Here In The Dark

Here In The Dark

ASIN: B000066S2T

Track Listings

1. My Own Man

2. Down The Line

3. When I Kissed You

4. Baby I Got You

5. Here In The Dark

6. Julianna

7. That's Life (On The Road)

8. One Of You I Love

9. Heads You Win

10. Wrong Guy

11. Blow Em Away

12. If I Was An Angel

Editorial Reviews
About the Artist
Tim Nichols
Lead Vocals/Guitar

Birthplace: Houston, Texas
High School: North West Academy
Marital Status: My Own Man
Pets: 1 dog, Maggie
Instruments Played: Guitar, Bass, Piano
Influences: James Taylor, Steve Wariner, Merle Haggard, David Wilcox
Favorite Movie: Good Will Hunting
Favorite Food: Pizza
Favorite Snack: Pizza
Favorite Color: Green
I never leave home without: Shoes

Kevin Peikert
Guitar/Vocals

Birthplace: Wharton, Texas
High School: El Campo High School
Marital Status: Single
Pets: No pets
Instruments Played: Guitar, Bass, Banjo, Mandolin, Keys
Influences: Restless Heart, Alabama, Diamond Rio
Favorite Movie: Casa Blanca
Favorite Food: Seafood
Favorite Snack: Peanut butter and Ritz
Favorite Color: Purple
I never leave home without: Guitar

Steve Haygood
Lead Guitar/Vocals

Birthplace: Richmond, Texas
High School: Lamar Cons., Rosenberg, TX.
Marital Status: Single
Pets: Dog named Molly
Instruments Played: Guitar, Trumpet, Bass, Keyboards, Harmonica
Influences: Eric Clampton, Jimmy Page, Joe Walsh
Favorite Movie: The Matrix
Favorite Food: Mexican Food
Favorite Snack: Rice Crispy Treats
Favorite Color: Blue
I never leave home without: Guitar!

Shannon Sharp
Drums/Vocals
shannons@derringerband.com
Birthplace: Hollywood, California
High School: Okmulgee High School Okmulgee, Oklahoma
Marital Status: Married, Jennifer
Pets: 2 dogs, Sky and Crackhead
Instruments Played: Drums, Bass
Influences: Journey, Diamond Rio
Boston, Little Texas
Favorite Movie: Tombstone
Favorite Food: Sushi or a Big Ol' Steak
Favorite Snack: Anything from Starbucks
Favorite Color: Yellow and Black
I never leave home without: Drum Sticks, Ipaq, Cell Phone.

Ryan Aguilar
Keyboards/Vocals

Birthplace: Wharton, Texas
High School: Boling High
Marital Status: Single
Pets: No Pets
Instruments Played: Keyboards, Guitar
Influences: Journey, Toto, Little Texas
Favorite Movie: Godfather
Favorite Food: Chinese
Favorite Snack: Beer
Favorite Color: Blue
I never leave home without: My pants

PJ Nichols
Bass/Vocals

Birthplace: Houston, Texas
High School: Montgomery High School
Marital Status: Married, 1 Daughter, April
Pets: Pet goat named "Ryan"
Instruments Played: Bass, Guitar, Trumpet, Drums
Influences: Journey, Van Halen, Merle Haggard, Don Williams
Favorite Movie: Star Wars
Favorite Food: Mexican
Favorite Snack: Anything that goes with beer. (Sorry Mom)
Favorite Color: Red
I never leave home without: My Bass

Product Description
"Here In The Dark" is the debut CD from DERRINGER. This Texas based band's sound fits right into the "Main Stream" sound of Nashville's top groups.

