In Due Time

In Due Time

In Due Time

ASIN: B00009YAFW

Track Listings
 
1. Victory In Jesus
2. This World Is Not My Home
3. Amazing Grace
4. Where Could I Go?
5. Leaning On The Everlasting Arms
6. Will The Circle Be Unbroken
7. What A Friend We Have In Jesus
8. Higher Ground
9. Sweet By And By
10. Blessed Assurance

Editorial Reviews
About the Artist
Daniel Holt Bohannon is a banjoist, guitarist and songwriter. He began playing the guitar at the age of 10 under the direction of Russell Watkins, and at the age of 11 he was introduced to the banjo by John Ritchie. Daniel's musical style is greatly influenced by Bela Fleck, Tommy Emmanuel, Tony Rice and Bryan Sutton. By invitation, he became a member of the Threads of Hope, a southern gospel bluegrass group, where he plays banjo and guitar. Daniel is an honor student at Hope Christian Academy and is a faithful member of Hope Baptist Church in Winder, Georgia where he sings in the choir and plays the guitar for the children's ministries. Daniel recognizes his musical talent as a gift from God and always strives to do his best for the Lord Jesus Christ.

Product Description
Inspirational Bluegrass Instrumentals. Includes Banjo, Guitar, Mandolin, Hammered Dulcimer, Bass. Favorite Christian Gospel Hymns with a flavor of Bluegrass.

In Due Time,Daniel Holt Bohannon,Daniel Holt Bohannon,Favorite Hymns with a flavor of Bluegrass. All instrumental featuring Banjo, Guitar, Mandolin, Hammered Dulcimer and Bass. Uniquely arranged and performed by this young 14 year old artist.
In Due Time
Average customer rating: 4.5 out of 5 stars
  • gohst of CREED
  • sweet
  • reply to dunked
  • What In The????
  • "Heavy is like today's classical music"
 In Due Time
Submersed
Manufacturer: Wind-Up
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
Post GrungePost Grunge | American Alternative | Alternative Rock | Styles | Music
GeneralGeneral | Rock | Styles | Music
Alternative MetalAlternative Metal | Hard Rock & Metal | Styles | Music
GeneralGeneral | Hard Rock & Metal | Styles | Music
Hard RockHard Rock | Hard Rock & Metal | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
Similar Items:
  1. Strata
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  4. Two
  5. The Autumn Effect

ASIN: B0002X7GI4
Release Date: 2004-09-28

Tracks:

  1. Hollow
  2. To Peace
  3. In Due Time
  4. Dripping
  5. Flicker
  6. Parallelism
  7. Deny Me
  8. You Run
  9. Divide The Hate
  10. Piano Song
  11. Unconcerned

Customer Reviews:

5 out of 5 stars gohst of CREED .......2006-09-14

As a first time album from this band, I have to say, it is not all that bad. But, I would like to point a few things out about this album. If you listen to there music, they sound like 12 stones with Myles kennedy from Alter bridge singing on it. Now, everytime I buy a cd, I read the thank you's and all that to see what was in it. I noticed that Scott Phillips from Creed and Mark Tremonti was in this album. Mark actually produced the album. Scott played the drums. No wander I like this album. I love CREED and I wish that they would have done a live album before they broke up.

5 out of 5 stars sweet.......2006-07-11

Good new sound, something different to listen to, love the lead singer's voice. definetively worth my time and money

5 out of 5 stars reply to dunked.......2006-06-24

yes his voice is not the usuall you would hear for this type of music but i love his voice and the tone pitches fit the music flawlessly. If your looking for a rock album that is not the usuall mainstream BS then this is for you. If you liked Hollow you will like the rest of the album.

5 out of 5 stars What In The????.......2006-06-19

Ok first off i have listened to tool and if they were even remotely as good as 10 years maybe i would believe this.I love how everyone acts as if they are the only band in the world.Seems like everyone and there mother loves tool.Anyway the only thing tool like about ten years is the vocalist his voice sounds a bit like it but not very much it actualy sounds better.For those people who usualy go by the reviews on here and almost have there mind made up that this cd is a waste all i will say is give them a chance,and for the people complaining that they ripped tool or apc off i don't believe it why you ask? because this cd is above that quality. Unlike someone else who's music is highly overated.

Honestly if they did rip them off it would be a shame cause then it would just mean that they can play tool and a perfect cirlce type music better then tool ,and apc.Like i said give them a chance if you don't like it i heard tool released a new cd a little while ago you can always buy that...heh

4 out of 5 stars "Heavy is like today's classical music".......2006-03-08

Those words (or some words like those) are part of the reason I ventered out on a limb and grabbed this cd. Mr. Carpenter had been on the radio because their band was coming to do a show or something and I became intriqued by what he had to say, escepecially by the line mentioned in the title. I mean, it really got me thinking (sometimes a good thing, sometimes a dangerous venture, but I thought nonetheless). Anyway, between those words continuosly tickling my brain (I sure hope I heard them right, now, because otherwise all this thinking will really be a wasted endeavor), the single Hollow, and the holy-mackeral gee-wiz lickity-split ain't-that-the-..er..-"stuff" cover art, I purchased this disc, something many of you may be seriously contemplating. And, as my star rating may have suggested to you, I'm not too dissapointed.

