Time For Me To Fly
Time For Me To Fly
ASIN: B00004UG1N
Track Listings
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1. I Can't Wait
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2. Dirty Rotten Shame
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3. Time For Me To Fly
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4. Wild Ride
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5. Who Can I Love
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6. I Don't Like You Anymore
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7. Priorities (A Little Too Late)
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8. Round The Clock Lovin'
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9. It Must Be Love
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10. Have A Little Faith In Us
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Editorial Reviews
About the Artist
Kelly Bruner is a talented young lady who has burst onto the Country Music scene with a powerful voice and unique singing style which have made all who have been fortunate enough to hear her stand up and take notice. She seamlessly goes from singing fun, upbeat songs about being wild and having a good time ("Wild Ride") to songs about the bitter pain of living alone after divorce ("Priorities - A Little Too Late"). Kelly possesses a broad range of emotion that makes her stand out among her peers.
When asked to name her biggest influences, Kelly will usually respond with a remarkably diverse list - Patsy Cline, Janis Joplin, Martina McBride, Mariah Carey - among others. Most people wouldn't think to put those artists on the same list together, yet Kelly has found a way to combine their raw emotion, vocal dynamics and sheer artistry to create a unique style in a genre which is being overrun with "Sound-Alike" artists. Her diverse background gives Kelly more to "bring to the table" and the listener more to "sink their teeth into."
Kelly has a remarkable gift and a strong desire to share that gift with as many people as she possibly can. Armed with her strong vision, her unmistakable voice and her flawless delivery, there isn't anything this fresh, extraordinary new talent won't be able to accomplish.
Product Description
Kelly Bruner's debut album. Contains "Time For Me To Fly," "Dirty Rotten Shame" and "Wild Ride."
Time For Me To Fly,Kelly Bruner
Average customer rating:
- Great easy listenening
- Help trying to figure out the title of a song
- omitted song
- Where's Van Morrison?!
- The Royal Tenenbaums Soundtrack
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The Royal Tenenbaums (Collector's Edition)
Various Artists
Manufacturer: Hollywood Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Life Aquatic with Steve Zissou
- The Royal Tenenbaums (The Criterion Collection)
- The Life Aquatic Studio Sessions
- Rushmore
- Eternal Sunshine of the Spotless Mind
ASIN: B000068TNT
Release Date: 2002-07-02 |
Tracks:
- 111 Archer Avenue - Mark Mothersbaugh
- These Days - Nico
- String Quartet In F Major - Ysaye Quartet
- Me And Julio Down By The Schoolyard - Paul Simon
- Sonata For Cello And Piano In F Minor - The Mutato Muzika Orchestra
- Wigwam - Bob Dylan
- Look At That Old Grizzly Bear - Mark Mothersbaugh
- Look At Me - John Lennon
- Lullaby - Emitt Rhodes
- Mothersbaugh Canon - Mark Mothersbaugh
- Police & Thieves - The Clash
- Scrapping And Yelling - Mark Mothersbaugh
- Judy Is A Punk - Ramones
- Pagoda's Theme - Mark Mothersbaugh
- Needle In The Hay - Elliott Smith
- Fly - Nick Drake
- I Always Wanted To Be A Tenenbaum - Mark Mothersbaugh
- Christmas Time Is Here - Vince Guaraldi Trio
- Stephanie Says - The Velvet Underground
- Rachel Evans Tenenbaum (1965-2000) - Mark Mothersbaugh
- Sparkplug Minuet - Mark Mothersbaugh
- The Fairest Of The Seasons - Nico
- Hey Jude - The Mutato Muzika Orchestra
Amazon.com
The magical triad behind Rushmore's spunky, starry-eyed soundtrack--music supervisor Randall Poster, composer Mark Mothersbaugh, and director Wes Anderson--leaps forward a decade from that beloved soundtrack's '60s gems, in the process adopting a more pensive feel for The Royal Tenenbaums' musical backdrop. It may lack the euphoric sing-along feel of, say, Creation's "Makin' Time," but the rock and folk tracks here perfectly match the film's crumbling characters and their dilapidated relationships. The Ramones' "Judy Is a Punk" is a burst of nostalgic rebellion but surely causes a sad twinge in light of Joey Ramone's untimely death in 2001; gloom-folker Nick Drake's "Fly" and Elliott Smith's excellently depressing "Needle in the Hay"--which is used to chilling effect during a wrist-slashing scene--further deepen the dark thread running through Tenenbaums. But those who prefer the sunny disposition of Rushmore will be thrilled by the calming concoctions of Mothersbaugh, who heralds the coming of a new scene with graceful woodwind/string parts ("Scrapping and Yelling") and playful sitar pieces ("Pagoda's Theme"). Throw in the Clash's squalling "Police & Thieves" and the Velvet Underground's petal-soft "Stephanie Says" and you've got another winning soundtrack from the film biz's most in-tune music lovers. Tenenbaum or not, you can go home again. --Kristy Martin
Customer Reviews:
Great easy listenening .......2007-02-02
I like this soundtrack because its very laid back. Enjoyable songs that help you relax.