Tracks:

Act 1: Pirate Jenny - Charlotte Rae
Act 1: I'm A Stranger Here Myself - Jodi Stevens
Act 1: Economics - Jane A. Johnston
Act 1: Is It Him Or Is It Me? - Pam Dawber
Act 1: Barbara Song - Linda Purl
Act 1: Lullaby - Kathryn Skatula
Act 1: That's Him - Nancy Dussault
Act 1: Don't Look Now - Sharon Lawrence
Act 1: Apple Jack - Norm Lewis
Act 1: Speak Low - Sally Kellerman
Act 1: September Song - Rod McKuen
Act 1: Ice Cream Sextet - David Holladay

Tracks:

Act 2: Wouldn't You Like To Be On Broadway? - David Holladay
Act 2: What Good Would The Moon Be - Melissa Dye
Act 2: It Never Was You - Hugh Panaro
Act 2: We'll Go Away Together - Hugh Panaro
Act 2: Tschaikowsky - Jack Noseworthy
Act 2: The Saga Of Jenny - Carole Cook
Act 2: Surabaya Johnny - Tim Curry
Act 2: My Ship - Shirley Jones
Act 2: Mack The Knife - Loretta Devine
Act 2: Lost In The Stars - Brock Peters

Customer Reviews:

Kurt Weill: Re-discovery..........2006-11-10

I am so impressed and pleased to have found this recording on Amazon.com. I am always amazed when I find these seemingly obscure recordings, and thrilled to know they exist. What a wonderful history of our musical world---and what a chance to hear interesting, challenging, and unusual performances from so many well-known people. The songs live on--the composer is 'new' again, and this recording becomes part of history re-discovered. Thank you Amazon.com for your continued professionalism and for having these recordings available.

Incredible Live Album.......2002-02-10

This incredible concert (which i attended) benefitting The Actors' Fund of America, contains some absolute MUST performances for any Broadway collector.

For me, the highlights are HUGH PANARO ("It Never Was You"), NANCY DUSSAULT ("It's Him") and TIM CURRY singing "Surabaya Johnny" in German!

Tracks:

Die Sieben Tods Prologue
Die Sieben Tods No. 1 Faulheit (Sloth)
Die Sieben Tods No. 2 Stolz (Pride)
Die Sieben Tods No. 4 Zorn (Anger)
Die Sieben Tods No. 5 Vrei (Gluttony)
Die Sieben Tods No. 6 Unzucht (Lust)
Die Sieben Tods No. 6 Habsucht (Avarice)
Die Sieben Tods No. 7 Neid (Envy)
Die Sieben Tods No. 8 Epilog
My Ship
One Life To Live
Buddy On The Nightshift
Nannas Leid
Bilbao - Song
Surabaya - Johnny
Das Leid Von Der Harten Nuss
Je Ne T'amie Pas
Schickelgruber
Der Abscheidsbreief
Foolish Heart
Speak Low
I'm A Stranger Here Myself

Amazon.com

Kurt Weill's ballet with songs is one of this century's greatest theatrical works. It has all the wit and melodic appeal of The Threepenny Opera and social conscience of Mahagonny, but more warmth and musical sophistication than either. It's also all over with in about 40 minutes. Some critics believe the piece was intended as a sort of love poem to Weill's wife, Lotte Lenya; given the tenderness of much of the music, it's hard to disagree. Lenya herself recorded the piece in the 1950s (a recording recently reissued by Sony) and this very much newer performance is welcome particularly for Anne Sofie von Otter's highly intelligent and musical way with the text. The other songs, from both Weill's Berlin and Broadway periods, make the perfect filler. --David Hurwitz

Customer Reviews:

Very Good.......2006-01-03

This is a very nice selection of Weill pieces showing the full range of his output. These range from the ambitious Seven Deadly Sins to songs from Happy End to some of his Broadway work. All are very interesting. The performers, particularly Von Otter, are excellent. Recommended strongly.

Excellent Weill Alternative to Lenya and Lemper.......2005-09-29

`Speak Low Songs by Kurt Weill' is a great addition to the performances of Herr Weill's works by the prominent mezzo-soprano, Anne Sofie Von Otter. I have listened to many performances by Weill specialists from the archetype, Weill's wife, Lotte Lenys, for whom many of the songs were originally written to Ute Lemper and Gisela May, who lean heavily toward Lotte Lenya's gravel-voiced interpretation of Weill's songs.

