Angel
Angel
ASIN: B000062WCB
Track Listings
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1. Angel
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2. Just Like The Moon
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3. Anywhere But Here
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4. Out Of The Blues
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5. Im The Only One Youre Gonna Miss
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6. When The Blues And My Baby Collide
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7. Break My Heart
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8. Waiting On The Real Thing
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9. I Aint Gonna Fall For Love Again
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10. Broken Hearted
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11. Quilt Of Dreams
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Editorial Reviews
Product Description
Australia's favourite Country superstar is back with a brand new release.
Angel,Gina Jeffreys,ABC,Country,Country/Bluegrass
Average customer rating:
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La Vie en Rose: La Mome
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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ASIN: B000MEYIBG
Release Date: 2007-05-22 |
Tracks:
- Heaven Have A Mercy
- Milord
- Rien De Rien
- La Foule
- Cri Du Coeur
- La Vie En Rose (English version)
- Padam Padam
- Mon Dieu
- L'Hymne A L'Amour
- Mon Manege A Moi
- Non, Je Ne Regrette Rien
- L'Eveil
- Mon Legionnaire (piano solo)
- Lisieux
- La Mort De Leplee ("Mon Legionnaire")
- Apparition
- L'ABC
- L'Arrestation ("Mon Legionnaire")
- L'Idylle
- Derniere Nuit
- Mon Homme (interpreted by Jil Aigrot)
- Les Momes De La Cloche (interpreted by Jil Aigrot)
- Les Hiboux (interpreted by Jil Aigrot)
- Fascination (interpreted by Maya Barsoni)
- Il M'a Vue Nue (interpreted by Mistinguett)
- La Poupee
- Vie En Rose (accordeon)
Amazon.com
As befits the soundtrack of a music biopic, most of the heavy lifting here is done by the movie's subject: iconic French singer Edith Piaf. She was the Gallic Judy Garland, a natural performer who overcame one personal tragedy after another and was never more alive than on stage, forging an uncommon bond with both material and audience. Since actress Marion Cotillard lip-synchs in the film, the first 11 tracks on the CD are by Piaf herself, and give a good overview of her biggest hits (though we get the English version of the title track) and her feverish, ultra-dramatic style. But Piaf wasn't only a tragedienne of song: Her lighter side is represented by "Rien de Rien" and "Mon Manège à Moi," which she infuses with wonderful flair. Tracks 12-20 are made up of Christopher Gunning's richly symphonic original score (check out "La Mort de Leplée"). The last third of the album offers Piaf without Piaf, with contemporary singers Jil Aigrot and Maya Barsoni performing her songs (apparently because the originals' poor sound quality meant they would have stuck out in the movie). Watch out, however, for Mistinguett's hilarious "Il m'a vu nue," a slice of French music-hall history preserved in amber. --Elisabeth Vincentelli
Album Description
Official motion picture soundtrack to the film La Vie En Rose, the dramatic real-life story of French chanteuse Edith Piaf, starring Marion Cotillard and Gerard Depardieu. This release contains 27 tracks featuring 11 of Piaf's most popular songs remastered including "La Vie En Rose", "Hymne A L'amour" "Milord" and "Non, Je Ne Regrette Rien", plus the original score by Christopher Gunning.
Customer Reviews:
La Vie en Rose.......2007-07-06
The soundtrack to the movie by the same title is excellent. The restoration was superb. The voice of Edith Piaf is masterful.
Average customer rating:
- This recording disappoints, especially in relation to the live performance
- GOOD COMPANY
- Maybe I am partial to Esparza
- London Cast Recording Still the Best Ever of "Company"
- A great addition to the COMPANY collection
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Company (2006 Broadway Revival Cast)
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD
Sondheim, Stephen
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ASIN: B000LV6R4G
Release Date: 2007-02-20 |
Tracks:
- Opening
- Company
- The Little Things You Do Together
- Sorry-Grateful
- You Could Drive a Person Crazy
- Have I Got a Girl for You
- Someone Is Waiting
- Another Hundred People
- Getting Married Today
- "What did I just do?"
- Marry Me a Little
- Side by Side by Side
- What Would We Do Without You?
- Poor Baby
- Barcelona
- The Ladies Who Lunch
- "You have a good third husband, Joanne"
- Being Alive
Amazon.com
There may be no original Broadway cast recording more iconic than 1970's Company, with its funky organ sound and Elaine Stritch's not-quite-there high notes, but the December 2006 Broadway revival makes its own mark. For Stephen Sondheim and George Furth's piece about a single man observing the benefits and follies of marriage, director John Doyle borrows the same controversial concept he used for his 2005 Sweeney Todd: the actors playing instruments on stage (now referred to in many circles as "Doyle-izing," and not always with affection and delight). But when you're listening to a cast recording, as Bobby would say: What do you get? For one thing, you'll have to adjust to some different sounds created by Doyle and his music supervisor, Mary-Mitchell Campbell. It's a benefit in "Side by Side by Side," which begins with a jazzy double-bass line. It's a drawback in "You Could Drive a Person Crazy," in which the trio's doo-doots are replaced by their saxophone lines. You also get "Marry Me a Little," cut from the original show but by now very familiar and welcome, as well as a lot of the contextual dialogue before, between, and even within numbers. Finally, the strong cast led by Raul Esparza makes this the best-sung Company we've ever gotten (and they play very well too), and Stephen Sondheim's score is still a landmark in musical theater. There will never be a replacement for the original Broadway cast recording, but this revival recording can stand on its own and in some respects may be more flat-out enjoyable to listen to. --David Horiuchi
Album Description
Maverick British director John Doyle, a 2006 Tony Award winner, enjoyed a surprise Broadway hit last year with his radical reworking of Sweeney Todd. He dispensed with the pit orchestra and handed all the instruments over to his on-stage performers, who doubled as musicians in between their turns acting and singing. Doyle has taken a similarly unorthodox approach to his revival of another Stephen Sondheim classic, the revered yet notoriously difficult to stage Company. As with Sweeney Todd, the results of this theatre-as-concert have entranced both critics and audiences. Linda Winer of Newsday called it "the very best revival that Broadway has ever seen of Stephen Sondheim's landmark 1970 musical."Variety described it as "striking, revelatory and thoroughly compelling." For Sondheim fans, the recorded score to Company has long been as much an object of adoration as the six-time Tony-winning play itself. Company on disc functions as a deeply moving song cycle, even apart from George Furth's libretto, about the vicissitudes of marriage and the joys and trials of the single life, seen through the eyes of the coolly dispassionate Manhattan bachelor Bobby on the occasion of his 35th birthday. This is truly