Live in L.A. [Live]

Live in L.A. [Live]

ASIN: B00007JGPF

Track Listings

1. Oklahoma Stomp [Instrumental]

2. Once a Day

3. Eighth of January [Instrumental]

4. Any Damn Thing

5. Lee Highway Blues [Instrumental]

6. Down Yonder [Instrumental]

7. Sally Goodin [Instrumental]

8. Wound Time Can't Erase

9. Shuckin' the Corn [Instrumental]

10. Listen to the Mockingbird [Instrumental]

11. Cherokee Waltz [Instrumental]

12. Cacklin' Hen [Instrumental]

13. Orange Blossom Special [Instrumental]

14. Goodnight Irene

Tracks:

To Live And Die In L.A.
Lullaby
Wake Up, Stop Dreaming
Wait
City Of The Angels
The Red Stare
Black-Blue-White
Every Big City

Amazon.com

Director William Friedkin knows a thing or two about innovative, genre-bending film scores. He commissioned edgy modern-jazz player Don Ellis for his classic The French Connection and reworked Mike Oldfield's "Tubular Bells" into the haunting soundtrack for the blockbuster The Exorcist. But even veteran film buffs were surprised when Friedkin turned the scoring chores for his taut 1985 forgery-ring thriller To Live and Die in LA over to British pop stars Wang Chung. Though they're still best known for their perennial rock-of-the-'80s hits "Dancehall Days," "Everybody Have Fun Tonight," and "Let's Go," Friedkin's early admiration for the band's often underrated musicality paid off with a tense, rhythmic soundscape that crystallized the era and locale of the film. And, though synth-pop has gained ill repute as a cheesy 1980s cliché, this album ably proves that it could rise above its stereotype in dramatic fashion. The Jack Hues-sung title track was also a minor pop hit. --Jerry McCulley

Customer Reviews:

Dupped?.......2007-02-21

This cd has not as yet arrived for me to review it. Where is it?

Even After 20 Years, This Soundtrack Is STILL Bumpin'!.......2006-12-01

i just received my copy in the mail a few days ago.....WOW!...right now "wait" is playing as i type this.i really like the flow of songs. it has been awhile since i've seen the movie but the music is still top- notch quality."city of the angels".had a good driving bass drum and high- hat thing going that's just crazy. i play air drums to it.

all in all... A TOP RATE SOUNDTRACK.

only the title track.......2006-06-14

ok the track to live and die in l.a by wang chung is the only piece worth listening but the movie itself wow!!! if a dvd is available i would recommend it as a masterpiece movie! would you believe that this was CSI mainstay william petersen starring role?

cd review.......2006-03-09

good ol' tunes from Wang Chung,
good as the flick and well sung;
Wm. P. was good in the show,
partner was/is always so-so;
tks Amazon, "feat gea kung."

Excellent.......2005-08-31

Music is top of the line in feeling and depth. Edgy lyrics support rolling melodies, and I would recommend this CD for anyone who enjoys 80's music.

Average customer rating:

As good as it gets
Some technical details and comments
The complete concert, greatest live album ever made
I'm Just Wild About Harry (Belafonte)!
True talent, live

Live in Concert at the Carnegie Hall
Harry Belafonte
Manufacturer: Bmg Int'l
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Belafonte Returns to Carnegie Hall
Belafonte at Carnegie Hall
Calypso
Ultimate Collection
Island in the Sun: 20 Golden Songs

ASIN: B000006SUU
Release Date: 1993-08-30

Tracks:

Introduction/Darlin' Cora
Sylvie
Cotton Fields
John Henry
Take My Mother Home
Marching Saints
Banana Boat Song (Day-O)
Jamaica Farewell
Man Piaba
All My Trials

Tracks:

Mama Look a Boo Boo
Come Back Liza
Man Smart (Woman Smarter)
Hava Nagila
Danny Boy
Merci Bon Dieu
Cucurrucucu Paloma
Shenandoah
Matilda

Album Description

bin 15110. Remastered reissue, part of RCA's Living Stereo series, for the esteemed vocalist's 1959 live concert recording. 19 tracks: 'Introduction/ Darlin' Cora', 'Sylvie''Cotton Fields', 'John Henry', 'Take My Mother Home', 'The Marching Saints', 'Day O', 'Jamaica Farewell', 'Man Piaba', 'All My Trials', 'Mama Look A Boo Boo', 'Come Back Lisa', 'Man Smart (Woman Smarter)', 'Have Nageela', 'Danny Boy', 'Merci Bon Dieu', 'Cu Cu Ru Cu Cu Paloma', 'Shenandoah' and 'Matilda'.

Album Details

Double CD Set. Recorded Live in New York. Part of RCA 'Living Stereo' Series.

Customer Reviews:

As good as it gets.......2007-03-08

A superb taking of a superb artist in a superb mood. Need a say moore?

If you only plans to own five CDs this must be one of them. Mr Bellafonte at his absolute best. I enjoy every second of this CD. Not only is it musically outstanding but it is also a true high fidelity record.

A CD not only for easy listening but also for true listening sessions!

Some technical details and comments.......2006-07-25

Tracks flow into each other with no "silence" between; its just like the "Living Stereo" black vinyl Long-Play records. All of the content on the LPs is indeed here. Awesome.

Sound quality is quite good. CDs were issued in Germany in 1993 (performance dates were 19 & 20 April 1959). There are no markings on the CDs indicating remixing, remastering or other processing. Despite this, the sound is a little more "natural" than my LP transfer which had that circa-1959 bass richness. This may be just coloration in my turntable set-up and the CD gets it right. There is minor tape hiss in the background noise. The dynamic range may have been increased. The CD allows me to hear more in the music than I ever heard before (musican banter, HB's breathing etc).

The CDs are a great replacement to the LPs transfers I had on my iPod. (I'm not sure yet if I'll miss the ticks and pops from the needle. It was kinda cool on an iPod.)

Regarding musicality; the other reviews have said it all. I agree that this is one of those rare recordings where everything is perfect. It is unthinkable that this concert could even have one second edited from it. I love this concert. It is genius.

