Cousin (Eskimo, Inuit Music)

Cousin (Eskimo, Inuit Music)

Cousin (Eskimo, Inuit Music)

ASIN: B00007HIBL

Track Listings
 
1. Cousin (Qatangutik)
2. First Time (Sivullipami)
3. Me (Uvanga)
4. Love (Nalliniq)
5. Our Land (Nunavut)
6. Sometime (Ilanni)
7. From the North (Ukiurtatumi)
8. Because Someone Loves us (Ilaanit)

Editorial Reviews
Product Description
The eight tracks on this CD are at times playful, and will appeal to the child in all of us, and at times more serious. In the context of the northern music scene, there's hit potential written all over a song like Nunavut, the name of the new territory scheduled for birth on April 1,1999. Uvanga is also top 20 material. This recording serves up a nice, easy-listening sound, containing a blend of contemporary drums guitar and bass, with the strong presence of keyboards throughout. This is clear from the start when an inspirational, electronic intro leads into the opening track, Qatangutik. Lead singer Charlie Iqaluk sings with passion in inuktitut on seven songs. The members of the Qimutjuit Band are: Charlie Iqaluk, Eric Atagotaaluk, Paul Kasudluaq.

Cousin (Eskimo, Inuit Music),Qimutjuit,Inukshuk Records
Tommy
Average customer rating: 4.5 out of 5 stars
  • The Who Classic Masterpiece AS YOU NEVER HEARD BEFORE
  • A Landmark Classic Now Made Even Better.
  • A Milestone of Early Rock!
  • I Love it !
  • The Who's classic rock opera gets a 35th birthday celebration fit for a king!
 Tommy

Manufacturer: Geffen Records
ProductGroup: Music
Binding: Audio CD

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  1. Who's Next (Deluxe Edition)
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  5. Quick One (Happy Jack)

ASIN: B0000DJZAH
Release Date: 2003-10-28

Tracks:

  1. Overture
  2. It's A Boy
  3. 1921
  4. Amazing Journey
  5. Sparks
  6. Eyesight To The Blind (The Hawker)
  7. Christmas
  8. Cousin Kevin
  9. The Acid Queen
  10. Underture
  11. Do You Think It's Alright
  12. Fiddle About
  13. Pinball Wizard
  14. There's A Doctor
  15. Go To The Mirror!
  16. Tommy Can You Hear Me?
  17. Smash The Mirror
  18. Sensation
  19. Miracle Cure
  20. Sally Simpson
  21. I'm Free
  22. Welcome
  23. Tommy's Holiday Camp
  24. We're Not Gonna Take It
  25. See Me Feel Me/Listening To You

Tracks:

  1. I Was
  2. Christmas (Out-Take 3)
  3. Cousin Kevin Model Child
  4. Young Man Blues (Version 1)
  5. Tommy Can You Hear Me? (Alternate Version)
  6. Trying To Get Through
  7. Sally Simpson (Out-Takes)
  8. Miss Simpson
  9. Welcome (Take 2)
  10. Tommy's Holiday Camp (Band's Version)
  11. We're Not Gonna Take It (Alternate Version)
  12. Dogs (Part 2)
  13. It's A Boy
  14. Amazing Journey
  15. Christmas
  16. Do You Think It's Alright?
  17. Pinball Wizard

Customer Reviews:

5 out of 5 stars The Who Classic Masterpiece AS YOU NEVER HEARD BEFORE.......2007-06-12

The Album is a masterpiece of all time rock n roll, even if this is "the less Who album" of the Who... but nevermind!
The Sound in both Stereo (from the original master tape discovered in the vault of UMG) and 5.1 (mixed by Pete Townshend himself) is great...
As you put the disc in your player you'll hear the great differences from the 1996 reissue even if you have only a "simple" CD player..
If You're a great Who fan and you a have SACD player buy ABSOLUTELY this album and enjoy it 'til the laser of your player won't work anymore...
The second disc is clearly for fans only but the quality of some track even if are demos or outtakes is very very good!!

5 out of 5 stars A Landmark Classic Now Made Even Better........2006-12-26

One of the most important, groundbreaking amd influential albums in the history of rock and roll, The Who's 1969 magnum opus "Tommy", a rock opera about a deaf, dumb and blind kid who sure plays a mean pinball, is now better than ever thanks to the brilliance of SACD and DSD remastering techniques.

Every song on the cd sounds like it was recorded just yesterday. It is 100 % crystal clear, perfectly remixed and remastered. It gives you a clearer view of the story as well as a more pleasurable than ever listening experience. Pete Townshend and the people involved in this truly put their hearts into making "Tommy" better than ever.

The bonus disc is also worth it. A lot of awesome raritis. The liner notes are an interesting read, and the album itself is of course a masterpiece nobody should be without.

5 out of 5 stars A Milestone of Early Rock!.......2006-09-29

"Tommy" is beyond question one of the big milestones of early rock. Musically the band were at the peak of their creativity.

All band members were obviously extremely talented musicians and both Roger Daltrey and Pete Townshend were/are great singers. Apart from few exceptions like "Cousin Kevin" all songs are outstanding; and it's really great to have the whole story on one CD - compared to the old double vinyl album.

Though the storyline may seem a little weird today ( to me it always did ), there is so much great music on this album.

The second bonus CD gives a very interesting insight in the developement of some of the songs. Though the sound quality is exellent CD 2 will mainly be of interest to hard-core Who fans. None of these alternate versions are better than the ones chosen for the album, though a few come close. The studio version of "Young Man Blues" which did not appear on the original album is a nice addition too!

5 out of 5 stars I Love it !.......2006-09-06

I was so blind-sided by this reissue - really. I have looked at this for a few years now, but I never picked it up. My impression of this was that it had some very good music along with some dated sounding tracks, so it wasn't a high priority. I'd been having very good luck buying hybrid SACD's even though I don't own a SACD player; the CD layers benefit greatly from the DSD mastering, making them stand head and shoulders above the latest PCM remasters (there are a few exceptions), so I decided to take the plunge.

The CD layer is stunning. I must have been sitting there with my mouth open after "Overture" began. I experienced emotion that wasn't there on previous listens to this on CD and vinyl. Yes, some of the tracks still sound dated, but most of this album is very good indeed, and this remaster is so incredible. If you own a great stereo rig, I highly recommend buying this - in fact, even if you don't have a great rig, I recommend it!

