had forgotten what a beautiful voice Mario Lanza had. This collection contains opera and pop selections that exhibit the power yet sweetness of his voice. Fortunately, we have his CD's and videos so we can remember and listen to his gorgeous, vibrant voice and personality. I highly recommend this collection along with his wonderful movies, especially The Great Caruso.

The Mario Lanza Collection.......2006-11-10

I had forgotten just how beautiful a voice from the past was. It is a wonderful collection

The MARIO LANZA Collection.......2006-08-19

extract from most important LPs. Brilliant sound quality from RCA. Also included are soundtrack recordings from some of his movies. The are several reissues from Mario Lanza but this one is a collection you should have.

WONDERFUL!!!!!.......2005-10-19

The Mario Lanza Collection is a three CD set and it has 61 songs and they all sound great. The mastering on this set is excellent and the song choice is very very good. It would have been perfect if they added a forth CD with more Arias, Italian songs and Sacred Arias. BUT still this set is a great introduction to Lanza. Lanza's voice was powerful and beautiful; if you are a fan of great singing, you will love Lanza. Highlights on this CD set are; Be my Love, Because your Mine, Serenade, With a Song in My Heart, Temptation, The Lord's Prayer, Ciribirbin, O Solo Mio, Ariverducci Roma, and on and on. They are many many great songs on this set, and I highly recommend it.

Average customer rating:

A mixed bag of romantic offerings
The best tenor ever
The greatest singer of all time!

Be My Love

Manufacturer: RCA
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You'll Never Walk Alone
Lanza: Greatest Hits
Mario Lanza Sings Songs From The Student Prince & The Desert Song / Romberg
Christmas with Mario Lanza
The MARIO LANZA Collection

ASIN: B000003F3C
Release Date: 1991-01-18

Tracks:

Be My Love (The Toast Of New Orleans)
Serenade (The Student Prince)
Temptation (Going Hollywood)
Wanting You (The New Moon)
I'll Be Seeing You (The Royal Palm Revue)
With A Song In My Heart (Spring Is Here)
Without A Song (Great Day)
Danny Boy (Londonderry Air)
My Wild Irish Rose
And This Is My Beloved (Kismet)
Because
Only A Rose (The Vagabond King)
Funiculi, Funicula
Come Back To Sorrento
Maria Mari'
O Sole Mio
Neapolitan Love Song
Arriverderci, Roma
Ah! Sweet Mystery Of Life (Naughty Marietta)
Look For The Silver Lining (Sally)
Memories
The Song Is You (Music In The Air)
Ave Maria
You'll Never Walk Alone (Carousel)

Customer Reviews:

A mixed bag of romantic offerings.......2001-12-17

BMG's Lanza collections are usually a mixed bag, and this album of love songs is no exception. Interspersed with some magnificent performances are an assortment of the good, the bad, and the mediocre. Part of the problem, I suspect, is that BMG simply doesn't appreciate what treasures it has buried in its recording vaults. It's enough to bring back Lanza from the grave, swearing in High C (as Time Magazine once tut-tutted) at the injustice of it all.

Lanza, in fairness to BMG, was an inconsistent performer. In the earlier part of his brief career, he had a tendency to sing sharp, and at times his approach to various arias and songs lacked sensitivity. That's not to say he couldn't get it right. At his best he was extraordinary, combining one of the most powerful voices on record with just the right degree of melting mezza voce and a dazzling array of vocal colours. His sense of phrasing was, as Enrico Caruso Jr noted, "instinctively right", and his ability to get into the heart of a song was unquestionable. Even at his roughest, his singing was usually compelling, and one could never label any of his performances "boring".

The bad recordings generally fall into three periods of his life: the Coca-Cola Radio shows of 1951-52, the disastrous Lanza on Broadway album of 1956, and the illness-affected stereo remakes of his Christmas Carols and Student Prince albums, both recorded in 1959, the year of his death. The present CD includes material from the first two periods.