The complete concert, greatest live album ever made.......2006-02-07

Harry Belafonte, is on of the greatest, most influential man ever born in the United States, as well as a hero to the world as well as to all Americans. Mr. Belafonte, World WarII veteren, who volunteered and was on the battlefield, and still serves his nation and the World, with his international travel on behalf of Unicef.
As far as his totally unique talent, this magnificant talent, shows all of his power, his heart, soul and love for all humanity with the best live album ever created.
I have a sentimental feeling about the famous Carnegie Hall concert since I grew up in blue collar family in Brooklyn attended this show. Growing up, I used th hear my parents play this many times on weekends, while doing their chores and nothingw ould light up their faces, create laughter, got them to sing, more than when they listened to the album of this Carnegie Hall concert.
I was about eleven or so when I started hearing it, and I have the album about memorized and grew up loving the album, Mr. Belafonte, his talent, his incredibly diverse careers, and non-stop dedication to all of humanity.
There is comments by an individual who does live the CD about how Harry did "novelty songs" in the second act. THOSE ARE NOT NOVELTY SONGS, THEY ARE FOLK SONGS FROM DIFFERENT CULTURES AROUND THE WORLD. But I guess to an American, International folk music is a "novelty song". Grrr. I know the gentlemen who made that comment meant no harm, but I hope it is understood. Mr Belafonte is currently and has previously spent his life unfolding the cultures of nations from all over the world by singing and giving publicity to the great folk music that tells the story of the people of the world.

It is great that this import has the entire concert, but I have to admit that I am ashamed as an American, that it has to be AN IMPORT, that no American music company has taken the original tapes, re-mastered it with love as they would any major piece of history and re-released it. He was born in Harlem and is one of the great, great stories of someone who has lived the American dream. Please remember the racism he experienced as well as being blacklisted suring the McCarthy hearings. But nothing stops his optomism and love of humanity.

He talent is unequaled and no one delivers a folk song with more power, heart and soul.
Besides, he probably was the best guest the Muppets ever had.

A couple of quick pieces of info on Mr. Belafonte. Bob Dylan was recorded for the first time on a Harry Belafonte album, where Harry hired him as a harmonica player.
Mr. Belafonte is a graduate of the Actors Studio in N.Y. the produced a generation of great actors.
Calypso was the first album to sell 1 million copies, but how many people know that he followed that album up with a album where he read and discussed the works of the great American writer, Mark Twain.

Thank you Harry for this great album and the great memories you leave me listening to it and the great pleasure you gave to my late parents.

Jon

I'm Just Wild About Harry (Belafonte)!.......2006-02-04

Nowadays the "powers that be" (read: "murderous thugs within the Bush Administration")are on a campaign to depict Harry Belafonte as being mentally unstable. Why? Because he had the courage to point out the all-too-obvious fact that George W. Bush and the dirty old dingbats around him are the biggest sources of world instability since Adolf Hitler and Joseph Stalin.

It's nice to know that he's still Harry after all these years; Still holding up a mirror to a sick and hypocritical society that obviously doesn't like what's reflected.

Belafonte At Carnegie Hall, recorded on two nights in April of 1959 is, no doubt about it, the finest "Live" album ever recorded. All these years later it still has a freshness that is irresistable. The fact that it was recorded with state-of-the-art equipment, you can close your eyes and it's almost as if your sitting, front row. It's moving and riotously funny all at the same time. Trust me on this one kiddies, you won't be disappointed!

Pray for peace

Tom Degan
Goshen, NY
tomdegan@froniternet.net

True talent, live.......2005-10-28

I grew up with this album that my parents had, unfortunately I recalled it as Belafonte RETURNS to Carnegie Hall. Thankfully I ordered this first, then later got Harry Returns (basically for Odetta and Miriam Makeba).

The man is brilliant in concert and it is unbelieveable they were daring enough to try to record these performances live. I shudder to think anyone currently who could pull this off (with the exception of Midler who thrives on a live audience).

Does Belafonte have an incredible voice and fantastic range? Not really. He has a great voice but the man has PASSION and intelligence in his hip pocket and he presents a priceless show.

It's amazing to me, now, to realize what a global attitude this man has, did I mention passion and intelligence? So I did, but it's well worth repeating.

I played this album for a 7th grade class and they ape over it -- they knew two songs from the movie Beetle Juice and insisted I download the lyrics. When it came time for Cucurrucucu Paloma they went wild (and the staff freaked when they heard it was a live performance) so I knew Mama Look a Boo Boo would be appreciated.

I know Mr. Belafonte is known and loved for many of his standards (basicaly Day-O) but I my faorite piece will always be Merci Bon Dieu. It's so beautiful, it's heartbreaking in a wonderful way.

I hate live albums because most artists cannot do live what they create in the studio. Not so with this -- he sounds even better live. A truly talented man with intelligence and passion -- darn, that's rare and very much appreciated, especially in the year 2005.

Average customer rating:

beautiful patriotic music
All new recordings, with a strong patriotric theme

Spirit of America

Manufacturer: Mormon Tabernacle
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Peace Like a River
Consider the Lilies
Love Is Spoken Here
Sing, Choirs of Angels!
Showtime! Music of Broadway and Hollywood

ASIN: B0000A4G6H
Release Date: 2003-06-24

Tracks:

America the Beautiful
Bound for the Promised Land
This Land Is Your Land
Shenandoah
Battle Hymn of the Republic
Distant Land
They, The Builders of the Nation
House I Live In
America, The Dream Goes On
Give Me Your Tired, Your Poor
God of Our Fathers, Whose Almighty Hand
Hymn for America
Pledge of Allegiance
Cohan's Big Three: Yankee Doodle Dandy/Give My Regards to Broadway
Goin' Home
God Bless America - Craig Jessop, Mormon Tabernacle Choir, The Orchestra
Star-Spangled Banner
Call of the Champions

Customer Reviews:

beautiful patriotic music.......2003-08-28

This is an excellent CD. The music, both voices and orchestra, is superb. The content of the lyrics is inspiring. It reminds me of so many reasons I'm proud to be American.

All new recordings, with a strong patriotric theme.......2003-07-16

Surprised that no one has reviewed this yet. Amazon.com doesn't give much info on this release, so I thought I'd rectify that. This is the second brand-new release on the "Mormon Tabernacle Choir" label, following their April 2003 release of "Consider the Lilies." Again, several of the arrangements are by Mack Wilberg, with direction by Craig Jessop and accompianment by the Orchestra at Temple Square. The track list is as follows:

1 America the Beautiful
Music: Samuel A. Ward

Text: Katherine Lee Bates
Arrangement: Mack Wilberg (Oxford University Press) 4:30

2 Bound for the Promised Land
Music: American folk hymn.
Arrangement: Mack Wilberg (Oxford University Press) 2:35

3 This Land is Your Land
Music: Woody Guthrie
Text: Woody Guthrie
Arrangement: Percy Faith & Michael Davis 2:40

4 Shenandoah
Music: American folk song.
Arrangement: Mack Wilberg (Oxford University Press) 4:48

5 Battle Hymn of the Republic
Music: William Steffe
Text: Julia Ward Howe
Arrangement: Peter J. Wilhousky (Carl Fischer, Inc.) 5:19

