So Here We Are

So Here We Are

ASIN: B00005853F

Track Listings

1. So Here We Are (We Are Together)

2. I Believe That You Could Love Me

3. It's My First Time In Texas

4. Troubled Mind

5. I Pray That You'll Forgive Me

6. There's A Hole In My Heart

7. Excuse Me Lucille

8. I Wish I Was & I Wish I Were

9. It Won't Work Out

10. .Take The Time To Live

Editorial Reviews
CKAT-FM Radio, Dave Demarco, Radio Announcer
This new Country CD of Joey's keeps his fans in awe of his writing talents. Keep it up Joey.

Product Description
This Country Music CD was composed by Joey and Edna as they toured through Texas. It is written in Joey's style of story telling lyrics, with a little more modern style of background music. As you will be able to tell in "It's My First Time In Texas", they got to play in a lot of areas and enjoyed their visit and the people. "Excuse Me Lucille" is a comedy song by Joey and his wife, and "Take The Time To Live", reminds us to slow down and enjoy some of our life.

So Here We Are

So Here We Are,Joey & Edna St. Denis

An Introduction to Der Ring des Nibelungen
Average customer rating:

Ring introduction critique

FASCINATING STUDY FOR NOVICES AND AFFICIONADOS ALIKE

Welcome back to a classic analysis

Essential for Understanding Wagner's Ring Cycle

Very Functional

An Introduction to Der Ring des Nibelungen
Deryck Cooke , Georg Solti , Wiener Philharmoniker , Anita Valkki , Berit Lindholm , Birgit Nilsson , Brigitte Fassbaender , Christa Ludwig , Claire Watson , Claudia Hellmann , Dame Gwyneth Jones , Dietrich Fischer-Dieskau , Eberhard Wächter , George London , Gerhard Stolze , Gottlob Frick , Grace Hoffmann , Gustav Neidlinger , Hans Hotter , Helen Watts , Helga Dernesch , Hetty Plumacher , Ira Malaniuk , James King , Jean Madeira , Joan Sutherland , Kirsten Flagstad , Kurt Böhme , Lucia Popp , Marga Höffgen , Marilyn Tyler , Maureen Guy , Oda Balsborg , Paul Kuen , Régine Crespin , Set Svanholm , Vera Little , Vera Schlosser , Waldemar Kmentt , Walter Kreppel , and Vienna Philharmonic Orchestra
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Wagner's Ring: Turning the Sky Round

Wagner - Der Ring des Nibelungen (Ring Cycle) / Sir Georg Solti

Decoding Wagner: An Invitation to His World of Music Drama (includes 2 CDs)

Wagner - Der Ring des Nibelungen / Levine, Metropolitan Opera (Complete Ring Cycle)

Ring of the Nibelung

ASIN: B00000424H
Release Date: 2005-09-13

Tracks:

Of All Great Musical Compositions... (Examples 1-4)
The Fundamental Symbol... (Examples 5-11)
Returning Now To The Nature Motive... (Examples 6, 12-16)
A Number Of Further Motives... (Examples 5, 17-21)
A Second, Much Smaller Family... (Examples 22-25)
So Much For Nature. (Examples 26-38)
The Cause Of The Deterioration... (Examples 39-44)
The Other Transformation... (Examples 45-48)
Several Other Motives... (Examples 49-52)
Two Further Motives... (Examples 41, 53-61)
The Basic Motive Associated With The Spear... (Examples 62-68)
Along Another, More Complex Line... (Examples 69-72)
In Act Two Of Walkure... (Examples 69, 73-75)
Returning Now To Act Two Of Walkure... (Examples 76-79)
Love Is Another Of The Central Symbols... (Examples 80-83)
Later In The Same Scene... (Examples 84-87)
Freia's Motive Has Two Independent Segments... (Examples 88-91)
The Label 'Flight'... (Example 92)
When Fasolt, In Scene Two Of Rhinegold... (Examples 93-98)
A Little Later In The Interlude... (Examples 99-103)

Tracks:

