Drifting Clouds

Drifting Clouds

ASIN: B00004T2MO

Track Listings

1. (Ghost) Riders in the Sky

2. Clouds

3. Will Work for Food

4. Lobo

5. Cowboy Rides Away

6. Seven Shot Six Gun

7. Tribute to Gene Autry: Back in the Saddle Again/South of the Border/Sil

8. RV Cowboys

9. Rusty Spurs and Dusty Saddles

10. When I Was a Kid

11. Colorado Blue

12. Good 'Ol Doctor Jones

13. Ain't Nothin' I Need More Than You

14. Tribute to Roy Rogers: Happy Trails to You/Pecos Bill/Blue Shadows on t

Tracks:

Rhapsody In Blue
Overture To 'Strike Up The Band' (Soldiers' March - I Mean To Say - How About A Boy Like Me - Dream Music - Soon - etc.)
Overture To 'Girl Crazy' (Mexican Hotel - Could You Use Me - Embraceable You - I Got Rhythm - But Not For Me - etc.)
Overture To 'Funny Face' (Funny Face - 'S Wonderful - My One And Only - He Loves And She Loves - High Hat)
Concerto In F: (Allegro)
Concerto In F: (Adagio: Andante con moto)
Concerto In F: (Allegro agitato)

Tracks:

An American In Paris
'Porgy And Bess' Suite (Clara - A Woman Is A Sometime Thing - Summertime - I Got Plenty O' Nuttin' - Bess, You Is My Woman - etc.)
A Gershwin Medley (Swanee - The Man I Love - Strike Up The Band)
Overture To 'Lady, Be Good' (Lady, Be Good - Fascinating Rhythm)
Tell Me More: Kicking The Clouds Away
La, La, Lucille: Tee-Oodle-Um-Bum-Bo
George White's Scandals Of 1921: Drifting Along With The Tide
Tip - Toes: That Certain Feeling
Tip - Toes: Sweet And Low Down
Three Preludes: No. 1
Three Preludes: No. 2
Three Preludes: No. 3
Lullaby (Original Piano Version)

Customer Reviews:

Great sampler of Gershwin's music.......2007-04-14

Classical music came from Europe. Jazz arose in the American deep south as a combination of multiple music genres, most noticeably black folk music and French influences. How ironic that it would take two descendants of Russian Jews to fuse the two together into a distinctly American style of music. The two composers are George and Ira Gershwin. George is the more famous of the two, but both by himself and with his sibling they composed multiple great scores of musics. Many of these have stood the test of time and are now commonly heard in the mass media; Rhapsody in Blue is the ultimate example, and it leads of this two-disc set. Other pieces were composed for operas (Porgy and Bess), Broadway shows (Funny Face), and movies. All of this and other works are found on this set. The recording is great, the sound quality is flawless and the compositions well chosen to provide 2+ hours of music. All told, a great buy for the price.

Gershwin stands the test of time.......2007-03-25

Absolutely the best, still after all these years. I'm very happy with the album.

Sweet and Low-Down - Richard Dowling plays George Gershwin

Average customer rating:

This guy is AMAZING!
He's Got Rhythm!
Richard Dowling has found teh Gershwin Way to play

Sweet and Low-Down - Richard Dowling plays George Gershwin

Manufacturer: Klavier
ProductGroup: Music
Binding: Audio CD

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World's Greatest Piano Rags
Richard Dowling Plays Chopin, Volume II

ASIN: B00005N9Z9
Release Date: 2001-07-01

Tracks:

Sweet and Low-Down
Looking for a Boy
Someone to Watch Over Me
That Certain Feeling
'S Wonderful/Funny Face
Maybe
Swanee
Clap Yo' Hands
Drifting Along with the Tide
"Andantino moderato" theme from Rhapsody in Blue
So Am I
Kickin' the Clouds Away
My One and Only
Prelude No. 1 in B-flat Major
Novelette in Fourths
Sleepless Night
Rubato
Promenade
Three-Quarter Blues
Prelude No. 2 in C-sharp Minor
Impromptu in Two Keys
Prelude No. 3 in E-flat Minor
I Got Rhythm
Oh, Lady Be Good!
Liza
Embraceable You
Somebody Loves Me
Fascinatin' Rhythm
The Man I Love