Help trying to figure out the title of a song.......2006-04-17
Hey, maybe you guys can help me, does anyone know the title of the song playing on a radio while owen wilson is getting high (or preparing to do so) with his friends and his dad and brother step in and tell him they want to help him. I really love that song and i have no idea what the title is
omitted song.......2006-02-01
For anyone interested, one song which was omitted from the soundtract which has not been mentioned is:
Emitt Rhodes - Lullabye
A beautiful track played in the scence where Royal is lying in his bed sucking down a shake and reading a book when Chas say "lights out old man" and switchs off the light. One of my fav songs in the movie along side the rolling stones - she smiled sweetly. sadly both songs were omitted but still a beautiful soundtrack.
Where's Van Morrison?!.......2005-03-16
This is a near-perfect collection of 60's and 70's pop and folk. The sad but hopeful vibe of the songs fits the movie's tone perfectly and you can't really agrue with songs like "Stephanie Says." it's also nice to hear the two Nico cuts since Nico's solo work really doesn't get the acclaim it deserves these days. My problem with this album is that it favors symphonic songs from the film instead of pop songs also used in it such as "Ruby Tuesday" and Van Morrison's "Everyone." I'm really bummed about the exclusion of "Everyone" because i thought it closed the movie so well. They should have released the score and the soundtrack separately so all these great songs could be included.
The Royal Tenenbaums Soundtrack.......2005-03-14
The Collector's Edition Soundtrack leaves out two great Rolling Stones' tunes She Smiled Sweetly & Ruby Tuesday. Also left to the winds is John Lennon's Look at Me, the Clash's Rock the Kazbah. The First Edition leaves a few tunes off too but it is a far better Soundtrack. Puckstar
Product Description
DISC 1
1.raindrops keep fallin'on my head.2.i only have eyes for you.3.twilight time.4.quiet night of quiet stars.5.fly me to the moon.6.i left my heart in sa francisco.7.shangri-la.8.star dust.9.tenderly.10.smoke gets in your eyes.11.tea for two.12.moonlight serenade.13.don't fence me in.14.peg o'my heart.15.no,not much.16.i'll be with you in apple blossom time.17.moments to remember.18.begin the beguine.19.old cape cod.
DISC 2
23 TRACKS
DISC 3
21 TRACKS
DISC 4
20 TRACKS
Average customer rating:
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Time For Me To Fly
ProductGroup: Music
Binding: Audio CD
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ASIN: B00004UG1N
Release Date: 2000-06-19 |
Tracks:
- I Can't Wait
- Dirty Rotten Shame
- Time For Me To Fly
- Wild Ride
- Who Can I Love
- I Don't Like You Anymore
- Priorities (A Little Too Late)
- Round The Clock Lovin'
- It Must Be Love
- Have A Little Faith In Us
Album Description
Kelly Bruner's debut album. Contains "Time For Me To Fly," "Dirty Rotten Shame" and "Wild Ride."
Average customer rating:
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Complete Works For Piano Solo, Volume 2
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
Grieg, Edvard
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ASIN: B000003FFM
Release Date: 1993-10-12 |
Average customer rating:
- The Delights of the Countertenor
- Treasures to be discovered
- Mismatching.....