5 out of 5 stars The Who's classic rock opera gets a 35th birthday celebration fit for a king!.......2006-08-13

The Who's fourth studio(and fifth overall) album Tommy was released in May of 1969.
The Tommy album by The Who was the make or break for the group because if Tommy had failed, The Who would have probably disbanded due to lack of funds despite their concerts selling out based on Pete Townshend's guitar smashing and Keith Moon's drum kit demolishing at the end of each gig.
Guitarist Pete Townshend, under the gun after I Can See For Miles failed as a single in the UK(although it was their biggest ever hit here in the US) came up with a rock opera about a deaf, dumb and blind kid named Tommy whom becomes those aforementioned things after witnessing an event as a child that traumatized him(his father killing his step-father whom he considered his father).
Originally considered to be a single length album, the band felt it didn't make sense so they expanded it into a double album and the result is one of rock's Top 10 greatest double studio albums in history(alongside other classic double albums like the then-already released Jimi Hendrix's Electric Ladyland and The Beatles' White album and would help pave the way for more classics like The Rolling Stones' 1972 masterwork Exile on Main Street, The Who's 1973 release Quadrophenia, Elton John's 1973 classic Goodbye Yellow Brick Road, Genesis' 1974 masterwork The Lamb Lies Down on Broadway, Led Zeppelin's 1975 classic Physical Graffiti, Pink Floyd's 1979 masterpiece The Wall and Bruce Springsteen's 1980 classic The River among many others).
Alot of classics appear on this album like the Overture, the classic Top 20 hit Pinball Wizard, Amazing Journey, the Underture(best instrumental on here which is basically a repeat of the album's other instrumental Sparks), Go to the Mirror, I'm Free, Cousin Kevin(one of bass player John Entwistle's greatest compositions), Fiddle About(about the perverted Uncle Ernie), Tommy's Holiday Camp(another excellent ditty written by drummer Keith Moon whom did an excellent rendition in the film version of Tommy in 1975) and the classic finale We're Not Gonna Take It/See Me Feel Me.
The other tracks on the album It's a Boy, 1921(You Didn't Hear It), Eyesight to the Blind, Christmas, The Acid Queen, Do You Think It's Alright, There's a Doctor I've Found, Tommy Can You Hear Me?, Smash the Mirror, Sensation, Miracle Cure, Sally Simpson and Welcome are all great pieces as well though tend to be overlooked.
The album made The Who legends for good and peaked at #4 on the Billboard chart and was their first Gold seller(eventually Platinum).
In 1996, the album was re-released as a remastered CD but used different masters for the remixed reissue.
In October of 2003(just in time for Tommy's 35th Anniversary), Geffen Records(formerly known as MCA) re-released the album as a 2-disc Hybrid SACD with the original mix on the CD layer and a killer 5.1 mix on the SACD layer and this version uses the very original tapes that were found in Universal's vault after being said that the original tapes were destroyed by Kit Lambert in a fire. As a result of the discovery of the original tapes, the sound quality is amazing on here.
Disc two has great outtakes and demos like I Was, The Who trying to record Sally Simpson with hilarious results and instrumental versions of Tommy Can You Hear Me and Tommy's Holiday Camp among many other rarities plus a cool booklet with rare photos.
Highly recommended.
Racing The Tide
Average customer rating: 5 out of 5 stars
  • The Elders get better and better...
  • Fantastic New Release from The Elders
  • Excellent
  • Racing the Tide, by the Elders
 Racing The Tide
The Elders
Manufacturer: CBUJ/Double Deal
ProductGroup: Music
Binding: Audio CD

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ASIN: B000LSFU1A
Release Date: 2007-02-06

Tracks:

  1. Send a Prayer
  2. Bad Irish Boy
  3. Dear God
  4. Cousin Charlie
  5. Right with the World
  6. Racing the Tide
  7. Banshee Cry
  8. Gonna Take a Miracle
  9. Australia
  10. Story of a Fish
  11. Five Long Years
  12. Ever Be a Nation
  13. Saint Brendan Had a Boat

Product Description

13-track CD.

Customer Reviews:

5 out of 5 stars The Elders get better and better..........2007-03-02

This is a fantastic CD. The Elders are different than The Pogues, or Flogging Molly, but have a style that fans of those great bands will enjoy. Standouts include Bad Irish Boy, Send a Prayer, Racing the Tide, Gonna Take a Miracle, and Saint Brendan Had a Boat. One of my missions for the next year or two is to travel to see The Elders, since it doesn't look like they'll be in California in the near future. Check out earlier CD's as well, you can't go wrong.

5 out of 5 stars Fantastic New Release from The Elders.......2007-02-17

Racing the Tide, the newest release from The Elders, shows off all the immaculate musicianship, strong songwriting and story telling skills of this Kansas City based Celtic rock band. Formed in 1998 The Elders have been rocking Kansas City and Celtic festivals across the country for the last 7 years. County Wicklow native Ian Byrne fronts the band, lead singer, bohdran and battle drum, with Steve Phillips, guitar (formerly of The Rainmakers), Brent Hoad on fiddle, Norm Dahlor on bass, Tommy Sutherland - drums, and relative newcomer to the band, Joe Miquelon on keys.

Foot tapping, sing-along beckons as the Cd opens with Send a Prayer. The band are well known for telling "true stories" at their live shows, and the first track is followed by some of these true stories... Uncle Charlie, Story of a Fish and Bad Little Irish Boy (could this bad little irish boy be Ian we wonder?). The title track Racing the Tide is my favourite cut on this CD, wonderful harmonies. Brent Hoad's incredible lyrics are showcased in Dear God, St Brendan Had a Boat (another true story if legends are to be believed). The track Australia is a departure from the majority of the Elders tunes, putting one in mind of a 1920's speakeasy. You'll rock out with Gonna Take a Miracle, and Right with the World.

I strongly encourage you to buy this CD.... and see The Elders live if you ever get the chance - you won't be sorry.

5 out of 5 stars Excellent.......2007-02-12

The Elders are an excellent Celtic band. They have songs with energy and meaning along with fun. Ian is a great lead singer and the band has awesome harmony as well. Their songs DO stick in you head long after the last track. Well done...CHEERS!

5 out of 5 stars Racing the Tide, by the Elders.......2007-02-12

A truly remarkable CD. The music is original and ranges from driving, up-tempo pieces that make the listener want to "crank it up" to a couple of tunes that slow things down just enough to help you get into the story that the song tells. Lyrics are creative and compelling. Some are just for fun, some tell important stories, and they stay in your head long after you turn the CD off. This is good stuff! D Schaal
An American in Paris (1951 Film Soundtrack)
Average customer rating: 5 out of 5 stars
  • Magic of love
  • Filled with musical gems
  • TOO LONG !!!!!!!!!!!
  • GERSHWIN'S TALENT
  • Ga Ga for Gershwin
 An American in Paris (1951 Film Soundtrack)
George Gershwin , Gene Kelly , and Oscar Levant
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000033JE
Release Date: 1996-07-16

Tracks:

  1. Main Title (An American In Paris/'S Wonderful/I Got Rhythm) - MGM Studio Orchestra
  2. Paris Narration/Left Bank (Themes From An American In Paris) - MGM Studio Orchestra
  3. Nice Work If You Can Get It (Outtake) - Georges Guetary
  4. Embraceable You - MGM Studio Orchestra
  5. By Strauss - Gene Kelly, Georges Guetary, Mac MacLain, Grace Stark, Pete Roberts
  6. Street Exhibit - MGM Studio Orchestra
  7. I Got Rhythm - Gene Kelly, MGM Children's Chorus
  8. But Not For Me - Benny Carter & His Orchestra
  9. Medley: Do, Do, Do/Bidiin' My Time/I've Got A Crush On You/Love Is Here To Stay - MGM Orchestra
  10. Someone To Watch Over Me - Benny Carter & His Orchestra
  11. Medley: My Cousin In Milwaukee/A Foggy Day/The Half-Of-It Dearie Blues/But Not For Me (Outtake) - Oscar Levant
  12. Tra-La-La - Gene Kelly, Oscar Levant
  13. I'm No Enemy (Love Is Here To Stay) (Outtake) - MGM Studio Orchestra
  14. Love Is Here To Stay - Gene Kelly
  15. Medley: What Time Is It?/Love Is Here To Stay (Reprise) - MGM Studio Orchestra, Gene Kelly
  16. (I'll Build A) Stairway To Paradise - Georges Guetary
  17. I've Got A Crush On You (Outtake) - Gene Kelly
  18. Love Walked In (Outtake) - Georges Guetary, Oscar Levant
  19. Medley: We Would Get Married (Love Walked In) (Outtake)/I Don't Think I'll Fall In Love Today... - Oscar Levant, MGM Studio Orchestra
  20. Concerto In F (3rd Movement) - Oscar Levant, MGM Studio Orchestra

Tracks:

  1. Painting Montage (Tra-La-La/Love Is Here To Stay) - MGM Studio Orchestra
  2. Kiss Me (Outtake) - MGM Studio Orchestra
  3. 'S Wonderful - Gene Kelly, Georges Guetary
  4. Lise, I Love You ('S Wonderful/Love Is Here To Stay) - MGM Studio Orchestra
  5. Strike Up The Band (Extended Version) - MGM Studio Orchestra
  6. Liza (Complete Version) - Oscar Levant
  7. Medley: Oh, Lady Be Good/'S Wonderful - MGM Studio Orchestra
  8. Medley: That Certain Feeling/Clap Yo' Hands - MGM Studio Orchestra
  9. I've Got A Crush On You (Outtake) - MGM Studio Orchestra
  10. I Got Rhythm (Extended Version) - MGM Studio Orchestra
  11. Tra-La-La (Outtake) - MGM Studio Orchestra
  12. But Not For Me - Georges Guetary
  13. Utrillo Did It (Love Is Here To Stay/An American In Paris/Nice Work If You Can Get It) - MGM Studio Orchestra
  14. An American In Paris Ballet (Extended Version) - MGM Studio Orchestra
  15. Finale (An American In Paris) - MGM Studio Orchestra
  16. Painting Montage (An American In Paris) (Deleted Version) - MGM Studio Orchestra
  17. Main Title: An American In Paris (Alternate Version - Outtake) - MGM Studio Orchestra
  18. Adam Cook Monologue (How Long Has This Been Going On?) (Extended Version) - Oscar Levant
  19. Nice Work If You Can Get It (Partial As Used In Film) - Georges Guetary, Oscar Levant
  20. Third Prelude (Outtake) - Oscar Levant
  21. My Cousin In Milwaukee (Outtake) - Oscar Levant
  22. A Foggy Day (Outtake) - Oscar Levant
  23. The Half-Of-It Dearie Blues (Outtake) - Oscar Levant
  24. But Not For Me - Oscar Levant
  25. Bidin' My Time (Outtake) - Oscar Levant, Saul Chaplin
  26. 'S Wonderful (Reprise) (Outtake) - Gene Kelly
  27. Finale (Alternate Version - Outtake) - MGM Studio Orchestra

Amazon.com essential recording

This is a considerably expanded version of the soundtrack album to Vincente Minnelli's Oscar-winning film. With two discs and 100 minutes of music (much of which is presented for the first time), these original session masters are highlighted by the MGM Studio Orchestra, Oscar Levant, Benny Carter, and Gene Kelly, all of whom perform such memorable Gershwin tunes as "Someone to Watch Over Me," "Love Is Here to Stay," and "S'Wonderful." Just about all of the material has a monotonously mono sound, but Levant's version of "Concerto in F" is included here for the first time in true stereo. Along with several Levant improvisational piano solos based on Gershwin's music, there are also some outtakes as well as extensive production and historical notes. --Joseph Lanza

Customer Reviews:

5 out of 5 stars Magic of love.......2007-03-10

Nothing but Gene and George: the hard work and the happiness in music, conducting by the magician Vince.
Noone is better, noone could do better.
American masterpiece with european feelings.

5 out of 5 stars Filled with musical gems.......2004-02-17

This comprehensive edition is a must have for fans of the movie and of the Gershwins. The outtakes, contrary to the first review above, are excellent. Gene Kelly offers a wonderful vocal of "I've Got a Crush on You" and his short riff on "'S Wonderful" is almost like an acoustic version, much different than the over-the-top duet in the movie. And the Oscar Levant piano pieces are as close to George sitting down at the keys as we're going to get.

4 out of 5 stars TOO LONG !!!!!!!!!!!.......2002-06-17

I would not suggest buying this version of this sondtrack!!! The underscores and the extra tracks that are not featured in the film are not neccesary. Rhino records puts the extras out to jack up the price of the CD (making one LP into 2 CDs).
I would buy the ORIGINAL CAST SOUNDTRACK released by MGM records. You will enjoy this version ever so much more without all the extras!!!

5 out of 5 stars GERSHWIN'S TALENT.......2001-08-12

Many agree that the talented George Gershwin is a fabulous pianist, and alongside Ira, he helped to create some of the most beloved music ever. After viewing the movie that was filled with song and dance, I was pleased to discover that the soundtrack was readily available. The plot of An American in Paris mainly focuses on the lives of three friends and their dreams in addition to the romance that they encounter in the most popular European city. Gene Kelley is a struggling artist who soon falls in love, and the many songs in this cd express his emotions. Who wouldn't want to dance to Gershwin's spectacular tunes such as "Embraceable You?" These original songs included in this two cd set are well worth the price. Furthermore, "I'll Build a Stairway to Paradise" is a true favorite with unique lyrics. Don't miss out on this must have cd collection.