The "Coke" shows, as I've opined in a number of other reviews, produced some amazing performances of both arias and love songs. Unfortunately, however, lack of rehearsal time coupled with poor arrangements often led to the kind of wild, unrestrained singing that Lanza's detractors love to attack (while at the same time overlooking his great performances). On this CD, a number of Coke recordings were released for the first time: Danny Boy; My Wild Irish Rose; Neapolitan Love Song; and Torna a Surriento. The first two are lovely, notwithstanding a poor ending on Danny Boy and some uncertain moments in the tenor's lower register in this song. Victor Herbert's Neapolitan Song contains some piercingly sharp singing, a rough ending and some agreeable mezza voce. Torna a Surriento is too fast, too unpolished and not a patch on the piano accompaniment-only version that Lanza recorded three years later for the movie Serenade.

Among the other Coke selections is the sublime Memories, and the alternately touching and thrilling I'll Be Seeing You, with a B Flat climax that will knock your socks off. Wanting You is rough and exciting in equal measure - ditto the powerhouse Ah Sweet Mystery of Life with its ridiculously fast tempo.

Two songs from the ill-fated Lanza on Broadway album have been inexplicably included, though it must be said that at least these represent the better moments from this dreadful session. You'll Never Walk Alone contains more sharp singing, uneven rhythm and a certain bleariness, while the Borodin-adapted And This Is My Beloved is alternately belted and seductive. Incidentally, Lanza recorded a superior version of You'll Never Walk Alone for his Coke Shows; this is featured on the CD of the same name.

The real highlights for me are the immortal Serenade from The Student Prince; a thrilling Only a Rose (recorded three months after the Lanza on Broadway session and featuring a completely different voice); the aforementioned My Wild Irish Rose & I'll Be Seeing You and a mature rendition of Schubert's Ave Maria. Fans will also enjoy Arrivederci, Roma, and the ubiquitous Be My Love.

All in all an enjoyable hour, but if only more thought had been put into some of the selections...

The best tenor ever.......2001-03-01

Mario Lanza is indeed my favourite of all tenors either living or not. I must have almost everything he ever recorded. This album has a whopping 24 tracks including 5 previously unreleased recordings, which make this a must for any true fan of Lanza. This album has some of his most romantic songs, mostly from stage and film. You won't find any opera here, which is fine, there's plenty of his other albums that have that. These are songs that are guaranteed to stir your heart and soul while Mario's voice will melt them. This is a must-have and at this price there's no reason not to have it.

The greatest singer of all time!.......2000-06-29

This is one of the greatest compilations of Tenor Mario Lanza, The Voice of the Century, ever made. Mario Lanza had such a broad, well focused voice and he is represented to good measure here on songs like "Wanting You", "Neapolitan Love Song", and "Without a Song". On these selections one hears how the Lanza voice had a largeness, depth, and warmth from the bottom all the way to the very top. One will never hear songs like "O Danny Boy", "My Wild Irish Rose", "You'll Never Walk Alone", "Torna Surriento", "O Solo Mio", and "Ah! Sweet Mystery of Life" sung any better or with more feeling. My favorite on this CD, "And this is my Beloved" from Kismet displays the full Lanza Range. This, in my opinion, is one of the greatest single recordings ever made. Here Mario sings the most melting pianissimo and builds to an exciting, full bodied, heart stopping fortissimo High B flat. What passion! The particular recording of "Only a Rose" on this album has been regrettably absent from the catalogs for quite some time. It is a shame too, because Lanza makes this Vagabond King selection sound free and effortless like only Mario Lanza could. Lanza takes the listener through a guided tour, so speak, of truly the greatest singing the world has ever heard. After hearing the final selection, "You'll Never Walk Alone", there won't be a dry eye in the house. This, along with the "Don't Forget Me" Lanza CD, is one of the greatest single CD collections ever put together of Mario, or anyone else for that matter. Lanza was the greatest singer of all time and this is a must have album. The sooner you own this one, the better.