Now, I know what you're all thinking - well, actually I don't, but let's pretend, shall we? - "the guy (singer) is a pop-star wannabe and the band is in an arena too big for their shorts and all the songs are gonna sound the same with no roaring gusto that my usual bands have perfected". Well, if you did or do indeed have these thoughts, I cannot really discredit you, for I, being the Dick I am, too am a harsh critic of...uh, everything. And the first two listens to this disc, and I thought: yep, just what I feared, a Creed idol band with a good radio sound but nothing else. And if you knew me and my tastes in music, I am no Creed fan, no radio-rock-Nickleback fan, but instead prefer Limp Bizkit for my audio gravy of choice. (I mean, come on, the Bizkit. THE BIZKIT, man.) But, bizkits and gravy aside, I think we all know: LB have laid low recently, and their return to the top is still gonna have to wait for tomorrow. So, for today's hungry appetite, we need to lower our standards a bit, and be willing to not necessarily embrace another leader in music but instead allow ourselves to be content with the key roster in today's "waiting" musical generation (as we're all waiting for the next big thing).

But anyhoo, I'm getting beside the point and rambling. This disc does resemble Creed, but as you all know, they got at least a little something to them, as evident by Hollow. And the singer is amazing, I think you can agree to that. The band is slightly single-tracked, and the first few listens may get you shaking your head - but, before you give up, read my title again. And think about how monotonous a Betoven (however the haystacks you spell it) or Tchicoski (dido) cd would sound. Slightly similar, slightly bland, right? But I grew up playing piano (laugh if you must, bastards) and those classical guys were good...you just had to open your mind up to the collective music creativity in their songs...they weren't about one-hit wonders. And what I'm trying to say is, for me, listening to this band was kind of the same thing. They ain't gonna be radio sell-outs (I hope) not because they're too heavy or vulgar...it's because their music is, well...tightly experimental within its soundscape boundaries. It's just like the Deftones or something - there is something about them that makes you have to slow down to like them, I guess. You have to give up the pop image you may want to put on them and just notice the feelings inside as you listen. Unlike some of the other heavy music out there today, you don't really get addicted to this disc; but the key thing is, you don't come away from a listening session angry or wired, either. More...content and happy, I'd say. And I pay most of this to Mr. Carpenter's incredible vocal abilities.

Now, maybe all this is just an anxious attempt to find something good in a new unique artist while I wait for my favorite music styles and heavy hitters to redeem themselves. Perhaps I give the band too much credit for the simple fact that I don't own any rock like this, and it just seems a mellow orange to my usual Mountain Dew choice of music beverage. Or maybe I'm just so tired of the entertainment industry now that I'm trying to force myself to "like" something. Who knows. All I know is, Flicker kicks ass compared to Creed's My Own Pissin or whatever and right now I'm listening to it and bobbin my head to the music flow. Now, Submersed will never be the Sevendust, the Kid Rock, or the Limp Bizkit in any sense, and we can't compare them to that. All we can do, my now-bleary-eyed and bored readers is take them into consideration. I did, and for now, the harsh critic Dick Sunrise isn't bashing them.

There's always tomorrow, though. We'll see how these guys handle themselves. If I get a sense of them becoming cocky bastards like other Wind-Up artists, you can bet I'll be back, ready to slam them to the ground. But until then...

Peace out, and I hope this gives you food for thought (Bizkits and gravy, mmm...)
D.S.
Back to Basics
Average customer rating: Not rated
    		Back to Basics
    In Due Time
    Manufacturer: Strike First/Mordam
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Hard Rock & Metal | Styles | Music
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    ASIN: B0002N6AMC
    Release Date: 2004-03-16

    Tracks:

    1. Back To Basics
    2. Bring The Pain
    3. Hugs And Handskakes
    4. Bloodgulch
    5. Tear Open My Chest
    6. The Last Second
    7. No Friend At All
    8. Give Him Your Life
    9. Death Before Dishonor
    10. Family
    Final Showdown
    Average customer rating: Not rated
      		Final Showdown
      In Due Time
      Manufacturer: Strike First/Mordam
      ProductGroup: Music
      Binding: Audio CD

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      Release Date: 2005-06-14

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      1. Get Crunk Part I
      2. The Ultimate Measure Of A Man
      3. Final Showdown
      4. Dedication
      5. Crushed And Conquered
      6. Frank Hagat
      7. The Friend I Should Have been
      8. The Second Coming
      9. This Is What They Die For
      10. On The Brink Of Total Destruction
      11. Get Crunk Part II
      In Due Time Time Will Tell
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        		In Due Time Time Will Tell
        Shake'em
        Manufacturer: D Train Entertainment
        ProductGroup: Music
        Binding: Audio CD

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        Pop RapPop Rap | Rap & Hip-Hop | Styles | Music
        ASIN: B00004NRVE
        Release Date: 2000-02-01

        Tracks:

        1. Intro
        2. Smoking
        3. Twisting
        4. Murder
        5. Low Down
        6. Shine
        7. Oh Baby
        8. In Due Time... Time Will Tell
        9. Yall Can't Mess With Me
        10. Outro
        The Essential Leontyne Price
        Average customer rating: 5 out of 5 stars
        • A Long Time Coming...
        • Her Best Album
        • Price At Her Peak
        • of course world class
        • the greatest american soprano of the 20th century
        		 The Essential Leontyne Price

