A Piece of Me

A Piece of Me

ASIN: B00006411V

Track Listings

1. Mr. Lonely

2. Borrowed Time

3. Never Say Goodbye

4. New Man

5. Careful What You Wish For

6. Sing Me Back Home

7. Same Ol'Me

8. When I Don't Have You

9. She Don't Love Me Anymore

10. Rose Colored Glasses

11. Good Mood

12. Two Days Out

13. The Prayer

Tracks:

Brandenbutg Concerto No.3 In G First Movement
Overture No.3 In D Second Movement
Violin Concerto In E First Movement
Prelude In C minor
Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
Overture No.2 In B minor Minuet And Badinerie
Oboe Concerto In D minor Second Movement
Brandenburg Concerto No.4 In G Third Movement
Musical Offering - Fuga canonica
Easter Oratorio - Overture
Minuet In D minor
Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
Brandenburg Concerto No.1 In F Second Movement
Art Of The Fugue - Contrapunctus 9
Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
Overture No.4 In D - Réjouissance
Concerto No. 1 in E: Spring
Concerto No. 1 in E: Spring
Concerto No. 1 in E: Spring
Concerto No. 2 in G minor: Summer
Concerto No. 2 in G minor: Summer
Concerto No. 2 in G minor: Summer
Concerto No. 3 in F: Autumn
Concerto No. 3 in F: Autumn
Concerto No. 3 in F: Autumn
Concerto No. 4 in F minor: Winter
Concerto No. 4 in F minor: Winter
Concerto No. 4 in F minor: Winter
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto Grosso in A minor, Op. 3, no. 8
Concerto Grosso in A minor, Op. 3, no. 8
Concerto Grosso in A minor, Op. 3, no. 8
Water Music - Alla Hornpipe
Xerxes - Ombra Mai Fu (Largo)
Messiah - And The Glory Of The Lord
Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
Organ Concerto In F, Op. 4, No. 4 Allegro
Water Music - Air
Messiah - For Unto Us A Child Is Born
Concerto Grosso In B flat, Op. 3, No. 2 - Largo
Salomon - Sinfonia, Act 3
The Choice Of Hercules - While For Thy Arms
Water Music - Allegro (Suite No. 1)
Suite No. 5 In E - Air With Variations
Jephtha - How Dark, O Lord
Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
Water Music - Andante Allegro Da Capo
Concerto for Trumpet & Orchestra in E-flat: First Movement
Symphony No. 94 in G: Surprise Symphony-second movement
Concerto for Violin No. 2 in D: Third Movement
Flute Trio No. 31 in G: Second Movement
Symphony No. 31 in D: Hornsignal-First Movement
String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
Concerto for 2 Horns & Orchestra in E-flat: Second Movement
Symphony No. 88 in G: Fourth Movement
String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
Notturno No. 1 in C: Second Movement
Symphony No. 98 in B: Londoner No. 4-Fourth Movement
Eine Kleine Nachtmusik - first movement
Piano Concerto in A - second movement
Flute Concerto in D - Rondeau
Serenade - Minuet
Violin Concerto - first movement
Symphony No. 40 in G minor - first movement
Clarinet Concerto - second movement
Turkish March
Divertimento - Minuet
Horn Concerto No. 3 in E-flat - first movement
Symphony No. 5 in C minor, Op. 67-First Movement
Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
Overture
O welche Lust (Prisoners' Chorus)
Ha, welch ein Augenblick (Pizarros's Aria)
Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
Concerto for Violin and Orchestra in D, Op. 61: Third Movement
Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
Sympony No. 6 in F, Op. 68: Pastorale-First Movement
Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
German Dance No. 1 In C
Impromptu Op. 90, No. 3 In G-Flat
Heidenroslein
Ave Maria
Der Lindenbaum
Quintet In A 'Trout Quintet' - Andante
Mass No. 6 In E-Flat - Kyrie
Die Schone Mullerin Des Mullers Blumen
German Dance No. 2 In G
Piano Sonata In B-Flat
Nachtgesang Im Walde
Winterreise - No. 15: Die Krahe
German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
Symphony No. 8 In B Minor 'Unfinished' - Second Movement
Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
Nocturne in E-flat, Op. 9, no. 2
Etude in G-flat, Op. 10, no. 5
Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
Mazurka in D minor, Op. 33, no. 2
Prelude in D-flat, Op. 28, no. 15 Raindrop
Etude in C, Op. 10, no. 1
Nocturne in D-flat, Op. 27, no. 2
Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
Scherzo in B minor, Op. 20
Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
Violin Concerto - second movement
The Sleeping Beauty - Waltz
Capriccio Italien, Op. 45
Swan Lake - Waltz
Eugene Onegin - Polonaise
The Nutcracker - Waltz of the Flowers
Orchestral Suite No. 4 - Mozartiana - Third Movement
Swan Lake - Dance of the Swans
Symphony No. 6 in B minor - Pathétique - Third Movement
Hungarian Dance No.5
Lullaby
Symphony No.1 in C minor, Op. 68 - Third Movement
Intermezzo in E-flat, Op.117, no. 1
Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
Waltz, Op. 39, no. 15
Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
String Quintet in G, Op. 111 - Second Movement
Symphony No.4 in E minor, Op. 98 - Third Movement
Intermezzo in A minor, Op. 76, no. 7
Hungarian Dance No.1 in G minor
German Requiem Selig sind die Toten (Final Chorus)
Die Fledermaus - Overture
Kaiser Waltz, Op.437
Thunder And Lightning Polka, Op. 324
Roses From The South Waltz, Op. 388
AnnenPolka, Op. 117
Vienna Blood Waltz, Op. 354
Eljen A Magyar Polka, Op. 332
Wine, Women and Song Waltz, Op. 333
On The Beautiful Blue Danube Waltz, Op. 134
Die Meistersinger Von Nurnberg - Overture
Tannhauser - Die Pilger sind's (Pilgims' Chorus)
Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
Lohengrin - Act 3 Prelude and Bridal Chorus
The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
Die Walkure - Ride of the Valkyries
Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
Tristan und Isolde - Liebestod
Thus sprach Zarathustra, Op. 30 (excerpt)
Don Juan, Op. 20
Eine Alpensinfonie, Op. 64, I.Nacht
Don Quixote, Op.35, first movement: Introduction
Salome, Op. 54, Dance Of The Seven Veils
Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
Piano Concerto 2 In C minor, Op. 18 - First Movement
Vocalise, Op.34, No. 14
Prelude In G Sharp minor, Op. 32, No. 12
Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
Symphony No. 2 In E minor, Op. 27 - Third Movement
Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
Rhapsody, Op. 43 On A Theme By Paganini
Hungarian Rhapsody No.2
Liebestraum No.3 in A-flat
Piano Concerto No.1 in E-flat - third movement
Angelus
Mephisto Waltz No.1 (Dance in a Village Tavern)
Prelude and Fugue on B-A-C-H
Dante Symphony - Finale. - Purgatorio - Magnificat
Les Préludes
Boléro
Daphnis et Chloé first movement: Nocturne
Rhapsodie Espagnole
Shéhérazade - first movement: Asie
Ma Mère l'Oye - fourth movement: La Belle et la Bête
Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
La Valse
Slavic Dance No. 1 in C, Op. 46, no.1
Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
Humoresque, Op. 101
Slavic Dance No. 8 in G minor, Op. 46, no. 8
Serenade for String Orchestra, Op. 22 - second movement
Romance for Violin and Orchestra In F minor, Op. 11
Symphony No. 7 in D minor - third movement
Melodie (Songs My Mother Taught Me)
Carneval Overture, Op. 92
Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
Symphony No.4 In A, Op. 90. Italian - First Movement
Frühlingslied In A, Op. 62, No. 6
Wedding March (From A Midsummer Night's Dream, Op.61)
Duetto In F, Op.30, No.6 (From Songs Without Words)
String Symphony No.9 In C. Schweitzer Symphony - Third Movement
Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
Notturno (From A Midsumment Night's Dream, Op. 61)
Rondo Capriccioso, Op.14
String Symphony No. 12 In G minor - First Movement
Venetian Gondola Song In F Sharp minor, Op.30, No.6
Scherzo (From A Midsumment Night's Dream, Op. 61)
Violin Concerto In E minor, Op.64 - Third Movement
Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
Holberg Suite, Op. 40 - IV. Air. Andante religioso
Arietta, Op. 12, no. 1
Homage March from Sigurd Jorsalfar, Op. 56
Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
Wedding Day at Troldhauen, Op. 65, no. 6
The Last Spring, Op. 34, no. 2
Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
Nordic Melody Op. 63
Notturno, Op. 54, no. 4
Elegie, Op. 47, no. 5
Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
Piano Concerto in A minor, Op. 16 - Allegro
Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
Traumerai (from Kinderszenen, Op. 15)
Mondnacht (from Eichendorff-Liederkreis, Op. 39)
Aufschwung (from Fantasietucke, Op. 12)
Triolett, Op. 114, no. 2
Tanzlied (No. 1 from Duets, Op. 78)
Symphony No. 4 in D minor, Op. 120 - second movement
Frühlingsgruss
Abschied (from Waldszenen Op. 82)
Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
Manfred Overture, Op. 115
Romance in F sharp, Op. 28, no. 2
Die Rose stand im Tau
Liebesgarten (from Four Duets, Op. 34)
Warum? (from Fantasiestucke, Op. 12)
Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
Von fremden Landern und Menschen (from Kinderszenen, Op. 15)