Average customer rating:

For the last time!
Standing Ovation !!!
A mistake that we need to remember
I Wish I Was There
Not the best tenors album.

Paris 1998

Manufacturer: Atlantic / Wea
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Binding: Audio CD

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The 3 Tenors in Concert 1994
Carreras · Domingo · Pavarotti ~ the three tenors in concert / Mehta
The Three Tenors Christmas
The Best of the Three Tenors
20th Century Masters: The Best of the Three Tenors (Millenium Collection)

ASIN: B000009N02
Release Date: 1998-08-18

Tracks:

Maristella: Io Conosco Un Giardino
Fedora: Amor Ti Vieta
Granada
T'estimo
Memoires De Danton
Caruso
Medley Of Romance: Sous Le Ciel De Paris
Medley Of Romance: Solamente Una Vez
Medley Of Romance: Maria, Mari
Medley Of Romance: Torero Quiero
Medley Of Romance: Parlami D'amore Mariu
Medley Of Romance: Tu, Ca' Nun Chiagne
Medley Of Romance: Manha De Carnaval
Medley Of Romance: Ti Voglio Tanto Bene
Voce E Notte
La Del Soto Del Parral: Quiero Desterrar De Tu Pecho El Temor
Turandot: Nessun Dorma
Because
O Sole Mio
Medley Of The World: O Surdato 'Nnamurato
Medley Of The World: Ay, Ay, Ay
Medley Of The World: Lolita
Medley Of The World: Standchen
Medley Of The World: Dicitencello Vuie
Medley Of The World: Core 'Ngrato
Medley Of The World: You'll Never Walk Alone

Amazon.com

If you think you've heard it all, you're wrong. The three big guys are indeed back, in the shadow of the Eiffel Tower, with a rabidly enthusiastic crowd to welcome them. They sing many favorites-- "Granada," "Because," "Nessun dorma"--and there are a pair of medleys: one devoted to love songs, and one called "Medley of the World," which ends with a rendition of "You'll Never Walk Alone" that might just bring tears to your eyes. If the truth be known, the three tenors have put on 8 years since we first heard them together, and a fair amount of bloom is off their rose-like voices--with Domingo's ardency sounding a bit hard-edged, Carreras's tone even more spread than before, and some of Pavarotti's gold tarnished and his breath shorter. Suffice it to say that older CDs by these three formerly-really-great tenors are worth their weight in gold, compared to the bronze you'll find here. But the classy James Levine at the helm keeps the "event" going with passion, and it's hard not to get caught up in the excitement. --Robert Levine

Customer Reviews:

For the last time!.......2006-12-23

The last of the great tenor concerts that is worth watching!

Standing Ovation !!!.......2001-09-24

Once again, the Tenors electrified the world. It was estimated that over 1.6 billion viewers saw this extraordinary display of musical genius.
The Pavarotti rendition of "Nessun Dorma" was breathtaking as he "hit" his famous high C with VINCERO!!!
With the exception of "Nessun Dorma & Caruso", I felt that it
was Domingo who carried the show. His voice style changes so dramatically to fit the mood and melody of each song.
Carreras, I felt, was lacking the "oomph" in his solos on this tour. However, no one can top Carreras when a line needs to be delivered that has "deep-gut" emotional feelings, almost mad sounding, i.e. the song "Because" -- listen when he sings "his love makes mangle of devile...", you'll understand what I mean.
Combine the Three together and you have pure brilliance. Listen to the song "You'll Never Walk Alone" is almost patriotic like.
"O' Sole Mio" and the show stopper "La Donna Mobile" left the people standing and cheering.
The Paris setting was spectacular. James Levine was his normal go lucky conductor self as he makes the viewing audience and the orchestra feel at ease with his upbeat facial expressions.
An awesome addition to your collection. I highly recommend it to anyone who wants to see why the world has labled them "The Three Tenors." BRAVO

A mistake that we need to remember.......2001-09-10

I was blessed to have a chance to be in Paris at that time, and really one of the reasons I went to the City of Romance was because I was so eager to go to the Three Tenors Concert. I managed to get a very good seat at the front in order to really experience and enjoy the concert that I had been dreaming to go all my life, because I am so madly in love with classical and opera music. Also I am a great fan for all of these three tenors, particularly Placido Domingo.