Anne Sofie Von Otter breaks with this tradition and gives us what are easily the sweetest interpretations of Weill's songs from both his German and English works, which I have heard anywhere.

The flagship performance on this disc is `Die Sieben Todsunden' (`The Seven Deadly Sins') which was a cycle of songs to be sung on the stage, accompanied by dances done by a second performer. This takes the first nine (9) tracks and is at least as good as what I have heard from Weill specialist, Lemper. This album is the first time I have noticed that there are two versions of this work, and that Ms. Von Otter is performing the version for soprano.

But, I think the most moving performances come later, especially in von Otter's performances of the three numbers from `Happy End', `Bilbao-Song', `Surabaya-Johnny', and `Das Lied von der harten Nuss' (Song of the Big Shot). I have heard these done by many people, but never so sweetly. These numbers are so lovingly performed that I insist that you ignore the fact that the lyrics are in German. The accompanying booklet gives English translations, which I simply ignore and enjoy the musical talent with no filter. My understanding German has nothing to do with this, as I do the same with French, which I can just barely make out.

Kurt Weill may not be the most important influence on American musical theatre in the 20th century, but he is easily in the top five, along with the Gershwins, Irving Berlin, Richard Rodgers and collaborators, and Cole Porter.

Ms. Von Otter is ably accompanied on this disk by her favorite pianist, Bengt Forsberg plus the Norddeutch Rundfunk orchestra directed by John Eliot Gardiner. While I really like her selection on this disk, the collection makes me wish Ms. Von Otter would do some more Weill and spend less time hanging out with Elvis Costello, but that's a different story.

Everything is right but the style.......2005-09-24

Weill and Brecht defined a nasty age with nasty art, writing some of the grittiest satire in the history of music. In this CD von Otter misses that edge, skirts all the dangerous, sleazy implications, and ultimately sounds too much the opera singer slumming it for an hour. Her earnestness is no subtitute for the right period style, a la Lotte Lenya.

Intelligent reading from both singer and conductor.......2005-01-27

THE SEVEN DEADLY SINS is such a brilliant mini-masterpiece (and, to me, the pinnacle of the Brecht-Weill years) that it is hard to screw up. It is a testament to the staying power of this work (and to the brilliance of Weill's music in general) that it can be performed by the likes of Lotte Lenya, Julia Migenes, Ute Lemper, Judy Kaye, Marianne Faithfull, Teresa Stratas, and -- as here -- Anne Sofie von Otter, and STILL work... and EACH of these women are totally successful in the piece on their own terms.

Here, Anne Sofie von Otter gives us an intelligent (and highly musical) rendering of the text, keeping the musical line very much intact. She sings with vibrato at times, and then will turn around and use straight-tones at moments where it is dramatically appropriate to do so. She balances the performance well, shifting gears between cool detachment (which she is often criticized for) and impassioned outbursts (which her critics often fail to notice).

John Eliot Gardiner surprised me with how easily this music seemed to come to him, especially as he seems to be a man more at home with "Period-Instrument-Mozart" than highly charged 20th century works. However, his reading of "The Rake's Progress" by Stravinsky was totally staggering. For example, his choice beginning the climactic moment of the score ("Envy") as slowly as he does caught me very much off guard at first, and I didn't really care for it at all. However, with each successive listen, I find myself "getting" this choice more and more.