Album Description

An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.

Customer Reviews:

Mill. Classical review.......2007-05-13

This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.

classical music for the unitiated.......2007-04-01

This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.

Some little gems there that I had forgotten!.......2007-03-30

Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.

I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.

It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!

Classical Masterpieces of the Millennium [20 CD Set]

A very helpful collection.......2007-03-24

I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.

Excellent!.......2007-03-08

A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.

Philip Smith, Principal Trumpet, New York Philharmonic

Average customer rating:

Philip Smith shines
Flawless
Good variety, superb performances
Top Notch!!
One of the finest trumpet-and-piano discs you'll hear.

Philip Smith, Principal Trumpet, New York Philharmonic

Manufacturer: Cala Records
ProductGroup: Music
Binding: Audio CD

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music
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Release Date: 1997-09-16

Tracks:

Concert Piece For Eight Trumpets
Intrada
Lnde
Triptyque: Scherzo
Triptyque: Largo
Triptyque: Saltarelle
To a Wild Rose
Amazing Grace
Someone To Watch Over Me
Festival Fanfare For Eight Trumpets
Brass Music: Rondo For Lifey
Brass Music: Fanfare For Bima
Song For Cornet
Trio In E-Flat For Trumpet, Violin And Piano: Andante
Trio In E-Flat For Trumpet, Violin And Piano: Allegro molto
Trio In E-Flat For Trumpet, Violin And Piano: Adagio
Trio In E-Flat For Trumpet, Violin And Piano: Allegro molto
Two Portraits: Psalm
Two Portraits: Incantation
There's A Great Day Coming For Six Trumpets

Customer Reviews:

Philip Smith shines.......2007-07-01

We have here yet another installment of the CALA New York Legends series, and it is no less beautiful and superb than any previous. Philip Smith, the principal trumpet of the New York Philharmonic for over 20 years now, with this album, fully shows why he was both given that position and how he has been able to maintain it with the respect of trumpet players worldwide. Indeed I recommend any of the albums from that series, and I think it must be something in the water because these New Yorkers are all phenomenal musicians, from Glenn Dicterow, to Jeanne Baxtresser, and on to Philip Myers and Joseph Alessi.