Album Description

American pianist Richard Dowling performs virtually all of Gershwin's original works for solo piano along with several new transcriptions of Gershwin improvisations from disc recordings and player piano rolls. Dowling transcribed several of the tracks himself including a world premiere of Gershwin's own three-minute rendition of the main theme of "Rhapsody in Blue." Rounding out the disc are Earl Wild's Seven Virtuoso Etudes on Themes by Gershwin.

Customer Reviews:

This guy is AMAZING!.......2002-12-08

I heard one of Dowling's concerts and he's awesome! I play this CD in my car and almost got a speeding ticket because of it. Richard really knows the Gershwin style. It's upbeat and a lot of fun to listen to over and over.

He's Got Rhythm!.......2001-08-31

Richard's got the most amazing fingers (and ears)! He's such a good pianist that you'll swear you're hearing old George playing himself. If you love music from 1920s and 30s New York, this is about as authentic as it gets. The Earl Wild pieces at the end will blow you away. You'll want to listen to this CD over and over because the music is happy and the execution is perfect.

Richard Dowling has found teh Gershwin Way to play.......2001-08-17

The masterful work displayed on this CD is a pleasure to listen to. The speed with which the keystrokes are perfectly executed is simply astounding. I have only had the CD for about a week and have enjoyed it completely many times.

Average customer rating:

Gorgeous
Looking out
THIS IS YOUR CUP OF TEA
A unique and possibly timeless album

Looking for Landmarks
Two Loons for Tea
Manufacturer: Sarathan Records
ProductGroup: Music
Binding: Audio CD

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Two Loons for Tea
country international records
Lilywhite
Ladyland
Picture Perfect Morning

ASIN: B00006HCTE
Release Date: 2002-09-03

Tracks:

Blue Suit
Looking for Landmarks
Dying for Love
Blood for Sugar
Sad Diamonds
She's Not Worth the Worry
Shape of Strange
Green Limousine
Emily
The Prisoner
This Mortal Rodeo
Emily Dickinson

Amazon.com

All that can be sensual, mysterious, and sexy about pop music is found in Looking for Landmarks, the second release by the collective Two Loons for Tea. Led by singer Sarah Scott and songwriter/multi-instrumentalist Jonathan Kochmer, Two Loons infuse their album with flourishes of jazz and progressive rock. Yet despite its complexity, the disc is accessible, thanks in large part to Scott's thrilling melodic narrations. She is a confident explorer whose gossamer vocals transcend classification; Scott touches on funk or allows her voice to trail off into a world-weary vibrato reminiscent of Billie Holiday. The album's roster of guest musicians, including drummer Matt Chamberlain (Garbage, Fiona Apple), guitarist Trey Gunn (King Crimson), and violinist Eyvind Kang (Bill Frisell), complements the songs' deep well of world rhythms, style, and experimentation. Landmarks is expertly executed; its many luminous layers radiate through flawless, organic production. Finally, the disc massages the ear with exotic soundscapes that reward the listener with subtle but endless detail. Pop hasn't seen an outfit this sophisticated since Portishead. --Beth Massa

Album Description

"Looking for Landmarks" is an album of delicious sensuality and ear-expanding musical eclecticism from the Seattle-based modern-pop collective Two Loons for Tea (led by Sarah Scott [vocals & lyrics] and Jonathan Kochmer [guitars, composition & production]).

From the voluptuous rhythms of "Blood for Sugar" and "She's Not Worth the Worry," to the hip-thrusting funk-rock of "Shape of Strange" and the sage-scented melodies of "Sad Diamonds," "Looking for Landmarks" is an enigmatic pop masterwork that establishes Two Loons For Tea as one of contemporary pop's most passionate and adventurous new groups.