Having watched the Three Tenors Concert in Los Angeles, which was so great and inspiring, I was hoping this one can turn out to be greater and more successful. However it really failed my expectation and turned me into disappointment. Several mistakes were made which surely caused this concert to be a failure.

First, the choice of the conductor. James Levine was really the wrong choice for the position which is actually the heart of such an important event. His style of conduct and taste of music was proven unsuitable. It did not make you feel excited, but at sometimes made you feel uneasy and uncomfortable.

Second, something seemed to be limiting Domingo's ability and talent to be fully expressed. In fact he appeared to be much older and less energetic. The usual powerfulness and beauty of his voice really disappeared somewhere that can be hardly known.
As for Pavarotti we can only give him an average mark for his performance.

Third, lack of common sense. Even three years old child knows Granada has to be and is best to be sung by Domingo, just like Nessun Dorma has to be by Pavarotti, but I just can't understand why the organiser or the music directors did not realize this? Were they too commercially motivated or too careless???

Jose was the best and played an instrumental role to keep this concert going, my admiration towards him grow more after this event. Anyway huamns do make mitakes including the famous and popular ones. Although this concert was not their greatest my support for them will still remain.

I Wish I Was There.......2000-12-11

I found this is one of my favorite of all "The Three Tenors" recordings. I would have loved to have been present one the night of this concert. I want to say all of the tenors do a superb job. I cannot understand why people put down Carreras because he proves here how much he appreciates his gift. Domingo is almost flawless. I have been a fan of Pavarotti since I 1980 (when I was just 12). Here is my personal favorite, Caruso.

Not the best tenors album........2000-05-03

First of all, the change of the conductor. We were used to the thundering conducting of Mehta. Then, Pavarotti is not the same man that he was in '94 and in '90. His range fell a lot. Then, he dared to sing a song that is traditionally sang by Domingo (Granada) It lacks opera arias. Not a good purchase. Buy the first or the second albums.

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The Complete Caruso

Manufacturer: RCA
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Binding: Audio CD

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ASIN: B0001TSWQO
Release Date: 2004-11-09

Live at Hollywood Bowl: Historical Recordings (1947 & 1951)

Average customer rating:

The Young Lanza impresses
A Rare Find!
One of the great performances of all time
Buy this for the first six tracks only!

Live at Hollywood Bowl: Historical Recordings (1947 & 1951)

Manufacturer: Gala
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Mario Lanza ~ Opera Arias & Duets, from Andréa Chenier · La Bohème · I Pagliacci · Madama Butterfly · Otello
Mario Lanza: At His Best!
The MARIO LANZA Collection
American Caruso
Mario Lanza

ASIN: B000001XM0
Release Date: 2000-06-06

Tracks:

L'Elisir DAmore: Una Furtiva Lagrima
Andrea Chenier: Un Di All'Azzurro Spazio
TOSCA: E Lucevan Le Stelle
La Traviata: Parigi, O Cara
Madama Butterfly: Vogliatemi Bene, Un Bene Piccolino
La Boheme: O Soave Fanciulla
Funiculi Funicula
My Song My Love
Diane
Thine Alone
A Vuchella
Toselli's Serenade
Because You're Mine
The Loveliest Night Of The Year
O Paradiso
The Rosary
If
They Didn't Believe Me
The Lords Prayer
Be My Love

Customer Reviews:

The Young Lanza impresses.......2007-04-11

I am a singer and have been a Mario Lanza fan since becoming interested in opera in my teens. The quality of his singing varied a great deal, especially in his later years. But this Hollywood Bowl concert, at age 26, shows him with a freshness and ease of production that failed him later in life. Highlights for me were the Boheme Duet - I don't know of any of the current tenor stars who would dare to hold the High A for so long and then jump right to the High C and be able to sustain it. The Andrea Chenier demonstrates his spinto side and the beauty of his middle and lower voice. One weeps for what might have been. But I will put this recording against Mr. Alagna any day of the week.