the stuff of sex and the city - wry, sophisticated, painfully honest and deeply melancholy, even in a comic seducing-the-stewardess duet like "Barcelona." As with Sweeney Todd, which featured a bravura performance from lead actor Michael Cerveris, Doyle has found in rising star Raúl Esparza (Cabaret, Taboo, The Normal Heart) an extraordinary singer and actor who, in the words of the New York Times' Ben Brantley, gives Company "the most compelling center it has probably ever had." "Mr. Doyle and his invaluable music supervisor and orchestrator, Mary-Mitchell Campbell, have shaped Company into a sort of oratorio for the church of the lonely," says Brantley. He also praises the work of the entire ensemble - playing five married couples, three single women and one deeply ambivalent, unmarried man: "It's their work as a team that sounds new depths in Company in ways that get under your skin without your knowing it." Variety's David Rooney concurs: "Angel Desai's `Another Hundred People' nails that quintessential New York song; Heather Laws lands every laugh in the mile-a-minute `Getting Married Today' with amazing speed and clarity; and Barbara Walsh is bone-dry as brittle, world-weary Joanne. She reveals the emotional hunger beneath the character's hard shell and adds fresh nuances to `The Ladies Who Lunch,' a song indelibly associated with Elaine Stritch." As Time Out New York put it, "Sondheim's expert musical etchings, his acid craftsmanship, remain unmatched." Sondheim fans will note that this new version of Company, to be released by Nonesuch and PS Classics, restores the original act one closer, "Marry Me A Little," which was dropped from the show before its 1970 Broadway debut; the song has since taken on a life of its own as an orphaned Sondheim gem. The Company cast album is produced by PS Classics co-founder Tommy Krasker (Sondheim's The Frogs, Saturday Night, Assassins, and Sweeney Todd, among others). Along with Company, Nonesuch has also released the original cast album to Doyle's 2006 production of Sweeney Todd and the Tony-nominated A Light in the Piazza, which features a score by Nonesuch artist Adam Guettel.
Customer Reviews:
This recording disappoints, especially in relation to the live performance.......2007-07-07
I am going to assume for a moment that anybody reading this and the other reviews is already a fan of Sondheim and Company. I am also going to assume that most people reading this are familiar with multiple recordings of this show and, hopefully, multiple performances. This is the best and truest means of judging a show, its score, and its recordings. Of course this isn't always possible, but in regards to this show, I have to say this new recording of Company is probably the weakest of the bunch ESPECIALLY after first seeing the show live. I also saw the "Doyle" Sweeney last year and think the new orchestrations were brilliant and translate well to recording. Imagine my surprise when I recently saw the new Company and found it to not only equal but SURPASS the impact of the Sweeney staging. I had purposely delayed the purchase of the new cast recording until I had first seen the show live and unfortunately the CD doesn't contain the excitement, originality, and freshness that was portrayed by the actor/musicians on stage. I think Company is nearly the ideal show for this minimalistic approach but on the recording, it just seems... empty? The listener is also drawn to shortcomings in the musical performances (instrumentally) that I didn't notice (or forgave) when I was in the theatre because the experience in and of itself was so moving and direct. I also don't want to get caught up in an argument of whether this is the best sung version or not, because it all depends on your personal preference/prejudice. The singers in this show may be the best *trained* from a technical standpoint, but the passion portrayed by the singers of the OBC will never be paralleled. All in all this is a decent recording but certainly not definitive and not the one I would recommend to someone who has never heard the show before.
GOOD COMPANY.......2007-07-01
If you're a Sondheim fan, or if you just like lyrics that challenge the listener, this version of COMPANY is a must. I saw this production on Cincinatti before it moved to Broadway, and it was perhaps the most enjoyable theater experience I've had. The soundtrack is a great listen, even if it's all familiar, much of it having been covered by other artists since the show's first soundtrack in 1970. It all builds to a powerful emotional climax when Raul Esparza sits down at the piano and sings "Being Alive". Magical. Buy it--you won't be sorry, only grateful...
Maybe I am partial to Esparza.......2007-06-29
I love the revival of this show. I think its a beautiful version of Company with lovely vocals. I might be partial to Esparza but I truly think that this was a great revival. I think its a wonderful rendition of the Sondheim classic.
London Cast Recording Still the Best Ever of "Company".......2007-06-11
Stephen Sondheim's 1970 musical, "Company", boasts one of musical theatre's greatest song scores; unfortunately, "Company" also suffers from perhaps "the worst" book ever written for a musical. George Furth's script is almost painful to watch unfold even in anticipation of hearing the wonderful Sondheim songs in between the inane, totally messy scenario which is devoid of any character development or humanity. No one could elevate Furth's convoluted script, not even Dean Jones, Larry Kert or even Elaine Stritch. So the same problem with the 1970 original still plagues all productions of "Company", including the 2006 revival from which this recording derives. Raul Esparza sings well but is not nearly as good as Larry Kert, the best Bobby ever, or even Dean Jones on the Original Cast recording and to make matters worse the new orchestrations actually detract, rather than enhance Sondheim's fabulous score. The greatest recording of "Company" remains the CBS London Original Cast Recording, which features the incomparable Larry Kert as Bobby and is, in actuality, with one exception, the Broadway Cast Recording sessions with Kert's vocals replacing Dean Jones. The same cast as the Broadway version also appeared in the London production, the exception being Julia Mackenzie as April so the song 'Barcelona" was re-recorded and is different from the Broadway Cast album to reflect this cast change. Kert took over the role on Broadway early in Company's original theatrical run, but not soon enough to be featured on the Broadway Cast Album which has Dean Jones, who opened the show. The London Cast Recording has not been released on CD but is worth seeking out on vinyl; in the meantime you can hear Kert's definitive performance of "Being Alive" as a bonus track on the current CD of the Broadway Cast. Kert's rendition can still send chills up your spine with his still unsurpassed combination of great acting and singing, the like of which, alas, we shall not see or hear again on Broadway, if the 2006 revival of "Company" and other recent revivals of classic shows are any indication. Most of these productions seem to rely heavily on some hack director's "creative vision" rather than concentrating on the merits of what made the original show worthy of revival in the first place. In the case of any future revival of "Company", throwing out George Furth's abysmal book would be a welcome step in the right direction as it is not one of the things that made the original production memorable or great.