6 Distant Land
Music: John Rutter
Text: John Rutter
Arrangement: John Rutter (Hinshaw Music, Inc - ASCAP) 4:41

7 They, the Builders of the Nation
Music: Alfred M. Durham
Text: Ida R. Alldredge
Arrangement: Mack Wilberg (Deseret Book Co.) 3:28

8 The House I Live In
Music: Earl Robinson
Text: Lewis Allen
Arrangement: Michael Davis 3:26

9 America, the Dream Goes On
Music: John Williams
Text: Alan and Marilyn Bergman 3:18

10 Give My Your Tired, Your Poor
Music: Irving Berlin
Text: Emma Lazarus
Arrangement: Roy Ringwald (Shawnee Press, Inc. - ASCAP)
Orchestration: Michael Davis 3:01

11 God of Our Fathers, Whose Almighty Hand
Music: George W. Warren
Text: Daniel C. Roberts
Arrangement: Mack Wilberg (Oxford University Press) 4:12

12 Hymn for America
Music: Stephen Paulus (Paulus Publications)
Text: Michael Dennis Browne 3:08

13 The Pledge of Allegiance
Music: Charles Osgood
Text: Francis Bellamy
Arrangement: Michael Davis 2:39

14 Cohan's Big Three (Yankee Doodle Dandy, +below)
Music: George M. Cohan
Text: George M. Cohan
Arrangement: Floyd E. Werle
+Give My Regards/Brdway, You're a Grand Old Flag 3:53

15 Goin' Home
Music: Antonin Dvorak
Text: William Arms Fischer
Arrangement: Jay Welch 4:36

16 God Bless America
Music: Irving Berlin
Text: Irving Berlin

Arrangement: Roy Ringwald (Shawnee Press, Inc. - ASCAP)
Orchestration: Michael Davis 3:44

17 The Star-Spangled Banner
Music: John Stafford Smith
Text: Francis Scott Key
Arrangement: Robert Russell Bennett 2:21

18 Call of the Champions
Music: John Williams
Text: Olympic Motto 4:47

Tracks:

O mio babbino caro from Gianni Schicchi
The Girl With Flaxen Hair
Nocturne
The Swan
Serenade
Casta Diva from Norma
Andante from Piano Concerto No. 21 in C Major K. 467
Dance of the Blessed Spirits from Orfeo ed Euridice
Nocturne from String Quartet No. 2 in D Major
Songs My Mother Taught Me
Pur ti Miro from 'L'incoronazione di Poppea
Elegie: O doux printemps d'autrefois
Trerei

Album Description

CD AUDIO SIDE: Entire Album

DVD SIDE: * Entire album in Enhanced LPCM Stereo * Video of highlights from Joshua Bell Romance of the Violin Live from Lincoln Center with the Orpheus Chamber Orchestra * Complete Discography This disc is intended to play on standard DVD and CD players. May not play on a limited number of models.

Customer Reviews:

Excellent performances, both audio and video.......2007-01-09

I was delighted with this Dual Disc. Performances are excellent, both audio and video. Recording quality is very good.

I must report some problems with CD side (cracks) on older CD player.

Great music, lousy format!.......2007-01-03

I love the music, but was VERY unhappy to be unable to play this CD on my computer. The DVD side works okay, but I can't load this to itunes on my macintosh. And I can't load the DVD to my computer and store this disk at home. If I had it to do over, I'd buy the plain vanilla CD!

Cecilia Bartoli - Live in Italy / Jean-Yves Thibaudet

Average customer rating:

Buy two and give one to someone you love!
A joyful sample of the human voice.
A sheer delight from start to finish
Exquisite
Cecilia Live

Cecilia Bartoli - Live in Italy / Jean-Yves Thibaudet
George Frideric Handel , Antonio Vivaldi , Giulio Caccini , Wolfgang Amadeus Mozart , Franz Schubert , Pauline Viardot , Hector Berlioz , Vincenzo Bellini , Gaetano Donizetti , Gioachino Rossini , Umberto Giordano , Xavier Montsalvatge , Georges Bizet , Sonatori de la Gioiosa Marca , Cecilia Bartoli , and Jean-Yves Thibaudet
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Cecilia Bartoli - The Vivaldi Album / Il Giardino Armonico
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Cecilia Bartoli - An Italian Songbook (Bellini, Donizetti, Rossini)
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Cecilia Bartoli ~ Opera Proibita (Handel · Scarlatti · Caldara) / Les Musiciens du Louvre · Minkowski

ASIN: B00000DBTM
Release Date: 1998-10-20

Tracks:

Tu ch'hai le penne, Amore
Amarilli
Al fonte, al prato
Lascia la spina
Agitata da due venti
Oiseaux, si tous les ans, K. 307
La Pastorella, D 528
Havanaise
Hai luli!
Zaide
Malinconia, ninfa gentile
Ma rendi pur contento
La conocchia
Me voglio fa 'na casa
Mi lagnero tacendo
Mi lagnero tacendo (Il Risentimento)
Mi lagnero tacendo (Sorzico)
L' Orpheline du Tyrol
Riedi al soglio (Zelmira)
Le nozze di Figaro: Voi che sapete
Canzonetta Spagnuola
Caro mio ben
Cinco Canciones negras, No. 5: Canto negro
Carmen: Seguedille (Carmen)

Amazon.com essential recording

In the beginning, Cecilia Bartoli seemed to do one thing better than anybody, i.e., Rossini arias, which would not guarantee a long career even for a singer of her ebullience. This live performance from the Teatro Olympico in Vincenza, Italy, shows how much she's expanded, both linguistically and musically. The first five selections reflect her newfound specialty, early opera. The three Caccini selections from the 17th century--accompanied by small string ensemble--are deeply felt and stylistically convincing enough to make one eager for future forays. She's guilty of spinning out Handel's "Lascia la spina" excessively but hits new heights of virtuosity in Vivaldi's "Agitata da due venti." The rest of the disc is for voice and piano, in a program including both some genuine discoveries by French composer Pauline Viardot-Garcia that reveal the singer's increasing emotional depths and less consequential ones by Donizetti and Rossini. Bartoli also sings Spanish songs, most notably Montsalvatge's "Canto negro," proving that the singer doesn't venture into a new language until she can truly feel in it. Remarkably, her voice maintains its strength and body in the deeper, mezzo-ish regions as well as in the high, soprano-range areas. Might she have two voices? --David Patrick Stearns

Customer Reviews:

Buy two and give one to someone you love!.......2007-03-08

(That way, you can get free shipping!) Or, buy Opera Proibita also.

If you think you don't like listening to soprano soloists, you should buy this CD. I must say that I HATE listening to solo singing in general and soprano solo in particular! Well, this lady has stolen my heart! If you see her anywhere on the N American continent, please tell me.