A Rare Find!.......2002-12-19

The "Live From London" is my favorite cd and this is a close second. I usually listen to the Bowl selections only and save the Coca-Cola radio program for another time. The recording quality is not the best, but this is a wonderful sourvenir of the young singer in excellent voice and delivery at the begining of his career. The selections with soprano Frances Yeend are a wonderful addition since there are few recorded "live concert" Lanza duets available outside of this venue (there are recordings of his later Bowl appearances you may want to check out). Mario's introductions show his warmth and humor. It was at this concert that MGM took notice and his career moved to the movie studios. We are fortunate to have this recording. One of the highlights of the Coke show program is Mario's introduction to the "Our Father". Disregard the liner notes. For value delivered, this cd rates five stars!

One of the great performances of all time.......2002-05-12

The first six tracks of this CD capture Mario Lanza's legendary 1947 Hollywood Bowl debut. These recordings, by themselves, would rate 7 stars in my book. (The rest of the CD would probably merit about 2 stars, but those live tracks are worth the ridiculously low price of this collection many times over.) Renowned baritone George London, Lanza's frequent singing partner, later said he never heard Mario sing better than he did that night, and it would be hard to disagree with him. Lanza, on the eve of signing his contract with MGM, was at the peak of his vocal discipline, fresh off 15 months of training with Enrico Rosati. And while his interpretive abilities may have not reached their full potential, then or ever, the voice itself was magnificent: brilliant, rich and indescribably glorious. The concert opens with "Una furtiva lagrima," by Donizetti, which, if somewhat raw, is certainly more refined and lyrical than his later studio recording. His phrasing of "Cielo, si puo morir" can bring tears to my eyes. Next up is a thrilling rendition of "Un di all'azzuro spazio" from ANDREA CHENIER. Lanza's performance of this aria is as good as any I've ever heard, including Caruso's. He positively caresses the phrase "Su dalla terra a la mia fronte veniva una ca'rezza viva," then passionately spits out the aria's middle section: "un uom vi calunniave bestemmiando il suolo che l'erario a pena sazia e contro a Dio scagliava, e contro a li uomini le lagrime dei figli!" Lanza's vocal tone, in this performance, was more focused than it was in his later recording of this aria, and his later recordings in general, and the effect is very impressive to those who have only heard his studio recordings. Then, for an encore, he sings "E lucevan le stelle," from TOSCA by Puccini, another aria which, in my opinion, Lanza sang as well if not better than anyone. True, he does not sing the pianissimo like Gigli or Di Stefano, but then neither did Caruso or Domingo. In fact, to my way of thinking Lanza's interpretation is more in character with a man who is about to die: it is not a simple love song but a cry of desperation. Next come three gorgeous duets with Frances Yeend, a singer with limited interpretive abilities but a rich, full voice. On the duet from LA TRAVIATA, Lanza showcases a wonderful legato line, and the timing of the two singers is nearly perfect. By this time in the concert, Lanza's voice had reached its peak of richness and beauty. The love duet from MADAME BUTTERFLY that follows is a positive tour de force: I have never heard a more exciting and musical performance: neither singer allows interpretation to get in the way of the melody, which is always a good idea with Puccini. Lanza is at his most passionate here, and his high C at the end is devastating. Yeend would later say that Lanza's singing was "Always thrilling. . .he never spared the horses," and this duet is a good example. Finally, a tasteful and lovely rendition of the duet from LA BOHEME closes out the show, with the richness of each singer's voice on full display. Lanza sings the line "Dammi il braccio mia piccina" as romantically as anyone, and the interplay between the two singers is nearly perfect. This is a performance for the ages: anyone who loves Italian opera and especially great tenor singing should love this album. The rest of the album is pretty much a waste, except for an interesting version of "A Vuchella" in which Lanza does his best Gigli impression. Notably, this album contains possibly the worst version of any song I have ever heard: an English language rendition of "Funiculi funicula" that is positively dreadful, although you can't really blame that on Lanza's singing.