Finally, the "filler." As to be expected, she is more successful with the European material than she is with the songs from Weill's Broadway years. But this is the case with about 99.9% of all opera singers who try to sing Weill's Broadway scores. You will never hear any singer give "Je ne t'aime pas" a more hauntingly beautiful, passionately intense performance than Anne Sofie von Otter. Truly, the ultimate interpretation of one of my favorite Weill songs. "Nannas Lied," "Der Abschiedsbrief," and the HAPPY END selections. However, "My Ship" and "One Life to Live" seem to fail at catching fire -- the former because it is marred by an attempt to sound like a "pop singer," the latter because von Otter sings English better than native speakers (she knows where the ACTUAL emphasis in the phrase "nothing: the thing is to have fun" goes, as opposed to where Ira Gershwin placed it). I also -- surprisingly enough -- don't care for her performance of "Schickelgruber" -- she just seems totally lost to me. (I really think that this song is foreign territory to 'legit' sopranos and mezzos -- I don't even care for the Stratas rendition.) Just when I thought I would have to suffer through another bad batch of "opera-crossover," Anne Sofie turned around and surprised me by giving highly successful performances of the numbers from ONE TOUCH OF VENUS (especially on "I'm Stranger Here Myself").

All in all, a worthy purchase: highly recommended to all fans of THE SEVEN DEADLY SINS and Kurt Weill enthusiasts.

Brilliant--The best of the 7 Deadly Sins recordings.......2002-10-12

Weill, and particularly anything Brecht-Weill, has suffered for too long with interpertations based on tired ham theatrics, burlesques of Lenya's style, to the point where we have come to expect it as the only way to sing this music. Lenya herself is said, late in life, to have commented that a better singer (specifically Stratas at that time) would be more appropriate for properly interpreting Weill's music.

Here, after countless CD releases of the Seven Deadly Sins, is the first recording sung in the key the composer originally intended! The result is relevatory, sublime and magnificent.

Ms. Von Otter interprets the rest of the songs with mixed results--all are lovely, several are excellent, though several others have been handled better by singers with more "theatrical" talents. Nevertheless, this recording stands alone, head and shoulders above the others.

Average customer rating:

Her voice is every color of dream
Stratas is sublime
It is dangerous to use words like "definative," but....
Amazing
The One

Stratas Sings Weill

Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

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Sings Kurt Weill, Vol. 2

ASIN: B000005IXU
Release Date: 1991-06-25

Tracks:

One Touch of Venus: I'm A Stranger Here Myself
Ausfstieg und Fall der Stadt Mahagonny: Havanna - Lied
Happy End: Surabaya-Johnny
One Touch of Venus: Foolish Heart
Der Silbersee: Ich bin eine arme Verwandre (Fennimore's Song)
Lady In The Dark: One Life To Live
Marie Galante: J'attends un navire
Happy End: Das Lied von der harten Nuss
Street Scene: Lonely House
Marie Galante: Le Roi d'Aquitaine
Ausfstieg und Fall der Stadt Mahagonny: Denn wie man sich bettet
Marie Galante: Le Train du ciel
Die Dreigroschenoper: Das Lied von der Untulanglichkeit menschlichen Strebens
Knickerbocker Holiday: It Never Was You
Happy End: Der kleine Leutnant des lieben Gotten

Amazon.com

Revealing an affinity for Weill, Teresa Stratas fulfills her promise to Lotte Lenya on her deathbed to "carry on the torch for Kurt Weill's music." Stratas's glorious soprano has never sounded better as she applies her operatic expertise to deliciously caress this music without losing any of the underlying subtext. Lacking the grittiness of other interpreters, she captures the emotional angles by letting her beautiful voice express the tortured heart beneath it; where others shout at you, Stratas sings at you. She casually bounces off the cheerier selections from One Touch of Venus and Happy End, letting Gerard Schwarz's brilliantly conducted orchestra display their wit. Program notes include a fascinating interview with Stratas. --Barbara Eisner Bayer

Customer Reviews:

Her voice is every color of dream.......2005-12-03

I don't care who knows it--I've been in love with Teresa Stratas since I was a senior in high school and saw her as Mimi in La Boheme one Friday night in 1961. That obsession preceded and outlasted my marriage:-). I lost a lot of years away from opera, then discovered that Stratas' recorded output is shamefully small. A difficult performer, probably, renowned for some unendearing quirks. But. What's there is gold. I have heard recordings I should not of her as Suor Angelica, Butterfly, and Melisande. I have seen her famous Zefirelli Boheme and Traviata. And Amahl. But the Weill material...it's unbelievable. When Lenya "ordained" her as her successor after seeing a performance of Mahagonny, the old lady knew what she was doing. Stratas has the perfect temperament for Weill's music. The voice coos, snarls, belts, and weeps. My favorite of all Weill songs, "Surabaya Johnny," is a mini-drama of love, hate, rage and despair. The only person who comes close to her in that song is the late Cathy Berberian.