The Other New Motive... (Examples 104-109)
There Are Several Independent Love-Motives... (Examples 110-114)
The Characters In Whose Lives... (Examples 115-120)
One Further Motive Belongs... (Example 121)
The Sword Motive Recurs... (Examples 122-130)
Ironically, This Phrase... (Examples 131-135)
Closely Associated With Gutrune's Motive... (Examples 136-140)
Here We Come To The End... (Examples 141-146)
Complemtary To This Symbol... (Examples 147-149)
One Last Central Symbol... (Examples 150-157)
One Further Motive Connected... (Examples 158-161)
There Are One Or Two Motives... (Examples 162-168)
These Motives Of Alberich And Mime... (Examples 169-171)
Quite A Number Of The Subsidiary Motives... (Examples 172-176)
Besides This Family Of Motives... (Examples 177-180)
Our Final Example... (Examples 10, 181, 182)
In The Final Scene Of Gotterdammerung... (Examples 181-183)
Even More Masterly... (Examples 184-188)
Now If We Return... (Examples 189-191)
This Masterly Way... (Examples 192, 193)

Amazon.com

When Wagner set the Ring to music, he intended the orchestra to act in the fashion of a chorus from a classic Greek tragedy--setting the mood and commenting on the action. In order to allow a nonverbal musical line to reflect on the plot, Wagner developed a psychologically and musically complex symbology to communicate his thoughts to the listener. From the beginning the Ring has spawned numerous written commentaries on the relationships of the motif structure, but by using examples from the Decca Ring recording, Deryck Cooke's thoughtful spoken commentary is by far the most accessible guide for either the fledgling Ring enthusiast or the seasoned veteran. --Christian C. Rix

Customer Reviews:

Ring introduction critique.......2006-11-04

This is very worthwhile, at the same time it requires time, patience and attention, but it does provide some keys to better enjoyment of a sensational piece of music.

FASCINATING STUDY FOR NOVICES AND AFFICIONADOS ALIKE.......2006-08-16

This may look an intimidating, daunting and dull prospect - a 2+ hour lecture on the motifs in the Ring. Don't be put off. Whether you're a relative novice to the Ring and want to find out what it's all about, more experienced with a desire to understand the composer's methods better or an afficionado who thinks he knows it all inside out, there is great pleasure as well as elucidation to be had from this set. Originally made to accompany the Decca Solti Ring, it contains a multitude of musical illustrations taken from those recordings as well as some specially recorded by Solti just for this Introduction.

It wasn't the first time this has been tried. The famous HMV sets from the late 20's also included recorded examples of over 100 motifs. (These, by the way, are available as part of the Pearl reissue of those wonderful HMV recordings). What that set lacked was the wonderful insights as well as the approachability of the talk by Deryck Cooke. Cooke was a great and much missed musicologist - a Mahler expert responsible for the performing edition of the Tenth Symphony still most played today, a fascinating explorer into the nature of music's basic building-blocks in his excellent book, The Language of Music, and an inspiring and elucidating critic of Wagner's work as shown by the fascinating book he left unfinished at his death, I Saw the World End.

On these CDs he does much more than list the leitmotifs and identify them as calling-cards. He shows the amazingly integrated and organic growth of the musical material that Wagner uses throughout his vast work. He demonstrates how motifs can change their sense and meaning as they evolve through the drama. And he shows how the complex combinations of motifs can radically advance both the musical and the dramatic narrative of the piece. There are even places where he corrects the misinterpretation of some of the motifs that had become ingrained from early commentators' false labels.

This set should engage and enlighten anyone with an interest in Wagner's huge and inexhaustible tetralogy. Do give it a try - no matter how far down the road to Wagnerianism you are.

Welcome back to a classic analysis.......2006-05-28

Deryck Cooke's lecture series upon THE RING is almost as much a classic by now as the Solti RING cycle, with which it was originally issued on LP, and from which it derives its musical examples. The difference is that whereas the Solti RING has been continuously in print ever since it was completed, and was among the first opera sets to benefit from the CD revolution, the Cooke analysis was for long almost totally unobtainable. Now we have it back. It should be welcomed: it is a classic. Cooke's mellow, deep voice with the hint of a Celtic burr - which made him ideal on BBC radio - patiently explains Wagner's melodic, rhythmic, and harmonic metamorphoses to such good effect that if you own this recording, you really require no other RING analysis. (A pity about the abrupt beginnings and endings of too many vocal and orchestral illustrations, though.) Musicology lost a fine, sensitive thinker with Cooke's premature death in 1976.