Philip Smith begins the album with a concert piece for 8 trumpets featuring other fabulous trumpet players of whom great things have also been heard. He then continues on with the Intrada written by friend/composer/pianist Joseph Turrin, which is rapidly becoming a popular recital piece among trumpet players despite its youth. The album then proceeds to two pieces well known to trumpet players for both their aesthetic values and also their difficulty. Smith plays Legend by Enescu and the Tomasi Triptyque with enviable beauty and technique. We are then treated to an American tribute where Philip Smith brings beauty and grace to such famous tunes known to all Americans such as Amazing Grace and Someone to Watch Over Me. We then have another multiple trumpet piece which is here a fanfare which again features New York's finest. We are then given the 2 remaining movements of the Brass Music chamber piece written by Bernstein, and which the remaining movements are included on the albums by Philip Myers and Joseph Alessi. Philip Smith then delights us with a gorgeous song for cornet. The highlight of this album is indeed here where the Trio for Trumpet, Violin, and Piano by Eric Ewazen is taken and given such beauty that it redefines the word. Ewazen's name is known well to any brass player for his chamber music, and this is his largest rising piece and is performed very frequently for a piece less than 15 years old, and listening to this performance, you are left in no doubt why. This "recorded recital" finishes up with two portraits and a jazzy piece, the portraits again a gift to us by Joseph Turrin, and "It's a great day coming" for six trumpets a well-known piece that shows us that Philip Smith, master of the orchestral trumpet can also handle himself well enough in the jazz setting as well.

This album is a wonderful argument in favour of everything that the 20th and 21st century chamber trumpet is. You would be hard-pressed to find a more enjoyable or better performed disc of trumpet chamber music. Philip Smith's technique rivals that of any trumpet soloist (indeed he has soloed himself with the New York Philharmonic no less than 75 times in his career thus far), and his lyric playing is quite obviously supreme and seems almost to contain the beauty that one hears in the performance of a string master in his mastery of phrasing. Any trumpet enthusiast or performer should not under any circumstances be without this disc. Even if the trumpet isn't your cup of tea, I still recommend this disc, and indeed I have personally showed this one to people who do not like the sound of the trumpet who have themselves later gone and purchased this album for themselves. It's not the cheapest CD ever, this is true, but it is worth easily 4 or 5 other chamber trumpet CDs, so the price is still more than fair.

In short, an absolutely brilliant musical statement that is most essential to any brass player and highly recommended for any other chamber music enthusiast.

Flawless.......2006-04-06

Phil Smith's performance on this album is pure perfection. I have many albums that display a performer's dazzling technique, but few with equal artistry and musicality. Truly, this is a 'must have' for any collection.

Good variety, superb performances.......2005-08-12

Philip Smith collaborates with some other excellent trumpeters (including Fred Mills, Vince Penzarella, and Robert Sullivan) in this album. The Tomasi Triptyque is well executed, with good dynamics, articulation, and tone. Basically, you can't find fault with Smith's playing on any of these recordings. The Ewazen Trio is another good piece, showing off the warmth of Phil's playing. It's also good to hear the several large fanfare pieces, which allow all the guys to open up and blow. This cd will please trumpet aficionados and the regular listener.

Top Notch!!.......2002-06-12

This CD has quickly become one of my favorite trumpet CD's. Philip Smith is sensational. I particularly enjoyed the Enescu and the Ewazen. I heard the Ewazen on Minnesota Public Radio (MPR) and quickly called to find out where I could purchase the CD.

One of the finest trumpet-and-piano discs you'll hear........2001-07-13

This is superb trumpet playing in solo and ensemble settings. I've never heard the Enesco "Legende" played better. Smith has a long history as a cornet and trumpet soloist with Salvation Army bands. He can sound alternately brilliant and mellow, stident and serene. This disc has changed my trumpet playing for the better and given me lots of enjoyment. Smith takes a simple song like "Amazing Grace" and makes something truly memorable of it. Truly gorgeous tone production and phrasing.

Kudos also go to Joseph Turrin for his excellent accompaniment. His compositions are first-rate too, especially the first of his "Two Portraits."

Tracks:

Christopher Street
Ohio
One Hundred Easy Ways
What a Waste
A Little Bit in Love
Pass the Football
Conversation Piece
A Quiet Girl
Conga!
My Darlin' Eileen
Swing!
It's Love
Ballet at the Village Vortex
Wrong Note Rag
Opening (from the original Decca recording of "On the Town")
Carried Away (from "On the Town")
Lonely Town (from "On the Town")
I Can Cook Too (from "On the Town")
Lucky to Be Me (from "On the Town")
Ya Got Me (from "On the Town")

Customer Reviews:

Wonderful Town is a wonderful show.......2004-10-25

This is a terrific show. It has a famous composer, great tunes and a good, upbeat story. Why it has so thoroughly faded from memory is a question that puzzles me greatly.

The orchestrations are attributed to another individual, but Bernstein must have taken some substantial role in their creation, for large parts of "Wonderful Town" resemble only one other musical, "West Side Story."

Rosalind Russell is the star here, and rightly so. She sings--or rather croaks--her material very well, indeed. Only in "Swing" is she overmatched by the musical requirements and even then she fights them to a draw.

Edith Adams is very good, too, as Eileen. I think of her as Edie Adams, a sixties icon, wife of comedian Ernie Kovacs, mayhem-minded member of the Nairobi Trio and super-sexy pitchwoman for White Owl Cigars. I had no idea that she had also starred on Broadway. It was a pleasant surprise to find her here.

The men in the lead parts sing in that typical Broadway growl: perfect diction and lousy tone. They are endearingly awful. And I mean that in the best possible sense.

Five stars, no doubt about it!

Light and lively musical comedy .......2004-08-07

The first cast album of WONDERFUL TOWN sounds even better than ever in Decca's latest remastering. The sound is still somewhat flat (as are all Decca albums from the 40s/50s) but the Decca engineers have worked wonders on the 50 year old tapes making them sound as good as possible. Rosalind Russell was a perfect choice to play the acerbic Ruth. She doesn't have much of a singing voice but the songs were tailored to her limited range and she makes the character come alive. Edith Adams sounds properly winsome as her sister Eileen. In the supporing roles, Jordan Bentley comes off best as Wreck, but George Gaynes makes for a ponderous, somehwat stuffy Bob Baker.