A great addition to the COMPANY collection.......2007-06-08
This recording of COMPANY, though not replacing my favorite, the original cast recording from 1970, is a great recording of the current revival. Raul Esparza is one of the main reasons to buy this version. There is a bit too much dialogue for my taste. When I listen to cast recordings, I want to hear the music, not rehash the scenes. But all the scene work leads into the songs and set them up rather well, not this turns out to be a minor quibble.
Average customer rating:
- MacRae and Jones head a superb and O.K. adaptation
- Broadway in a movie setting at it's very best!
- Wonderful
- Beauiful
- Oh, what a beautiful sound!
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Oklahoma! (1955 Film Soundtrack)
Jay Blackton , Charlotte Greenwood , Shirley Jones , Gene Nelson , Gloria Grahame , Rod Steiger , James Whitmore , and Gordon MacRae
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
Rodgers, Richard
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- South Pacific (1958 Film Soundtrack)
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ASIN: B00005A7XB
Release Date: 2001-03-13 |
Tracks:
- Overture - Rodgers & Hammerstein
- Main Title - Rodgers & Hammerstein
- Oh, What A Beautiful Mornin' - Gordon MacRae
- The Surrey With The Fringe On Top - Gordon MacRae/Shirley Jones/Charlotte Greenwood
- Kansas City - Gene Nelson/Charlotte Greenwood/Men's Chorus
- Kansas City Ballet - Rodgers & Hammerstein
- I Cain't Say No - Gloria Grahame
- Many A New Day - Shirley Jones/Girls' Chorus
- Many A New Day Ballet - Rodgers & Hammerstein
- People Will Say We're In Love - Gordon McaRae/Shirley Jones
- Pore Jud Is Daid - Gordon MacRae/Rod Steiger
- Out Of My Dreams - Shirley Jones/Girls' Chorus
- Out Of My Dreams Ballet - Rodgers & Hammerstein
- Entr' Acte - Rodgers & Hammerstein
- The Farmer And The Cowman - Gordon MacRae/Charlotte Greenwood/Gene Nelson/J.C. Flippen/James Whitmore/Gloria Grahame...
- The Farmer And The Cowman Ballet - Rodgers & Hammerstein
- All Er Nuthin' - Gloria Grahame/Gene Nelson
- All Er Nuthin' Ballet - Rodgers & Hammerstein
- People Will Say We're In Love - Gordon MacRae/Shirley Jones
- Oklahoma - Gordon MacRae/Shirley Jones/Charlotte Greenwood/Gloria Grahame/Gene Nelson/Rod Steiger...
- Finale: Oh, What A Beautiful Mornin' - Gordon MacRae/Shirley Jones/Charlotte Greenwood/Gloria Grahame/Gene Nelson/Rod Steiger...
- Overture (LP Version) - Rodgers & Hammerstein
Customer Reviews:
MacRae and Jones head a superb and O.K. adaptation.......2007-03-16
The film adaptation of Oklahoma heralded a technological breakthrough in widescreen cinema just as the original stage musical ushered in the integrated book musical. As such this film adaptation was treated as a special occasion, well-supervised by the creators themselves. The soundtrack, featured here, boasts sterling performances from MacRae and Jones making the most of their portrayals of Curly and Laurey, backed by a charismatic cast and superb orchestrations. And of course let's not forget the enveloping stereo sound that holds up well even today.
Despite being a Hollywood star, Gordon MacRae performs the part of Curly as if he was born to play it even on the stage. He shines vocally in his renditions of Oh, what a Beautiful Mornin' and Surrey with the Fringe on Top. He is well-partnered by Shirley Jones as a fresh and pert Laurey, lending her beautiful voice to the part. Although we don't hear much of her on this soundtrack, her partnering MacRae in People Will Say We're in Love exudes a masterful chemistry, as if they were setting sparks off at each other in their rendition of the song. Gene Nelson makes a dashing Will Parker and is equally well-matched by Gloria Grahame as Ado Annie. Grahame renders I Cain't Say No splendidly and partners Nelson in All er Nothin'. The supporting cast is filled out by Charlotte Greenwood's suitably caustic Aunt Eller and Rod Steiger's Jud. It's a pity that the film cut the song Lonely Room, otherwise Steiger would have better demonstrated the dark hues of the character of Jud. Yet it all adds up to a wonderful renditionh of this classic musical, enough to elicit a spontaneous YEOW! during this year of the Oklahoma centenary.
This EMI-Angel reissue offers one the advantage of the dance music and the main titles. This means that the listener gets the Kansas City and Farmer and the Cowman dance sequences, as well as the extended Dream Ballet. The only downside is the extraneous sound effects lifted from a DVD copy of the movie. Yes I share many of your sentiments that these sound effects tend to grate, and long for Didier Deutsch to have used the original untainted studio vault versions. However, let's at least be thankful that the CD producers have offered us a more comprehensive version of the Oklahoma soundtrack that we could only have dreamt of in the past.
In short, this is a wonderful and valuable addition to the R&H discography, and is an equally celebrated rendition of the score like the original Broadway cast recording. Warmly recommended to those who seek even their first version of Oklahoma.
Broadway in a movie setting at it's very best!.......2007-03-06
I have the original Broadway version, but prefer this movie selection.
The CD is flawless and, in my opinion, there's nothing better than a Rodgers
and Hammerstein musical for music, lyrics and pure joy! This is the best!
Wonderful.......2007-01-30
A great way to introduce oneself to the world of the nearly extinct Hollywood musical.
Beauiful.......2006-06-05
A true musical theater classic. Wonderful melodies that will last for years to come.
Other classics not to forget about are:
Mary Poppins
My Fair Lady
The Wizard of Oz
Chitty Chitty Bang Band
The first Charlie and the Chocolate Factory
The Sound of Music
Oliver
West Side Story
Fiddler on the Roof
Singing in the Rain
The Wiz
Little Mermaid
Aladdin
Beauty and the Beast
Grease
The King and I
Oklahoma
The Music Man
South Pacific
My Voice Students are always asking me for recommendations so I though I'd post it for all! We can't forget about these great musicals!
Oh, what a beautiful sound!.......2006-03-26
Oklahoma has never sounded better as sung by Gordon MacRae and Shirley Jones in the 1955 movie version of Rodgers and Hammerstein's unforgettable Broadway musical. The memory of MacRae's beautiful voice lives on with this CD. I never tire of hearing this wonderful music. From the opening overture to the finale you will feel as though you're right in the theater.
Average customer rating:
- cd2
- Appealingly Chaotic Bag of Modern Pop
- Great! A throwback to the 80's in many ways
- What exactly were you thinking???
- Catch It But It Goes Away
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Love. Angel. Music. Baby.