Yes, get this. Get "The Unknown Kurt Weill." Lobby the Met to release her broadcasts, esp. The Bartered Bride. She was absolutely magnetic and the field isn't quite gone yet.

Stratas is sublime.......2005-03-27

Teresa Stratas is one of those singers whose reputation as a temperamental diva precedes her. Well, in my book, if it takes being temperamental to accomplish a collection like this, the end justifies the means. She is a singer of tremendous vocal and emotional range, and Weill's music provides what seems to be a perfect vehicle for both.

I've had this CD for at least 12 or 13 years and, no matter how many times I listen, I still notice new details in her interpretations.

It is dangerous to use words like "definative," but...........2004-04-04

Stratas's interpretations make one rush headlong into that danger.

Many singers have done beautiful Surabaya Johnnys but have any been as shattering as Stratas? Though years later she stumbled with her ill-concieved and eccentric Seven Deadly Sins, this CD is Stratas at in her prime, making bold choices about the material that blows the cobwebs off song we thought we knew. Even 15 years later, this album is fresh, uncliched, deeply affecting, and enthralling.

Stratas proves herself not only a great singer, but a great actress as well.

Amazing.......2000-06-29

Until I heard this and the Unknown Weill, I was a "stranger myself here,' as Stratas sings in the first selection. I simply did not appreciate nor understand the immediacy and importance of Weill to our musical heritage. Stratas simply transcends and reveals this music so intuitively that it is amazing.

The One.......2000-06-01

Stratas is the Weill singer, and everyone else is an also-ran. Ute Lemper is just a poser, and while Lenya was an important figure for Weill and she has her charms, but Weill wanted trained, operatic voices to sing his music, but not in the style of Verdi or Mozart. Here, Stratas delivers the composer's wish. Her voice is beautiful and cultivated in the best way, but it is her manner that is so important; straightforward, sincere, artless. From the opening "I'm a Stranger Here Myself" her affinity for this music is fully apparent. The selections span Weill's career and are delivered in many English, French and German, and regardless of the language, Stratas communicates completely. The orchestra plays the original orchestrations, and the sound is simply wonderful, nostalgic and modern all at once. This is where all Weill listeners and lovers should start.

Average customer rating:

A good collection
A Musician of Great Dignity and Style
Passed the "Opera in English" test with flying colors.

Great Operatic Arias

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

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Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Arias | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

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Great Baritone Arias

ASIN: B0006SGF1Y
Release Date: 2005-02-22

Tracks:

'Even Bravest Heart My Swell'
'I Am The Barber Everyone Wants, I Am!
'Must I Be Made To Suffer'
'Look Down, Oh Gentle Evening Star'
'You Have My Love And My Devotion
'Oh Wine, Deliver Me From Sadness' - Geoffrey Mitchell Choir
'Marriage Is Sacred' - I Was Right To Be So Suspicious'
'Turning My Gaze Upon This Proud Assembly'
'O Nadir, Best Of Friends'
Billy In The Darbies
'Though I'm Somewhat Out Of Practice' - Janice Watson
'Hello, Here's A Soldier Bold' - Janice Watson
'I Wonder What He'll Think Of Me!'
'In Visions, Illusions'

Customer Reviews:

A good collection.......2007-05-14

Unlike the huge names, collections by Allen are not many - plenty of his opera performances are recorded, but there are only a few collections. My voice teacher recommended I listen to him to understand better how to deliver power without weight, something we've been working on. Yes, it's all in English, but that's fine, and the quality of Allen's instrument comes through very well.