In terms of album production, Decca eliminated the Overture and some of the dance music, and re-arranged "Christopher Street" to eliminate the spoken vignettes. Otherwise the score is presented in a faithful aural re-creation. The booklet offers a detailed synopsis to guide you through the score.

The bonus tracks are six songs from ON THE TOWN originally recorded when that show was playing on Broadway. This is NOT the definitive recording of ON THE TOWN. For that you need the 1960 album avaialble on Sony. But, the excerpts heard here provide an enjoyable bonus.

a must-have recording for REAL Broadway fans.......2002-12-26

This marvellous new re-issue of WONDERFUL TOWN is a must-have for Broadway buffs. In fact, this is really two albums in one, as it also contains the rare 1945 studio recording of ON THE TOWN as a bonus!

The story is based on the play "My Sister Eileen", written by Joseph Fields and Jerome Chodorov; as well as the stories written by Ruth McKenney. The play was later turned into a successful Columbia film starring Rosalind Russell (as Ruth Sherwood) and Janet Blair as Eileen. Several years later Columbia released a musical version (following the success of WONDERFUL TOWN) which starred Janet Leigh and Betty Garrett.

WONDERFUL TOWN originally starred Rosalind Russell (repeating her film role) as Ruth and Edith 'Edie' Adams as Eileen. The cast also included George Gaynes (GIGI, 'Punky Brewster') as the romantic male lead.

The score by Betty Comden and the late Adolph Green is gorgeous, and features the comical "100 Easy Ways", the lilting "A Little Bit in Love" and the showstopping "Conga!" and "Wrong-Note Rag".

No Broadway-recording collection is complete without the original cast of this landmark musical.

This re-issue from the superb Decca Broadway range also includes the rare 1945 set of ON THE TOWN, which featured original cast-members Betty Comden, Adolph Green and Nancy Walker singing their songs from the show, with Mary Martin singing "Lonely Town" and "Lucky to Be Me".

Highly-recommended.

Leonard Bart-stein? Listen for yourself...........2002-09-23

Leonard Bernstein never erred on the side of subtlety, and this original-cast album contains two of his most enjoyable essays in musical near-mayhem: "Christopher Street" and "The Wrong Note Rag." The former is vastly like the theme music to "The Simpsons," and the listener can decide for himself how much of a coincidence this is or isn't. "The Wrong Note Rag" uses the tritone of the scale and a varied meter to make life difficult for the singers and anyone trying to count along. Unlike so many send-ups of the 1920s, this song ingenioulsy captures the musical and lyrical feel of novelty numbers like 1924's "Fascinating Rhythm"--or, better yet, the slightly later "Crazy Rhythm." A parody of the 1920s that shows any sense of the 1920s is a rare item, indeed. "Wonderful Town" is an interesting, enjoyable, and valuable historical piece, and I can only imagine what later performers did with it. I don't want to know.

Quality over quantity.......2002-05-19

Yes, the original 1953 cast recording of "Wonderful Town" may not be the most complete cast recording of the hit musical BUT I would wholeheartedly reccommend this CD over any other version. Why? Because of its original cast members and its original orchestrations! Rosalind Russell is peerless as Ruth Sherwood (I consider her version of "One Hundred Easy Ways" one of the funniest songs in musical theatre history) and Edie Adams shines through radiantly. Listen to her sing "A Little Bit In Love" to understand what I'm talking about. Also, the original orchestrations gtive this CD more vibrance than any of the later incarnations INCLUDING the 1999 studio recording, which to me sounds too mechanical and the British orchestrator doesn't seem to get the rhythms right. The original cast recording is A MUST for the true theatre fan, abridged score or not

Average customer rating:

Uneven quality but great value
A superb collection of Mendelssohn

Mendelssohn: The Masterworks [Box Set]

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

Octets | Chamber Music | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

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Trios | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

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Dvorák: The Masterworks [Box Set]
Haydn: The Masterworks [Box Set]
Vivaldi: The Masterworks (Box Set)
Brahms: The Masterworks (Box Set)
Schubert: The Masterworks [Box Set]

ASIN: B00062FLJ2
Release Date: 2004-11-30

Customer Reviews:

Uneven quality but great value.......2007-04-30

Brilliant Classics has found a niche with their extremely low-price multi-disc collections of the work of a single composer or performer. The Bach, Mozart and Chopin Complete Editions are legitimately considered to be artistic and economical triumphs. But the Masterworks series are more uneven. Currently available from Amazon France at about a buck per CD, they're still a bargain for those interested in quickly building a music library. But it's worth keeping a few things in mind. Unlike the Bach and Mozart Editions, these are not always historically informed performances. In this Mendelssohn set, the Hanover Band puts in a cameo (in Calm Sea and Prosperous Voyage), but most of the ensembles use modern instruments, techniques and proportions. This doesn't always work out, as in the case of the ponderously heavy recordings of the String Symphonies by an apparently full complement of Gewandhausorchester Leipzig strings (Mendelssohn likely wrote these early works for a much smaller group). The caliber of the performances varies too, ranging from good to poor, and from marquis musicians such as Dietrich Fischer-Dieskau to a few Dutch who-dats. The chamber musicians generally acquit themselves well (though the Octet recording is marred by an engineering flaw in the last movement, distortion, at least on my copy). But the symphonies suffer from some substandard performances, such as the Italian Symphony's live recording with not only audience noise but also ensemble flaws such as a distracting clarinet squeak in the first movement's recapitulation. Another strike is the lack of program notes. Brilliant's Complete Editions provide a booklet or CD-ROM with program notes, but here you'll need to do your own research.

Despite these shortcomings, this set is still good value (at least at Amazon France's current price of 31 Euros). And it's a fine way to become acquainted with Mendelssohn's music.