        Manufacturer: RCA
        ProductGroup: Music
        Binding: Audio CD

        All Works by BarberAll Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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        EnglishEnglish | Languages | Opera & Vocal | Styles | Music
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        NoelsNoels | Vocal Non-Opera | Opera & Vocal | Styles | Music
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        ASIN: B000003FWD
        Release Date: 1996-08-13

        Tracks:

        1. Aida: Act I: Ritorna vincitor!
        2. Aida: Act I: E l'amor mio?
        3. Aida: Act I: I sacri nomi di padre, d'amante
        4. Aida: Act III: Qui Radames verra!
        5. Aida: Act III: O patria mia
        6. Un Ballo in Maschera: Act II: (Prelude)
        7. Un Ballo in Maschera: Act II: Ecco l'orrido campo
        8. Un Ballo in Maschera: Act II: Ma dall'arido stelo divulsa
        9. Un Ballo in Maschera: Act III: A tal colpa e nulla il pianto
        10. Un Ballo in Maschera: Act III: Morro, ma prima in grazia
        11. Il Trovatore: Act I: Che piu t'arresti?
        12. Il Trovatore: Act I: Tacea la notte placida
        13. Il Trovatore: Act I: Di tale amor che dirsi
        14. Il Trovatore: Act IV: Siam giunti
        15. Il Trovatore: Act IV: D'amor sull'ali rosee
        16. Ernani: Act I: Surta e la notte
        17. Ernani: Act I: Ernani! Ernani, involami
        18. Ernani: Act I: Tutto sprezzo che d'Ernani
        19. La forza del destino: Act II: Son giunta! Grazie, o Dio!
        20. La forza del destino: Act II: Madre, madre, pietosa Vergine
        21. La forza del destino: Act II: La Vergine degli angeli
        22. La forza del destino: Act IV: Pace, pace, mio Dio

        Tracks:

        1. Cosi fan tutte: Act I: Come scoglio immoto resta
        2. Madama Butterfly: Act II: Piangi? Perche?; Un bel di vedremo
        3. Madama Butterfly: Act III: Tu? tu? piccolo Iddio!
        4. TOSCA: Act II: Vissi d'arte
        5. Manon Lescaut: Act II: In quelle trine morbide
        6. Manon Lescaut: Act IV: Sola, perduta, abbandonata
        7. Dialogues des Carmelites: Act III: Mes filles, voila que s'acheve
        8. Don Giovanni: Act I: Don Ottavio, son morta!
        9. Don Giovanni: Act I: Or sai chi l'onore
        10. Don Giovanni: Act II: Crudele? Ah, no, mio bene!
        11. Don Giovanni: Act II: Non mi dir
        12. Turandot: Act I: Signore, ascolta!
        13. Turandot: Act III: Tu che di gel sei cinta
        14. Ariadne auf Naxos: Es gibt ein Reich
        15. Antony And Cleopatra: Act III: Give me my robe

        Tracks:

        1. Otello: Era piu calmo?
        2. Otello: Mia madre aveva una povera ancella (Willow Song)
        3. Otello: Ave Maria
        4. Fidelio: Act I: Abscheulicher! Wo eilst du hin?
        5. Suor Angelica: Senza mamma, o bimbo, tu sei morto!
        6. Carmen: L'amour est un oiseau rebelle (Habanera)
        7. La Traviata: Act I: E strano, e strano !
        8. La Traviata: Act I: Ah, fors' e lui
        9. La Traviata: Act I: Sempre libera
        10. Le nozze di Figaro: Act III: E Susanna non vien!
        11. Le nozze di Figaro: Act III: Dove sono
        12. Die Agyptische Helena: Act II: Awakening Scene
        13. La rondine: Ore dolci e divine
        14. Salome: Finale

        Tracks:

        1. Eugene Onegin: Act II: Puskai pogibnu ya
        2. Eugene Onegin: Act II: Ya k vam pishu
        3. Eugene Onegin: Act II: Net, nikomu na svete
        4. Eugene Onegin: Act II: No tak i byt'!
        5. La rondine: Act I: Chi il bel sogno di Doretta
        6. VANESSA: Act I: He Has Come, He Has Come!
        7. VANESSA: Act I: Do Not Utter A Word
        8. Carmen: Act I: Pres des remparts de Seville (Seguidilla)
        9. Manon: Act II: Allons! il le faut!
        10. Manon: Act II: Adieu, notre petite table
        11. Macbeth: Act IV: Sleepwalking Scene: Vegliammo invan due notti
        12. Macbeth: Act IV: Sleepwalking Scene: Una macchia e qui tuttora
        13. La Boheme: Act IIII: Addio. Donde lieta usci (Mimi's Addio)
        14. Die Frau ohne Schatten: Act II: Empress's Awakening Scene
        15. Dido and Aeneas: Act III: Thy Hand, Belinda!
        16. Dido and Aeneas: Act III: When I Am Laid In Earth
        17. Don Carlo: Act V: Tu che le vanita conoscesti del mondo

        Tracks:

        1. Otello: Act I: Gia nella notte
        2. Otello: Act I: Quando narravi
        3. Otello: Act I: Venga la morte!
        4. Cosi fan tutte: Act I: Ah, guarda, sorella
        5. Madama Butterfly: Act I: Bimba, bimba, non piangere
        6. Madama Butterfly: Act I: Bimba dagli occhi
        7. Madama Butterfly: Act I: Vogliatemi bene
        8. Requiem: Recordare
        9. Porgy And Bess: Act II: Bess, You Is My Woman
        10. Norma: Act III: Me chiami, o Norma
        11. Norma: Act III: Mira, o Norma
        12. Ernani: Act II: Tu, perfida!
        13. Ernani: Act II: Ah, morir, potessi adesso
        14. Cosi fan tutte: Act II: Sorella, cosa dici?
        15. Cosi fan tutte: Act II: Prendero quel brunettino
        16. Aida: Act IV: La fatal pietra sovra me si chiuse
        17. Aida: Act IV: Presago il core della tua condanna
        18. Aida: Act IV: Vedi? Di morte l'angelo
        19. Aida: Act IV: O terra, addio

        Tracks:

        1. Un Ballo in Maschera: Act II: Teco io sto!
        2. Aida: Act III: Ciel! mio padre!
        3. Aida: Act III: Rivedrai le forest imbalsamate
        4. Aida: Act III: In armi ora si desta il popol nostro
        5. Aida: Act III: Padre! a costoro schiava non sono
        6. Requiem: Angus Dei
        7. Manon Lescaut: Act I: Oh, saro la piu bella!; Tu, tu, amore?
        8. Cosi fan tutte: Act I: Soave sia il vento
        9. Porgy And Bess: Act II: I Loves You, Porgy
        10. Aida: Act II: Silenzio! Aida verso noi s'avanza
        11. Aida: Act II: Fu la sorte dell'armi
        12. Aida: Act II: Pieta ti prenda del mio dolor
        13. Aida: Act II: Alla prompa che s'appresta
        14. Il Trovatore: Act IV: Udiste?
        15. Il Trovatore: Act IV: Mira, di acerbe lagrime
        16. Il Trovatore: Act IV: Vivra! Contende il giubilo
        17. Madama Butterfly: Act II: Scuoti quella fronda di ciliegio (Flower Duet)
        18. Carmen: Act IV: C'est toi! - C'est moi!
        19. Carmen: Act IV: Ou vas-tu? - Laisse-moi!

        Tracks:

        1. Les nuits d'ete, Op.7: Villanelle
        2. Les nuits d'ete, Op.7: Le spectre de la rose
        3. Les nuits d'ete, Op.7: Sur les lagunes
        4. Les nuits d'ete, Op.7: Absence
        5. Les nuits d'ete, Op.7: Au cimetiere (Clair de lune)
        6. Les nuits d'ete, Op.7: L'ile inconnue
        7. Four Last Songs: Fruhling
        8. Four Last Songs: September
        9. Four Last Songs: Beim Schlafengehen
        10. Four Last Songs: Im Abendrot
        11. Clair de lune, Op.46, No.2: Clair de lune
        12. Notre amour, Op.23, No.2: Notre amour
        13. Au cimetiere, Op.51, No.2: Au cimetiere
        14. Au bord de l'eau, Op.8, No.1: Au bord de l'eau
        15. No.1, Cinq melodies de Venise, Op.58: Mandoline
        16. Main dominee par le coeur
        17. Miroirs brulants No.2: Je nommerai ton front
        18. Miroirs brulants No.1: Tu vois le feu du soir
        19. Ce doux petit visage

        Tracks:

        1. Knoxville: Summer Of 1915, Op.24: Knoxville: Summer Of 1915
        2. Frauenliebe und -leben, op.42: Seit ich ihn gesehen
        3. Frauenliebe und -leben, op.42: Er, der Herrlichste von allen
        4. Frauenliebe und -leben, op.42: Ich kann's nicht fassen
        5. Frauenliebe und -leben, op.42: Du Ring an meinem Finger
        6. Frauenliebe und -leben, op.42: Helft mir, ihr Schwestern
        7. Frauenliebe und -leben, op.42: Susser Freund, du blickest
        8. Frauenliebe und -leben, op.42: An meinem Herzen, an meiner Brust
        9. Frauenliebe und -leben, op.42: Nun hast du mir den ersten Schmerz getan
        10. Widmung (No.1, Myrthen, Op.25): Widmung
        11. Mignon (No.28, Liederalbum fur die Jugend, Op.79): Mignon
        12. Volksliedchen, Op.51, No.2: Volksliedchen
        13. Schone Wiege meiner Leiden (No.5, Liederkreis, Op.24): Schone Wiege meiner Leiden
        14. Er ist's (No.23, Liederalbum fur die Jugend, Op.79): Er ist's
        15. Heiss mich nicht reden (No.5, Lieder und Gesand aus Wilhelm Meister)
        16. Lust der Sturmnacht, Op.35, No.1: Lust der Sturmnacht
        17. Allerseelen, Op.10, No.8: Allerseelen
        18. Schlagende Herzen
        19. Freundliche Vision, Op.48, No.1: Freundliche Vision
        20. Wie sollten wir geheim, Op.19, No.4: Wie sollten wir geheim
        21. Der Gartner (Morike-Lieder No.17)
        22. Lebe wohl (Morike-Lieder No.36)
        23. Morgentau (From An Old Songbook)
        24. Geh, Geliebter, geh jetzt (Spanisches Liederbuch No.34)

        Tracks:

        1. Ev'ry Time I Feel The Spirit - Various Artists
        2. Let Us Break Bread Together On Our Knees - Various Artists
        3. His Name So Sweet - Various Artists
        4. 'Roun' About De Mountain - Various Artists
        5. Swing Low, Sweet Chariot - Various Artists
        6. Sit Down, Servant - Various Artists
        7. Were You There - Various Artists
        8. He's Got The Whole World In His Hands - Various Artists
        9. Deep River - Various Artists
        10. Honor! Honor! - Various Artists
        11. My Soul's Been Anchored In De Lord - Various Artists
        12. On Ma Journey - Various Artists
        13. A City Called Heaven - Various Artists
        14. Ride On, King Jesus - Various Artists
        15. I Wish I Knew How It Would Feel To Be Free - Various Artists
        16. Sinner, Please Don't Let This Harvest Pass - Various Artists
        17. Sweet Little Jesus Boy - Various Artists
        18. There Is A Balm In Gilead - Various Artists
        19. Let Us Cheer The Weary Traveler - Various Artists
        20. Ev'ry Time I Feel The Spirit - Various Artists
        21. My Way Is Cloudy - Various Artists
        22. Nobody Knows The Touble I've Seen - Various Artists
        23. I Couldn't Hear Nobody Pray - Various Artists

        Tracks:

        1. Holy, Holy, Holy
        2. Lead, Kindly Light
        3. Blessed Assurance
        4. Ave Maria
        5. What A Friend We Have In Jesus
        6. Amazing Grace
        7. The Lord's Prayer
        8. Pass Me Not, O Gentle Saviour
        9. The Church's One Foundation
        10. Bless This House
        11. I Need Thee Every Hour
        12. Fairest Lord Jesus
        13. I Wonder As I Wander
        14. Ave Maria
        15. Porgy And Bess: Summertime
        16. America The Beautiful
        17. Lift Ev'ry Voice And Sing
        18. A Mighty Fortress Is Our God
        19. Battle Hymn Of The Republic

        Tracks:

        1. Chants tziganes, Op. 103: He Zigeuner
        2. Chants tziganes, Op. 103: Hochgeturmte Rimaflut
        3. Chants tziganes, Op. 103: Wisst ihr, wann mein Kindchen
        4. Chants tziganes, Op. 103: Lieber Gott, du weisst
        5. Chants tziganes, Op. 103: Brauner Bursche
        6. Chants tziganes, Op. 103: Roselein dreie in der Reihe
        7. Chants tziganes, Op. 103: Kommt dir manchmal in den Sinn
        8. Chants tziganes, Op. 103: Rote Abendwolken
        9. Adriana Lecouvreur: Act I: Io son l'umile ancella
        10. This Little Light O'Mine
        11. Interview With Leontyne Price By John Pfeiffer

        Amazon.com

        This 11-CD set, one might say jokingly, contains all the music ever written for the soprano voice and a bit for mezzo as well. And indeed, it's a staggering collection: In addition to her great Verdi heroines (the two Leonoras, Aida, Amelia, and Elvira in Ernani), Price is heard in her Puccini roles--Manon Lescaut, Butterfly, Tosca--and at least two dozen other roles, most of which she never sang on stage. Here are her heroic, secure Leonore in Fidelio, Strauss's high-flying Egyptian Helen, Purcell's Dido, Barber's Cleopatra, Bellini's Norma, Ariadne, Verdi's Violetta and Desdemona, Bizet's Carmen, Mozart's Countess, and Fiordiligi. Some are, naturally, more successful than others; almost none are embarrassing (Carmen comes close). In addition, she sings songs by Schubert, Schumann, and Strauss--none of them as well as say, Janet Baker or Elisabeth Schwarzkopf, and Barber's Knoxville, etc.--quite beautifully. Berlioz's Les Nuits d'été is not very good, but a group of spirituals is. In all, however, this is an amazing display by one of the century's greatest sopranos. There may be no new depths plumbed here, but the singing is a knockout. --Robert Levine

        Customer Reviews:

        5 out of 5 stars A Long Time Coming..........2006-03-30

        This compilation of Ms. Price's career is almost as complete as anything I've ever come across!!
        An American Icon....I will forever be a loyal fan and admirer!!

        5 out of 5 stars Her Best Album.......2006-01-01

        Along with the equally extensive "Prima Donna Collection" this is Leontyne Price's best album. Anyone who wants to become familiarized with her vocal technique and her art on record should own this album. It features her best work ever recorded. A lot of these arias and their respective soprano roles were not roles she sang on stage. Leontyne Price was not only a consummate artist, but a cautious one. The reason these arias, Lieder, Gospel and spirituals sound so beautiful and technically brilliant is because Leontyne was smart enough to sing them infrequently and in concert form. She did not take on new roles other than her repetitive Aidas, Leonoras, Butterfly, Toscas and Madame Lidoins, etc, because she was afraid of ruining her glorious voice too soon as many of her contemporary sopranos. Like soprano Zinka Milanov, Leontyne Price preserved the freshness and vitality of her voice through "operatic abstinence". Thus, the Norma, Salome, Manon, Lady Macbeth and even Traviata we hear on this album are well-rendered because she did NOT sing them on stage. She would have worn out her beautiful voice if she sung so many roles.