If all you want is dilettantish baby food, there are plenty of dumbed-down Wagner commentaries on the market, stretching from Anna Russell's famous monologue (which doesn't pretend to be anything other than a parody aimed at morons) to the latest standard-issue "Wagner-was-a-Nazi-boo-hiss" feuilleton (which, unfortunately, does). Without reasonable score-reading skill you will find Cooke useless, however diligently you have ploughed through Marx, Jung, Freud, or other gurus purportedly relevant to THE RING. Cooke expects you to use your brains and your musical sense. Quelle horreur. At today's BBC his "elitism" would render him unemployable.

Essential for Understanding Wagner's Ring Cycle.......2006-05-15

I originally bought this set on vinyl in the early 70s when I discovered the Ring in college. I studied the records and booklet assiduously, and after about three run-throughs I finally started getting it. Wow! Thirty-five years later, I still remember Mr. Cooke's analyses of various motive families, and I don't know how I could have mastered and loved the Ring without him. I now own this set on CD and listen again on the rare occasion of attending a Ring performance. My wife calls me a "Ring nut," but of course I'm nuts about many other things as well.

Bottom line, buy this set and study it if the Ring has captivated you as it has countless others. The presentation is dry, but sticking with it brings measureless and longlasting rewards.

Very Functional.......2006-03-19

This CD set is excellent for what it sets out to do: present the leitmotives of the Ring according to their relationship to one another and their role in developing both characters and plotlines. Deryck Cooke's lectures on each motive are very insightful, very helpful at cueing the listener into the semantic aspect of Wagner's orchestral writing. The one drawback is that the musical examples are a bit jarring. Without fade-ins or -outs, the engineering is quite barbaric. And though the orchestra was, I believe, conducted by Solti, and is beautifully done, the vocal performances can be quite unpleasant. Point being: this is not background music, but in accomplishing what it sets out to do, it is very successful, and I don't know of anything else like it.

Average customer rating:

JUST PERFECTION!!
Hvorostovsky...........again, magic
hvorostovsky does it again

Moscow Nights

Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0007SL1M6
Release Date: 2005-03-08

Tracks:

Kak molody my byli (How young we were)
Podmoskovnye vechera (Moscow nights)
Shum berioz (The whisper of birches)
Ne speshi (Do not hurry)
Nezhnost (Tenderness)
Zhdi menia (Wait for me)
Tri goda (Three years)
Vechernay pesnya (Evening song)
Ty moya melodiya (You are my melody)
Moskovskie okna (Moscow windows)
Kak mnogo devushek horoshih (There are so many girls)
Blagodariu tebia (I'm grateful to you)
Ia liubliu tebia, zhizn' (I love you, life)
Vecher na reide (Evening in the harbor)
S chego nachinaestia Rodina (Where does Motherland come from?)
Russkoe pole (Russian field)
Special Bonus Track: Rodina slyshit (Motherland hears)

Customer Reviews:

JUST PERFECTION!!.......2006-04-08

I have all of Dmitri's recordings and this is my favorite due to the quality of the songs, Dmitri's mastery of all of them and the really lush orchestrations. All of the songs are just gorgeous and his voice so beautiful that I listen to this all day at work on my portable CD player. I recently saw him in concert and purchased the DVD of the "War Songs" which were featured in the second half of his concert. Of course, I recommend the CD and the DVD as really stunning. However, if I could only listen to one of his CD's, this is my favorite. As a former singer who trained for 15 years, I can tell you that Dmitri's vocal technique is perfect, just perfect! The voice comes from heaven! Don't wait to get this one!

Hvorostovsky...........again, magic.......2006-02-14

Moscow Nights - This collection is emotionally draining, sad; the minor keys, the great poets and composers, an era unexpressed to Americans. It is a revelation, tended by one of the most beautiful of Russian voices. Listen to it in pieces, in a quiet space, and ponder. Dmitri commands an opera stage - two visits to Queen of Spades at the Met- can lead to no other conclusion. However, it is his quiet recollections of Russian folk music, Russian sacred music, and Soviet music that arouses his greatest talents. This is a recording to be treasured.

hvorostovsky does it again.......2005-05-01

This is the latest installment of the succesfull Hvorostosky/Orbelian collaboration. In "I met you my love" the spotlight was on the socalled Russian Romances, russian art songs of the 19e century. Then came " Where are you my brothers" a collection of Russian war songs. This title contains a collection of the best post war(50s&60s) songs. If you love melodious songs in minor key this is it.The selection is quiet varied and everybody will have his or her own favourites. For me there was'nt a redundant song. The singing is as always faultless and inspired, the Moscow Chamber Orchestra plays topnotch and the arrangments by Evgeny Stesyuk are as always beautifull. But be warned this cd can have a depressing effect because besides being beautifull this music is also mostly very moving. Buy if you love russian music and good musicianship you can't go wrong with this one.