"Looking for Landmarks" features performances by some of the finest musicians and technicians of our time, including producer Eric Rosse (Tori Amos); drummer Matt Chamberlain (Garbage, Fiona Apple, Elton John, Macy Gray); engineer Kevin Killen (Elvis Costello, U2, Peter Gabriel, Kate Bush); Warr guitarist Trey Gunn (King Crimson, David Sylvian); bassist Brad Houser (Edie Brickell, John Doe, Critters Buggin); bassist Paul Bushnell (Ednaswap); percussionist Mike Dillon (MC 900 Foot Jesus, Pigface, Critters Buggin); violinist Eyvind Kang (Bill Frissell, Mr. Bungle) and soundscapist Jeff Greinke (Land).

The result of all this virtuosic firepower is a sprawling album that honors no musical or lyrical boundaries. In Scott's and Kochmer's fanciful creative world, loose-limbed R&B rhythms mingle with bluesy vocals, supple jazz-rock melodies, ethereal guitars and lyrics that possess the haunting allegorical power of dreams. With its poetic allusions and musical eclecticism, "Looking for Landmarks" accurately captures the exquisite strangeness of our fast-changing age.

Customer Reviews:

Gorgeous.......2007-07-09

Gorgeous. Gorgeous. Gorgeous. It seems to me that there are two ways of loving Two Loons for Tea. The first way is the simplest. You are a sucker for the beautiful voice of a beautiful woman. So you play "Sad Diamonds." And while you listen to the beautiful Sarah Scott, the unaggressive fullness of Two Loons' sound sneaks up and slowly cocoons you.

Or maybe you love Two Loons for their genre-fusing genius. This love starts the same way, simply enough, with Sarah Scott's voice. Doesn't she sound, 1 minute and 41 seconds into track 8, exactly like Joan Armatrading? But Sarah Scott's voice has many sounds, from Tori Amos to Norah Jones to Nelly Furtado to Macy Gray, and your list soon grows too full. So you turn to the music, but this list is no shorter. The melody of "Blood for Sugar" sounds like a delightfully relaxed Paul Simon. Portions of the "Shape of Strange" remind you of Me'Shell NdegeOcello. You begin to understand that Two Loons is trip-hop and pop and jazz and rock and electronica, and even folk and funk, on occasion. You begin to understand that this is one of the most sophisticated, pleasurable, and entirely fresh albums you've had the fortune to hear in a long time.

Looking out.......2005-02-20

One of the most underrated indie-pop bands of the twenty-first century is probably Two Loons For Tea. Like their self-titled debut, "Looking for Landmarks" is a sultry blend of jazz, pop, trip-hop and smooth guitar, without much of a downside at all.

It certainly says something about the musical quality if it's produced by Tori Amos' former producer Eric Rosse, and has Fiona Apple's drummer Matt Chamberlain. It's a bit more accessable than their smooth debut, starting out with alluring powerpop "Blue Suit," with its sinuous Hammond melodies and catchy hooks.

But with the second song, they lapse into deeper turf, with the swirling title track and the prog-flavored "Dying For Love." After that, it's a tangle of flexible jazz-rock and ethereal ballads. Sometimes the songs are a mix of the two, like in the sultry, panoramic "Prisoner." And at the very end is a hidden track: a slow, atmospheric song, which builds up slowly to a stately prog-jazz beat. Very weird, but also very interesting.

"Looking for Landmarks" is a teeny bit more accessable than its predecessor, with those wicked pop hooks and catchy rhythms. But Two Loons For Tea don't fall prey to the dumbing-down that many bands do. Their music stays complex and multilayered, even when it's catchy -- listen to "Green Limousine's" atmospheric opener, before Two Loons start to rock out.