The one-minute limit for listening on-line will simply not allow you to make a judgement. If I could legally allow you to hear track 5 "Griselda - Agitata da Due Venti" (Vivaldi), you would buy the CD without hearing anything else.

When I first heard Cecilia Bartoli on "Performance Today", the subject was "Opera Proibita" and I wrote to a friend who teaches voice at a local college and asked "Is she as good as I think, or am I just overreacting?" His simple response was "She's THAT good!"

This CD is of a live performance and you won't be disappointed except to realize that you COULD have been there, but weren't!

If she ever performs where I am able to see her, I'll be there. If I can talk to her, I will -- but I won't ask for my heart.

Highly recommended!

A joyful sample of the human voice........2006-06-12

'Live in Italy' by mezzo-soprano Cecilia Bartoli, accompanied by pianist Jean-Yves Thibaudet is, for those of us who do not know Italian and are not avid opera fans, a simply delightful essay in the beauty of the human voice. I am really happy this is not the first Bartoli album I have bought, as others, such as her recordings of French and Italian love songs have more substance to offer (if you don't know the operas from which these pieces are taken) but this recording, with its live ambiance, is a great pleasure all by itself, a very nice change from the somewhat frostier Fraulain Von Otter from the northern climes.

A sheer delight from start to finish.......2005-07-14

Although I rarely follow singers, even I am totally disarmed by Cecilia's magic spell of charm that criticism fails me. You will see that most of my reviews of music are about modern or Renaissance music, so for me to go out and lavish praise on her is really something totally out of the ordinary. Then again her singing is out of the ordinary in that it has an instantly recognisable warmth and captivating personality that makes her the outstanding singer of the current generation for me.

I have been impressed by Cecilia's tendency to avoid the well worn paths of 19th century Italian operas in favour of championing neglected earlier music whether that be Vivaldi, Haydn, or Salieri. She has always talked about how the centre of gravity of Western music seems to be shifting backwards in time, and in her case this means away from the Austro-German tradition to the time when the Italians dominated music. After all the musical elite of even Wagner's time could be still be heard muttering 'but he just isn't as good as those Italian...' at premiers of works such as Tannhäuser and it took a lot of convincing before the the idea of German opera became accepted. This shift backward in time here is exemplified by way the recital begins with the music of Caccini, the father of opera.

Here on this recording I particularly love the spontaneity of the live music making. Her ability to capture the declamatory nature of much older music such as with Caccini, Vivaldi and Handel suite live recording perfectly. Her manner of conveying the meaning of the words especially when singing in Italian is simply unrivalled in this situation. This is the sort of thing that all too often gets lost in studio recordings so it is a blessing that this is a live recording, where Cecilia seems to just glow. The spontaneity, the sheer magic of the moment - it is all a sheer delight from start to finish. At moments her voice seems so etheral, the hushed and rapt awe of the music making so breathtaking, that it simply beggers belief that the human voice can be so beautiful an instrument. This is what great music making should be all about.

As far as the recording itself goes I have never noticed any disturbing audience noises anywhere even on my system which tends to makes the slightest of rustling blatantly obvious. The recording engineers do an excellent job of capturing the ambience of the acoustic of the Teatro Olimpico in Vincenzo despite the presence of the audience.

A stunning recording and an absolute favourite to relax to or just to be inspired by.

Exquisite.......2003-01-31

"Her natural command of messa di voce phrasing, willingness to shade the voice away to the quietest pianissimo and acute sensitivity to the words of Caccini's love songs proved irresistible, attracting a generous mix of applause and foot stamping."

Such was the appreciation from the audience that the director had to request that the audience not stamp their feet as they would set off the alarm system.

There are hardly words to describe Cecilia Bartoli's remarkable vocal qualities, emotional range and warmth. When I listen to this CD, I am calmed completely. There is an element of comfort in her style. Maybe one could explain it as a lullaby for the soul.

She has the ability to support the longest of phrases on the back of a single breath all while varying the tone color and dynamic level. Singing seems as effortless as breathing as she becomes emotion all while capturing the drama and mood.

In this live performance from the Teatro Olympico in Vincenza, Italy, she performs each piece as if she is intimately entwined with the notes. How can music be this sensual and this comforting all at once? It just is. She can express a wide range of emotions, from profound despair to extreme joy.

The Teatro Olimpico is the worlds' oldest surviving covered theatre. It has fine acoustics, a sky-blue ceiling and marble. Cecilia Bartoli wanted to perform in one of the great treasures of Italy's cultural heritage and this led to this live performance with concert pianist Jean-Yves Thibaudet who seems to sense every emotion in Cecilia's voice. It is a sublime combination of talent which is further enhanced by violins, viola, cello, violone, archlute and harpsichord.

Tu ch'hai le penne, Amore - A song to love asking love to fly to where the heart lies and to promise that his heart and soul were ever hers.

Amarilli - Delicate and beautiful expression of true love.

Al fonte, al prato - You can feel spring approaching and this song has a certain energy Cecilia embraces as she sings away troubles and sadness to allow in merriment.

Lascia la spina - Melancholy. "Old age will creep up on you when your heart does not expect it."

Agitata da due venti - Cecilia's voice takes flight in this song about waves raging in a stormy sea. She almost becomes the force of the ocean as her voice surges and dives and wow.

Oiseaux, si tous les ans, K307 - She embodies a haunting vulnerability and the freshness of spring/summer. This song ends far too quickly.

La pastorella, D528 - Calm beauty to reflect a shepherdess in a meadow. Innocent love.

Havanaise - It seems like she has a completely different voice in this song as she reaches
to new ranges in depth. Charmed by a song? Perhaps.

Hai luli! - A seductive treatment of a song asking "where can my love be?"

"What's the point of living without a lover?"

Zaide - High energy and fast paced. A song about an orphan.

Malinconia, ninfa gentile - Gorgeous and poetic song.

Ma rendi pur contento - She really captures longing and an almost delicate purity.

La conocchia - Light and breezy.

Me voglio fa 'na casa - A song about the desire to build a house surrounded by the sea. Fantasy and happiness.

Mi langero tacendo - Poignant moment.

"I shall not complain of my bitter fate;
but, my beloved, do not hope for me not to love you."

Mi lagnero tacendo ll resentimento - the sorrow continues. The lover is said to be cruel.

Mi lagnero tacendo Sorzico - more complaints of cruelty and sorrow. She seems to capture frustration so exquisitely and is that stomping I hear? ;)

L'Orpheline du Tyrol - The Tyrolean orphan girl. Jean-Yves Thibaudet really takes the stage at first and Cecilia follows almost timidly. A song of tragedy, hunger and suffering.

Riedi al soglio from Rossini's opera Zelmira left seasoned connoisseurs dazzled. After the aria's final cadence, they broke from their awe-struck silence to add to the shouts of "encore."