Average customer rating:

Mixed feelings
Your love for this superb collection will be here to stay...
He's done it again
Absolutely 'S WONDERFUL!
A beautiful 2 disc CD-another hit for Michael

The Michael Feinstein Anthology

Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B000065DVH
Release Date: 2002-05-21

Tracks:

Nice Work If You Can Get It
Isn't It Romantic
Swinging On A Star
Ask Me Again
Rhode Island Is Famous For You
'S Wonderful
Wonder Why
Too Marvelous For Words
Where Do You Start
Theme From The Bad And The Beautiful
Easy To Love
Alexander's Ragtime Band
Who Are You Now?
You're An Education
You Are There
Sophisticated Swing
Love Can Change The Stars
Come Out, Come Out Wherever You Are
Half Of April (Most Of May)
Marianne
They Can't Take That Away From Me
I Love A Piano

Tracks:

That's Entertainment
My Favorite Year
Ten Feet Off The Ground (With Rosemary Clooney)
I Never Felt Better
Someone To Watch Over Me
Kiss Her Now
The Ugly Bug Ball
For You, For Me, Forever More
The Mole People
And So To Bed
You're All The World To Me
Old Friend
Isn't It A Pity (with Rosemary Clooney)
Pattisserie
Open Your Eyes
For Love Alone
I Won't Send Roses/Time Heals Everything
Get Out And Get Under The Moon (with Page Cavanaugh)
My Romance
Love Is Here To Stay
Violin (with Liza Minnelli)

Amazon.com

The line between evangelist and entertainer has always been somewhat indistinct. But as showcased on this 43-track, double-disc collection culled from his '87-'96 recordings for Elektra/Nonesuch/Atlantic, Michael Feinstein's dedication to spreading the gospel of the American song often blurs it beyond recognition. While the singer's pedigree for the task is impeccable (a long-term stint as Ira Gershwin's assistant and early career sponsorship by Liza Minnelli), his interpretations often succeed by playing off a tense axis of fervent emotionalism and a joyous sense of irreverence.

If his readings of romantic standards can sometimes tend toward the precious, they're often balanced here by sheer dramatic power and telling insights ("Isn't It Romantic" fairly bristles with ironic chauvinism) and a few loopy curves ("The Mole People," the Sherman Brothers' "The Ugly Bug Ball," and the previously unreleased "Rhode Island Is Famous for You"). Feinstein's dedicated song archaeology is also showcased on several gems: "Violin," a duet with Liza Minnelli; "My Favorite Year," a rejected ballad for the film of that name; the sublime "lost" Gershwin classic "Ask Me Again."

Sprinkled with live performances (the forum where Feinstein's talents seem most energized) and studio outtakes and featuring a lengthy print interview with the singer, the set chronicles both the pioneering efforts of one of pop music's most successful revivalists and, crucially, the cream of his beloved American songwriters, from stalwarts Gershwin, Berlin, and Porter to later legends like Herman, Styne, Lane, Martin, and Mercer. --Jerry McCulley

Album Description

The definitive collection of performances by the Grammy nominated singer features 43 tracks from 14 albums released by Elektra, Elektra Nonesuch, and Atlantic labels from 1987-1996. Plus 8 previously unreleased live tracks only available here 'Rhode Island is Famous For You', 'S Wonderful', 'Alexander's Ragtime Band', 'I Love A Piano', 'Patisserie', 'Get Out And Get Under The Moon' (with Page Cavanaugh), 'Love Is Here To Stay' & 'Violin' (with Liza Minnelli). 2 Digipacks housed in a slipcase with a booklet. Rhino Records. 2002.

Customer Reviews:

Mixed feelings.......2005-10-05

This album has some GREAT songs on it; sophisticated swing being one of my favorites. However many of the other songs are too operatic and lame. I give three stars but this album is definatly worth it just for some of the better songs.