5 out of 5 stars Ga Ga for Gershwin.......2000-12-13

Nearly every popular Gershwin tune is represented here, either as an instrumental, a vocal, or a production number. I am not a big fan of the film, but the soundtrack is fabulous. There are some stereo tracks here, too. Yet another triumph in the Turner/Rhino soundtrack collection of MGM films.As a sidenote I would like to thank Rhino for their extremely co-operative staff. When I bought this CD I opened up the very extensive booklet and was disappointed to find that due to an error on the assembly line I had received an insert that had some pages repeated and others deleted. I contacted Rhino and they sent me a new booklet which arrived within a week! That's what I call excellent customer service. The really neat thing is the fact that I have both booklets. The flubbed copy is sort of a collector's item to me.
Ellstein: Great Songs of the Yiddish Stage 1 [Milken Archive of American Jewish Music]
Average customer rating: 4 out of 5 stars
  • Great collection, nice orchestrations
  • A Great New Addition to the Milken Archive!
 Ellstein: Great Songs of the Yiddish Stage 1 [Milken Archive of American Jewish Music]

Manufacturer: Milken Archive
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Bay Mir Bistu Sheyn: Yiddish Stage Songs, Vol. 2
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  4. Introducing World of American Jewish Music [Milken Archive of American Jewish Music]
  5. Lazar Weiner: The Art of Yiddish Song

ASIN: B0000C508K
Release Date: 2003-09-23

Tracks:

  1. Der Nayer Sher - Simon Spiro
  2. Oygn - Elizabeth Shammash
  3. Ikh Vil Es Hern Nokh Amol - Simon Spiro
  4. Ikh Zing - Robert Bloch
  5. Abi Gezunt - Amy Goldstein
  6. Zog Es Mir Nokh Amol - Bruce Adler
  7. Di Grine Kuzine - Joanne Borts
  8. Vos Geven Iz Geven Un Nito - Simon Spiro
  9. Oy Mame, Bin Ikh Farlibt - Elizabeth Shammash
  10. Zog, Zog, Zog Es Mir - Nell Snaidas
  11. Der Dishvasher - Robert Abelson
  12. Du Shaynst Vi Di Zun - Nell Snaidas
  13. Vos Iz Gevorn Fun Mayn Shtetele? - Benzion Miller
  14. Mazl - Elizabeth Shammash
  15. Ikh Bin A 'Boarder' Bay Mayn Vayb (Doctor) - Bruce Adler
  16. Der Alter Tzigayner - Simon Spiro

Album Description

The American Yiddish musical theater, a vibrant expression of the immigrant experience, became famous during its heyday in the 1920s-1940s. Combining the musical flavors of Viennese operetta, Tin Pan Alley, and eastern European nostalgia, these songs and duets are quintessential American popular music—with a Yiddish voice. Volume 1 spotlights the hit songs of Abe Ellstein, one of the genre's premier songwriters. New, historically accurate orchestrations re-create the unforgettable glory days of Yiddish radio and film, the uproarious vaudeville houses, and the thrill of a night at the theater on old New York's fabled "Second Avenue."

Customer Reviews:

3 out of 5 stars Great collection, nice orchestrations.......2005-01-19

Great collection of yiddish musical theatre favorites. Unfortunately the singers were told to sing the songs in a supposedly "authentic" galician accent which in certain instances is completely incomprehensible to any yiddish speaker.The singers are quite good and the orchestrations are lush and well done.

5 out of 5 stars A Great New Addition to the Milken Archive!.......2004-03-10

This CD is perfect for fans of Yiddish folk music and newcomers to the genre alike. It is a great introduction to some of the treasures of the Yiddish stage. Especially worth noting are the four tracks sung by Elizabeth Shammash, whose rich Mezzo-Soprano voice brings a great sensitivity and tone to her pieces.
Johnnie Be Eighty. And Still Bad!
Average customer rating: 5 out of 5 stars
  • Absolutely marvellous......
  • The Big Kahuna
  • Johnnie Be Bad SO Good!
  • Johnnie Be 80 and Still Bad!
  • Best Yet...
 Johnnie Be Eighty. And Still Bad!
Johnnie Johnson
Manufacturer: Cousin Moe Music
ProductGroup: Music
Binding: Audio CD

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ASIN: B0009E3KR2
Release Date: 2005-04-19

Tracks:

  1. Beach Weather
  2. Find Me A Woman
  3. The Blues Don't Knock
  4. Lucky Four
  5. Better Sell My House
  6. A Good Day

Product Description

Recorded near the end of 2004, this is the last recording from Rock & Roll Hall Of Fame Legend Johnnie Johnson. The first studio release from The Father Of Rock & Roll in ten years is also his last. After a hospital stay in August & September, Johnnie came back strong. Hale and hearty of spirit, he was in top playing form & always ready to play. You can hear his heart all through this recording, Johnnie s performance leading a band of world class St. Louis musicians through all original material. rock & roll, blues, & Johnnnie s unique hybrid of jazz, swing,& boogie woogie, laid on a foundation of blues & gospel. It is likely that Johnson knew this could be his last recorded statement. And it was a very personal project. Beach Weather is about Johnnie s life & frame of mind, Lucky Four about Johnson s fourth wife. Find Me a Woman, A Good Day, people who know Johnnie would tell you those lyrics could fit him as well. The 2 hard blues, just listen to Johnnie on em. Johnnie's was the deepest blues. The blues is at the base of everything Johnnie played. Johnnie would take you all the way home. Nobody did a turn around like Johnnie Johnson. Johnnie would make the earth move every time. All the songs on the project were a collaboration between Johnson, producer Jeff Alexander, & Rich McDonough. Mention must be given to the band. Rich McDonough is one of the finest guitar players on the scene today. His lead work through the 2 deep blues is exemplary, and his slide on Beach Weather is right on. The interplay between Johnson and McDonough through the entire recording is delightful, thrilling, and instructional. Gus Thornton's bass lines are tailor made for Johnnie Johnson, noone sounds like Gus. He is the man. And Joe Pastor is a wonderful, intuitive drummer. Listen to former Blues Brother frontman Larry Thurston sing "The Blues Don t Knock" and you may start a petition to bring him out of retirement. And Victor Johnson is another guy who should be a household name. There was a lot of feeling here. Johnnie Be Eighty. And Still Bad! Johnnie's last statement. Recorded on home turf, outside St. Louis, live in the studio, with friends.

Customer Reviews:

5 out of 5 stars Absolutely marvellous.............2005-08-28

.....you can use any superlatives you like. The great late J.Johnsons last recording has an extremely cool as well as intimate feeling. The songmaterial is simply awesome, written by Jeff Alexander, who is also the primus motor behind the project. (...)
If you are a genuine blues lover, then do yourself a huge favour and order this CD now! Also recommending the project
"School for fools" by Larry Thurston, wonderful CD as well.

5 out of 5 stars The Big Kahuna.......2005-08-15

If you like the blues you're gonna love this. Johnny Johnson may be gone but his music lives on. This was his last recording, which is a shame because he didn't leave a large library of music. The song "The Blues Don't Knock" by itself is enough to warrant the purchase of this CD, yet luckily all of the tracks are good. Got the blues? Not if you don't own this.