Gwen Stefani
Manufacturer: Interscope Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B00064AEJW
Release Date: 2004-11-23 |
Tracks:
- What You Waiting For?
- Rich Girl
- Hollaback Girl
- Cool
- Bubble Pop Electric
- Luxurious
- Harajuku Girls
- Crash
- The Real Thing
- Serious
- Danger Zone
- Long Way To Go
Amazon.com
On No Doubt's great Rock Steady, Gwen Stefani was a "girl that hangs with the boys... just sippin' on chamomile." Three years and a KROQ-nerd Talk Talk cover later, she presents a solo debut that wants it all--Vivienne Westwood and John Galliano, backseat love and lifetime devotion, '70s pop throwbacks and hip-hop beats as well as Clash adoration (she continues to be managed by the firm of Rebel Waltz, named for a mournful Sandinista! cut). Among the standout tracks are the stomping, Neptunes-driven "Hollaback Girl," the tongue-in-cheek Eve/Dr. Dre collaboration "Rich Girl," and the girl-power manifesto "What You Waiting For?"; another tune, "The Real Thing," nods toward role-model Madonna's "Holiday." Though it can't match Rock Steady's inexorable track-by-track flow, Love, Angel, Music, Baby is such state-of-the-art pop that the description almost feels like damning it with faint praise. --Rickey Wright
Album Description
In her own unique way, Gwen Stefani has managed to shift our culture since coming onto the scene as the lead singer of No Doubt. With years of defining style and 30 million in record sales under her belt, she will again turn heads with this debut record that is as fresh as it is retro and as progressive as it is feel-good familiar.
With this project, she has enlisted some of the biggest names in music (Dr. Dre, Eve, The Neptunes, Andre 3000, Nellee Hooper, Dallas Austin, Jimmy Jam & Terry Lewis, Linda Perry and Tony Kanal) to create a genre bending masterpiece that is guaranteed to be one of the most talked about records of this year (2004) and beyond.
Customer Reviews:
cd2.......2007-06-15
A definate hit, all the songs are great.
Appealingly Chaotic Bag of Modern Pop.......2007-05-30
Gwen Stefani's solo debut (2004) was far different than many expected after the No Doubt career -- this is a hodge-podge of modern rhythms and styles taken from the hottest producers of the day. Never going much out of pop-control, but truly entertaining nevertheless. From the Neptunes-penned minimalist treasure "Hollaback Girl" to cosmically energetic duet with OutKast's Andre ("Long Way to Go"), it's a funny and surprisingly high-quality ride. Also check out the suave "Luxurious" and summery "Cool." And, meanwhile, "Love.Angel.Music.Baby" is considerably better than Gwen's follow-up, "The Sweet Escape".
Great! A throwback to the 80's in many ways.......2007-05-27
Yes, the 80's appear to be back. Stefani's first solo album won't disappoint you. It includes some of the zany tunes that you would have expected from No Doubt.
Hollaback girl ( the banana song) is probably the funniest, craziest song on the CD. But, then there are smooth, slow hits like cool with beautiful music, and catchy lyrics. There are some other faster 80
s-ish dance songs on the track- lots of feel good music. There are even some odd r&b tracks that I don't think fit Stefani best. However, as a new solo artist I think it's fitting to test out some new territories. As far as variety goes though- this one has it.
It definitely leaves me looking forward to her sophmore album.
What exactly were you thinking???.......2007-05-19
This is one of the most failed, pretentious solo debuts I have ever come across!
What can I say, most people have said it all already! The tackiness and narcissism of her lyrics are indescribable, her music seems as if it was roughly programmed by a children's pc, her overall presence as if she was trying to impose her new arrogant self as the latest fashion. And there exactly lies the problem. It is more than likely that Stefani's arrogance simply derives from her belief that her ex-punk persona will help her not only get away with it, but make her look unique and 'uber-cool', thus bringing lots of cash. Only problem is, songs like 'Hollaback girl' and 'Bubble electric' don't make you look 'uber-cool', more like desperate to attract teenage audiences or adult fans that are simply musically illiterate and because of them, talentless bimboes like Jennifer Lopez, Paris Hilton and Beyonce Knowles (yes, and Madonna) that sing cheap vomitting 'songs' and think that dead animals are fashionable and luxurious became rich in the first place. Only thing is, Stefani was never one of the above, and the only thing that saves her from the comparison is her declarations that she is not a fur-wearing monster.
This album also proves that for some people 'rock' is more of a fashion tendency than an identity, and this is obvious by the 'easiness' that singers are characterized as 'rock' because some of their songs have quitar inputs (take Shakira for example, who desperately wants to be 'rock' but also goes for the buck, ie hideous collaborations with Wyclef Jean and Beyonce Knowles). Rock artists don't sell their music and they don't design clothes! Enough with this joke already! Until the 80s american music used to be fantastic, how did it start polluting the world all of a sudden?
Anyway, this CD is just cheap. It's nothing but the a-bit-too desperate attempt of an over-ambitious woman to project herself as the new 'revolutionary' fashion icon of the decade, still, it can only be consumed by the naive and the stupid. I actually gave it away to charity.
Catch It But It Goes Away.......2007-04-19
I was so looking forward to Love Angel Music Baby when it hit the shelves, but like a lot of other people I was a tad disappointed. There are moments of fun and greatness, as simplistic as it is, once you hear "Hollaback Girl" the song is stuck in your consciousness for days, but I'm still not sure if that's a good thing. What I love about this album is the music, it's fun and exciting and trippin' in that oh so cool fashion ghetto diva way that Gwen was courting at the time. But unlike the albums with No Doubt, the lyrics are somewhat childish. Gwen can kick it up as she proved in her band, but how am I supposed to be utterly taken in to a song like "Rich Girl" when I know without a doubt that umm Gwen you are a rich girl. Same with some of the songs that reflect a little too much on her Harajuku girl obsession. I'm starting to think she's one of those reverse racists... but then again none of this stops me from dusting off the album every now and again and throwing it on the stereo. Much like today, where I was swept into Gwen's little world of fashion, teen love and Japanese chicks. Plus even with "Hollaback" firmly entrenched in my mind now, so is "Bubble Pop Electric" and damned if I didn't wish I was a rich girl.
Average customer rating:
- How to shake depresion
- Gorgeous and accessible...
- A Bit Disappointed
- Amazing and touching...