Buy this for the first six tracks only!.......2001-08-22

This CD contains both the very best and the very worst of the vastly underrated Mario Lanza. First things first, ignore the absurdly inaccurate liner notes. Lanza did NOT have a small voice - indeed fellow musicians who sang with him often remarked that it was a huge and powerful instrument. Lanza's voice did not "crack down" in his last years, as the liner notes writer asserts; rather it was his health that "cracked down" in the final year of his life.

These recordings, however, demonstrate the tenor in the full bloom of health. The outstanding selections are tracks 1-6, which come from his extraordinary Hollywood Bowl debut in 1947. You'll never hear a better Lanza rendition of the Madama Butterfly Love Duet (with soprano Frances Yeend) than the one included here. This is sensitive AND passionate singing of the highest order, and listening to this rendition today it is not surprising that MGM signed the tenor up for a movie career the very next day. All six selections are outstanding, and many will be surprised by the beautiful legato Lanza employs in the difficult Parigi, O Cara from La Traviata.

The six initial tracks are more than worth the price of the CD, and make up for the shortcomings of the remaining selections, all of which come from Lanza's Coca-Cola radio show of 1951-52. The latter tracks show the tenor at his commercial worst. Diane is an abomination, and there are several other selections that should never have seen the light of day. Fortunately, however, there are a few nuggets among the dross, and "If" is a most attractive and exciting performance.

The sound is not brilliant on the Coke Show selections (these are not the pristine BMG recordings, and all come with overlaid applause tracks). Ironically, the live Hollywood Bowl selections have much better sound.

Tracks:

Because You're Mine
Golden Days
You Do Something to Me
Deep in My Heart, Dear
I'll Never Love You
Beloved
Lord's Prayer
I'll Walk with God
Song Angels Sing
Marechiare
Serenade (From "The Student Prince")
Summertime in Heidelberg
Yours Is My Heart Alone
If I Loved You
I'll See You Again
One Night of Love
Sylvia
I'll Be Seeing You
Vucchella
Romance

Tracks:

Drinking Song
Be My Love
Because
Donna Mobile
My Song, My Love
Loveliest Night of the Year
Granande
Questa O Quella
For You Alone
Bayou Lullaby
Guardian Angels
Core Ingrato
Someday
Mattinata
Song of India
Cielo E Mar
You Are My Love
Song Is You
Recondita Armonia
Ave Maria

Album Description

2 CD set. International superstar tenor of the early 50's whose million-sellers included 'Be My Love' and 'Because You're Mine' (original versions included here). Unlike previous tenor superstars (Caruso,Gigli), Lanza never performed in a concert hall, but found fame via hit movies, including The Great Caruso, Serenade, The Seven Hills Of Rome and The Toast Of New Orleans. Castle Pulse. 2005.

Samuel Ramey Sings Rodgers & Hammerstein

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Samuel Ramey Sings Rodgers & Hammerstein

Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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ASIN: B000008JQN
Release Date: 1989-06-05

Tracks:

June Is Bustin' Out All Over! [From Carousel]
I Have Dreamed [From The King and I]
When the Children Are Asleep [From Carousel]
Some Enchanted Evening [From South Pacific]
Man I Used to Be
This Nearly Was Mine [From South Pacific]
Climb Ev'ry Mountain [The Sound of Music]
Oh, What a Beautiful Mornin' [From Oklahoma!]
You'll Never Walk Alone [From Carousel]
You Are Beautiful (Flower Drum Song)
Younger Than Springtime [From South Pacific]
Do I Love You Because You're Beautiful? [From Cinderella]
Fellow Needs a Girl [Allegro]
Surrey With the Fringe on Top [From Oklahoma!]