        This collection is overwhelming. Leontyne Price proves herself to be a masterful artist of diverse repertoire. Pity she didn't really sing these on stage because she would have put Maria Callas and all the reigning divas before and after her to shame. Listen to her remarkable, unsurpassed Mozart repertoire. This she did sing in opera houses, probably because Mozart does not require a true lyrico-spinto heavyness and smaller opera houses can accomodate Mozartian voices that do not often rise above the staff/orchestra. She sang exquisite Fiordiligis at the Met. The arias from Cosi Fan Tutte here - Soave sia il vento, O Guarda Sorelle and the fiendishly difficult vocal showcase "Come Scoglio" with its vertiginious scales are all fine samples of Miss Price's artistry. She sang Susanna and Donna Anna with beauty and bravura. The Salome excerpt is quite thrilling. She would have made a terrific Salome but the role is quite difficult and it would have surely killed her voice. Leontyne Price was the number one Verdi soprano. Every opera cognoscente will tell you that. When you hear the excerpts from Verdi operas here - Lady Macbeth's Sleepwalking Scene, Aida's arias, Leonora's arias from Trovatore and Leonora's arias from Forza Del Destino, particularly La Virgine Del Angeli and the ravishing Pace Pace Mio Dio- are the best renditions of Verdi soprano singing. Anyone who wants to study how to sing in the letter-to-letter Verdi lyrico spinto style should hear these arias. A voice like Leontyne cannot be easily imitated. Maria Callas's own voice can be imitated as Romanian diva Angela Gheorghiu has proven. Leontyne was in a class of her own, a voice that is both dramatic and beautiful to hear. However, most people find fault in her lack of dramatic interpretation. I say they're not hearing hard enough. Yes, there is excessive beauty in her singing but she understood that the opera heroines should sound beautiful because they are beautiful and though I never saw her on stage, from the recordings I hear she sounds dramatic and character-driven enough for me to be satisfied. For a devoted fan of Leontyne Price, this album is the Holy Grail. She sings the most beautiful Norma, Madame Butterfly, Tosca, Aida, Violetta, Madame Lidoin, Suor Angelica, Susanna, Dona Ana, Gilda, Fiordiligi, Desdemona and countless other heroines. The last cd is a collection of Gospel, spirituals and patriotic songs. These "American", non-opera selections find her in beautiful voice and she is actually paying tribute to her roots. She was not only African-American, but a Southerner from Mississippi. Her voice must have been heavenly to hear in Church! This is the album that made me love Leontyne.

        5 out of 5 stars Price At Her Peak.......2005-05-02

        Originally a Gospel singer, Leontyne Price rose to the heights of operatic superstardom in the 60's and 70's. She enjoyed the same success Maria Callas did in the 50's. Although Callas will forever be most people's idea of the greatest soprano of the 20th century, Leontyne Price was not a force to be reckoned with. In my opinion, and this is just me, she outshone Callas and was the greater singer as far as techinicality and musicianship. Leontyne Price's best work is recorded in this album. It is her best album, together with the Prima Donna Collection. The price is expensive but it's worth every penny. Prepare to be riveted and blown away by the dynamic strength and passion of her voice as it blasts through yours stereo. While many often point out that Leontyne Price was not much of an actress, from a purely operatic/vocal level, her voice was faultless and virtuosic, powerful, passionate, beautiful, lyrical, soulful. Never have I heard a soprano so richly endowed with strong chest register- she could sing the low octaves that are found in the roles of mezzo-soprano voices or contralto voices. But she was a dramatic soprano and that's dramatic with a capital D- all the high C's were there, perfectly in place, and she was a thrilling singer when reaching for the stratosphere with her voice.

        This album contains arias from operas that I didn't even know she performed- La Traviata (yes, Leontyne Price as Violetta is a moving and powerful interpretation, executed with sublime beauty. She finds herself the equal to Callas in the role- for Callas had a big voice for a role that calls for the "dying" effect. Thus, Price, like Callas, could sing roles that call for beauty and not just dramatic vigor. It's unfortunate that unlike the stars that were rising in her time- Joan Sutherland, Beverly Sills and Montserrat Caballe- Price never mastered the bel canto repertoire - Rossini, Donizetti, Bellini (although she sang a sensational Norma, excerpts are found in this recording). But her strongest suit was Verdi. She had the voice Verdi was looking for in a soprano- rich, dramatic, beautiful, able to fill up the lines with smoky and velvety hues and a gleaming high top. Check out her Amelia in Un Ballo In Maschera, her Leonora in Trovatore, her Leonora in La Forza Del Destino. Of course, her greatest role, her signature role, and one which she connected with on a personal/ancestral level was that of Aida. The first selections in this recording are from that masterpiece. As Aida, she was at her best. It was easy for her somehow, when most other sopranos tackle the role with difficulty. She conveys grace, nobility, passion and spirituality in the role of the tragic Ethiopian princess.

        Further roles she excelled in that are on this recording is Desdemona in Otello, which she sung opposite Placido Domingo. Their masterful voices blend together harmonically and gloriously in the Act 1 Love Duet. She's quite the ground-breaking artist. Most Violettas in Traviata or Desdemona in Otello are Caucasian lyric soprano (Desdemona was white, Otello was black, that was Shakespeare's intention) but in opera, race does not matter and Leontyne Price's voice made her a star in a time when it was incredibly difficult for a black woman to sing opera. From the start of the century, opera was always associated with white Europeans and later on Americans. But Leontyne Price followed the inspirational example of the gutsy contralto Marian Anderson, who suffered a lot of rejection in opera due to skin color in pre-Civil Rights Movement 30's, 40's and 50's. Finally in the late 50's, Anderson, after a lifetime of singing only in private concerts and recitals, debuted at the Met as Ulrica in Un Ballo. Leontyne Price immediately picked up where she left- singing all the soprano diva roles typically associated with white singers - especially Tosca. Her Tosca is second to her Aida. As Tosca, she encompasses the diva who dies for love in the most thrilling way.