- Perfection
|
Time to Say Goodbye
Sarah Brightman , and London Symphony Orchestra
Manufacturer: Angel Records
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Brightman, Sarah
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Similar Items:
- Sarah Brightman Classics
- Eden (US Release - 16 tracks)
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- The Andrew Lloyd Webber Collection
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ASIN: B000002SMW
Release Date: 1997-09-23 |
Tracks:
- Time To Say Goodbye (Con Te Partiro) - Andrea Bocelli
- No One Like You
- Just Show Me How To Love You
- Tu Quieres Volver
- In Pace
- There For Me
- Bilitis-Generique
- Who Wants To Live Forever
- La Wally
- Naturaleza Muerta
- En Aranjuez Con Tu Amor
- In Trutina
- O Mio Babbino Caro
- Alleluja
Amazon.com essential recording
Fans of small, pretty-voiced soprano Sarah Brightman will not be disappointed by this CD. In addition to some pop songs, Brightman sings high-flying excerpts from Orff's Carmina Burana, Puccini's "O mio babbino caro" (performed better by almost any other operatic soprano elsewhere), and "Alleluia" from Mozart's Exsultate Jubilate. One might call this a crossover disc; others might just see it as a recording featuring a pop singer with artsy aspirations. Whatever it is, Brightman's fans love her; others do not. Two duets with tenor Jose Cura remind the listener what opera singing really ought to sound like. --Robert Levine
Amazon.com
Sarah Brightman Photos
More from Sarah Brightman
Classics |
Diva: The Singles Collection |
Eden |
Diva: The Video Collection |
Live from Las Vegas |
La Luna (Live in Concert) |
Customer Reviews:
How to shake depresion.......2007-07-07
I have a bit of sadness in me at times. While driving home tonight to my shangrila in the Wyoming mountains (a 35 mile drive) I inserted this disk in my receiver and listened to Sarah's beautiful voice (and Bocheli's pretty good too). By the time I got home, no more depression.
Gorgeous and accessible..........2007-05-27
I love this CD - Sarah Brightman's voice is exquisite, clear and sweet, it sweeps through my head and heart, clearing out the mental/emotional debris of the day. Fewer than half of the songs are in English, but that is entirely irrelevant to me, it just focuses my attention on the purity and loveliness of her voice. Just the thing for instilling a sense of peace and profound gratitude that a sound so beautiful exists.
A Bit Disappointed.......2007-04-02
Her voice reigns supreme, but there are just too many selections on this CD in foreign languages. I knew that when I bought it, but...I still find it distracking. My solution? I bought two other Sarah CDs!!
Amazing and touching..........2007-02-03
Time to say goodbye is wonderful and touching to the mind, heart, and soul. There is nothing greater than hearing a voice of an angel before you sleep our just want relaxation. Not only does this CD sound great but it is super cheap (should cost even more) and delivered 2 days after order. So listen to the CD and feel moments and experience an unbelievable feeling just tingling through you as you listen to Sarah Brightman's album, "Say Goodbye."
Perfection.......2007-01-11
My horseshoer told me about this singer, once I heard the cd I ended up buying several more as Christmas gifts. It is fabulous music.
Average customer rating:
- Honestly ok
- Dido's greatest album
- relax and enjoy
- Very Smooth
- Time to Sleep...(I Blame Eminem)
|
No Angel
Dido
Manufacturer: Arista
ProductGroup: Music
Binding: Audio CD
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- Afterglow
ASIN: B00000IAU3
Release Date: 1999-06-01 |
Tracks:
- Here With Me
- Hunter
- Don't Think Of Me
- My Lover's Gone
- All You Want
- Thank You
- Honestly OK
- Slide
- Isobel
- I'm No Angel
- My Life
- Take My Hand
Amazon.com
Dido's debut is molded from Sarah McLachlan's intimate soul, Sinéad O'Connor's Celtic yelp, and Beth Orton's morose resolve--with all the sharp edges rounded out. Sculpted by producers Rollo (her brother) and techno-scientist Youth, No Angel is dream-pop mixed with Portishead-esque trip-hop; the results are midtempo ballads that would feel at home in Seal's neighborhood. The melancholy opener, "Here with Me," incorporates acoustic rhythm guitar, fluid strings, and a snare-driven tempo that simulates the slapping of rain off a windshield. "My Lover's Gone" is ethereal and misty, sounding at once ancient and modern with its synthesized ocean sounds and seagull cries. The only clunker is "Don't Think of Me," a passive, soft-bellied cousin to Alanis Morissette's "You Oughta Know." These songs play out beautifully in that quiet zone between slumber and consciousness--where you can see everything behind closed eyes. --Beth Massa
Customer Reviews:
Honestly ok.......2007-02-25
There aren't a lot of pop singers out there that I think is worth listening to. Most I find to be artistically changelleged. One of the few pop singers I do like is Dido. I first discovered her through the UK dance act Faithless. Her brother Rollo would often include her vocals on the group's songs. I later discovered her through cable tv and saw that she was a solo artist. "No Angel" is a pleasant but predictable mix of trip hop, pop, and folk music. The one song I cannot listen to any more is "Thank You" and that is because it was overplayed on radio stations 24/7 after Eminem's "Stan" (which took samples from "Thank You") became a smash hit. My personal favorite track on the cd is the folksy "Don't Think". I find the song addictively catchy and the melodies stick in my head for days on end. I also enjoy the haunting track "Here with Me". Sure the song is commonly found on many chill out compilations and soundtracks but it wasn't as annoying as "Thank You". Yeah the music is bit bland and inoffensive, and isn't the best representation of what trip hop music is. For all its quibbles, I still enjoy this cd to this very day. I find the music very soothing and relaxing to listen to on a snowy, winter day.
Dido's greatest album.......2007-02-08
Love this album especially the "Here with Me" (a big Roswell fan) and also her voice.
relax and enjoy.......2007-01-10
I listen to this cd to unwind or relax after work. It's great as a destresser. I would recommend it. My favorites are 1,5,10.
Very Smooth.......2006-06-30
I have been a fan of Dido for several years now and I had to purchase another copy so I can have one at work and home. Very relaxing.
Time to Sleep...(I Blame Eminem).......2006-06-13
I understand why so many people like Dido..She is beautiful, has a decent voice, comes across as a decent human being and is inoffensive...This album is the same - 'inoffensive'...some might say, bland...The tracks that work for me are 'Thank You' (used on Eminem's 'Stan'), but is done solo here and it works, 'Hunter' and 'Here With Me'...The rest just disappear into the background like a passing car...Nothing much happens, nothing inspires...I really want to like her, but it's all been done before...
Average customer rating:
- Lives Up To The Title, Fine Variety Of Genre's.
- Good for relaxing pregnant women
- Too much opera
- Does what it set out to do, very well
- TRULY The most relaxing and beautiful music ever written.
|
The Most Relaxing Classical Album in the World...Ever!
