Moon's Tunes [Import]

Moon's Tunes [Import]

ASIN: B00005Y49L

Track Listings

1. Foggy River [Master]

2. I Left My Heart in Texas

3. Triflin' Woman Blues

4. Why Don't You Love Me?

5. Oh She's Gone but Not Forgotten

6. Tie That Binds

7. Over the Waves

8. Sweeter Than the Flowers

9. Save a Little Dream for Me

10. Maiden's Prayer

11. Jole Blon Is Gone Amen

12. Broken Dreams

13. I Don't Know What to Do

14. What My Eyes See My Heart Believes

15. I'm So Blue [#]

16. Wait a Minute

17. Trouble, Trouble

18. I'll Sail My Ship Alone

19. Moon's Tune

20. Sweeter Than the Flowers [No. 2]

See all 24 tracks on this disc

Editorial Reviews
Product Description
Subtitled - The Chronological King Recordings, Vol. 2. Following the great success of Volume 1 of Westside's re-issue of Moon Mullican's King sides, here is the long-awaited Volume 2, which follows on chronologically. 24 Hillbilly/Western Swing tracks recorded between 1947 and 1950, including the huge pop and country hits 'I'll sail My Ship Alone' and the previously unreleased 'I'm So Blue'. 2001.

Tracks:

Serenade
Danza
Torna a Surriento
O Soave Fanciulla [La Boh]
Der Rosenkavalier- Di Rigori Armato
Trovatore - Di Quella Pria
Fedora - Amor Ti Vieta
Africaine - O Paradiso
Otello: Dio to Gioconda [Excerpt]
Otello: Dio Mi Potevi [Monologue]
Ave Maria - Mario Lanza,
Arlesiana - Lemento Do Federico
Turandot - Nessun Dorma
My Destiny
Serenade [Previoulsy Unreleased Bonus Track]
Lover, Come Back to Me
I've Told Every Little Star [From Music in the Air]
Donkey Serenade [From Firefly]
All the Things You Are
Giannina Mia [From the Firefly]
Rose Marie [From Rose Marie]
Yours in My Heart Alone (Dein Ist Mein Ganzes Herz) [from "The Land of]
Thine Alone [From Eileen]
Will You Remember? [From Maytime]
Only a Rose
Tramp! Tramp! Tramp! [From Naughty Marietta]

Album Description

UK twofer combines the legendary vocalists 1956 & 1957 albums. BMG.

Customer Reviews:

Lanza in (mostly) top form.......2004-11-28

This is a "twofer" CD, consisting of the 1955 soundtrack to the movie Serenade and the 1956 Cavalcade of Show Tunes album. Before I go any further, however, I should acknowledge that I was one of the liner note writers for this release. But I have no financial interest in the CD, and am simply reviewing it here because to date no one else has commented on it!

Serenade marked Lanza's return to films after an absence of three years, and revealed a voice that had darkened considerably, while still retaining its brilliant upper register. Stylistically, this is also a much-improved artist in many respects from the sometimes-wayward tenor of the early 1950s. Anyone who compares Lanza's superbly operatic renditions here of Amor Ti Vieta, Lamento di Federico, and O Paradiso with his earlier versions (all featured on the CD Mario Lanza Sings Opera Arias and Duets) will immediately detect the new-found control in his singing.

That's not to say that all of the Serenade material is outstanding. Lanza's renditions of Nessun Dorma, O Soave Fanciulla, Di Quella Pira, and the title song are below par, with the tenor uncharacteristically strained in the upper register and rough in his approach. But redeeming everything are the oustanding renditions of the arias mentioned in the previous paragraph, together with Lanza's sensitive singing of Di Rigori Armato from Der Rosenkavalier, a superb Torna a Surriento, and an unsurpassed Dio! Mi Potevi Scagliar from Otello. Lanza also recorded the Act III duet from Otello with Licia Albanese for this film, but time constraints have reduced it to a brief extract here. (The entire duet, however, can be heard on the aforementioned Arias & Duets CD.)

The other album featured here showcases the romantic side of Lanza. Beautifully recorded, Cavalcade includes passionate renditions of Yours is My Heart Alone, Only a Rose, Will You Remember, and other selections from operetta and musical comedy. Although Lanza may indeed be *too* zestful here for some tastes, vocally at least, he is at the height of his powers. The voice is rich and round - gloriously consistent throughout its registers - and the abundance of effortless B flats, Bs, and even a high C reveal a tenor in formidable form.

Highly recommended.

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