Your love for this superb collection will be here to stay..........2002-07-18

The magnificently talented Michael Feinstein has made one wonderful album after another for nearly two decades. Now that Elektra and Rhino have put together this anthology, I am blown away by the versatility and diversity in Feinstein's recorded output. Such amazing rare gems, combined with the most beloved favorites in the history of American Popular Song. Assembled with wit, intelligence, and obvious affection on the part of the record company, this set is a keeper. You'll love it!

He's done it again.......2002-07-15

Is there anything this man can't sing? This collection is so varied as to be the definitive collection of songs for any occassion.

This is perfect background music for a dinner party for a whole group but especially for two. Light, romantic and just gorgeous. You just can't go wrong when Michael Feinstein is your musical choice.

Way to go Michael, you've done it again!

Absolutely 'S WONDERFUL!.......2002-06-10

There are very few contemporary performers who can hold their own with the truly great interpreters of American popular song. Michael Feinstein is truly the ONLY performer of the "younger" generation who really understands what these songs are all about. His incredible knowledge of this music, and his enthusiasm and passion for it have fueled his career. Rhino Records has done a truly outstanding job of putting together an anthology that exemplifies why Mr. Feinstein has become so beloved by audiences around the world. The packaging is excellent, and filled with interesting photos and background information about many of the selections.

This collection not only contains all the favorites one would expect, but a neat group of surprises too. I especially love the duets with people like Liza Minnelli and Rosemary Clooney, and the various collaborative efforts with songwriters like Jule Styne and Burton Lane accompanying Michael at the piano.

This collection is a classic to be treasured. Bravo Michael!
Bravo Rhino!

A beautiful 2 disc CD-another hit for Michael.......2002-06-09

I have every CD Michael has ever made and this is by far one of the best ones because of Michael's range in singing and his wonderful singing voice. I love his duets with Rosemary Clooney and Liza Minelli. He is a wonderful performer on this double CD and am looking foward to the next CD.

Songs of Angels - Christmas Hymns and Carols

Average customer rating:

Much Anticipated
A Taste of Heaven
The Energizer Bunny
Great Seasonal Album
The Most Beautiful Sounds I Have Ever Heard

Songs of Angels - Christmas Hymns and Carols
Robert Shaw , and Robert Shaw Chamber Singers
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003D0G
Release Date: 1994-10-18

Tracks:

God Rest You Merry, Gentlemen
Angels We Have Heard On High
O Come, O Come Emmanuel
How Unto Bethlehem?
The Boar's Head Carol
O Tannenbaum
Masters In This Hall
My Dancing Day
Away In A Manger
Good Christian Men, Rejoice
The Holly And The Ivy
Good King Wenceslas
Wassail Song
Bring A Torch, Jeannette, Isabella
Fum, Fum, Fum
Mary Had A Baby
Hacia Belen Va Un Borrico
Christ Was Born On Christmas Day
March Of The Kings
Coventry Carol
Deck The Halls
The Cherry Tree Carol
We Three Kings Of Orient Are
Toruo-Louro-Louro!
So Blest A Sight
I Saw Three Ships
What Child Is This?
Susanni
In The Bleak Midwinter

Customer Reviews:

Much Anticipated.......2007-01-26

I have been looking for this CD for years!! Our family had a Shaw Chorale LP which contained almost all the songs on this CD. We had a number of excellent holiday albums and played all of them often, but we wore the Shaw Chorale album out! Not only are the musical renditions excellent and very similar to earlier Shaw recordings, the nostalgia evoked for this listener is incomparable!

A Taste of Heaven.......2007-01-18

I received this recording on cassette from a choral teacher, and played it so often that I wore it out! I especially appreciate the purity of sound and the arrangements in this recording. Lovers of choral music will feel as though "Songs of Angels" brings them a taste of heaven!

The Energizer Bunny.......2007-01-18

Alas that Robert Shaw is no longer with us. Throughout his long and varied career he gave us choral music with exactness,good pacing,and proper execution though not all musicologists would chose his renditions.
In "Songs of Angels" recorded in 1994 he shows us that even in later years he just kept going and going. Giving us stellar performances of masterpieces such as "Elijah","The Creation" and other large choral works. Yet in this album he shows the same attention to detail and
enraptures us with that special beauty of tone and ensemble which was
was to be Shaw's watermark on his life's offering.

Great Seasonal Album.......2006-01-16

This is one of the most impressive period albums I own. Wonderful for the holiday season. Will miss it during the rest of the year.