Johann Sebastian Bach , Léo Delibes , Gabriel Fauré , Erik Satie , Wolfgang Amadeus Mozart , Edvard Grieg , Johann Pachelbel , Claude Debussy , Felix Mendelssohn , Camille Saint-Saens , Henryk Gorecki , Antonio Vivaldi , Edward Elgar , Jocelyn Pook , Sergey Rachmaninov , Tomaso Giovanni Albinoni , Luigi Boccherini , Jules Massenet , Ludwig van Beethoven , Jacques Offenbach , Pietro Mascagni , Antonin Dvorak , Giacomo Puccini , Ralph Vaughan Williams , Alexander Borodin , Joaquin Rodrigo , and Samuel Barber
Manufacturer: Angel Records
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ASIN: B00000I93Z
Release Date: 1999-03-30 |
Tracks:
- Air 'On the G String' - Academy Of St. Martin In The Fields
- Morning - Academy Of St. Martin In The Fields
- Canon In D - Academy Of St. Martin In The Fields
- Jesu, Joy Of Man's Desiring - Academy Of St. Martin In The Fields
- Gymnopedie No.1 - City Of Birmingham Symphony Orchestra
- II. Andante - Stephen Hough
- Viens, Mallika - Mady Mesple
- In Paradisum - Choir Of King's College, Cambridge
- Clair De Lune - Dame Moura Lympany
- II. Andate - Yehudi Menuhin
- The Swan - Osian Ellis
- II. Lento E Largo - Tranquillissimo - Zofia Kilanowicz
- II. Andantino - James Galway
- II. Largo - Yehudi Menuhin
- Nimrod - London Symphony Orchestra
- Blow the Wind - Pie Jesu - Jocelyn Pook
- Variation 18 - Cecile Ousset
- Pavane Op.50 - Gareth Morris
Tracks:
- Zion Hort Die Wachter Singen - South German Madrigal Choir
- Adagio In G Minor - Academy Of St. Martin In The Fields
- Minuet - Academy Of St. Martin In The Fields
- II. Largo - Andrei Gavrilov
- Meditation - Hans Kalafusz
- I. Adagio Sostenuto - Dame Moura Lympany
- Belle Nuit, O Nuit D'amour (Barcarolle) - Elisabeth Schwarzkopf
- II. Andante - Nigel North
- II. Adagio - Jack Brymer
- Intermezzo - Philharmonia Orchestra
- I. Moderato - London Chamber Orchestra
- O Mio Babbino Caro - Montserrat Caballe
- Fantasia On 'Greensleeves' - Sinfonia Of London
- II. Adagio Sostenuto (Opening) - Cecile Ousset
- Nocturne - Academy Of St. Martin In The Fields
- II. Adagio (Opening) - Julian Bream
- Adagio For Strings Op.11a - The Philadelphia Orchestra
- Entr'acte To Act III - Orchestre National De France
Amazon.com
You want relaxing classical music that'll soothe your soul but won't lull you into sleep? Here's a double CD for you. The Most Relaxing Classical Album in the World ... Ever! does its best to cover both well-worn classical favorites (Bach's "Air on the G String," Pachelbel's "Cannon," Debussy's "Clair de Lune") and some eclectic left-field choices (an excerpt from Górecki's Symphony No. 3, Jocelyn Pook's "Blow the Wind," and Samuel Barber's Adagio for Strings. The performances of most of these excerpts are top-notch--artists include Sir Neville Marriner, James Galway, Jacqueline du Pré and the Philadelphia Orchestra--and there's enough variety here for everyone. --Edward Garabedian
Customer Reviews:
Lives Up To The Title, Fine Variety Of Genre's........2007-02-04
This CD is a great way to enjoy a large variety of Classical Composers & many of their best known pieces. Vivaldi's "Four Seasons," is an all time favorite. There are vocals, Piano pieces, & some fine Violins. I found the latter the most enjoyable. Here you can find Rodrigo & Pachelbell. Samuel Barber's haunting Adagio will make your skin tingle. This may not be to everyones taste, but if you wish to relax? Give this a couple of listens.
Good for relaxing pregnant women.......2007-01-17
I stumbled onto this album whilst searching bit torrent websites for classical music. I don't normally listen to classical music but thought it might be relaxing for my pregnant wife. After hearing the quality of the performances, the arrangement, and the recording I decided to buy the album from amazon. All the songs you would expect from a "best album in the world" are there and they are not boring to listen to like a lot of other classical albums. I now play this album in the car constantly and the wife requested it be played at the hospital during the birth.
Too much opera.......2007-01-10
If it wasn't for the opera this would be a great CD.
Does what it set out to do, very well.......2006-11-15
So i'm a classical music veteran, someone who prefers to collect a complete work, rather than classical compilations. I probably would not have listened to this album at all if my dad didnt buy it for me as a gift. By now, i own the complete works that over half of the excepts on this disc come from. I am a purist if ever there was one.
That said, i totally adore this set because i have learned to take it on its own terms. These discs weren't meant for expert classical listeners, so a review from that sort of mindset is useless. This set was meant for pure, easy listening, and for a basic starters kit for classical newbies. Most of all, it was just meant to do what the title says, to relax the average human being. classical expert or not.
Yes, some of these pieces have been altered or shortened, like Mozart's Flute and Harp Concerto Andantino, but they have been edited for a good enough reason: the full versions would have been too long to flow with the rest of the album. And also, the full versions contain so much development that they don't become easy listening anymore. The shortened versions work in the context of the album. Most essentially, the shortened versions on the discs still convey the main flavor the composers were going for. The melodies and themes remain unchanged.
To sum up, it is true that when i want to actually listen deeply to classical music, this album would never be a choice. I would want to hear the complete works like the composers intended. But at certain times when i simply don't mind about that stuff, when i just need to loosen up and free my mind of stress with some nice melodies, this set does the job well enough.
Last but not least: being a purist and a classical buff, i am very particular about performance quality. I was very glad to find that EMI did not get lazy about this. All the artists are world-class, and all the performances are at least exceptional. Some performances are even quite excellent, like the Clair De Lune, which is one of the best i've heard. (Credit to Dame Lympany, the pianist.)
So once again, recommended for its stated purpose, to relax. I am a purist, a classical buff, and i still enjoy this disc. That says something.
TRULY The most relaxing and beautiful music ever written........2006-11-10
This album along with Volume 2 are now the two most valued albums in my music collection. I have all of the songs contained on these two albums but they are scattered through at least a dozen different albums and several are not performed by artists such as those that recorded this album and Volume 2.