Voi che sapete - Light and yet still dramatic. Desire, torment, ice. All explored fully by her voice. You can hear "torment" when she sings "martir" even if you could not see the words or follow along. Her voice really "flutters" when she sings "palpito e tremo." It is just amazing.

Canzonetta spagnuola - A muse comes to torment a painter.

Caro mio ben - A lover grows faint without love. Solitary melodies and you can almost feel the chill in the room or the feeling of despair the lover feels.

Canto negro - Is there anything she can't sing? This piece might seem completely out of place, but by now everyone is completely drunk with emotion from this performance.

Seguidille - Pleasure comes when two people are together. Definitely so when Cecilia Bartoli and Jean-Yves Thibaudet perform together. This song is almost a metaphor of the entire intoxicating experience. I just love how the audience goes absolutely wild after this song.

And too soon, it is over. I look forward to one day viewing the performance on DVD. It will be so much easier to understand the words now that I've literally studied this performance. Knowing the words definitely adds to the subtle emotions and more expressive moments.

~TheRebeccaReview.com

Cecilia Live.......2002-07-12

I have loved her low and warm voice ever since the first time I listened to her, the Italian mezzo-soprano Cecilia Bartoli. With respect and tenderness she treats the composers, whose works she performs while adding her own dimension. She transports me with her art. It is as if we become one person, and I experience her joy of music. Together we share a glimpse of eternity.

On this album which was recorded live at the Teatro Olimpico, Vicenza, Italy in 1998 Cecilia Bartoli offers her listeners a varied programme comprised of several composers: Caccini, Haendel, Vivaldi, Mozart, Rossini, Donizetti, Bellini, Viardot, Schubert, Montsalvatge and Bizet. She's accompanied in Caccini, Haendel and Vivaldi by the Sonatori de la Gioiosa Marca (Baroque string ensemble) and for the other pieces by Jean-Yves Thibaudet on piano. The accompanying booklet contains the lyrics, translations and further information.

Ms. Bartoli certainly has expanded her musical horizons here in several ways. On this disc she sings in Italian, French and Spanish. I loved her intense and heartfelt rendition of Caccini's and Haendel's arias. The passionate acrobatics of Vivaldi. And the Sonatori de la Gioiosa Marca gave her a fine support. She made a warm and lovely Cherubino in Mozart's famous 'Voi che sapete'. I also loved her sparkling interpretations of Viardot's 'Havanaise', Rossini's 'Mi lagnero tacendo' or his 'Canzonetta spagnuola'. But Montsalvatge's 'Canto negro' made me feel definitely uncomfortable and Ms. Bartoli herself didn't connect with it. Although I liked her rendition of Bizet's 'Seguedille, I still missed something there. Jean-Yves Thibaudet lends her an excellent, attentive and expressive support.

Although I would have preferred some more Baroque pieces at this concert, this live album is a keeper for me. Everytime the bundle of pure joy that is Cecilia Bartoli has the power to move me deeply!

Average customer rating:

Live and In Session
The Tannahill Weavers
Manufacturer: Compass Records
ProductGroup: Music
Binding: Audio CD

General | Folk | Styles | Music

Irish Folk | Traditional British & Celtic Folk | Folk | Styles | Music

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ASIN: B000OONP4K
Release Date: 2007-05-22

Tracks:

The Geese In The Bog/The Jig Of Slurs
Tranent Muir
Farewell To Fiunary/Heather Islands
The Log Splitter Set/Caradale Bay/The Slog Splitter/Calibachan/Drochaid Luideach
When The Kye Come Hame
The Athol Gathering
Pipe Major George Allan Set: Mrs. Stewert Of Grantully/Maggie's Pancakes/Andy Renwick's Ferret/Fag A'Piob Bhochd/Pipe Major George Allan
Dark Eyed Molly
Dumbarton's Drums
The Black Run Set: The Black Run/P.M. John MacDonald (Glasgow Police)/Lady Campbell Of Longsdale/Christie McLeod
The Soldier's Return
Grat For Guel: The Inchindown Jig/The Grumbling Carle (Akathe Drovers Lads)
Leaving Ireland Set: Leaving Ireland/Caber Feidh Collection/The Times We Had/This Strathspey
The Cruel Brither

Album Description

The Tannahill Weavers are one of Scotland's premier traditional bands. Their diverse repertoire spans the centuries with fire-driven instrumentals, topical songs, and original ballads and lullabies. Their music demonstrates to old and young alike the rich and varied musical heritage of the Celtic people. These versatile musicians have received worldwide accolades consistently over the years for their exuberant performances and outstanding recording efforts that seemingly can't get better...yet continue to do just that. The Tannahills have turned their acoustic excitement loose on audiences with an electrifying effect. They have that unique combination of traditional melodies, driving rhythmic accompaniment, and rich vocals that make their performances unforgettable. The music may be old time Celtic, but the drive and enthusiasm are akin to straight ahead rock and roll. Born of a session in Paisley, Scotland and named for the town's historic weaving industry and local poet laureate Robert Tannahill, the group has made an international name for its special brand of Scottish music, blending the beauty of traditional melodies with the power of modern rhythms. On Live and In Session, The Tannahil Weavers mix live recordings of favorites recorded from their 2005 US tour along side studio recordings of new material.

Average customer rating:

Great Music and Outstanding Voices
Time for a new one
Wonderful music, wonderful voices
Professional on professionals
Tenners for Tenors

Live in Belfast
Irish Traditional , James L. Molloy , Philip Martin , Lynette Johnson , Thomas Moore , Frank Lambert , Raymond Loughborough , Percy French , Richard Farrelly , William Wallace , Tempest Sanderson , and Francis McPeake
Manufacturer: Music Matters
ProductGroup: Music
Binding: Audio CD

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The Irish Tenors / McNamara, McDermott, Kearns, Tynan
Ellis Island
The Very Best of The Irish Tenors
Heritage
Home for Christmas

ASIN: B00004RDSK
Release Date: 2007-01-08

Tracks:

Dublin Medley: Dublin in the Rare Old Times; Molly Malone
Carrickfergus
Bantry Bay
Scorn Not His Simplicity
The Fields of Athenry
Star of the County Down
The Last Rose of Summer
Red is the Rose
Lift the Wings
She is Far from the Land
Ireland, Mother Ireland
Green Isle of Erin
Percy French Medley: Phil the Fluther's Ball/Come Back Paddy Reilly/The Lay of the West Clare Railway (Are Ye Right There Michael?)
Mary from Dungloe
Isle of Inisfree
There is a Flower that Bloometh
As I Sit Here
The Kerry Dance
Will Ye Go Lassie Go?