5 out of 5 stars Johnnie Be Bad SO Good!.......2005-06-11

If I was a piano I would not want anyone but Johnnie Johnson to play me. Beautiful, vital music. The melodies are magical, and Johnnie's left hand just fills up the songs. I love Rich McDonough's guitar playing! I love the whole band, and love the vocalists. The dynamics are incredible. You do not hear`this kind of dynamics in recordings enough anymore! The Blues Don't Knock is one of the most powerful songs I have ever heard! And Beach Weather is just a happy good time catchy stick in your brain not go away song. Johnnie was a special man. This is special music.



5 out of 5 stars Johnnie Be 80 and Still Bad!.......2005-05-31

Johnnie Johnson's rolicking boogie woogie blues piano on tracks 1,2,4, and 6 make my blue days sunny! I can't feel down when his gifted fingers dance over the keyboard painting a happy sound! Track 3's "The Blues Don't Knock" is a true blues lovers delight with Johnnie painting the mournful sound with his piano talents, Rich McDonough's guitar crying from the innermost depths and Larry
Thurston's always great vocalization interpreting Jeff Alexander's intuitive lyrics. Thurston's smooth, rich sound is on all tracks except 5. Victor "Big Daddy" Johnson supplies the perfect vocal interpretation of a woman tortured man on "Better Sell My House." This CD of Johnnie Johnson at his best and still bad is a work of art. Thanks to Jeff Alexander for making it happen so the rest of us blues lovers can enjoy "Johnnie Be Eighty and Still Bad! Mary C., KZUM, Lincoln, NE

5 out of 5 stars Best Yet..........2005-05-20

I can't stop singing "It's Beach Weather Baby",,. What a cool song, and it's about a happy man! Johnnie Johnson is my hero! I love this cd. The piano bounces my blues away! " A Good Day" is old time rock and roll, with words of strength and integrity. " The Blues Don't Knock" is sure true in my life.The music on here is great The songs are great. And where did this band come from? Amazing players, incredible vocals, A all around must have recording. I can't stop listening to it.

So sad Johnnie is gone, but it sure sounds like he went out rockin! "It's Beach Weather..." up in heaven for sure.
Klezmer King
Average customer rating: 4.5 out of 5 stars
  • Abe Schwartz -- King of Yiddish Music
  • Old-Time American Roots Klezmer Music
  • Joy, Joy, Happy, Happy
  • Close your eyes and you're at a Jewish wedding
  • Time warp
 Klezmer King
Abe Schwartz
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

Jewish & Yiddish MusicJewish & Yiddish Music | Folk | Styles | Music
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  1. The King of the Klezmer Clarinet
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  5. From Avenue A to Great White Way 1914-1950

ASIN: B000066401
Release Date: 2002-04-30

Tracks:

  1. Russishe Shehr - Abe Schwart'z Orchestra
  2. Ch'Sidishe Nigunim (Hasidic Melodies) - Boibriker Kapelle
  3. Die Reize Nuch Amerika (The Trip To America) - Abe Schwartz's Orchestra
  4. Die Greene Cousine (The Greenhorn Girl Cousin) - Abraham Moskowitz
  5. Russian Scissors - Oriental Orchestra
  6. Dovid'l Bazetzt Die Kalleh (Little David Seats The Bride) - Dave Tarras
  7. Gelebt Und Gelacht (Live And Laugh) - Phillip Greenberg
  8. T'Kias 'Shofer Blosen' (Blowing The Ram's Horn) - Sam Beckerman
  9. Hurra! Far Unzer Held Levine (Hurray! For Our Hero Levine) - Irving Grossman
  10. Der Shtiller Bulgar (The Quiet Bulgar) - Jewish Orchestra
  11. Roumanian Doina - Abe Schwartz & His Daughter, Miss Schwartz
  12. Zorg Nit Mama (Don't Worry, Mama) - Abe Schwart'z Orchestra
  13. Hora Midor De Romania (Roumanina Hora) - Unknown Orchestra
  14. Nit Die Hagode, Nor Die Kneidlech (Not The Haggadah, But The Matzo Balls) - Abraham Moskowitz
  15. Frauen Liebe (Lady Love) - Abe Schwartz Orchestra
  16. Akdomes Un Af B'ri (At The Beginning And Daybreak) - Boibriker Kapelle
  17. Roumeinishe Doina - Naftule Brandwein
  18. Der Automobile - Morris Goldstein
  19. Yosel - Abe Schewartz's Orchestra
  20. A Galitzianer Tenzil (Galician Dance) - Sam Beckerman
  21. Die Boibriker Chasseneh - Pt. 1 (The Boibrik Wedding) - Boibriker Kapelle
  22. Russian Sher - National Dance - Russkij Orkestr 'Novinka'
  23. Mameniu, Liubeniu (Mama, My Beloved) - Abraham Brandwein
  24. Fihren Di Mechutonim Aheim-Tanz (Escorting The Parents Of The Bride And Groom Home) - Naftule Brandwein
  25. Lebedig Un Frehlach (Lively And Happy) - Abe Schwartz's Orchestra

Amazon.com

It would be impossible to overstate Abe Schwartz's influence on the development of klezmer music in America. He was a fine violinist and pianist, an excellent composer, an arranger who added modern instruments like saxophones and banjos to the Old World sound, and a bandleader with a nose for talent who helped launch the careers of Dave Tarras and Naftule Branwein, among others. The Klezmer King collects 25 tracks from the 75 or so sides that Schwartz recorded for Columbia between 1917 and 1935. Schwartz was remarkably versatile, and the selections include traditional dance tunes like "Roumanian Doina," Yiddish pop tunes such as "Die Greene Cousine," which was later a hit for Benny Goodman as "My Little Cousin," and sly social commentary like "Der Automobile." Also here are three versions of the old melody "Russian Sher," which were recorded in 1917, 1927, and 1935. Listening to them, you can trace Schwartz's style as it evolves from its European roots to a more American version of klezmer. The sound quality of these rare recordings is outstanding; there are almost no clicks, pops, or hiss to mar the music. The Klezmer King is an essential recording from one of the pioneers of New World klezmer. --Michael Simmons

Customer Reviews:

5 out of 5 stars Abe Schwartz -- King of Yiddish Music.......2007-02-22

Abe Schwartz was an American klezmer pioneer who discovered such talents as Dave Tarras and Naftule Brandwein as well as inspiring the contemporary klezmer revival bands. Don't miss this collection of his original recordings.