A superb collection of Mendelssohn.......2007-03-24

Let me preface this by saying that most of these works were not new to me - I own many other Mendelssohn CDs and have enjoyed his compositions for some time now. Also, this set is available much cheaper elsewhere, particularly from European retailers.
The symphonies are well-performed. 'Reformation' is an inspired live recording. The 12 string symphonies, written in Mendelssohn's youth, are also included. The concertos are exceptional - the violin concerto is as good as you'll find anywhere. The oratorios Elijah and Paulus are included, as well as the complete chamber works and a diverse assortment of choral works. The last few discs include the Lied ohne worte, the epic organ sonatas, and excellent renditions of A Midsummer Night's Dream and Fingal's Cave. While there are a few sketchy performances in the choral and chamber works, the performances and recordings are generally very solid, and the body of work couldn't be better.

Hamlet: Original Motion Picture Soundtrack (1996 Film)

Average customer rating:

Hamlet sound track - Patrick Doyle
Beautiful masterpiece!!
Fantastic collaborations
Patrick Doyle's finest score
sudhir

Hamlet: Original Motion Picture Soundtrack (1996 Film)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Henry V: Original Soundtrack Recording (1989 Film)
Much Ado About Nothing: Original Motion Picture Soundtrack
William Shakespeare's Hamlet (Two-Disc Special Edition)
Mary Shelley's Frankenstein: Original Motion Picture Soundtrack
Sense and Sensibility: Original Motion Picture Soundtrack (1995 Film)

ASIN: B0000029V8
Release Date: 1996-12-10

Tracks:

The Original Motion Picture Soundtrack Of 'Hamlet': In Pace
The Original Motion Picture Soundtrack Of 'Hamlet': Fanfare
The Original Motion Picture Soundtrack Of 'Hamlet': 'All That Lives Must Die'
The Original Motion Picture Soundtrack Of 'Hamlet': 'To Thine Own Self Be True'
The Original Motion Picture Soundtrack Of 'Hamlet': The Ghost
The Original Motion Picture Soundtrack Of 'Hamlet': 'Give Me Up The Truth'
The Original Motion Picture Soundtrack Of 'Hamlet': 'What A Piece Of Work Is A Man'
The Original Motion Picture Soundtrack Of 'Hamlet': 'What Players Are They'
The Original Motion Picture Soundtrack Of 'Hamlet': 'Out Out Thou Strumpet Fortune'
The Original Motion Picture Soundtrack Of 'Hamlet': 'To Be Or Not To Be'
The Original Motion Picture Soundtrack Of 'Hamlet': 'I Loved You Once'
The Original Motion Picture Soundtrack Of 'Hamlet': 'Oh, What A Noble Mind'
The Original Motion Picture Soundtrack Of 'Hamlet': 'If Once A Widow'
The Original Motion Picture Soundtrack Of 'Hamlet': 'Now Could I Drink Hot Blood'
The Original Motion Picture Soundtrack Of 'Hamlet': 'A Foolish Prating Nave'
The Original Motion Picture Soundtrack Of 'Hamlet': 'Oh Heavy Deed'
The Original Motion Picture Soundtrack Of 'Hamlet': 'Oh Here They Come'
The Original Motion Picture Soundtrack Of 'Hamlet': 'My Thoughts Be Bloody'
The Original Motion Picture Soundtrack Of 'Hamlet': 'The Doors Are Broke'
The Original Motion Picture Soundtrack Of 'Hamlet': 'And Will 'A Not Come Again?'
The Original Motion Picture Soundtrack Of 'Hamlet': 'Alas Poor Yorick'
The Original Motion Picture Soundtrack Of 'Hamlet': 'Sweets To The Sweet - Farewell'
The Original Motion Picture Soundtrack Of 'Hamlet': 'Give Me Your Pardon Sir'
The Original Motion Picture Soundtrack Of 'Hamlet': 'Part Them They Are Incensed'
The Original Motion Picture Soundtrack Of 'Hamlet': 'Goodnight, Sweet Prince'
The Original Motion Picture Soundtrack Of 'Hamlet': 'Go Bid The Soldiers Shoot'

Customer Reviews:

Hamlet sound track - Patrick Doyle.......2006-03-10

I spent a lot of time trying to get hold of this CD but I must say I am mildly disappointed. I thought Patrick Doyle's music for Branagh's Henry V was brilliant and that was why I was determined to obtain this sound track as well. Henry V is not Hamlet in terms of theme and plot but I think the music here tends to be too low key and lacking in drive, unlike Henry V. It is still very good in places and clearly the work of an excellent composer, but not quite up to Doyle's previous standard.

Beautiful masterpiece!!.......2002-02-22

Patrick Doyle has truly composed an awesome piece of work. The score is so well done that you can feel the emotion coming through the music alone. This is by far my favorite soundtrack and I listen to it quite often.

Fantastic collaborations.......2001-06-12

Doyle fans are aware that he collaborates regularly with actor/director, Kenneth Brannagh. With the Hamlet score, he again writes powerful complementary music which also stands alone as worthy to be performed in concert. I would be interested to hear lengthier tracks such as accompanied the lengthy, but indeed beautiful and patient, movie. (The only mistake was Billy Crystal in the movie. I thought Robin Williams did fine work.) Although, I confess, this is my least listened to in my soundtrack collection, I do enjoy it, and believe it deserves accolades.

Patrick Doyle's finest score.......2000-06-26

This is certainly one of my top 3 Patrick Doyle scores and a towering achievement. The score unfolds like a great romantic symphony encompassing several moods from serenity and inner peace ("In Pace"), to violence and lush gothic undertones ("The Ghost", "Now, could I drink hot blood"), and a finaly sense of joyous celebration ("Fanfare", "What Players are they?"). After listening constantly to Mr. Doyle's scores for "Henry V", "Much ado about nothing" and "Frankenstein", I thought he could never top such achievements and somehow he did: "Hamlet" is a masterpiece of thematic inventiveness and dramatic power. The playing is wonderful and the engineering is very clear, taking full advantage of Air Lyndhurst's glorious acoustics. If you are a fan of british classical music or a Shakespeare fan (or even better, a fan of Patrick Doyle), don't pass up this CD. Great film music. No: great music. Period!

sudhir.......1999-12-02

the movie album is very good .and kate in the movie is very beatiful and she looks very good

Average customer rating:

Irving Berlin at his best
Get's my vote!
Jazzy and Beautiful
I love it!
Simply Dreadful

Kiri Sings Berlin
Irving Berlin , Jonathan Tunick , Abbey Road Ensemble , and Dame Kiri Te Kanawa
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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Kiri

ASIN: B000002RYP
Release Date: 1998-01-20

Tracks:

Let's Face The Music And Dance
I Got The Sun In The Morning
How Deep Is The Ocean?
What'll I Do?
Blue Skies
It's A Lovely Day Today
They Say It's Wonderful
Say It Isn't So
Cheek To Cheek
Isn't This A Lovely Day?
Always
The Song Is Ended
I've Got My Love To Keep Me Warm
It Only Happens When I Dance With You
Easter Parade

Amazon.com

After several recordings of American popular music, Te Kanawa has become a very effective crooner, phrasing with heretofore missing panache. The easy, jazzy Riddle-like arrangements are bouncy and appealing. But after 15 selections, the mysterious dissatisfaction of eating Chinese food and feeling hungry an hour later remains. Tunick writes in his program notes that "the waltz ballads ... are poignant and moving, but never stray into sentimentality." But why not? A little mushiness would serve this recording well, and also contribute to a desperately lacking variety of interpretation. Still, the voice is consistently gorgeous; it would just be nice to distinguish the happy songs from the sad. --Barbara Eisner Bayer

Customer Reviews:

Irving Berlin at his best.......2007-06-26

Kiri's glorious voice interprets Irving Berlin masterpieces beautifully with expression and respect for these American favorites.

Get's my vote!.......2004-04-03

OK. Full disclosure: I'm one of those helpless souls who is just madly in love with the sounds that emanate from Dame Kiri Te Kanawa's vocal chords. I suppose there are many artists who can interpret Irving Berlin's songs with more, what's the word, authenticity?

And I've heard many of them, and I love their work.

But Kiri Te Kanawa is different. She was given one of the most beautiful instruments in the history of sound recordings. Thank God the recording companies figured out what they had and put her in front of a microphone early and often.

We have had a rare opportunity to experience a great artist from almost the start of her career clear through to what now must be it's final stages.

I, for one, feel privileged.

Thank you, Dame Kiri. The world is a little better place because of you.

Jazzy and Beautiful.......2002-09-01

This album exemplifies Kiri's amazing, vast dose of talent for musical interpretation. Though I tend to enjoy mostly classical music, this album has opened doors to a wonderful world of classical-jazz, which I find quite beautiful! Perhaps for some, it is an aquired taste...yet I was hooked the moment I heard track one...and have since become quite the "modern Kiri" fan!~Brava once again~

I love it!.......2002-05-14

If you like Irving Berlin and Kiri Te Kanawa you'll probably enjoy this album as much as I do!

I can imagine Nick and Nora Charles listening to this at one of Nick's favorite dives! It will transport you to a sophisticated time and place that may have never existed except in literature and debutante coming out parties.

Gatsby would have loved it, and surely would have invited Kiri to all his parties!

Simply Dreadful.......2001-01-17

Just terrible! Although her voice has mellowed and is quite beautiful, Ms Te Kanawa has absolutely no instinct or feel for this distinctly American music. She's just lost in her own peculiar Kiwi wonderland. She is not aided but what have to be some of the worst arrangements of this music ever recorded.

Tracks:

A Mighty Fortress Is Our God
Evening Star (from Tannhauser)
None But The Lonely Heart
All Through The Night
Meditiation (From Thais)
Liebestraume No. 3
Clair De Lune (From Suite Bergamasque)
The Old Refrain
To A Wild Rose (From Woodland Sketches)
Andante Cantabile (From String Quartet No. 1)
Intermezzo (From Cavalleria Rusticana)
To Spring (Op. 43, No. 6)
Londonderry Air
The Swan (From Carnival Of The Animals)
Songs My Mother Taught Me
Ich Liebe Dich
The Lost Chord

Customer Reviews:

Very nice.......2007-01-14

The other reviewers have covered it all. I want to add that it is hard to find a good recording of A Mighty Fortress (it is on track 1), so I really value this one.

This CD does not contain the usual classical organ pieces, which is nice since most people already have plenty of other CDs contianing that material.

Be aware that after the loudness of track 1, the rest of the tracks are mostly quiet and reflective. Just a note in case you were expecting something more loud.

A great program from the world's best romantic organ.......2003-01-05

The enormous Aeolian-Skinner organ in New York's Riveside Church was built over two decades under the direction of Virgil Fox who plays on this recording. Although it's not the largest organ in the world, or even in New York, it is the definitive American Symphonic Organ. There are dozens of different divisions surrounding the church sanctuary (not just one big box at one end of the church) and there are tens of thousands of pipes. Many stops beautifully imitate orchestral instruments. The organ is renown for its extensive "celeste" stops--stops where two ranks of pipes, one slightly out of tune, play together to provide a shimmering ethereal quality.

The organ's resources are so vast that many performers have difficulty in controling the sound. They play either whisper soft or deafeningly loud. But Fox was perfectly in control, and you'll hear the full range of the organ building to exciting climaxes and then gently pulling back.

There's an interesting story about the (analog) recording process. Since the pipes were closely miked, whenever Fox changed stops, the tape would pick up an ungodly crash of the pneumatic stop mechanism. During recordings, at each change, Fox would pause for 5 or 6 beats, and the stop change would later be cut out of the tape. This led to some interesting glitches in the rhythm of the finished pieces, but those of us who've loved this program for 20 years since it first came out on LP wouldn't have it any other way.

The program is interesting, with many relaxing familiar tunes. If you own one CD of this fabulous organ, this should be the one.

What Can I Say - Excellent Organ Music!.......2002-12-14

I first heard this collection in 1968 when I bought it on 8-track cartridge. Not one boring piece on it! The music on this CD and the organ used to make the recording, plus V. Fox himself are combined to make this CD indispensible to those who really like "classical" organ music. As far as I'm concerned, if you're in the market for only one classical organ CD, do not, I repeat, DO NOT buy and play this one 'cause you'll only wind up buying the rest of the Fox collection.