Product Description

1. Dublin Medley
2. Carrickfergus
3. Bantry Bay
4. Scorn Not His Simplicity
5. Fields Of Athenry
6. Star Of The County Down
7. The Last Rose Of Summer
8. Red Is The Rose
9. Lift The Wings
10. Ireland Mother Ireland
11. She Is Far From The Land
12. Green Isle Of Erin
13. Percy French Medley:
-Phil The Fluther s Ball
-Come Back Paddy Reilly
-The Lay Of The West Clare Railway
14. Mary From Dungloe
15. Isle Of Inisfree
16. There Is A Flower
17. As I Sit Here
18. The Kerry Dance
19. Go Lassie Go

Format: CD

Amazon.com

Just a year after their smash breakthrough debut album--itself still riding high in the charts--the Irish Tenors have added another delightfully varied collection to their discography. Live in Belfast again showcases the group's obvious concert charisma from a performance given in February 2000. It's a generous smorgasbord of medleys, traditional numbers, and songs from popular sources (including "Scorn Not His Simplicity," which Sinead O'Connor has interpreted)--mixing nostalgic sentimentality with selections of bittersweet melancholy. Binding the whole together is the unmistakable stylish charm of the Irish Tenors, whether singing in solos or in ensembles. But the biggest surprise for fans already hooked on the Tenors is the introduction of Finbar Wright as replacement for original member John McDermott. Wright's bright, romantic voice easily wins over a potentially skeptical crowd--especially in the dreamy "Isle of Innisfree"--and blends nicely with his colleagues. (McDermott, who had to bow out of the performance due to the death of his mother, makes a surprise appearance to solo in a memorable and touching "The Last Rose of Summer"--given as a tribute to his parents--and to rejoin the Tenors for "Red Is the Rose.") The arrangements by Tenors producer Frank McNamara are played with zest by the Orchestra Warsaw Sinfonia. --Tom May

Customer Reviews:

Great Music and Outstanding Voices.......2007-03-28

My wife and I saw these tenors live and on stage and we were truly impressed. Their voices blend beautifully and they present a well rounded variety of songs. We so enjoyed the first CD that we bought this current one.

Time for a new one.......2001-10-19

I bought this CD, (plus the video) in July 2000 and listened to it so much I think it must be just about worn out.!!!The video I have seen so often I bet I have seen every idiosyncrasy of each of them. The Tenors are almost my total pastime. About 12 hours a day, listening and viewing. I "met" them July 22/00 and have been to four concerts, and I'm still impressed by the joyous sounds of their voices.
It's been a lomg time since I wrote my last review of this CD, but I hope I have helped to encourage others to enjoy the thrill of the most magnificent voices of their lives.
The Tenor's #1 Fan,,,, Joan Way

Wonderful music, wonderful voices.......2001-05-31

I do not claim to be a musical expert. It has always been my contention that music which makes the listener feel good, which raises the spirits and makes the heart glad, is worthy of being heard. Such is this CD. I don't listen to it to search for flaws, flubs, failings and screw-ups. I listen to it because it makes me happy. I am of Irish ancestry, and this wonderful music stirs a core deep within my soul. I got to hear some traditional Irish folk music I'd never heard before. I would hope that all those who listen to this CD would choose to enumerate its merits based on the fact that this music is meant to lighten the soul. It never was meant to be held up to intense scrutiny, because it is folk music. These are the songs the people sang. They weren't meant to be grand, classical opera, and should not be regarded or critiqued as such. They are beautiful and moving, just as they stand, and I am grateful that God gave these four men such voices to sing these old tunes and to preserve them for the generations to come. God knows we need positive, beautiful music now more than ever.

Professional on professionals.......2001-05-05

I am taking from the best in the world. I have met Pavarotti's teachers (Joan Doanerman and Joan Sutherland) and also take from them. I am very well-known in musical analyzing and teaching. I have read all reviews, and personally, many of you need to learn much more about proper vocal technique to be a critic. The voice must flow, with support (breath), low larynx, etc. All four tenors possess the proper singing qualities. However, stage presence, song interpretation, and musicianship also take into affect. Finbar Wright needs to continue his musicianship. He possesses much more romanticism than he shows. Also, anyone can say words like "texturing, spellbinding and dominance," and sound like a knowledgeable critic. However, these words are thrown into sports review as well. Face it folks, know what you are saying. John McDermott has a beautiful voice, but it is a much different classical style than many people know. John is a Celtic Tenor, which means that his under- and overtones will sound much different than the other three. The symphony is NOT too dominant, David Schierholz. If you have worked with the Met recording studios, than you can talk with me, because I have sat in on them. These are live performances, not takes in a studio. Folks, I am a born and bred Irishman. These men are great, but there needs to be more of there individual literature available. I would love to find Anthony Kearns classical recordings. Then, when you have studied and understand the nature of the voice and theatre, then you can write your reviews.

Tenners for Tenors.......2001-02-16

This cd and video was my introduction to the wonderful "Irish Tenors". Seperately each is spellbinding. Together they are nothing short of magical. Finbar Wright is a dashingly romantic figure while Ronan Tynan is most compelling. Anthony Kearns will be a major star someday in the opera world. His voice is clear and strong. Wright's voice soars in songs such as "Carrickfergus" and "Isle of Innisfree". He seems a bit nervous which is understandable given he had only 10 days to prepare for this concert. He was asked literally days before the performance to step in for John McDermott. Thank goodness he did! The one downer for me was the appearance of John McDermott as his voice is not my cup of tea.

Average customer rating:

the classic whitesnake live album
CLASSIC ROCK WITH A TASTE OF BLUES
Great, forgotten live album
Live in the heart of the city
Awesom Music - STILL MISSING ONE OF THE SONGS!!!

Live.... In the Heart of the City
Whitesnake
Manufacturer: EMI Int'l
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Come an' Get It
Lovehunter
Snakebite
Saints & Sinners
Ready An' Willing

ASIN: B000026GN5
Release Date: 2005-10-11

Tracks:

Come On
Sweet Talker
Walking in the Shadow of the Blues
Love Hunter
Fool for Your Loving
Ain't Gonna Cry No More
Ready an' Willing
Take Me with You
Might Just Take Your Life
Lie Down
Ain't No Love in the Heart of the City
Trouble
Mistreated

Album Description

Deleted in the U.S., this is their 1980 live album featuring 'Fool For Your Loving' and 'Ain't No Love In The Heart OfThe City'. 13 tracks total, eight recorded 'Live In TheHeart Of The City' on June 23-24, 1980 & five recorded liveat the Hammersmith on November 23, 1978. EMI release.

Album Details

David Coverdale and Company were Captured Live in Concert on Two Dates; June 23rd and 24th, 1980 and November 23rd, 1978, with the Audio Documentary on this Disc. Includes "Fool for Your Loving", "Ready and Willing", "Mistreated" and Many More.