A Proper Introduction to Mario Lanza: Be My Love

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A proper Introduction to Mario Lanza: Be My Love

A Proper Introduction to Mario Lanza: Be My Love
Irving Aaronson , Nicholas Brodszky , Arturo Buzzi-Peccia , Eduardo di Capua , Teodoro Cottrau , Riccardo Drigo , Charles Gounod , Guy d' Hardelot , Agustin Lara , Ruggero Leoncavallo , Albert Hay Malotte , Pietro Mascagni , Jose Padilla , Giacomo Puccini , Nikolay Andreyevich Rimsky-Korsakov , Richard Rodgers , Irish Traditional , Giuseppe Verdi , Constantine Callinicos , Ray Sinatra , and Mario Lanza
Manufacturer: Proper Introduction
ProductGroup: Music
Binding: Audio CD

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The MARIO LANZA Collection

ASIN: B0001P2KCK
Release Date: 2004-04-05

Tracks:

O Sole Mio
Granada
Serenade
Donna E Mobile [From Rigoleto]
Lord's Prayer
Be My Love
I'll Never Love You
Ave Maria
E Lucevan le Stelle [From Tosca]
Lolita
Vesti la Giubba [From Pagliacci]
Questa O Quella [From Rigoletto]
Mama, Quel Vino E Generoso
Lovliest Night of the Year
Valencia
Because
Danny Boy (Londonderry Air)
You'll Never Walk Alone
Santa Lucia
Because You're Mine
Song of India

Customer Reviews:

A proper Introduction to Mario Lanza: Be My Love.......2007-04-15

This CD is excellent. No Mario Lanza collection would be complete without it.

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Great Songs As Only Mario Lanza Can Sing Them
So-so selections; great sound

Legendary Tenor

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003EP1
Release Date: 1990-10-25

Tracks:

The Toast Of New Orleans: Be My Love
Because
Kismet: And This Is My Beloved
Funiculi Funicula
The Great Caruso: The Loveliest Night Of The Year
The Great Caruso: Aida: Celeste Adia
A Kiss
Serenade (Brodszky-Cahn)
Torna a Surriento
One Alone
Arrivederci Roma
Only A Rose
Paglacci: Vesti la giubba
Granada
Because You're Mine
Marechiare
Santa Lucia
Mattinata
O Sole Mio

Customer Reviews:

Great Songs As Only Mario Lanza Can Sing Them.......2002-09-07

I love this CD. It has all the great Mario Lanza songs--"Be My Love," "Because," "The Loveliest Night of the Year," and many others. What a voice! Powerful, emotional, and, as I read somewhere, it's a voice that, no matter what ups and downs Mario had in his career and his personal life, never lost that edge, that passion, that intensity, that were so much a part of his
personality. I have spent many hours listeng to what has become one of my favorite CDs.

So-so selections; great sound.......2001-08-21

The chief problem with the majority of Lanza releases on BMG is that they are, at best, a hodgepodge of the tenor's career. Seldom is any logic applied to the programming. A case in point is this CD.

Lanza excelled in three genres: Neapolitan Songs; Songs of Love and Celebration; and Operatic Arias. If only BMG could be persuaded to release carefully compiled collections in each genre (as they do with Caruso, for example) rather than lumping pop songs next to arias! Such practices only undermine Lanza's credibility with the general public; after all, who but the diehard fans will buy such collections?

The Legendary Tenor highlights all that is wrong with BMG's sloppy approach to Lanza. A mere two arias have been selected, both of which Lanza recorded better versions of elsewhere. The love songs generally reinforce the misleading impression that Lanza was purely a singer of schmaltz; missing are his masterpieces in this genre such as Serenade from the Student Prince (instead we have the title song from the movie Serenade - one of the low points on this CD). The Neapolitan songs are limited to just one outstanding example - Torna a Surriento - and the tenor's badly sung Marechiare from his Albert Hall concert of 1958 has been chosen over his far superior 1951 studio effort. (Evidently BMG intended the studio version, as it is erroneously listed in the contents.)