The Most Beautiful Sounds I Have Ever Heard.......2003-02-04

A fluid and seamless piece of heaven that transcends all classical and holiday music. This is an OUTSTANDING non-traditional Holiday CD!!! Many voices come together as one in these enchanting verses sung in languages other than English. It is just enough language mix to appease and intrigue the soul but not too much so that the listener does not understand the lyrics. For example, the English verse is sung then a verse in German and then back to English. Emmanuel is written this way. Other languages include French (Angels we Have Heard on High) and even Catalan which is a dialect of Spain.

Several of the songs were not traditional Holiday songs (at least for my generation), yet they were intriguing to learn and now I feel I know them just like the traditional ones. This CD offers a healthy mix of traditional and non-traditional songs on this CD.

If you can picture the most beautiful sounds you have ever heard you can come close to the joy this CD will bring you. It is February and I can't stop listening to it. You will not regret purchasing it&the only regret you may have is not buying all of Robert Shaw's holiday CDs.

Tracks:

Come Out All
Needles, Needles
Den III. Ende VI. Ronde + Quatre Branles
In Sorrow Must I Die
I Carry In My Heart
Be Sure To Drink In Moderation
A Venus Creature
How Sorrowful Is My Heart
New Almanack
In The Middle Of May
A Guild Has It's Wench
My Heart Has Secretly Departed
My Beloved's Brown Eyes
Ye Noble Young Spirits
Ronde IV-I-VI
Fool's Entr'acte
Beautiful Venus
Hoboken Dance
I Went Out Last Night
Allemande IV-III-IV
Gaillarde I-II-III
You Are The Most Precious
Pain And Sorrow + I Mourn
O Time So Heartily Full Of Melodies
Now Take Note
Here We Come
A Girl Came Walking By I
A Girl Came Walking By II
Ronde III - IV

Customer Reviews:

The best of the 4 I recently bought.......2005-04-27

For some reason I recently decided to buy a variety of Early Music CDs from Amazon. I purchased four, including this one, enough to spend $25 for free shipping. Of the four (the others being 'Praetorius: Dances from Terpsichore', 'Music of the Troubadours', and 'Music of the Crusades'), this is my favorite.

I particularly like the song whose title is translated on this page as 'Be sure to drink in moderation' - I don't know enough contemporary Dutch to know if learning to sing this as recorded on this CD would be comprehensible to native speakers of Dutch today, but I certainly hope so, because it would make a terrific ice breaker at parties in Holland.

As for the music, it's hard to imagine that a gaggle of trained geese would sound as good as these Crumhorns. This album really rocks.

a little jewel of Renaissance music.......2004-01-17

If you are looking for an album with all types of renaissance-music from the Low Countries this is the album. Different composers from that time-area and different types of music are recorded. Some songs are very modest, others makes it difficult not to hum with. This cd is a jewel worth listening. Renaissancofiles: this album should be in your collection.

Average customer rating:

A lot of fun!
Sublime Moffo and cast
LOTS OF FUN AND BEAUTIFULLY SUNG
Great Moments from Die Fledermaus
Sparkling vintage Johann Strauss

The Great Moments from Die Fledermaus

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B00001R3MT
Release Date: 1999-10-12

Tracks:

Die Fledermaus: Overture
Die Fledermaus: Though Honesty Is Said To Be The Policy That's Best
Die Fledermaus: Calamity, Catastrophe
Die Fledermaus: Alfred! - Here We Are, Just You And I
Die Fledermaus: Propriety, Propriety
Die Fledermaus: More Often Than Not...Chacun a son gout
Die Fledermaus: Look How I Look (Adele's Laughing Song)
Die Fledermaus: Echoes Of Hungary! (Czardas)
Die Fledermaus: Champagne Is So Romancing, Tra La La La
Die Fledermaus: Oh, mon ami, We'll Meet Again
Die Fledermaus: Happiness, Here's To Health And Happiness
Die Fledermaus: A Waltz, Lets Have A Waltz
Die Fledermaus: Oh, For The Life Of An Actress
Die Fledermaus: I Am Very Fond Of Elderberry Wine And Sherry

Customer Reviews:

A lot of fun!.......2007-04-25

This is so much fun! It's a shame that this is a "selections only" version rather than the complete work. That said, "Die Fledermaus" is not a great serious work, but a bon-bon. And what a delightful bon-bon!