The two Loons -- that is, the ones that are always there -- are Sarah Scott and Jonathan Kochmer. Scott contributes her sweet vocals and songcraft: "And I was not born for morning,/or abstract love, or silent notes." And Kochmer, as well as being cowriter, also contributes four kinds of guitar, plus bass and string arrangements. But he's not the only one.

The instrumentation is so complicated that it's sometimes hard to sort out, as in the glittering last half of "Dying For Love." It doesn't hurt to have Matt Chamberlain doing some of his most impressive percussion work, backed by Rosse's piano, Hammond and Casion, and Eyvind Kang's exquisite string arrangements. Meshed together, the instrumentation is lush and almost intoxicating.

Few pop bands can reach the heights of Two Loons For Tea, and "Looking For Landmarks" proves that their debut was no fluke. Definitely something to check out, while waiting for their forthcoming third album.

THIS IS YOUR CUP OF TEA.......2002-12-09

Building on the strengths of their first album, Two Loons For Tea comes back with "Looking For Landmarks". With rich, full instrumentation, catchy melodies and beautiful vocals, the Loons have carefully produced an album equally enhanced by bright freshness and deep soulfulness. Vocalist Sarah Scott and multi-instrumentalist Jonathan Kochmer are joined here by an A-list roster of musicians who've earned their stripes with such acts as Fiona Apple, Tori Amos, Macy Gray, Elton John, King Crimson and many more, but the songs are never overshadowed by show-boating. The guests elegantly weave into the musical cloth, building its strength. This is classy album that shuns labeling and is not to be missed. Look for it on many end of the year `best of' lists.

A unique and possibly timeless album.......2002-10-02

I've been seeing rave reviews of Two Loons for Tea online, and bought "Looking for Landmarks" right away. This exquisite album hasn't left my CD changer since, and I've bought more copies for friends.

First... what genre is it? It's some kind of pop, but touches so broadly and frequently on other genres (rock, ambient, Asian, funk, folk, alternative, jazz, classical, etc.) that it doesn't fit neatly into existing categories. Two Loons somehow melds these influences into one coherent sound. Are they forging a new genre? Eclectipop? Smartpop? Sophistipop?

Every song is a unique gem, but consistently features strong and confident vocal performances by Sarah Scott and superb supporting musical performances by her multi-instrumentalist bandmate Jonathan Kochmer (and the 19 other musicians they rounded up -- the quality and diversity of contributors to Two Loons for Tea is remarkable, ranging from jazz musicians in the NYC Knitting Factory crowd, to Tori Amos' original producer, Eric Rosse).

Here's some brief reviews of each song in an attempt to convey the sprawling beauty of this album:

1. Blue Suit: A peppy power-pop ditty with driving percussion and guitars and a rousing chorus. Great for opening an album, though it's more mainstream than the album as a whole. Distinctly a summer-time song.

2. Looking for Landmarks: Deservedly the title track (and the real beginning of the album) with the relaxed sensuality Two Loons achieves better than most anyone else: consistently transports one elsewhere. Lovely and moving lyrics ("Do you hear the chorus in the canyon / as you spend another evening alone? You must accept / when an ending comes / breathe... just breathe"). Especially nice are the vocal lead-in to the chorus, sparkly acoustic guitar lines throughout (which evoke summer sunlight on a windy lake), and an outro that exhales soft and accepting sighs into silence.

3. Dying for Love: Flamboyant ethnic-flavored guitars and percussion leading to verses with insistent and shoulder-bobbing rhythms, and then a soaring chorus. There are many ethnic influences in this piece (Balkan, Brazilian, and Spanish), and somehow it all works.

4. Blood for Sugar: Wistful and poignant song with world-weary singing and lyrics of bittersweet delicacy ("a tuxedo / a promise / a ceremony, a compromise / she's trading blood for sugar") and choruses with a Phil-Spectorish wall-of-sound luxuriousness. But Two Loons again surprises by veering off into what sounds like Central-Asian bazaar music and again, they make this unlikely juxtaposition work.