Customer Reviews:

the classic whitesnake live album.......2007-06-21

This is not the best live album of David Coverdale, the best is live in the shadow of the blues, but this is great because you can listen on stage the old band, the performance is great,the songs are great too, but I don't like the solo of M. Moody, but this is my own opinion!

CLASSIC ROCK WITH A TASTE OF BLUES.......2007-05-17

I've got 2 copies of this album, 1 in CD and another one in LP-Vinyl. I've got the LP on the same year the album was released in the Philippines which is early 80s.
Here you can taste the classic line-up of Whitesnake: David Coverdale on vocals, Ian Paice on the drums, Jon Lord on keyboards, Micky Moody and Bernie Marsden on lead and slide guitars and Neil Murray on the bass guitar.
Some of their classic that was performed are Ain't no love in the heart of the city, Love hunter and Walking in the shadow of the blues and many more...
Get it if you're a Whitesnake enthusiast! It's a must for collectors too!

Great, forgotten live album.......2006-12-30

This is a great collection of two partial performances FINALLY released on CD in the context of the LP with the exception of 1 song. I prefer this sound 'Snake is pushing here rather than the over metalized glam rock they did in the 80's. Now if only there was a DVD of this or simialr from this time period.

Live in the heart of the city.......2005-08-03

Being an older rocker, I brought this C.D to replace my vinyl double album. It was the nearest to a complete c.d copy of it that I could obtain.

The stadium rock style that whitesnake play is shown in full force on this cd compleation...it has crowd reactions and sing alongs which showcase whitesnake's ability as a live band and not just a studio one. My 15 year old thinks it's great too, and does not mind it played in the car!

Shame that they could not fit the extra song onto the c.d If you like early eighties rock then this is for you. A great live performance

Awesom Music - STILL MISSING ONE OF THE SONGS!!!.......2004-04-28

Of course Coverdale's vocals smoke... and the version of 'Fool For Your Loving' included here is my favorite. 'Ain't No Love In the Heart of the City' is an awesome cross between melancholy blues and metal. But while better than the CD with 3 songs from the 11/23/78 Hammersmith show left off, they still left off one version of 'Come On' that was on the original double lp set (the strongest version, at that). Still, this is the most complete version to date that I know of.
I'm waiting for the double CD reissue with bonus tracks- hint hint!!!

Average customer rating:

Technical virtuosity!
GREAT STUFF
A Walk in the Park
A Master shines !!!
Supreme artist and virtuoso playing spellbinding music!

Midori - Live at Carnegie Hall
Ludwig van Beethoven , Richard Strauss , Claude Debussy , Heinrich Wilhelm Ernst , Fryderyk Chopin , Maurice Ravel , Midori (Goto) , and Robert McDonald
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Midori ~ Encore!
French Violin Sonatas
Midori ~ Sibelius - Violin Concerto · Bruch - Scottish Fantasy / Israel PO · Mehta
Mendelssohn, Bruch: Violin Concertos
Dvorák: Violin Concerto, Op.53

ASIN: B0000027CW
Release Date: 1991-04-19

Tracks:

Sonata for violin & piano No. 8 in G major, Op. 30/3 No.3
Sonata for violin & piano in E flat major, Op. 18
Nocturne for piano No. 21 in C minor, B. 108
Variations on "The Last Rose of Summer" for violin solo
Beau soir ("Lorsque au soleil couchant les rivihres sont roses"), song for voice & piano, L. 6 Transcribed for violin & piano
Tzigane, rhapsodie de concert for violin & piano (or orchestra)

Customer Reviews:

Technical virtuosity!.......2005-11-26

I'll preface this review by saying that I've been disappointed in the past with some of Midori's recordings. She was never lacking in technical skill, and RARELY does she have intonation problems. I did have issues with her musicalty. It is in technically difficult pieces (like the Paganini caprices) that her skills shine.

This recording is a dazzling display of technical ability and artistry. Midori has the audacity to attempt Ernst's 6th polyphonic etude (The Last Rose of Summer) in a LIVE recital. She pulls it off without error except intonation issues on a few notes (easily forgiven!). The CD is worth owning for this one piece alone.

The Beethoven and Strauss sonatas are played with wonderful clarity and.. dare I say... musicality. The sound quality is excellent save a few audible coughs from the audience which come with live recordings.

GREAT STUFF.......2003-11-02

This CD is ample evidence of Midori's virtuosity, coupled with first-rate musicality. However, I have to disagree with one reviewer's assertion that she is non-pareil. Indeed, her Ernst is not perfect, though it comes very close. Careful listening will pick up slight intonation errors.Ricci performed with more facility. It is utterly ridiculous to place her above Heifetz, or even Perlman. And it is even more ridiculous to suggest that those two violinists were afraid to record the Ernst. Midori is great, but not as great as Heifetz or Perlman or Ricci.

A Walk in the Park.......2001-08-07

Not to toot my own horn; I play four instruments for over forty years. So what? Don't just listen to the music. Listen to the notes. Midori miss a note? I rather doubt it. The orchestra may be taking a day off for a walk in the park; but, Midori's persisting drive brings them back time and time again. All of the artists seem to be a bit stiff in their presentation. It's noticeable if you listen. One never knows if their review will be implemented. Mine will always deal with the worlds of difference between hearing the work and listening. This reviewer is not concerned with Midori's ability to equal or surpass another's work. I am interested in what her presentation does for me on it's own merit. Frankly, I am surprised that she doesn't catch her instrument on fire much like the rubing of sticks together until the heat brings forth fire. Midori is fire.

A Master shines !!!.......1999-06-12

What can be said about Midori that a fan doesn't already know ? Again, her unique, beautiful style is on display.

I've listened to this Strauss Sonata many many times and I feel Midori has created a miracle on a CD. Such emotion, timbre, richness of tone... a violin can NOT sound better...

I luv Midori..... !!

Supreme artist and virtuoso playing spellbinding music!.......1998-09-10

Four days before her nineteenth birthday, standing for the first time on the stage of a legendary building, in front of a sellout crowd (3000), Midori delivers an extraordinary 100-minute long program, from memory. Unfortunately, the CD version can only include 75 minutes of it, and thus excluded Mozart's sonata K.301 and a resplendent tour de force of Sarasate's Zapateado. Therefore, I sincerely exhort anyone who's interested in Midori to buy the LD or VHS version.

The second piece of the program is the magnificent, hyper-romantic, yet seldom recorded sonata by the young Richard Strauss. In contrast with the previous piece, this ultra-dramatic sonata is marvellously rich in content and expressive opportunities, and one can scarcely imagine it being played more effectively by someone else. Midori's technical finesse and enchanting tone, governed by a contemplative mind and a feverishly ardent heart, ready to pump out into the rapt audience at any moment, culminate in an immensely moving rendition. The listener must also credit the pianist Robert McDonald's spirited and sensitive playing. One can't help wondering why one so rarely hears this splendid piece.