First, the cast. An interesting combination. Anna Moffo is a delightful Rosalinda; her lush voice works well here. Jeanette Scovotti as Adele may be less well known, but her work is fine indeed (way back when, I owned the Reader's Digest "Operetta" collection, in which these two reversed roles). Rise Stevens, an estimable mezzo, sings Orlofsky with a nice touch. Sergio Franchi plays Alfredo. Eisenstein is well sung by Richard Lewis. George London, a mainstay at the Met, took on Falke. Finally, John Hauxvell sang Frank. And they all seem to be having a grand old time in the singing. The Vienna State Opera Orchestra and Chorus are well led by Oscar Danon.

Second, the singing. The English translation is hardly great art. But the infectious presentation by the singers renders this close to irrelevant. "Calamity, Catastrophe" has everyone in a dither, with a quick tempo that catches the listener up in the excitement. Rise Stevens does a wonderful turn in "More often than not. . .Chacun a son gout." Well sung indeed. Adele's "Oh for the life of an actress" is an affecting piece, with Jeanette Scovotti doing a nice job singing.

So, if you want an infectious, fun version of "Die Fledermaus" (even with a rather lame English translation), this will work well for you.

Sublime Moffo and cast.......2007-03-04

Terrific recording of highlights from Strauss' "Die Fledermaus", sung in English by Anna Moffo and Sergio Franchi in lead roles with Vienna State Opera Orchestra. Anna Moffo's voice is simply sublime and her magnificent performance demonstrates why she is one of the finest sopranos. First rate cast also includes the wonderful Rise Stevens in fine voice. Sound quality is excellent and stereo. I have only one complaint - why did they not release the full version instead of merely highlights? This disc left me wanting more of this delightful opera.

LOTS OF FUN AND BEAUTIFULLY SUNG.......2006-06-29

The sublime Anna Moffo in radiant voice at her peak surrounded by a first rate cast in an excellent translation -only wish it was complete instead of just excerpts!

Great Moments from Die Fledermaus.......2006-02-10

This is a delightful 1963 recording of highlights from the Johann Strauss operetta "Die Fledermaus", sung in English by major stars of the day, and accompanied by the Vienna State Opera Orchestra. Anna Moffo sparkles in the role of Rosalinda, showing quite clearly why she was regarded as one of the finest singing actresses of her time. The great mezzo Rise Stevens, at the end of her career here, has a grand time as a throaty Count Orlofsky. Jeanette Scovotti is quite good in the soubrette role of Adele, her light, bright voice contrasting nicely with Moffo's rich, sensuous soprano. The men in the cast are equally good. Richard Lewis, George London and John Hauxvell are all in fine voice and lend a splendid comic flair to the proceedings. The English translations are well done and easy to understand. Uncork a bottle of champagne, sit back and let this recording take you back to Old Vienna!

Sparkling vintage Johann Strauss.......2004-02-20

Oscar Danon is the real star of ths recording. His conducting keeps things light and bubbly, just as it should be.

The English translation is acceptable but nothing dazzling, and some of the words and phrases seem awkward. (Purists will argue FLEDERMAUS is best heard in it's original German. For that, go to Decca's wonderful 1960 set which includes the wonderful gala sequence featuring an all-star cast.)

Anna Moffo is a fine Rosalinda and Jeanette Scovotti is perfect for Adele. (The two ladies switched roles that same year to record highlights for Readers Digest TREASURY OF GREAT OPERETTAS.) Rise Stevens is a bit of a plum as Prince Orlofsky, somehwat past her prime and oversinging "A Most Successful Host." Sergio Franchi does better with Alfred and Richard Lewis does fine as Eisenstein.

The Ball scene is given the larger piece of the recording, probably because this is where the opera's most famous "hit tunes" originate.

FLEDERMAUS is very much a piece of another world...a long forgotten time when Vienna was all glitter and balls and waltzes. They had the right attitude then: In the rest of the world the situation was often serious, but not hopeless. The Vienese viewed the situation as being hopeless - but never serious.