5. Sad Diamonds: Simply vocal and guitars and simply one of the most beautiful songs I've ever heard. Shivers and tingles every time. Although the lavish instrumentation of the rest of "Landmarks" is fabulous, a duo acoustic album from Two Loons would be a special treat.

6. She's Not Worth the Worry: This must be why Two Loons is compared to U2: imagine U2 shucking Bono for a female vocalist and hiring a chamber orchestra: you'd get something very like this song.

7. Shape of Strange: How strange indeed! Suddenly the Two Loons musical mystery bus goes on soul-funk caravan complete with booty-shakin'-bass and rousing gospelesque call-and-response vocals. But Sarah Scott's confident vocals and allusive lyrics stamp it unequivocally as a Two Loons tune.

8. Green Limousine: The only song on the album that flaunts this band's Seattle roots: a brooding dark insistence and explosive soft-verse / loud-chorus structure reminiscent of Seattle alternative (spiked with Floydish doses of prog-rock?). There's so much going on in the chorus that the listener becomes delirious which may be the intended effect given some of the lyrical content ("he's the freeway pharmacist / the cars are waiting in a line / while he read Voltaire / in his wheelchair / edge of the freeway / drive-through heroin / and caviar / the freeway pulses / with the blood of the city"). The soloed vocals at the end are a chilling and perfect lead into:

9. Emily: The album began in summer, and now we're led into a haunted house in the hollowness of winter. Spare and dark music, creepy subliminal sounds, and a supernatural experience in a wide stereo field.

10. The Prisoner: A good song, but maybe a tad long. Great vocals in the soaring chorus and bridge. Still head-and-shoulders above lots on the radio these days.

11. This Mortal Rodeo: The best way to describe this gently enigmatic tune may be "world-wise-sophisti-pop". The string sections could be an imaginary and melancholic Bollywood soundtrack, the guitars and percussion convey wisdom of weary workers in a village square, the horns are a haunting cry from a lovesick mermaid, and the lyrics encourage a thoughtful re-evaluation of the privileged in this world.

12. Emily Dickinson: The album closes with an instrumental version of Track 9 (Emily). One now feels as if one has passed on and gone to a parallel universe floating above the album you have just heard.

Tracks:

Swanee
Come To The Moon
I Was So Young (You Were So Beautiful)
Tee-Oodle-Um-Bum-Bo
Nobody But You
Limehouse Night
Drifting Alone With The Tide
Rhapsody In Blue
Oh Lady Be Good!
Fascinating Rhythm
Hang On To Me
I'd Rather Charleston
The Man I Love
The Half Of It, Dearie, Blues
So Am I
Kickin' The Clouds Away
Con in F

Customer Reviews:

A Real Find!.......2003-08-20

This CD was released in about 1992 but somehow I'd never run across it. I was interested because Jack Gibbons is a pianist I very much admire, primarily for his superb 2CD recording of the minor key études of Alkan, the kind of music that makes even piano virtuosos have nightmares because of their difficulty. One thing I noted in Gibbons's Alkan release was his loose and easy sense of rhythm. So, thought I, maybe he can do Gershwin the way he was meant to be played. And sure enough, he can and does.

These are mostly recreations from the piano roll elaborations that Gershwin recorded himself. Unfortunately the technology at the time Gershwin made them was fairly primitive and it created a kind of rhythmic strait-jacket for his playing. So what Gibbons has done is play the same notes Gershwin played, but subtly free the rhythms so that they sound spontaneous. And do they!

The CD includes a solo piano version of 'Rhapsody in Blue' based on Gershwin's own two-piano arrangement. Also recorded is the slow movement from the 'Concerto in F.' Both are done beautifully.

There is a dynamite performance of 'I'd Rather Charleston,' a tune hardly remembered today. And then there's Gershwin's own patented version (here perfectly mimicked) of 'Fascinating Rhythm.' And on and on.

This is 67 minutes of sheer joy!