This enigma is not so confounding after one listens to Heifetz's 1954 studio recording of the same piece. Seasoned critic Henry Roth declares that the Strauss Sonata "belongs" to Heifetz in the sense that few would dispute his supremacy. Indeed, Heifetz championed this work throughout his career, yet apparently to little avail; were Midori in Heifetz's position, she would positively have widely popularized the work.

Midori begins the second half with Beethoven's Sonata No. 8. She captures the gaiety and animation of the outer movements as well as anyone else, yet they are not fully gratifying. In the first movement, the exposition is repeated, later recapitulated, but unbelievably, her interpretations-though individually superb-of these three times are virtually the same, lacking in variety. In the third movement, her pursuit of wanton vivacity in a certain passage sacrifices the tone quality. Yet her slow movement is super-sensitive, particularly in transitional passages; it is the finest rendition of this movement I've ever heard--even superior to Szeryng's.

The following piece--Ernst's Variations on "The Last Rose of Summer"--I consider to be one of the three most technically demanding pieces ever written for the violin, together with Paganini's variations on Nel cor piu non mi sento and God Save the Queen.

The most horrendous part is about halfway through the middle, when the left hand plucks the celebrated theme, and the bow plays legato arpeggios across all four strings as an accompaniment at the same time. Don't forget that the left hand also has to press the swift arpeggio notes! Then the left-hand pizzicato is exchanged for artificial harmonics, singing the melody while the arpeggios still whirl around. The pizzicato returns to repeat the dumbfounding passage, and then she heads into the final variation, designed to exhibit the violin's kaleidoscopic tone colors: Harmonic staccatos-one of the ultimate tests in precision and coordination of both hands-juxtaposed alternately with a blizzard of double-harmonics, huge octave leaps, full-pelt runs up and down a single string, fingered octaves, pizzicato, etc.

Midori audaciously elected to play in her New York debut this terrifying piece which, as far as I know, only Ricci, Kremer and Vengerov to date have recorded in history; Heifetz and Perlman undoubtedly have never dared to take up its stratospheric challenge. Double-harmonics often make a good violinist sound like two bad ones, but Midori, with her exceptionally lengthy, slender, and agile fingers, effortlessly negotiates these intricacies and makes them sound as if they were played by two fine flutists. This will no doubt render multitudes of violinists, such as Heifetz, green with envy. The fiendishly difficult fireworks are all tossed off with lithe gracefulness and seeming ease; the left-hand pizzicatos are articulate, the harmonics pellucid, the octave shifts pure in intonation, and the tone quality immaculate. To be relentlessly critical, in this live concert, there were a paltry two or three fleeting notes that weren't of perfect pitch. See if you can find an edited studio recording closer to perfection.

Midori's prodigious prowess lies not only in her ability to make the most herculean pieces sound easy, but make them sound musical. We can try to forget about all the pyrotechnics; rather than marvel at her unprecedented instrumental mastery, we can immerse ourselves in the wonderfully beautiful music, and savour the bountiful nuances.

Anyone would badly need a respite after performing such a strenuous piece, and Midori gave her hands--but not her mind and heart--a brief relief in Chopin's Nocturne in C-sharp minor. Here's another meticulously thought out and superbly expressive rendition that, complemented with a most sympathetic tone, can hardly fail to melt the attentive listener's heart.

Ravel's Tzigane [gypsy] begins with a long oration of the solo violin, the first part of it entirely on the G string. In some other versions, e.g. by Francescatti, the solo part sounds inert, mundane, and monotonous; certainly that is not what I expect from Midori. Even solely on one string, Midori, by dint of divergent bow pressures, portamentos and vibrato, plus rubato, creates a most colorful, elastic, luscious, bewitching, yet doleful tone. Throughout the piece, she perpetually captivates the audience with her breathtaking technical wizardry, variegated and multi-dimensional tone, boundless array of expressive devices, stark dynamic contrasts, and subtle phrasing.

Due to the limited space here, I cannot pinpoint several startling details of Midori's innovative rendition. To sum up, one can only be awe-struck by her sophisticated mind, natural gypsy spirit, and dazzling virtuosity, which results in a performance that brought the house down.

Tracks:

Gente
Un' Emergenza D'Amore
Vivimi
La Solitudine
Se Fue
Strani Amori
Escucha Atento
La Prospettiva Di Me
Medley: Cuando Se Ama/Mi Rubi L'Anima/Un Amico E Cosi/Come Se Non Fosse Stato Mai Amore
Tra Te E Il Mare
In Assenza Di Te
Incancellabile
Surrender
E Ritorno Da Te
Le Cose Che Vivi
Viveme (Unplugged)

Customer Reviews:

Best Concert in ANY language.......2007-05-13

This is an amazingly well done concert in every respect. I have never seen a concert DVD that has as much quality in EVERY area. Laura Pausini is amazing, and she is supported by a dynamite band, backup singers, great video/audio work, and a audience that is INTO the performance (too bad the one guy with the air horn had to ruin it). Literally, I do not understand 90% of the lyrics, but this performance is musically and technically riveting from beginning to end. I can't keep myself from playing it once or twice a week.

Excellent!!!!!!!.......2007-02-22

Laura Pausini is one of the best POP singers going, She sings well in Italian, English and Spanish. She has one of those voices that you just fall in love with. This live CD, Live in Paris 05 is cooking, it is a greatest hits live basically and you will definitely enjoy it. Vivimi, Se Fue, Tra Te E Il Mare, Surrender, E Retiorno Di Te, and La Cose Che Vivi are all excellent, well every song is excellent. This is a must have for Laura fans and I would recommend it anyone.

Probably the best concert in any language in the last 5 years .......2007-01-07

Spectacular voice, great set. This is one of those finds you go into with low expectations and get totally blown away by.

CD only in the US but the dvd is available at the euro amazon sites. NTSC format but region 2 so you will need a region free dvd player to watch it. If I didn't already have one I would buy one just to be able to watch it.

Sexiest woman on the planet. It's not the body, it's not the face, it's the hands. If you have a chance to watch the concert you will know what I mean. Never considered hands to be erotic but I have been converted.

Simply Excellent!.......2006-10-24

This defenitly is a must to have for sure. I got the special edition with a DVD. Totally recommended. You can fall in love of her voice since the first song. She's so professional! I can't wait she came to my town.

Grande Laura.......2006-09-01

A portrait of Laura's great 2005 World Tour.

Well sung, well recorded, well packed..in a few words, absolutely PERFECT!

Album Review:

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