4 out of 5 stars Old-Time American Roots Klezmer Music.......2004-04-15

Abe Schwartz and his orchestra developed and defined klezmer music in America from the mid-1920s up until the 1940s and early '50s. If the beginning sounds of American roots klezmer music is of interest, this is the CD you want. I find that half-way through, my mind wanders. It sounds too schmaltzy for me. I love Central European and Balkan style music ... this CD has diluted versions of this styling. This CD contains Central/East European "cross over" music that is becoming Americanized. In reality it is not quite either, besides the violin, there is the requiste clarinet, other instruments are saxaphone, tuba, piccolo, alto sax, bass sax, drums, and other percussions. The music occasionally sounds like a Balkan Brass band ... fortunately the longing and nostalgia of the klezmer sound, the Jewish roots are evident in all the tracks. The 'sher', 'doina', and 'hora' are types of dance music played by this famous composer, bandleader, and fiddler. My favorite is "Escorting the Parents of the Bride and Groom Home" ("Fihren Di Mechutonim Aheim-Tanz') which features Naftule Brandwein on the clarinet. His improvisations and glissandos are brilliant. The famous klezmer clarinetist, Dave Tarras, is also featured on many of these recordings. "Hasidic Melodies" ("Ch'sidishe Nigunim") is one of my favorite examples of his playing. His command of the clarinet and the creative musical phrasing is phenomenal. "The Greenhorn Girl Cousin" ("Die Green Couisine") is famous for the music, lyrics, and message which brought to the public's attention the bad working conditions in the sweatshops, the first job of immigrants arriving in the USA. It is a catchy tune with Abe Schwartz featured on the violin and Abraham Moskowitz singing the vocals. Spin-offs of this song were written by many including one by Benny Goodman. Overall, if discovering and investigating early klezmer roots music is your goal, this CD will meet your criteria with highest expectations. Otherwise, give me "The Klezmatics", "The Klezmer Conservatory Band" or any modern klezmer group which expresses the music in a more explosive and exciting manner. For me, the modern sound is much more appealing than the early roots which is on this CD. Erika Borsos (erikab93)

4 out of 5 stars Joy, Joy, Happy, Happy.......2004-02-05

I came to Klezmer music via Izaak Perlmann's "In the Fiddler's House," which is one of my all time favorite CDs. I'm just learning about the genre, via other Amazon reviewers, so have just recently arrived at this and other "Klezmer roots" CDs (Dave Tarras, as another reviewer mentions, is also excellent). It's just exceedingly harmonious, well orchestrated, tightly knit music, transported from the old world to the new. The tradition lives on, and an increasing number of us goyim are coming to appreciate it. Sound quality, these can't compete with modern recordings like those of the Klezmer Conservatory Band, or the Klezmatics, but it will definitely give you an idea of where they learned from. Mazaltov!!

BK

4 out of 5 stars Close your eyes and you're at a Jewish wedding.......2003-03-31

If you've ever heard new groups like the Yiddish Cup Klezmer Band and The Klezmatics and marveled at how they got all those great old tunes, look no further. Abe Schwartz, the Klezmer King is now available on CD. Before this, 78 RPM records these were remastered from was the only place you could hear him.

The Klezmer King album is old, both in sound and style. But keep in mind that clarinet klezmer is more of an American thing. This music is a generation or two removed from the original originals. Songs called Russian Sher and Roumanian Doina indicate that, just like today, wedding musicians from the old country were jamming the hits of the day as well as the "Jewish" stuff.

But it was guys like Schwartz, Dave Tarras and the Musiker Brothers, whom the new wave learned from. But unlike the younger versions, these melodies don't seem to have jazz-like improvisation. They are straight ahead rollickers, heavy on catchy rhythm and melody. There are a total of twenty-five tracks on the album and most are short and fast.

The instruments employed are the violin, played by Schwartz, the clarinet and horns. The beat is so danceable that you forget there's no percussion. That's traditional, because back in the old country, if the klezmorim had any percussion at all it was just a bass drum.

For you Yiddish speakers, The Klezmer King is not all instrumental. There are tracks that start with lively shouts as well as straight singing pieces like Mameniu Liubeniu or the satirical Hurra Far Unzerheld Levine.

Then there's Die Bolbriker Chasseneh, which has Schwartz introducing a bride and groom in between slow music. He raises his voice, half speaking and half singing in rapid-fire Yiddish. Then he gasps out that the couple is now officially married and the band breaks into fast, bouncy jamming. Close your eyes and you can imagine you're one of the guests. That goes for most of the tunes here.

If you didn't know the difference between a bulgar and freilach and nigun before, you better start learning. Abe Schwartz taught long of young folks about what it takes to be a king of klezmer. Companion CDs of Dave Tarras and the Musiker Brothers are available from Legacy Recordings.

5 out of 5 stars Time warp.......2002-08-11

Listening to the 25 old but timeless cuts on this set of remastered Yiddish greats provides many layers of enjoyment. In hearing these long-forgotten tunes, one enjoys clarinet and violin strains influenced by ancient melodies and traditions. And some will recognize varied renditions of old favorites. The 6th cut, for example, Dovid'l Bazetzt die Kalleh, is engrained into my memory from Jewish Music, a Benedict Silberman recording, circa 1955, of Yiddish orchestrations.

The music is all decidedly Eastern European. The Roumanian Doina, for example, played by Abe Schwartz (violin) and his daughter, strongly resembles the brilliant Rom music generated by the same region.

No wonder. Born in Bucharest, Romania, Abe Schwartz (1881-1963) emigrated to the U.S. with his parents in 1899 and became the most influential composer, fiddler and bandleader to shape and define modern U.S. klezmer groups. He arrived in the musical establishment via an acquaintance from small jobs with David Nodiff, a part-time composer and so-called A&R (for artist and repertoire) man for Columbia Records, who helped bring klezmer and other ethnic musicians to record companies. Nodiff hired Schwartz in 1917 to find new Jewish talent and head up instrumental recording sessions.

This recording provides some of the time and style progression of Yiddish American music from 1917, when Schwartz recorded Russian Scissors for Columbia with the Oriental Orchestra. In 1927, he recorded the same tune again as Russishe Shehr, in a brassier rendition played by his own orchestra. Still a later 1935 version can be heard in Russian Sher National Dance, the 22nd cut, recorded with the Orkestr Novinka. (And that is the most recent recording here.) The musical and stylistic progressions from 1917 and 1918 through 1935 are admirably explained in an accompanying 8-page pamphlet.

This is not the jazzy stuff many will remember from the 1940s and 1950s. It came before the Barry Sisters, before Naftule Brandwein and Dave Tarras. Abe Schwartz was their mentor.