A Musician of Great Dignity and Style.......2005-07-27

Sir Thomas Allen is one of the enduring baritones who has been able to move throughout the operatic repertoire and the recital stage with intelligence, informed characterization, and immaculate musicianship. To have a recording of some of the roles he has inhabited at this point in his career is a gift (this CD was recorded in 2003). To have the added challenge of retaining the stature of the roles while sung in English translations at the request of Chandos is a credit to his abilities and communicative powers.

English is a difficult language to make musical, though saying that abruptly is countered by the fact that some of the most beautiful operas in history are by Benjamin Britten, a composer who truly understood his native tongue and kept it as fluid as the soaring melodies he wrote, as Thomas Allen proves here in 'Billy in the Darbies' from Britten's 'Billy Budd'. It is the other major arias from Korngold to Wagner to Tchaikovsky to Rossini, Bizet, Mozart, Gounod, Verdi, Thomas, Strauss, and Lehar that Allen proves that English translations do not detract at all from the performances!

For those purists who prefer opera sung in the original language (and for those who don't even need supertitles in the opera house!), then this recording may provide a temporary barrier to respecting Allen's singing. But once caught up in the ease with which he moves from style to style and comedy to drama, it is hard not to relinquish old preferences and not be wholly impressed with the beauty of the voice and the warmth and dignity of this fine musician. Highly recommended. Grady Harp, July 05

Passed the "Opera in English" test with flying colors........2005-07-04

For me, the test here was Figaro's Cavatina, from Rossini's Barber of Seville - sung in English, as is this entire compilation of 14 operatic favorites, sung by baritone Sir Thomas Allen. Could he pull it off? Could Chandos pull it off? The answer is an unequivocal, unqualified yes! The secret in singing classics in English, that were written and scored in another language, is in three things: pacing, vocal agility and appreciation for "fit", and what greater test for tongue and timing than Figaro? When you listen to this one song, you will understand why Chandos and its benefactor, Sir Peter Moores have such a passion for their Opera in English series. Sir Allen's voice is a matured unmistakably settled baritone voice that contains a lifetime's worth of understanding of the music and words he imparts through his magnificent delivery. For example, when he sings, Tchaikovsky's "You have my love and devotion" from The Queen of Spades, he delivers a smooth and deeply emotional rendition that lacks nothing in translation. Wagner's "Turning my gaze upon this proud assembly", from Tannhäuser is another example of how fine, full orchestration behind a seasoned voice that waxes eloquent with every phrase, can create a mood of relaxed familiarity with word and music, that may be lacking when sung in another tongue. Great Operatic Arias, serves up a smorgasbord of tunes that are familiar, made more so by the care and attention given to creating a place for the Opera in English series in every home library. The mood here is romantic, relaxed and with few exceptions consistent throughout. If you haven't heard Opera in English, this might be a good way to start, given the fact that the listener gets to sample how different composers might sound in other than German, Italian or French. You might be surprised to discover that when done with care, as is obviously the case here, the sound is about as good as it gets. As an added bonus, the booklet that comes with the CD is full of pictures, libretto in English, and biography that gives us a good insight into history of the singer and his identifying rolls.

Kurt Weill from Berlin to Broadway - a selection

Average customer rating:

Kurt Weill from Berlin to Broadway - a selection

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

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Knickerbocker Holiday

ASIN: B00004WZTK
Release Date: 2000-10-24

Tracks:

The Threepenny Opr: Mack The Knife - Harald Paulsen With Orch
The Threepenny Opr: Cannon Song - Harald Paulsen With Orch
The Threepenny Opr: Pirate Jenny - Lotte Lenya With The Lewis Ruth Band/Theo Mackeben
The Threepenny Opr: Babarasong - Lotte Lenya With The Lewis Ruth Band/Theo Mackeben
The Threepenny Opr: Lied Von Der Unzulanglichkeit Menslichen Strebens - Bertolt Brecht With Theo Mackeben And His Orch
Happy End: Mandalay Song - Lewis Ruth Band
Happy End: Surabaya Johnny - Lotte Lenya With Pno
Rise And Fall Of The City Of Mahagonny: Moon Of Alabama - Lotte Lenya With The Three Admirals And Orch
Rise And Fall Of The City Of Mahagonny: Denn Wie Man Sich Bettet - Lotte Lenya With Pno
Knickerbocker Holiday: September Song - Walter Huston With Orch/Maurice Abravanel
Knickerbocker Holiday: There's Nowhere To Go But Up - David Brooks With Orch/Maurice Abravanel
Knickerbocker Holiday: The Scars - Walter Huston With Orch/Maurice Abravanel
Lady In The Dark: One Life To Live - Gertrude Lawrence With Orch/Leonard Joy
Lady In The Dark: The Princess Of Pure Delight - Danny Kaye With Orchestra/Maurice Abravanel
Lady In The Dark: And Other Russians - Danny Kaye With Chor And Orch/Maurice Abravanel
Lady In The Dark: The Saga Of Jenny - Gertrude Lawrence With Chor And Orch/Leonard Joy
Lady In The Dark: My Ship - Gertrude Lawrence With Chor And Orch/Leonard Joy
One Touch Of Venus: I'm A Stranger Here Myself - Mary Martin With The 'One Touch Of Venus' Orch/Maurice Abravanel
One Touch Of Venus: Westwind - Kenny Baker With The 'One Touch Of Venus' Orch/Maurice Abravanel
One Touch Of Venus: Foolish Heart - Mary Martin With The 'One Touch Of Venus' Orch/Maurice Abravanel
One Touch Of Venus: Speak Low - Mary Martin/Kenny Baker With The 'One Touch Of Venus' Orch/Maurice Abravanel
One Touch Of Venus: That's Him - Mary Martin With The 'One Touch Of Venus' Orch/Maurice Abravanel
Ulysses Africanus: Lost In The Stars - Walter Huston With Orch/Victor Young
Ulysses Africanus: Lover Man - Lotte Lenya With Pno
One Touch Of Venus: Very, Very, Very - Kurt Weill
One Touch Of Venus: Wooden Wedding - Kurt Weill
One Touch Of Venus: Jersey Plonk - Kurt Weill
One Touch Of Venus: The Trouble With Women - Kurt Weill

Average customer rating:

Soft Lights and Sweet Music

Manufacturer: Dutton Vocalion UK
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005UWOH
Release Date: 2002-04-09

Tracks:

April in Paris
Soft Lights and Sweet Music
Smoke Gets in Your Eyes
Time on My Hands
Nightingale Sang in Berkeley Square
Ruby
Snowfall
Where or When
Emily
Embraceable You
I Didn't Know What Time It Was
Lonely Town
Bad and The Beautiful
My Ship
Nobody Else But Me
With a Song in My Heart

Average customer rating:

Handel: The Masterworks (Box Set)

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

Trios | Chamber Music | Classical | Styles | Music

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Haydn: The Masterworks [Box Set]
Vivaldi: The Masterworks (Box Set)
Mendelssohn: The Masterworks [Box Set]
Schubert: The Masterworks [Box Set]
Dvorák: The Masterworks [Box Set]

ASIN: B00062FLI8
Release Date: 2004-11-30

Diana Montague Sings Great Operatic Arias, Vol. 2

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Diana Montague Sings Great Operatic Arias, Vol. 2
George Frideric Handel , Richard Heuberger , Franz Lehar , Wolfgang Amadeus Mozart , Gottfried Heinrich Stolzel , Johann II Strauss , David Parry , Walter Weller , Alistair Young , London Philharmonic Orchestra , Philharmonia Orchestra of London , Helen Williams , Orla Boylan , and Bruce Ford
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