Tracks:

Act I: Someone Woke Up - Elizabeth Allen/Sergio Franchi/Carol Bruce/Madeleine Sherwood/Julienne Marie/Stuart Damon...
Act I: This Week, Americans - Carol Bruce
Act I: What Do We Do? We Fly! - Madeleine Sherwood/Jack Manning/Elizabeth Allen/Julienne Marie/Stuart Damon
Act I: Someone Like You - Sergio Franchi
Act I: Bargaining - Sergio Franchi/Elizabeth Allen
Act I: Here We Are Again - Carol Bruce/Madeleine Sherwood/Jack Manning/Elizabeth Allen/Julienne Marie/Stuart Damon
Act I: Thinking - Sergio Franchi/Elizabeth Allen
Act I: No Understand - Stuart Damon/Fleury D' Antonakis/Carol Bruce
Act I: Take The Moment - Sergio Franchi
Act II: Moon In My Window - Julienne Marie/Carol Bruce/Elizabeth Allen
Act II: We're Gonna Be All Right - Stuart Damon/Julienne Marie
Act II: Do I Hear A Waltz? - Elizabeth Allen/Sergio Franchi/Carol Bruce/Madeleine Sherwood/Julienne Marie/Stuart Damon...
Act II: Stay - Sergio Franchi
Act II: Perfectly Lovely Couple - Stuart Damon/Madeleine Sherwood/Julienne Marie/Carol Bruce/Jack Manning/Elizabeth Allen...
Act II: Thank You So Much - Elizabeth Allen/Sergio Franchi

Customer Reviews:

You always will hear a waltz from Richard Rodgers.......2007-01-13

An example of Rodgers trying to fit in a new contributor of lyrics, but the match wasn't there, yet even so, his melodic mastery shone through.

Much better than it's reputation........2006-11-02

Despite being considered a flop by it's creative team, this is the one of Sondheim's "lyrics only" musicals I return to most often. It's melancholy charm is underlined by Rodgers' highly hummable tunes combined with Sondheim's reluctant lyrics. They are partly bitter and partly forced "happy". I love it.

An unappreciated score by a fine cast.......2004-02-04

Even though the show was not a success and the authors have all taken their turns at trashing it, this recording makes a strong case for DO I HEAR A WALTZ.

It's another fine record production by Goddard Lieberson. Rodgers (who was from all reports drinking and quite nasty to his collaborators) came up with many of his trademark melodies and the title song won deserved popularity outside of the show. Sondheim for his part creates some crackling good lyrics ("Someone Woke Up"; "What Do We Do We Fly!") but its an odd score... you hear the romantic older style love songs from Rodgers with fairly basic (dare we say dull) lyrics then some wonderful lyrics set to atypical Rodgers tunes. Then suddenly it all comes together in the final few numbers: The Title Song, "Perfectly Lovely Couple" and "Thank You So Much." Maybe it's a show that Encores will revive someday. In the meantime we can appreciate this original cast album and thank Sony for releasing it on Cd with good notes and a synopsis in the booklet!

"Someone Woke Up.....".......2003-10-04

So begins the delightful DO I HEAR A WALTZ?, one of Richard Rodgers' most accomplished post-Hammerstein scores. Not since his days with Lorenz Hart had Rodgers written such an energetic, youthful and joyful score. Stephen Sondheim's lyrics are witty and wonderful. DO I HEAR A WALTZ? received a lukewarm response from critics and audiences, lasting only 220 performances at the 46th Street Theatre.

Based on Arthur Laurents' play THE TIME OF THE CUCKOO (which turned into the film SUMMERTIME starring Katharine Hepburn), the story concerns a teacher, Leona Samish (played by Elizabeth Allen), who's holiday in Venice is dominated by her romance with the handsome Renato di Rossi (played by Sergio Franchi). There are also a host of colorful supporting characters including the ebullient hotelier Signora Fioria (Carol Bruce - SARATOGA).

The score is delicious with the opening number perfectly setting up the scene ("Someone Woke Up"), to Fioria's big number "This Week Americans", and the 11 o'clock number "Stay". There's also the Title Song, sung for all its worth by the delicious belt of Elizabeth Allen.

For all the problems that plagued the musical during its inception, nothing shows on the sparkling cast album, where it sounds like the biggest hit of the season. For Broadway fans, this CD is a must-own.

You MUST hear a 'Waltz'!.......2003-06-16

Please,give this a chance. Forget what you've read and just sit and listen. Read the libretto, available at lots of libraries, or read "Time of the Cuckoo" which Arthur Laurents based "Waltz" on. The combo of Rodgers and Sondheim is always sneered at--maybe, like me, you will see that Rodgers romanticism and Sondheim's sort of optimistic realism are actually the perfect mismatch for the endearingly troubled characters in the play.

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