What you get here is a time warp, filled with early 20th century Jewish musical genius. Alyssa A. Lappen
1907: "Dear Old Golden Rule Days"
Average customer rating: 3 out of 5 stars
  • Old music, fun listening.
 1907: "Dear Old Golden Rule Days"

Manufacturer: Archeophone Records
ProductGroup: Music
Binding: Audio CD

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  5. 1916: "The Country Found Them Ready"

ASIN: B0000ACNCV
Release Date: 2003-05-27

Tracks:

  1. School Days (Byron G. Harlan)
  2. I Just Can't Make My Eyes Behave (Ada Jones)
  3. San Antonio (Billy Murray & Chorus)
  4. Red Wing (Frank C. Stanley and Henry Burr)
  5. Camp Meeting Time (Collins and Harlan)
  6. Maple Leaf Rag (U.S. Marine Band)
  7. Pagliacci--Vesti la giubba (Enrico Caruso)
  8. Because Youre You (Elise Stevenson & Harry Macdonough)
  9. Let's Take an Old-Fashioned Walk (Ada Jones and Billy Murray)
  10. I Love a Lassie (Harry Lauder)
  11. The Bird On Nellies Hat (Helen Trix)
  12. My Gal Sal (Byron G. Harlan)
  13. "Merry Widow" Waltz (Victor Dance Orchestra)
  14. No Wedding Bells for Me (Bob Roberts)
  15. Harrigan (Billy Murray)
  16. Honey Boy (Columbia Quartette)
  17. Three Rubes Seeing New York (Peerless Trio)
  18. Bake Dat Chicken Pie (Collins and Harlan)
  19. My Irish Rosie (Ada Jones)
  20. Nobodys Little Girl (Byron G. Harlan)
  21. Because I'm Married Now (Billy Murray)
  22. He's a Cousin of Mine (Bert Williams)
  23. The Bully (May Irwin)
  24. If I'm Going to Die I'm Going to Have Some Fun (Arthur Collins)
  25. Auld Lang Syne (Frank C. Stanley)

Customer Reviews:

3 out of 5 stars Old music, fun listening........2007-02-11

In perspective these are some of the most popular songs of their time. I enjoy the historical value of songs from the past. Hearing someone sing about things you may have only learned from a history book, makes it more real.
Gluck - Iphigénie en Tauride / Delunsch · Keenlyside · Beuron · Naouri · Cousin · Les Musiciens du Louvre · Minkowski
Average customer rating: 5 out of 5 stars
  • Heartbreakingly beautiful and powerful
  • the ultimate recording
 Gluck - Iphigénie en Tauride / Delunsch · Keenlyside · Beuron · Naouri · Cousin · Les Musiciens du Louvre · Minkowski
Christoph Willibald Gluck , Marc Minkowski , Mireille Delunsch , Simon Keenlyside , Les Musiciens du Louvre , Yann Beuron , Laurent Naouri , Alexia Cousin , Claire Delgado-Boge , Nicki Kennedy , and Laurent Alvaro
Manufacturer: Archiv Produktion
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005AAFC
Release Date: 2001-05-08

Tracks:

  1. Act One: Scene 1: Introduction
  2. Act One: Scene 1: Le calme reparait
  3. Act One: Scene 1: O songe affreux! nuit effroyable!
  4. Act One: Scene 1: O race de Pelops
  5. Act One: Scene 1: Air: O toi qui prolongeas mes jours
  6. Act One: Scene 1: Quand verrons-nous tarir nos pleurs?
  7. Act One: Scene 2: Dieux! le malheur en tous lieux suit mespas
  8. Act One: Scene 2: Air: De noirs pressentiments
  9. Act One: Scene 3: Les dieux apaisent leur courroux/Act One: Scene 4: Et vous a vos dieux tutelaires
  10. Act One: Ballet
  11. Act One: Scene 5: Malhaureaux! quel dessein a vous-memes contraire
  12. Act One: Scene 6: Il nous fallait du sang
  13. Act Two Scene 1: Quel silence effrayant!
  14. Act Two Scene 1: Air: Dieux qui me poursuivez
  15. Act Two Scene 1: Quel langage accablant
  16. Act Two Scene 1: Air: Unis des la plus tendre enfance
  17. Act Two Scene 2: Etrangers malheureux, il faut vous separer!
  18. Act Two Scene 3: Dieux protecteurs de ces affreux rivages
  19. Act Two Scene 3: Air: Le calme rentre dans mon coeur!
  20. Act Two Scene 4: Vengeons et la nature et les dieux en courroux!
  21. Act Two Scene 5: Je vois toute l'horreur
  22. Act Two Scene 6: O ciel! de mes tourments
  23. Act Two Scene 6: Patrie infortunee
  24. Act Two Scene 6: Honorez avec moi ce heros qui n'est plus!
  25. Act Two Scene 6: Air avec choeur: Contemplez ces tristes apprets

Tracks:

  1. Act Three: Scene 1: Je cede a vos desirs
  2. Act Three: Scene 2: Voici ces captifs malheureux
  3. Act Three: Scene 3: Trio: Je pourrais du tyran tromper la barbarie
  4. Act Three: Scene 4: Duo: Et tu pretends encore que tu m'aimes
  5. Act Three: Scene 4: Quoi! je ne vaincrai pas ta constance funeste?
  6. Act Three: Scene 4: Air: Ah! mon ami, j'implore ta pitie!
  7. Act Three: Scene 5: Malgre toi, je saurai t'arracher au trepas!
  8. Act Three: Scene 5: Quoi? toujours a mes voeux vous etes insensible?
  9. Act Three: Scene 6: Puisque le ciel a vos jours s'interesse
  10. Act Three: Scene 7: Divinite des grandes ames
  11. Act Four: Scene 1: Non, cet affreux devoir je ne puis le remplir
  12. Act Four: Scene 2: O Diane, sois-nous propice
  13. Act Four: Scene 2: La force m'abandonne
  14. Act Four: Scene 2: Que ces regrets touchants
  15. Act Four: Scene 2: Hymne: Chaste fille de Latone
  16. Act Four: Scene 2: Quel moment! dieux puissants, secourez-moi!
  17. Act Four: Scene 2: Ah! Laissons-la ce souvenir fureste
  18. Act Four: Scene 4: De tes forfaits la trame est decouverte
  19. Act Four: Scene 6: Arretez! ecoutez mes decrets eternels!
  20. Act Four: Scene 7: Air: Dans cet objet touchant
  21. Act Four: Scene 7: Les dieux, longtemps en courroux

Amazon.com

Following the success of 1999's thrilling Armide, Marc Minkowski and his excellent cast fully convey the power and drama of Gluck's masterpiece. They pull you into the story (based on a play by Euripides) through the emotional truth of their interpretation. The opening quiet strings create an air of mystery dispelled by a ferocious storm magnificently conveyed by these early-music specialists. Within a few phrases of Iphigénie's opening lament, Delunsch creates a believable, sympathetic character. Keenlyside as Oreste and Beuron as his sidekick, Pylade, pack a ton of emotion into their singing, too. Minkowski takes chances, going for the emotional jugular in ways that some may find excessive. But the stakes involved for these characters are of the life-and-death variety, and this recording gets that across as no other does. A more contained version by Martin Pearlman's Boston Baroque on Telarc, boasting another outstanding Iphigénie in Christine Goerke, will appeal to those who find Minkowski overly forceful. I'd hate to be without either. --Dan Davis

Customer Reviews:

5 out of 5 stars Heartbreakingly beautiful and powerful.......2006-09-18

Let's get a few things straight, alright?
Christoph Willibald Ritter von Gluck couldn't write counterpoint if his life depended upon it. Yes, Handel was right about that. Herr Gluck's orchestrations are imaginative and colourful, but he was hardly an idiomatic writer of music for the instruments he chose. One could easily imagine him banging out tunes on his harpsichord over a few glasses of wine with his wife, Marianne, after dinner.