Scott Morrison

An Ambitious Interpretation of Gershwin's Pianism.......2002-02-25

Jack Gibbons does a remarkable job in performing his transcriptions of Gershwin's works -- TOO remarkable that is. Each track easily displays Gibbons' technical gifts as a pianist but this is the rare case where it actually works against him. Listen to the original recordings of Gershwin himself playing these works of his and you'll see how EASILY the music flows whereas Gibbons' performance projects that "hard-work" atmosphere; you can hear Gibbons concentrating more on playing everything exactly "right" instead of having plain, flat-out fun. This is not surprising considering Gershwin's pianistic style was shaped by the free-wheeling, Harlem stride-piano masters whereas Gibbons was no doubt a classically-trained pianist where typically each and every single note must be played with proper dynamics and tempo (Gershwin didn't vary his dynamics nor tempo as often as many believe). Still, Jack Gibbons' "The Authentic George Gershwin" series is hands-down the best window into the artistry of George Gershwin's piano playing style. High praise should be given to Gibbons for not "watering-down" Gershwin's piano pieces (like so many have before) and making a recording for anyone who admires Gershwin as a composer as well as a magnificent pianist.

Authentic is a misused word, but this time it really applies.......1999-02-11

I have a huge Gershwin collection accumulated over 40 years and know all this music cold. But I've never heard it played better. I think George himself would smile to hear Gibbons. Unlike the perfect--and bloodless--Gershwin renditions of Michael Feinstein, this one truly captures the spirit of the music. It takes the old Gershwin piano roll renditions with their mechanical rhythm and gives them life. Here, you'll hear hundreds of small variations and Gershwinesque riffs you've never heard before, even if you know this music as well as I do.

Average customer rating:

Drifting Clouds
Riders of the Purple Sage
Manufacturer: Wagon Wheel (Burnsid
ProductGroup: Music
Binding: Audio CD

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27 Hits Performed Live
Living the Cowboy Dream

ASIN: B00004T2MO
Release Date: 2000-01-01

Tracks:

(Ghost) Riders in the Sky
Clouds
Will Work for Food
Lobo
Cowboy Rides Away
Seven Shot Six Gun
Tribute to Gene Autry: Back in the Saddle Again/South of the Border
RV Cowboys
Rusty Spurs and Dusty Saddles
When I Was a Kid
Colorado Blue
Good 'Ol Doctor Jones
Ain't Nothin' I Need More Than You
Tribute to Roy Rogers: Happy Trails to You/Pecos Bill/Blue Shadows ...

Average customer rating:

'Swonderful and Fascinatin'

The Authentic George Gershwin, Vol. 1-3

Manufacturer: White Line
ProductGroup: Music
Binding: Audio CD

Preludes | Forms & Genres | Classical | Styles | Music

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General | Chamber Music | Classical | Styles | Music

General | Jazz | Styles | Music

Swing General | Swing Jazz | Jazz | Styles | Music

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General | Soundtracks | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

Classical | Box Sets | Stores | Music
ASIN: B00000I85Q
Release Date: 1995-10-17

Tracks:

Swanee
Come To The Moon
I Was So Young (You Were So Beautiful)
Tee-Oodle-Um-Bum-Bo
Nobody But You
Limehouse Night
Drifting Alone With The Tide
Rhapsody In Blue
Oh Lady Be Good!
Fascinating Rhythm
Hang On To Me
I'd Rather Charleston
The Man I Love
The Half Of It, Dearie, Blues
So Am I
Kickin' The Clouds Away
Con in F

Tracks:

Tip-Toes: Sweet And Low-Down (I)
Tip-Toes: That Certain Feeling (I)
Tip-Toes: Looking For A Boy (I)
Tip-Toes: When Do We Dance? (II)
Tip-Toes: Sweet Low-Down (II)
Tip-Toes: That Certain Feeling (II)
Irish Waltz (Three-Quarter Blues)
Oh, Kay!: Do,Do,Do
Oh, Kay!: Someone To Watch Over Me
Oh, Kay!: Clap Yo' Hands
Oh, Kay!: Maybe
Three Prlds: No. 1, Allegro Ben Ritmato E Deciso/No. 2, Andante Con Moto/No. 3, Allegro Ben Ritmato
Strike Up The Band: Meadow Serenade
Funny Face: My One And Only
Funny Face: 'S Wonderful/Funny Face
Funny Face: He Loves And She Loves
An American In Paris
Show Girl: Liza
Strike Up The Band: Strike Up The Band
Crazy Girl: Embraceable You
Crazy Girl: I Got Rhythm (I)
Crazy Girl: I Got Rhythm (II)

Tracks:

Of Thee I Sing Ov
Jilted
Second Rhapsody
For You, For Me, For Evermore
Cuban Ov
Isn't It A Pity?
Vars On 'I Got Rhythm'
Porgy And Bess Ste (Catfish Row): I. Catfish Row: Intro-Jasbo Brown (Complete)...
Porgy And Bess Ste (Catfish Row): II. 'I Got Plenty O' Nuthin''...
Porgy And Bess Ste (Catfish Row): III. Fugue: Murder Of Crown, Act III Scene I
Porgy And Bess Ste (Catfish Row): IV. Hurricane: Intro, Act II Scene 3...
Porgy And Bess Ste (Catfish Row): V. Good Morning, Brother...
They Can't Take That Away From Me
Let's Call The Whole Thing Off
Our Love Is Here To Stay

Customer Reviews:

'Swonderful and Fascinatin'.......2001-09-24

A slim volume of Gershwin's own arrangements of his popular songs exists, and has been recorded by many pianists. Unfortunately, these arrangements exist for only a scant few of Gershwin's songs, and they are rather abbreviated and dare I say it? Unsatisfying. Enter Jack Gibbons. Mr. Gibbons has meticulously researched George Gershwin's own playing of these pieces, from old radio shows, movie soundtracks, and other archival sources and he plays them exactly the way the composer did. He kids you not about "authentic". This is about as close as you can get to the source, and the recorded sound is spectacular. Bravo!

Average customer rating:

Like the Rain
Will Mire
Manufacturer: Star Circle Records
ProductGroup: Music
Binding: Audio CD

General | Hard Rock & Metal | Styles | Music
ASIN: B000CA8DC0
Release Date: 2005-06-28

Average customer rating:

Straight Off the Old Player Piano Roll!

Kickin' the Clouds Away

Manufacturer: Klavier
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

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ASIN: B000059RVW
Release Date: 2001-02-06

Tracks:

Kickin' the Clouds Away
I Was So Young (You Were So Beautiful) [Ballad]
Whip-Poor-Will
Sweet and Low Down
Ain't You Comin' Back to Dixieland?
Swanee
Tee-Oodle-Um-Bum-Bo
That Certain Feeling
Grieving for You
Some Sunday Morning
Left All Alone Again Blues
Make Believe - George Gershwin,
Land Where the Good Songs Go
Drifting Along With the Tide
For Your Country and My Country
So Am I
Whose Baby Are You?
Rock-A-Bye, Lullabye Mammy
Rhapsody in Blue

Customer Reviews:

Straight Off the Old Player Piano Roll!.......2003-02-27

Buyer beware. I purchased the CD anticipating interpretive versions of his most famous pieces played by Gershwin himself. But instead, the CD consists of reproduced player piano rolls--very mechanical, no change in tempo, and just plain irritating to listen to, after the novelty of the first track wears off. I looked back at the product detail to see if I had missed the mention of "player piano versions", but found none. Big disappointment.

Average customer rating:

Gershwin Plays

Manufacturer: Intersound Records
ProductGroup: Music
Binding: Audio CD

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Drifting Clouds
Various Artists
Manufacturer: Disky Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000023XHT
Release Date: 2005-07-19

Album Review:

Album Review

Album Review