SIMPLY BEAUTIFUL !!!!!!!!!!
Average customer rating:
- Purple Passion
- Just Like Being There!
- Still gives me shivers...
- Excellent music from an excellent play
- GOOD IF YOU HAVE SEEN THE PLAY ON BROADWAY
|
The Color Purple (2005 Original Broadway Cast)
Brenda Russell , Allee Willis , Stephen Bray , Linda Twine , Joseph Joubert , LaChanze , Elisabeth Withers-Mendes , and Renee Elise Goldsberry
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Drowsy Chaperone (2006 Original Broadway Cast)
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ASIN: B000C1ZFA2
Release Date: 2006-01-24 |
Tracks:
- Overture
- Huckleberry Pie/Mysterious Ways
- Somebody Gonna Love You
- Our Prayer
- That Fine Mister
- Big Dog
- Lily Of The Field
- Dear God
- A Tree Named Sofia
- Hell No!
- Brown Betty
- Shug Avery Comin' To Town
- All We've Got To Say
- Dear God
- Too Beautiful For Words
- Push Da Button
- Uh Oh!
- What About Love?
- Act I Finale
- African Homeland
- The Color Purple
- Church Ladies' Easter
- I Curse You Mister
- Celie's Curse
- Miss Celie's Pants
- Any Little Thing
- What About Love (Reprise)
- I'm Here
- The Color Purple (Reprise)
Amazon.com
On paper, this adaptation of Alice Walker's best-selling novel has all the markings of a hit. It makes Oprah Winfrey's debut as a theater producer, the libretto is by Marsha Norman (Night Mother), and the lyrics and music are by a trio of seasoned pop pros: Allee Willis (the eccentric woman behind "Neutron Dance" and the theme from Friends), Stephen Bray (who worked on such Madonna hits as "True Blue" and "Express Yourself"), and Brenda Russell (the smooth soul-jazz songstress behind "Piano in the Dark"). That team has put together a series of fairly catchy songs that may lack depth but adeptly handle various idioms like gospel ("Mysterious Ways"), R&B ("Push Da Button"), and African rhythms ("African Homeland"). Though the inspirational vibe can get a bit much, softening the edges and preventing genuine artistic complexity, The Color Purple is a great showcase for its cast. As Celie, LaChanze delivers one of her usual sensitive performances, but watch also for Elisabeth Withers-Mendes's Shug--who sings a passionate paean to Celie ("Too Beautiful for Words")--and Renée Elise Goldsberry's Nettie (duetting with LaChange on "African Homeland"). The chance to hear these women strut their stuff almost makes up for the show's weaknesses. --Elisabeth Vincentelli
Customer Reviews:
Purple Passion.......2007-07-07
The next best thing to being there. Saw the show twice.... Fantasia is FANTASTIC!!!!!
If you get to NYC... this is a must see.
Just Like Being There!.......2007-06-26
Wonderful! Fabulous! Just like being there! This CD is true to the original production and every time I listen to it, I am back in the theater on Broadway where I heard it for the first time! Sensational score, vocals, and delivery. Can't miss w/ this one!
Still gives me shivers..........2007-06-11
Hearing this soundtrack takes me back to being in the audience every time I hear it. Beautiful, beautiful words and music.
Excellent music from an excellent play.......2007-05-27
We really enjoyed listening to the music after we saw the play.
It was even better then I remembered!
GOOD IF YOU HAVE SEEN THE PLAY ON BROADWAY.......2007-04-02
I saw the play in New York, and then purchased the soundtrack approximately 10 months after seeing it. There are some tracks that stand out for me more than others like "Push Da Button", "Hell No" and "is there anything else I can do for you", but overall this is a good CD.
Average customer rating:
- Music of the Night????????
- Great short version!
- A long time favorite
- The Best Recording of this Show Available
- Great CD
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Highlights From The Phantom Of The Opera: The Original London Cast Recording (1986 London Cast)
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD
Brightman, Sarah
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Similar Items:
- Les Miserables (Highlights from the 1987 Original Broadway Cast)
- The Phantom of the Opera (Two-Disc Special Edition)
- The Phantom of the Opera: The Original Novel
- The Very Best Of Andrew Lloyd Webber: The Broadway Collection
- The Andrew Lloyd Webber Collection
ASIN: B000001FLQ
Release Date: 1990-10-25 |
Tracks:
- Overture
- Think Of Me
- Angel Of Music
- The Mirror (Angel Of Music)
- The Phantom Of The Opera
- The Music Of The Night
- Prima Donna
- All I Ask Of You/Reprise
- Entr'acte
- Masquerade
- Wishing You Were Somehow Here Again
- The Point Of No Return
- Down Once More.../Track Down This Murderer
Amazon.com
Highlight versions of cast recordings are by definition a compromise, and this reduction of Andrew Lloyd Webber's Phantom of the Opera is no exception. Weighing in at 59 minutes, it's over 40 minutes shorter than the two-disc version, excising many musical scenes that convey the flow and impact of the show (which include, admittedly, a lot of patter and screaming). On the other hand, all the hits are here--"Think of Me," "Angel of Music," the title tune, "The Music of the Night," "All I Ask of You," "Masquerade," and "Wishing You Were Somehow Here Again"--and Michael Crawford and Sarah Brightman are still on hand to make their distinctive contributions to the original London cast. So if you're looking for a convenient, inexpensive single disc that will let you enjoy Lloyd Webber's scrumptious melodies without having to immerse yourself in the action, this just might be for you. --David Horiuchi
Customer Reviews:
Music of the Night????????.......2007-02-28
I really liked the idea of a highlights cd; however, The Music of the Night is not the same one that is on the original two-disc cd. The words aren't even the same. If you enjoy Music of the Night, skip this cd. Otherwise, this cd would be 5 stars.
Great short version!.......2006-12-06
If you only want to hear the songs from this musical, this one is for you. But if you want the full version, get the 4-disc version. I listen to this version in my car when I'm on the road, but I listen to the 4-disc version at home. Both versions are worth the purchase.
A long time favorite.......2006-08-26
This is one of my most treasured CDs. The voices of the cast are incredible! "Think of Me" and "All I Ask of You" are 2 of my favorites. If you enjoy the story behind Phantom, yu will like this soundtrack.
The Best Recording of this Show Available.......2006-04-21
I think that this is the best PHANTOM soundtrack out there:
1)It has the original Broadway cast, the best.
2)It cuts out the more risqu? parts of the show (believe me, there are some), making it "appropriate for the whole family."