On the plus side, O Sole Mio, Granada and Mattinata have never sounded better. Ditto Only a Rose and One Alone from Lanza's final recording sessions. There are also a number of pleasant recordings (A Kiss, Because, the ubiquitous Be My Love, and an exciting Because You're Mine from the aforementioned Albert Hall concert).

But there is far more to Lanza than this collection would indicate. Lanza had an extraordinary vocal gift: a tenor voice with a velvety, baritonal fullness, exceptional range, a perfectly placed top and "a timbre to die for", as one reviewer has noted. As if this wasn't enough, Lanza possessed an innate musicality, perfect diction, and a superb sense of phrasing. It is a great shame that BMG chose, for their first Lanza release on CD, to neglect the great recordings from the tenor's legacy.

What are the great recordings? You may well ask. In this reviewer's opinion, the arias Che Gelida Manina from La Boheme, Un di all'azzurro spazio from Andrea Chenier, M'appari from Martha, E lucevan le stelle & Recondita Armonia from Tosca, Questa o Quella from Rigoletto, the Otello Monologue and Finale from Otello, and Vesti la Giubba from the soundtrack of For the First Time (available on video) represent the pinnacle of Lanza's operatic achievement. The Neapolitan songs are scattered throughout his CDs, but his best collection is the Mario! Lanza At His Best (see my review if you're interested) and the Love Songs are well represented on The Student Prince and When Day is Done CD collections.

Conclusion: buy this CD if you're looking for a pleasant, albeit unrepresentative, sampling of Lanza; serious vocal admirers should look elsewhere among the tenor's releases. And one final note: ignore the assertion by the writer of the liner notes regarding Lanza's "serious vocal problems." It simply isn't true. Lanza may have been an erratic singer at times, but the reviewer seems to be confusing Lanza's declining health with non-existent vocal problems.

The Columbia Albums of Irving Berlin, Vol. 1-2
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The Columbia Albums of Irving Berlin, Vol. 1-2

Manufacturer: Collectables
ProductGroup: Music
Binding: Audio CD

General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
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ASIN: B0000AHEU8
Release Date: 2003-09-02

Tracks:

It's A Lovely Day Today/Blue Skies
Maybe Its Because I Love/I Got Lost
You'd Be Surprised/I'll See You In Cuba
Always/Remember
Shaking The Blues/Play A Simple/Alexander's
Here's No Business/Got The Sun/Girl I Marry
Say It Will Music/Cheek To Cheek
It's A Lovely Day Tomorrow/ Now It Can Be Told
This Year's Kisses/Be Careful! Its My Heart
Lady Of The Evening/ Better Luck Next Time
Steppin' Out With My Baby/ You're Just In Love
Let's Face The Music/Say It Isn't So
How Deep Is The Ocean/I Never Had A Chance
Change Partners/Mandy
You Can't Brush Me/Everybody Step/Waiting At The End
Soft Lights/They Say It's Wonderful
Puttin' On The Ritz/Marie
I've Got My Love To Keep Me/Top Hat
What'll I Do/All Alone
A Pretty Girl/Isn't This A Lovely Day
Lazy/I'm Getting Tired So I Can Sleep
I'm Playing With Fire/Let's Have Another Cup
Heat Wave/Let Yourself Go
The Piccoline/No Strings

Album Description

Full Title - The Columbia Albums Of Irving Berlin Vols. 1 & 2. Composer, conductor, arranger Frank DeVol scored more than fifty movies and is best known as the composer for the theme songs for the TV series 'My Three Sons', 'The Brady Bunch' and 'Family Affair'. In the 1940s DeVol was an arranger for Dinah Shore, Tony Bennett, Rudy Vallee, Vic Damone and Doris Day. Frank DeVol received multiple Emmy Awards and Academy Award nominations for his extensive body of work. Irving Berlin's medleys featured are 'Always/Remember', 'A Pretty Girl/Isn't It A Lovely Day' and 'Say It With Music/Cheek To Cheek'. 24 tracks. Collectables 2003.

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