        Other than Tosca, Puccini heroines were just as magnificent vehicles for her voice. She sang Madame Butterfly to great acclaim. I dont know how she did it but she suddenly ceased to be herself and became the frail, naive, lovesick Japanese Geisha. Softness and fragility is also mixed with the maturity of a woman in love, with passion and dramatic vocal color. She sang La Rondine with equal success, though this role is more along the lines of Violetta/Traviata. She sang Suor Angelica, she sang in modern works such as Barber's Antony and Cleopatra- in that infamous Zefferelli production- she sang Gershwin's Porgy and Bess, she sang in Dialoge of the Carmelites. All these are on here, along with her Baroque specialties- Dido in Dido and Aeneas. Her Mozart voice is also the best I've heard, really, even with a more dramatic and beautiful charm than other singers I've heard. She sang the acrobatic role of Fiordiligi in Cosi Fan Tutte, both Dona Ana and Donva Elvira in Don Giovanni. I prefer her as Dona Ana, she is all fire, despair, intensity and repressed desire, but she sings a hysterical and lovesick Elvira with a passion as well. She even sang the Countess in Le Nozze Di Figaro. But the sky was the limit to Price. She even sang, in a Jessie Norman way, the Wagner role of Isolde. Her "Liebestod" is the greatest I've heard since Birgit Nilsson, with a passion that stemmed from her religious Gospel heart.
        This is a great album and I recommend it to any fan of Price and any fan of opera in general. If you have never heard Price and want to start somewhere, start with this one. This one or the Prima Donna Collection.

        5 out of 5 stars of course world class.......2000-08-14

        Price is amazing. I will have to also mention that Joan Sutherland in the 1960 is even more incredible, if that's possible. Check Dame Joan out, you will not be sorry. But Price is a D flawless diamond set by Cartier, in my opinion.

        5 out of 5 stars the greatest american soprano of the 20th century.......1999-12-12

        This collection of arias, art songs, and spirituals is truly amazing for the sheer breadth and depth of this soprano's artistry. It is hard to imagine any Verdi soprano after Ms. Price who could offer us the smoky richness of her vocal color, and there are so many wonderful selections, many of them being roles she did not perform on stage. Among my personal favorites are her scene from Dialogues of the Carmelites, the Letter Scene from Eugene Onegin, and the drama of her Lady Macbeth. For those of us who heard Ms. Price over the years in opera and concert, this collection brings back wonderful memories...It is truly a must-have for any serious opera lover.
        In Due Time
        Average customer rating: Not rated
          		In Due Time

          Manufacturer: Johnny Summers
          ProductGroup: Music
          Binding: Audio CD

          GospelGospel | Christian & Gospel | Styles | Music
          ASIN: B000CAK6C0
          Release Date: 2003-12-23

          Tracks:

          1. Keep Pressin ' On
          2. In Due Time
          3. Walk With Me Lord
          4. California Drive
          5. Running Back 2 U
          6. Awesome God
          7. Shackles
          8. I Am
          9. The Blood
          10. Nere the Cross
          11. So Glad
          12. Tears of Joy
          Our Turn
          Average customer rating: Not rated
            		Our Turn

            Manufacturer: Women's Chorus Dalla
            ProductGroup: Music
            Binding: Audio CD

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            Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
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            ASIN: B00008G1OO
            Release Date: 1997-11-04
            50 Classics for the Quiet Times
            Average customer rating: Not rated
              		50 Classics for the Quiet Times

              Manufacturer: Atlantic / Wea
              ProductGroup: Music
              Binding: Audio CD

              BalletsBallets | Ballets & Dances | Classical | Styles | Music
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              ASIN: B00004Z45H
              Release Date: 2000-11-21

              Tracks:

              1. Sym No.40: I. Allegro - Virtuosi Saxoniae/Ludwig Guttler
              2. Sleeping Beauty: Intro - Berlin RSO/Heinz Rogner
              3. Con in C, RV558: II. Andante - Virtuosi Saxoniae/Ludwig Guttler
              4. Pno Con No.9: II. Andante - Annerose Schmidt
              5. Con in a: II. Largo - New Bach Collegium Musicum/Burkhard Glaetzner
              6. Dance No.3: Waltz in B flat - Berlin CO/Helmut Koch
              7. Con No.5: II. Adagio - Hans Werner Watzig/Jurgen Abel
              8. Orpheus In The Underworld: Ov (Exc) - Dresden PO/Robert Hanell
              9. Vars On A Theme By Haydn: I. Andante - Berlin SO/Gunther Herbig
              10. Pno And Vc Son in A: III. Andante - Bruno Canino/Jan Vogler
              11. Balletti: Amoresca - Virtuosi Saxoniae/Ludwig Guttler
              12. Song Without Words - Berlin RSO/Robert Hanell
              13. Con Grosso in A: I. Grave - Collegium Instr Lipsiense/Georg Moosdorf
              14. The Fair Maid Of Perth: Ser - Berlin RSO/Heinz Rogner
              15. Capriccio: VI. Andante - Virtuosi Saxoniae/Ludwig Guttler
              16. Brandenburg Con No.1: II. Adagio - Virtuosi Saxoniae/Ludwig Guttler
              17. The Damnation Of Faust: Dance Of The Sylphes - Leipzig GO/Gerhard Weisenhutter
              18. Lullaby - Jan Vogler/Bruno Canino
              19. Minuet - Leipzig RSO/Robert Hanell
              20. Ave Verum Corpus - Dresden PO/Herbert Kegel
              21. Ser: II. Waltz - Dresden Staatskapelle Orch/Otmar Suitner
              22. Fl Con in F, RV433: II. Largo - Eckhart Haupt
              23. Water Music Ste 1: IV. Andante - C.P.E. Bach CO/Hartmut Haenchen
              24. Vn Con No.2: III. Rondo Allegro - Berlin CO/Katrin Scholz
              25. Sym No.1: II. Andante - Dresden Staatskapelle Orch/Herbert Blomstedt