This collection is definitely the flagship in terms of piece selection, interpretation, and musicianship. Second only to the organ in the Atlantic City Convention Center, the Riverside Church Aeolian-Skinner as heard on this CD is guaranteed to pull out every emotion every single time you play it.

Includes the rare and beautiful Dvorak "Songs My Mother Taught Me", played with the full dynamic and tonal range by argueably the best organist to date (whatever happened to E. Power Biggs?)!

The Art Of Virgil Fox.......2000-05-29

In classical circles, Virgil Fox has been the leading name for classical organ in the last several decades. He has done more to popularise classical organ than any other performer. The Art of Virgil Fox is only one example, but an excelent one. The clarity of the recording itself is unsurpassed. The organ is extremly hard to record and still have the depth of the insturment itself, as well as the artistry of the performer. It usually sounds like a big loud thing. However, between the recording technique and the artist himself, it is excelent. One gets a feeling of emence space and tends to drift with the music. Which is the most anyone can hope for. I had the privalage to meet Virgil Fox sometime before his death, and it was to date one of the most memorable times of my life. He was a great artist and human being. This recording only scratches the surface of his talent. It is definatly a must have item. After listening to this album, all preconcieved notions of "classical music" will blow out the window. I strongly recommend it.

You need this one!.......1999-12-29

This CD is comprised of transcriptions for organ. Ole Virgy explores the vast tonal resources of the wonderful Aeolian-Skinner pipe organ in the Riverside Church. From the bombastic chords of "A Mighty Fortress" to the lush sounds of Liszt's Liebestraume No. 3, you will find yourself immersed in beautiful auditory impressions. No one knows transcriptions like Ole Virgy. This would make a nice addition to the Virgil Fox collection, but only after you have bought his Encores CD.

Elaine Stritch - At Liberty (2002 Original Broadway Production)

Average customer rating:

A National Treasure
Stritch is superb
Entertaining but grating on the ears
Great Broadway Review
Elaine Stritch at Liberty

Elaine Stritch - At Liberty (2002 Original Broadway Production)
Elaine Stritch , Irving Berlin , John/ Stritch, Elaine Lohr , Porter P. Grainger , Albert Hague , Stephen Sondheim , Carl Sigman , Richard Rodgers , Sir Noel Coward , George Gershwin , Jule Styne , John Campo , and Billy Miller
Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD

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Elaine Stritch at Liberty
Bea Arthur on Broadway - Just Between Friends
Stritch
Company - A Musical Comedy (1970 Original Broadway Cast)
Company (2006 Broadway Revival Cast)

ASIN: B000060P33
Release Date: 2002-04-02

Tracks:

There's No Business Like Show Business (Berlin)
Caca
I Want a Long Time Daddy (Grainger)
A Piece of Mahler
This Is All Very New to Me (Hague/Horwitt)
Going to New York
Marlon Brando
Broadway Baby (Sondheim)
My First Broadway Show
Civilization (Hilliard/Sigman)
Ethel Merman
Can You Use Any Money Today? (Berlin)
Pal Joey
Zip (Hart/Rodgers)
Ben Gazzara
Nokl Coward
Why Do the Wrong People Travel (Coward)
Richard Burton
But Not for Me/If Love Were All (Gershwin/Gershwin)
I'm Still Here (Sondheim)
Booze
Little Things You Do Together (Sondheim)
The Ladies Who Lunch (Sondheim)
John Bay
There Was Never a Baby Like My Baby (Comden/Green/Styne)
I've Been to a Marvelous Party (Coward)
God So Quickly
The Party's Over (Comden/Green/Styne)
Absent Almost Always
Something Good (Rodgers)

Tracks:

I'm Still Here (Sondheim)
Booze
Little Things You Do Together (Sondheim)
The Ladies Who Lunch (Sondheim)
John Bay
There Was Never a Baby Like My Baby (Comden/Green/Styne)
I've Been to a Marvelous Party (Coward)
God So Quickly
The Party's Over (Comden/Green/Styne)
Absent Almost Always
Something Good (Rodgers)

Amazon.com

Elaine Stritch is a legend and she knows it. And so she came up with a whole one-woman show about the best topic she could think of: her life in the theater. And what a trip it's been. From Ethel Merman to Noel Coward, Stritch has worked with some of the greatest names to grace the American stage, and she has anecdotes about all of them (most are included on this recording). In this show, she hits all the marks with the acuity of a seasoned pro who's seen it all and whose love for the theater remains undiluted. Stritch is not a traditionally pretty singer (those gravelly pipes!), but she absolutely knows how to give life to a song, extracting the last drop of meaning, dropping pauses for effect with deadly accuracy. Sondheim's "Ladies Who Lunch" and "Broadway Baby" will be hers forever, and a case could be made for the hilarious "Zip" (from Pal Joey) and the obscure, spectacularly politically incorrect "Civilization" (from the revue Angel in the Wings) as well. Fittingly, this two-CD set includes "I'm Still Here," which may well be Stritch's motto. If you're looking for a concise yet bewitching history of the musical, this is it. --Elisabeth Vincentelli

Customer Reviews:

A National Treasure.......2007-07-05

This double CD is stuffed full of great songs and amazing stories. My favorite stories are of Elaine's date with Marlon Brando, what she thought some lyric are/meant, and her time in Compant. The total honesty that she brings it all together is touching and inspiring.

Very few people have the length or variety of a career that Elaine Stritch has had. I am sure that she has enough stories to do ten more shows.

If you love Broadway then you must buy this CD.

Stritch is superb.......2007-06-27

The only disappointment is that I missed the show live. This is a terrific honest performance by an actor who has a deep well of experience from which to draw. From her early childhood memories, through acting school, her loves, her struggles and more, Ms Stritch weaves a fascinating and completely enthralling story. Ultimately, she lives the songs, rather than just performs and this is what really marks her out.
I am so glad, she's still here!