3)The entire CD is on one disc, so you can go through the show w/o switching discs.
4)The only song that the movie soundtrack has on it that this doesn't is "Learn to Be Lonely," which appears in the credits, and isn't really a great song anyways.
Great CD.......2006-03-14
I bought this CD as a birthday gift for my boyfriend. We had misplaced the one that we had and needed a new one. This is one of our favorite cd's. Such beautiful music.
Average customer rating:
- Sarah's Best Easy Listening CD
- Best Brightman CD
- Sarah Brightman is a Classic
- Not The Best - Not the Worst - From Sarah Brightman
- Nice Cover
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Sarah Brightman Classics
Sarah Brightman , Tomaso Giovanni Albinoni , Francisco Tarrega , George Frideric Handel , Fryderyk Chopin , Sergey Rachmaninov , Giacomo Puccini , Antonin Dvorak , Andrew Lloyd Webber , Ludwig van Beethoven , Joseph Marie Canteloube , Francesco Sartori , and Paul Bateman
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Time to Say Goodbye
- The Andrew Lloyd Webber Collection
- Eden (US Release - 16 tracks)
- Diva: The Singles Collection
- La Luna
ASIN: B00005RD78
Release Date: 2001-11-20 |
Tracks:
- Ave Maria (new recording)
- La Wally (from Time To Say Goodbye)
- Winter Light (new recording)
- Anytime, Anywhere (from Eden)
- Alhambra (new recording)
- Lascia Ch'io Pianga (from Eden)
- Dans La Nuit (new recording)
- Serenade/How Fair This Place (from La Luna)
- O Mio Babbino Caro (new recording)
- La Luna (from La Luna)
- Pie Jesu (new recording)
- Figlio Perduto (from La Luna)
- Nessun Dorma (new recording)
- Bailero (from Eden)
- Time To Say Goodbye (New solo version--previously unavailable)
Amazon.com
Have some friends who still haven't discovered what the Sarah Brightman fuss is all about? You'll find the perfect introduction to make converts of them all in Classics, so they'll have no more excuses to remain clueless. Sporting a Botticelli-inspired image of the platinum-selling soprano on the cover, Classics is a classy anthology including highlights from three of Brightman's chart-topping releases along with seven new tracks. Songs personally selected by the diva as her favorite classical interpretations are culled from her previous blockbusters: Time To Say Goodbye, Eden, and La Luna. And whether you're a fan already in the fold or one in the making, the new material here shows the diva at the top of her form, in new renderings of "O Mio Babbino Caro" and "Nessun Dorma" (accompanied by the Royal Philharmonic)--fascinating displays of the operatic confidence she's developed over her career. Other new offerings include a touching version of Schubert's "Ave Maria,' "Winter Light," a fresh take on her signature song "Pie Jesu" (from Andrew Lloyd Webber's Requiem). "Alhambra" and "Dans La Nuit"--a real treat, bathing the listener in Brightman's silky, sensuous vocalism--add two original titles to her famous adaptations of classical melodies to new lyrics (using Chopin's haunting E major Etude in the latter case). All told, a lovely affirmation of the directions Brightman has boldly taken in her career to date. -Sarah Chin
Amazon.com
Sarah Brightman Photos
More from Sarah Brightman
Time to Say Goodbye |
Diva: The Singles Collection |
Eden |
Diva: The Video Collection |
Live from Las Vegas |
La Luna (Live in Concert) |
Customer Reviews:
Sarah's Best Easy Listening CD.......2007-03-15
Sarah Brightman's talent is limitless. Her soprano and/or alto voice is among the best and she lets it show in 'CLASSICS'. CLASSICS is a beautiful, easy listening, and peaceful CD. CLASSICS is one to listen to in tranquil or relaxing moments. "CLASICS" is a collection of great pieces of music written by great composers (Shuburt, Handel, Chopin, Puccini, and the like). I have listened to CLASSICS about 15 times now and it always puts me in a quiet and peaceful mood (I am ~50 years old).
Best Brightman CD.......2007-02-07
A classical composition which showcases the beautiful voice of Sarah Brightman. A timeless CD which will continue to be a favourite over the years.
Sarah Brightman is a Classic.......2007-01-02
Sarah Brightman is at her best in "Classics." From Dvorak's "Rusalka" (Opera B.203) to Beethoven's haunting Op 52, slow movement (Symphony #7), Brightman's voice and lyrical style are a joy. I particularly enjoy her performances of Schubert's Ave Maria and Andrew Lloyd Weber's Pie Jesu. This is a great add to my collection of serious music.
Not The Best - Not the Worst - From Sarah Brightman.......2006-12-30
After purchasing this CD for my iPod for iTunes, I must say that I'm a little bit dissapointed. 7 new recordings and 8 old ones, ones that I already happen to have. I do like the fact that they're all on one CD! Some of her new recordings, including, "Ave Maria", "Winter Light", "Alhambra", "Dans La Nuit", and the new recording of "Pie Jesu" are just too breathy for my taste. It seems as with every changing CD, Sarah's voice changes. I'm not saying that the result is bad; it actually gives the songs more of a dream like quality, but I'm used to the younger, more Andrew Lloyd-Webber integrated Sarah. Scooping continually occurs in new recordings of "O Mio Babbino Caro", and "Nessun Dorma". In some tracks from La Luna, like "Figlio Perduto", Sarah's voice is TOTALLY dominated by harmonizing recordings that sound almost mechanical.
OVERALLY - The new songs sound O.K. and the old recordings are just as good as they were back then. This album is still a great buy!
Nice Cover.......2006-12-27
I'm a heterosexual guy who's not an opera aficionado - I only mention these facts because I seem to be right in the bull's-eye of the target market for this product. Sarah B. has a nice voice and she's pretty. Both of these are featured prominently on this CD. The cover and several pages in the insert are devoted to what must have been a very long and expensive photo shoot (and Photoshop) of a semi-clad Sarah looking marvelous. (The CD also comes with a flyer so you can buy various Brightman "Classics" apparel - perhaps not for the heterosexual male).
As far as the music goes: not bad, not great. I don't claim to have the most discerning ears for this sort of music, but everything was OK by me. However, the pieces on the CD with which I'm somewhat familiar, such as "O Mio Babbino Caro," didn't sound quite as good as other versions I've heard (and that includes by Charlotte Church, not just opera stars). Also, the solo version of "Time to Say Goodbye" didn't sound nearly as good to me as the duet with Bocelli.
In sum, there were 3-4 songs I liked enough to rip to MP3s - which is enough so that I didn't feel ripped myself...
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