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Great Operatic Arias

ASIN: B00008NRJG
Release Date: 2003-04-22

Tracks:

Is It Pain, Is It Pleasure That Fills Me
Send Me, But, My Beloved
No Hope Remains In My Affliction
I Implore Thee And Tremble
Verdant Pastures, Leafy Woodlands
Noble Forests, Sombre And Shady
Blow Gently, You Breezes
Torture And Agony
I Will Take The Handsome, Dark One
Banished, Rejected, God Save Me!
Who Knows What Feeling
My Heart I Give You
In A Cosy Chambre Separee
Tender Flower, Starved Of Water
Three Score And Ten
When Happy Days
Just As The Sun Awakens
If You Are Near

Average customer rating:

"Eloquent, Exquisite, Exciting"
A Gem!

Dreamer: A Portrait of Langston Hughes
Darryl Taylor , William Warfield , Maria Corley , Erik Santos , and Patricia Terry-Ross
Manufacturer: Naxos American
ProductGroup: Music
Binding: Audio CD

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The Voice of Langston Hughes
The Negro Speaks of Rivers: Art Songs by African-American Composers
You Can Tell the World: Songs by African-American Women Composers

ASIN: B00006I9HH
Release Date: 2002-09-17

Tracks:

My People - William Warfield
Heart
Island
The Weary Blues - William Warfield
Litany
A Black Pierrot
March Moon
Negro - William Warfield
The Negro Speaks Of Rivers
My People
Song To The Dark Virgin
Evil - William Warfield
Joy
Lonely House
Minstrel Man
Sunday Morning Prophecy - William Warfield
In Time Of Silver Rain
Carolina Cabin
Madam And The Census Taker - William Warfield
Lovely, Dark And Lonely One
Sylvester's Dying Bed - William Warfield
Sandman/Birth
Bound No'th Blues
To Artina
Down Where I Am
The Dream Weaver/Bouquet
Still Here - William Warfield

Customer Reviews:

"Eloquent, Exquisite, Exciting".......2004-08-18

"Dreamer" is unquestionably the finest recording of original songs by black composers available today. The singing of tenor, Darryl Taylor is superb and demonstrates a vocal beauty, musicianship, and interpretive sensitivy that is rarely equaled. The selection of poems of poet laureate, Langston Hughes is first rate, and even more important, the songs themselves are original, varied and well written. I think every listener will find "Dreamer" an exciting musical experience, and I predict for Darry Taylor a distinguished career as an interpreter of art songs. For the Naxos price, buy two albums and give one to a friend!

A Gem!.......2002-10-17

This collection is a gem! Langston Hughes was a very "musical" poet who was inspired by a variety of forms, from jazz to classical. His poetry in turn inspired a whole generation of composers, thirteen of whom are represented here in fifteen art songs. Additionally, eight Hughes poems are read by William Warfield.

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The Andre Kostelanetz Touch

The Kostelanetz Touch

Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD

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The Ultimate Collection
16 Most Requested Songs
Ultimate Collection

ASIN: B00006357L
Release Date: 2002-04-23

Tracks:

With a Song in My Heart
Tiger Rag
Swamp Fire
Fascinating Rhythm
'S Wonderful
Bugle Call Rag
Music of Jerome Kern (Medley): Smoke Gets in Your ...
Estrellita
Dancing in the Dark
Turkey in the Straw
Po
Liebestraum
Manhattan Serenade
Blues in the Night
My Sombrero
Night and Day
Flamingo
Coubacaban
When Day Is Done
I'll See You Again

Customer Reviews:

The Andre Kostelanetz Touch.......2002-05-31

If you were born before 1950, you will like this CD. I bought it because I have long admired Andre Kostelanetz. He was accomplished in leading both popular and classical orchestras. The recordings on this CD are monaural and were recorded in the late 30's to mid 40's. I don't think Tiger Rag, Bugle Call Rag and Turkey in the Straw complement the other selections. The remainder, however, are lush and romantic.

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