Entertaining but grating on the ears.......2007-05-11

I've never been able to understand what is so great about Elaine Stritch's singing. It's simple: she can't sing. I've tried and tried to like her, and I do, as an actress, but NOT as a singer. Listening to these CDs, all I hear is a grouchy old lady voice with no vibrato, no range, and no ability to hold notes. If she were to try out for American Idol she would get cringes! I love her humor and honesty, and that's why I bought this, but the voice...ugh.

Great Broadway Review.......2007-04-11

I thoroughly enjoy this collection of stories from her experiences from a teenage girl in Michigan through her career, very funny, some sad and great entertainment.

Elaine Stritch at Liberty.......2007-01-19

Completely entertaining---a bit maudilin in places, but a must have for any Elaine Stritch fan.

Certainly worth the money!

Renaissance of the Spirit: the music of Orlando di Lasso and his contemporaries

Average customer rating:

Stylish and perfectly historically aware performances in gorgeous sound
A question of "arrangements" but very good otherwise

Renaissance of the Spirit: the music of Orlando di Lasso and his contemporaries

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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Perotin / The Hilliard Ensemble
Machaut: La Messe de Nostre Dame; Songs from Le Voir Dit
Obrecht: Missa O lumen ecclesiae; Missa Malheur me bat /ANS Chorus * Bali
The Recorder: 4 Centuries of Recorder Music
Obrecht: Missa Caput; Salve Regina

ASIN: B00004TDYM
Release Date: 2000-05-23

Tracks:

Passan Vostri Triomphi
Lauda Anima Mea
Recorder Piece No. 18
Tibi, Christe, Splendor Patris
Pavane And Gaillarde
Ave Maria
S'io Fusse Ciaul'et Tu Lo Campanile
Respice In Me
Recorder Piece No. 10
Pater Noster - Ave Maria
Tutto Lo Di Mi Dici, 'Canta, Canta'
Ave Maria
Petrarca 10, I Vo Piangendo
Bona Est Oratio Cum Ieiunio
Dapoi Che Sotto 'I Ciel Cosa Non Vidi
Peccavi
Par Ch'hai Lasciato De Non T'Affaciare
Recorder Piece No. 20
Credo
Benedictus Dominus Deus
Omnia Tempus Habent

Customer Reviews:

Stylish and perfectly historically aware performances in gorgeous sound.......2005-07-13

Erik van Nevel is a performing musician who also teaches choral conducting, chamber music and early music performance practice at the Lemmens Institute in Leuven. He conducts workshops and courses and master classes for choral and ensemble singers, as well as conductors, focusing both on general choral and conducting technique and on more specific performance practices.

There was a period when performances of Renaissance works performed on instruments or with instrumental doubling of vocal parts came to be frowed upon in preference to a capella performances. Around the time this recording was released things had come full circle and both approaches came to be embraced. Erik van Nevel is clearly a scholar fully aware of the latest thoughts in these matters and the listener can rest assured that in matters of performance practice he knows perfectly well what he is doing. The suggestions of ignorance from the previous reviewer should be turned instead on the reviewer himself.

Recordings by Erik van Nevel tend to be terribly difficult to get a hold of, even though he is as good as or better than many of other better known performers in the field of Renaissance polyphony. So this recording should be heartily welcomed by all lovers of Renaissance music. The selection of music here is all wonderfully chosen to illustrate the musical tendencies amongst Lassus' contemporaries, although the much earlier composers Févan, Dufay and Ciconia also make something of a surprise appearance too. So even the slightly hodge podge anthological nature of the CD fails to detract from the fact that most of these works are otherwise unobtainable and above all immensely rewarding to listen to. Particularly noteworthy are the 'Respice in me' by Rogier, the Gombert 'Ave maria' and the de Monte 'Bona est oratio cum ieiunio' just to name a couple of works.

Given that van Nevel's performances can be quite revelatory, he really does deserve to be recorded much more often than he is. And when he has been recorded it has always been in boxy limited sound, so the spectacular audiophile recording he receives here is an embarrassment of riches. A DSD processing system was used along with the usual expertise of the Telarc recording team. The sound-staging is stunning, with wonderful detail, and the typical DSD refinements in sound. It is like taking the cotton wool out of your ears. This may be the most sumptuously recorded Renaissance music CD available today.

Ivan Moody on Goldberg early music magazine had this to say:

"This is a brilliantly accomplished recording in which a smaller group of players from I Fiamminghi shows a real grasp of the idiom of this repertoire. Currende sing with passion and conviction, and are not afraid to allow the darker, meditative aspect of much of this music come out (try Clemens's Ave Maria, for example, or de Monte's Bona est oratio cum ieiunio, for example, where the long-breathed lines of this penitential work are really shaped so that the ensuing harmonic flow seems effortless). I Fiamminghi impress by their slick rhythmic phrasing, their unanimity and their smoothness of sound: the sensation on hearing the very first chord of the first track (an instrumental rendition of Lassus' Passan vostri triomphi) is that one has walked into a velvet cathedral of sound."

Telarc - please can we have more!

A question of "arrangements" but very good otherwise.......2000-06-20

Spanning the years 1430-1600, the Telarc (CD 80521) offers up to 21 examples of Spanish music that provide 67 minutes of absolutely gorgeous orchestral and vocal renditions of pieces known mostly to specialists and scholars. In fact, the featured group, I Fiamminghi, is named after the Italian name for musicians from Flanders who enhanced the Renaissance with their compositions. For "a more authentic performance," four recorders and a lute were added to the usual complement of players. For the vocal selections, they are joined by the Capella Corrende under Erik Van Nevel.

Although the liner notes are silent on this point, the press release quotes conductor Rudolf Werthen thus: "It is interesting when music of the 'past' is performed in a 'contemporary' way.... The alternation of our arrangement with works in their original form...provides the audience with a deeper perception of the compositions that form much European music." I leave it to my betters to determine how "contemporary" treatment of Renaissance music "works" in this context; but it might give a pause to any teacher wishing to use this CD as an educational tool. For myself, I find it very pleasant if somewhat over-consistently serious.

Album Review:

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