              Tracks:

              1. The Four Seasons 'Winter': II. Largo - Camerata Bern/Thomas Zehetmair
              2. Fant No.2, Op.116 - Peter Rosel
              3. Prld No.1 - Siegfried Stockigt
              4. Sym No.33: II. Andante Moderato - Virtuosi Saxoniae/Ludwig Guttler
              5. Iberia: III. Triana - Dresden PO/Jorg-Peter Weigle
              6. Pno Con No.2: II. Adagio - Peter Rosel
              7. Ste No.3: II. Air - Virtuosi Saxoniae/Ludwig Guttler
              8. Nocture No.2 'Murmurs' - Egon Morbitzer
              9. Son No.1: I. Larghetto - Christian Funke/Jurgen Rost
              10. Vn Con in a, RV356: II. Largo - Manfred Scherzer
              11. Str Qt in G: I. Adagio - Mirring Qt
              12. Pictures At An Exhibition: Promenade - Leipzig GO/Igor Markevitch
              13. Con in F: IV. Adagio - Virtuosi Saxoniae/Ludwig Guttler
              14. Meditation - Dresden PO/Kurt Masur
              15. Guardame Las Vacas - Monika Rost
              16. Goldberg Var No.2 - Hans Pischner
              17. Congratulations Minuet - Weimar Staatskapelle CO/Friedemann Balzel
              18. Var On A Theme By Mozart - Dresden PO/Heinz Bongartz
              19. The Nutcracker: Waltz Of The Flowers - Berlin RSO/Heinz Rogner
              20. Ser No.2: Waltz - Dresden Staatskapelle Orch/Otmar Suitner
              21. Andante Cantabile in B - Reante Scholrer
              22. Con No.8: II. Largo - Hans Werner Watzig/Jurgen Abel
              23. Lohengrin: Prld To Act 3 - Dresden Staatskapelle Orch/Hiroshi Wakasugi
              24. Holberg Ste: II. Sarabande - Berlin Staatskapelle Orch/Otmar Suitner
              25. A Midsummer Nights Dream: V. Intermezzo - Leipzig GO/Kurt Masur
              Tide and time - Wiel Conen piano works
              Average customer rating: Not rated
                		Tide and time - Wiel Conen piano works

                Manufacturer: Etcetera
                ProductGroup: Music
                Binding: Audio CD

                Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
                GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
                GeneralGeneral | Classical | Styles | Music
                GeneralGeneral | Chamber Music | Classical | Styles | Music
                ClassicalClassical | Imports | Stores | Music
                ASIN: B00004SZWV
                Release Date: 2000-04-15
                In Due Time
                Average customer rating: Not rated
                  		In Due Time
                  Daniel Holt Bohannon
                  Manufacturer: Daniel Holt Bohannon
                  ProductGroup: Music
                  Binding: Audio CD

                  GeneralGeneral | Country | Styles | Music
                  GeneralGeneral | Bluegrass | Country | Styles | Music
                  Country FolkCountry Folk | Country | Indie Music | Stores | Music
                  ASIN: B00009YAFW
                  Release Date: 2003-06-01

                  Tracks:

                  1. Victory In Jesus
                  2. This World Is Not My Home
                  3. Amazing Grace
                  4. Where Could I Go?
                  5. Leaning On The Everlasting Arms
                  6. Will The Circle Be Unbroken
                  7. What A Friend We Have In Jesus
                  8. Higher Ground
                  9. Sweet By And By
                  10. Blessed Assurance

                  Album Description

                  Inspirational Bluegrass Instrumentals. Includes Banjo, Guitar, Mandolin, Hammered Dulcimer, Bass. Favorite Christian Gospel Hymns with a flavor of Bluegrass.

                  Album Review:

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                  2. Jo Dee Messina, Tammy Cochran and Trick Pony Karaoke Multiplex Top Tunes TTM-039
                  3. Jokers & Wildcards
                  4. Karaoke Party: More Country Radio Hits [Karaoke]
                  5. Karaoke Singles - Dixie Chicks [CD-single] [Enhanced] [Karaoke]
                  6. Kid's Karaoke: Country Party Music [Karaoke]
                  7. Kitty Jerry
                  8. Kitty Wells Duets
                  9. La Vita E Bella
                  10. Legends of the Fiddle: 20 Bluegrass Favorites

                  Album Review

                  Album Review