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English Lute Songs
Manufacturer: Hyperion
ProductGroup: Music
Binding: Audio CD
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Purcell, Henry
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ASIN: B00003ZAC9
Release Date: 2000-01-11 |
Amazon.com
This disc of 30 English lute songs and solos by 10 composers features divine singing from countertenor Robin Blaze and exquisite lute playing from Elizabeth Kenny. The music covers the first century and a half of modern English history--from the artistic flowering, which followed political emancipation from Rome, to the Restoration of the monarchy after which the lute became obsolete (until its revival by bearded Romantics in the 20th century). Some of the tracks are a little labored. The opener, Robert Johnson's "Full Fathom Five" from Shakespeare's "The Tempest," almost grinds to a halt. "Where the Bee Sucks" from the same source is similarly leaden, and Purcell's lute solo on "Lilliburlero" expects no one to dance. On the other hand, the duo's measured approach perfectly suits Dowland's "Time Stands Still," and the same composer's most beautiful song, "In Darkness Let Me Dwell," features the singer's most expressive singing. Blaze's haunting tone is deathly cool. Besides those mentioned, the disc includes songs by Campion, Lawes, Danyel, Reggio, Banister, and Blow. Blaze lights up on Matthew Locke's air, "The Delights of the Bottle," which is the most eccentric track on the album. Of the six tracks by Henry Purcell, "'Tis Nature's Voice" is the most grippingly performed. Blaze moans so vividly that one almost does not know where to look. --Rick Jones
Customer Reviews:
The Delights of the Countertenor.......2006-07-12
Robin Blaze has a very sweet voice that is somewhat smaller than that of other notables in his field. It is exactly this type of voice that lends itself well to the genre of intimate music represented on this CD. There is nothing harsh or grating about Blaze's interpretations. On the whole this is a highly listenable and pleasant compilation of songs. I recommend this disc to anyone looking to expand, or start, their library of English song.
Treasures to be discovered.......2000-09-11
As much as I love Robin Blaze, I was a little reluctant to buy this CD, thinking: yet another disc of lute songs? - I already have a dozen. But as soon as I saw the track listing, I had no further doubts. The selection is wonderful. By combining the well known songs such as Dowland's In Darkness Let Me Dwell with the rarely performed songs by Robert Jones, Matthew Locke and John Banister, this disc is sure to satisfy both the connoisseur and the novice. Most of the songs are short - with one short melody following another, 70 minutes seems to fly by in a blink of an eye. Blaze's singing is splendid. His voice, with that inimitable woodwind quality and sweetness, is so good that it would sound good even singing drones, but there is more to it than just the beauty of tone. Blaze shows himself capable of a remarkable range of expression: from flamboyant (e.g., The Delights of the Bottle), to dramatic (e.g., 'Tis Nature's Voice or Why so pale), to lyrical (e.g., In Darkness Let Me Dwell or Can Doleful Notes), to stately (Be Welcome Then, Great Sir). In this regard, the selection here is more balanced that the selection on Daniel Taylor's Tears of the Muse, and the variety works to Blaze's advantage because, comparing the melancholy pieces alone, Taylor comes out a winner (in my opinion, of course). The most magical piece on this disc is Henry Purcell's By Beauteous Softness. "Magical" is the word. There is something about Blaze's singing of Purcell that captures the very essence of Purcell's style. In fact, the best three minutes of countertenor singing I've ever heard in my life was Blaze singing Purcell's Crown the Altar (no, it's not included here - I wish). In sum, this disc is a treasure. -- gggimpy@yahoo.com
Mismatching............2000-09-07
It is very important to balance between music and poet in English Lute Songs. And one more important thing is to make feelings based on language rather than based on music.
Blaze and Kenny are try to make expression of feelings more plentiful and vivid recitation of poet. But they fail in this point. Relationship between vocal and performer because combination of poet and music are required vocal's expression and impromptu and momentary variation of rhythm and tempo.
This performance don't have any technical problem externally. But, Blase and Kenny are making excessive expression of feeling and performers are going with rhythm and tempo but not following their expression of feeling.
But several solo lute performances are very well i think. For example, Henry Purcell's "Sefauchi's Farewell" is played by lute. This is usually performed by harpsicord, but in this album, they are making good performance with lute.
I would like to recommend Deller. Have you ever heard Dowland's "Happy" in "flow my tears" and Purcell's "touch" in "strike the viol"? He was excellent of many counterteners.
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