Yet Gluck is a great composer.

Why?

Well, he wrote stuff like this. That's why. Why is Iphigénie en Tauride a masterpiece (I am sure it is)? Well, I think it is because of Gluck's sense of theatre and pace, word painting, harmony and melody. Gluck's music is simple and heartfelt music writ large and beautifully and effectively writ large. Gluck knew what he was doing even when he was simply covering up his weaknesses.

This recording of Iphigénie en Tauride is, in a simple word, perfect. I bought this recording and I am profoundly satisfied with it. I will buy other recordings and DVDs of this work, but I am confident that none will ever surpass this this recording.

Listen to "Ô malheureuse Iphigénie!" sung with incredible feeling and style by Mireille Delunsch and I am sure you will be sold. In this aria, constructed very simply, with off-the-beat strings and plaintive oboe solo, one can hear Iphigénie's misery upon learning of her family's death - she gets closer and closer to a nervous breakdown as the aria progresses.

Gluck wasn't a technically great composer, but he understood human psychology and how to make it manifest in his music.

Buy all of Minkowski's Gluck Paris operas, please.

5 out of 5 stars the ultimate recording.......2001-05-14

Minkowski and Les Musiciens du Louvre have done it again : there are few baroque ensembles who are able to bring so much life in a recording. Thanks to outstanding singing, playing and directing, this recording of Gluck's masterpiece (his best opera if you ask me !) is truly a theatre experience. This is much better than anything recorded before : the Muti/Scala Sony recording with Vaness was always a bit too "exotic", and the Boston Baroque for Pearlmann (with Goerke) are too boring for words. The Gardiner version (with modern instruments) on Philips was the only recommandable version so far, but Diana Montaigue is no match for Delunsch. What is more, the cast is outstanding. The soloists all have a perfect command of the language (Keenlyside, the only non-native speaker of the cast, included), and, what is more, a perfect understanding the verses they declaim : finally a recording that will not make French ears cringe. Naouri's bass, somewhat lacking in colour, might not be my favourite but is very suitable as the barbaric king Thoas. Beuron's Pylade is generous and moving. Keenlyside's portrayal of the tortured Oreste is breathtaking throughout : there is so much suffering in the voice. Delunsch, whom I found slightly distant in the concert hall, here just blows away any reservations I might have had : her Iphigénie is of classical grandeur and her singing superb... Listen to her big 2nd act aria with choir, the famous "O malheureuse Iphigénie..." and you will be sold ! If you are not moved, this is just not the work for you !
Locke: Consort Music
Average customer rating: Not rated
    		Locke: Consort Music

    Manufacturer: Gmn.Com
    ProductGroup: Music
    Binding: Audio CD

    QuartetsQuartets | Chamber Music | Classical | Styles | Music
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    ASIN: B00005K9QK
    Release Date: 2001-05-22
    Tommy - As Performed by the London Symphony Orchestra & Chamber Choir
    Average customer rating: 4.5 out of 5 stars
    • Any of you got Cousin Kevin??
    • Best Version of Tommy EVER Created!!!
    • Did I think it was alright ?
    • best version ever made
    • A MUST HAVE FOR YOUR COLLECTION OF GREAT ROCK WORKS
    		 Tommy - As Performed by the London Symphony Orchestra & Chamber Choir

    Manufacturer: Rhino / Wea
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0000032WV
    Release Date: 1989-05-12

    Tracks:

    1. Overture
    2. It's A Boy
    3. 1921
    4. Amazing Journey
    5. Sparks
    6. Eyesight to the Blind - Sonny Boy Williamson
    7. Christmas
    8. Cousin Kevin
    9. The Acid Queen
    10. Underture
    11. Do You Think It's Alright
    12. Fiddle About
    13. Pin Ball Wizard
    14. There's A Doctor I've Found
    15. Go To The Mirror Boy
    16. Tommy Can You Hear Me?
    17. Smash The Mirror
    18. I'm Free
    19. Miracle Cure
    20. Sensation
    21. Sally Simpson
    22. Welcome
    23. Tommy's Holiday Camp - Keith Moon
    24. We're Not Gonna Take It
    25. See Me, Feel Me (Finale From We're Not Gonna Take It)

    Customer Reviews:

    4 out of 5 stars Any of you got Cousin Kevin??.......2005-08-04

    I was very thrilled to finally have this in CD version to replace my long playing record version.

    However it was shattered a bit when I noticed a song was missing. Turned out that Cousin Kevin has been skipped or wasn't on this CD. I feel cheated! I wonder if this tune has been left out in the other CDs also?? Or just mine?? Hmm.....

    Would have been a collector's item if it wasn't for this unfortunate error.

    5 out of 5 stars Best Version of Tommy EVER Created!!!.......2005-07-17

    I first heard the Tommy by the London Symphony Orchestra when I was in my final year in Junior High School. My music instructor let me borrow the LPs (in 1975).

    I loved it, and thought it was one of the best rock operas ever. This remains my view to this day (16July2005). Back in 1975 I was unaware of other versions.

    Recently, I was looking to find this version of Tommy. I purchased versions made by the Who and other versions made earlier and later but found them INFERIOR to the London Symphony version.

    To experience this rock opera with the best score, arrangement and performance, then this is the version to hear.

    This CD is a must have!!

    5 out of 5 stars Did I think it was alright ?.......2005-05-17

    Haven't heard this album since it was released in the seventies. Might it disappoint after all this time ? Absolutely not, it was most definitely alright !!!

    5 out of 5 stars best version ever made.......2005-05-12

    I have been listening to this album for at least 30 years. I recently replaced my worn out record with a cd. It has a powerful sound that is missing from both the rock n roll and movie sound track.

    5 out of 5 stars A MUST HAVE FOR YOUR COLLECTION OF GREAT ROCK WORKS.......2005-04-15

    I heard this first on the radio (there was a radio station which played albums at midnight - years
    ago) I fell in love with it. I searched for a good time to find it (on vinyl). Years later I found it on
    CD. Every few months or so I take it out and play it. It's as good to hear today as it was in the
    seventies. I have never tired of it. If you like `progressive rock' (I think you could classify this as
    progressive rock) - you will enjoy this forever. If you can find this scarce CD, buy it and put in
    your home stereo system (not a `sound card' in your computer, using cheap speakers), turn off the
    lights and surrender to the music.

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