Out of the Valley
Out of the Valley
ASIN: B00000182N
Track Listings
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1. Out of the Valley
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2. Everybody's Wrong
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3. Ohio Valley Rain
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4. Forked Deer
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5. No Choice
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6. Cold Comfort
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7. Mary's Song
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8. My Name Is Judas
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9. Saddle Soar
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10. Hard Freeze
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11. I Did Not Hear Them Go
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12. Thibodeau
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Out of the Valley,Cornerstone,Folk Era Records,Bluegrass,Country,Folk,Pop,Traditional Bluegrass
Average customer rating:
- Not My Style
- Rockin' Western Collection
- Hard to Find Great Western Themes
- Western Music
- A great follow-up
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Way Out West: The Essential Western Film Music Collection, Vol. 2
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD
Holdridge, Lee
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Similar Items:
- The Wild West: The Essential Western Film Music Collection
- Songs Of The West, Vol. 4: Movie & Television Themes
- From Alamo to El Dorado, Vol. 2
- My Rifle, My Pony and Me (Western Movies Songs)
- The Essential Elmer Bernstein Film Music Collection
ASIN: B000060PBU
Release Date: 2002-03-26 |
Tracks:
- The Hallejuah Trail-Overture
- The Alamo-The Green Leaves Of Summer
- The Alamo-Davy Crocket
- The Big Country-The Welcoming/Finale
- The Big Valley-Main Theme
- Blazing Saddles-Blazing Saddles
- Bonaza-Main Theme
- Butch Cassidy And The Sundance Kid-raindrops Keep Fallin' On My Head
- The Comancheros-McBain/Main Title
- Duel In The Sun-Main Title/The Legend/Orizaba
- A Fistfull Of Dynamite-Duck You Sucker
- For A Few Dollars More-Main Theme
- Friendly Persuasion-Thee I Love
- Giant-Main Theme
- The Good, The Bad And The Ugly-Main Theme
- The Good, The Bad And The Ugly-The Ecstasy Of Gold
- Gunfight At The O.K. Corral-Suite
- Hang 'Em High-Main Theme
- The Hanging Tree-Main Title
Tracks:
- High Caparral-Main Theme
- How The West Was Won-Prelude/The Land
- High Noon-Do Not Forsake Me Oh My Darlin'
- The Jayhawkers-The Lynching/Two Brothers/The Hayhawkers
- The Lone Ranger-William Tell Overture: Finale
- Nevada Smith-Main Title
- Old Gringo-Main Themes
- Once Upon A Time In The West-Man With The Harmonica
- One Eyed Jacks-Main Title
- The Proud Rebel-Main Titles
- The Quick And The Dead-End Titles
- Quigley Down Under-End Titles
- Rio Bravo-Rio Bravo/De Guella
- The Scalphunters-Main Title
- Shane-Main Theme: The Call Of The Farwaway Hills
- The Shootist-Main Title
- The Unforgiven-The Need For Love
- Viva Zapata-Gathering Forces
- The Virginian-Main Theme
Customer Reviews:
Not My Style.......2007-05-11
This CD has a lot of good songs on it, but it just too bland for our taste. We prefer Western music to sound as though genuine cowboys are singing it - not a fancy chorus!
Rockin' Western Collection.......2006-08-28
For anyone who likes movie/tv music from westerns should purchase this CD. What a wonderful collection of both film and tv with great renditions of each piece. I'm about to purchase Vol. 1 to complete my collection.
Hard to Find Great Western Themes .......2006-03-16
This CD has a number of great western themes that are not in some of the standard lists. For example it includes "The Hallejuah Trail", "Blazing Saddles", and "Giant". This CD also has what I consider the true theme of "The Comancheros". I have been disappointed with some other CDs I have purchased listing "The Comancheros" which had a song rather than this theme. Many of the tracks on this two disk CD go beyond the main theme music and are actually suites. The "Big Country" and "How the West Was Won" are just a couple of examples. It may be a little more expense than some CDs, but not bad for a two disk set. I am really happy with my purchase.
Western Music.......2005-07-29
I enjoy this CD. It has many familiar melodies. Good background for reading, nice to listen while driving. It is also the only CD I've ever found that has the great theme from the movie "Giant."
A great follow-up.......2003-08-29
This is the second collection by SilvaScreen, who are also responsible for "The Wild West: The Essential Western Film Music Collection" (see my review). And it's just as good as the first. There are themes in here that everyone will recognize ("Bonanza," "A Fistful of Dollars"), themes that may not be so familiar ("Duel in the Sun," "The Hanging Tree," the lively "Blazing Saddles"), and even themes you may not associate with Westerns at all ("The Friendly Persuasion"). And no duplication either: when this disc includes a piece from one of the same sources covered in its predecessor, it's a different piece. One great treat: the full lyrics to "Gunfight at OK Corral," which I've never heard outside the soundtrack of the movie itself. The arrangement from "Butch Cassidy & the Sundance Kid" includes not only the familiar song "Raindrops Keep Fallin' On My Head" but an overview of the music--seguing almost seamlessly into Bernstein's magnificent "The Comancheros," a rare find indeed. An expensive item, but if you love Western film music, well worth it.
Average customer rating:
- The City of Prague Philharmonic Orchestra needs a guitar player!
- Persuaders Theme!
- A Variety Of Classics!
- Incredible Barry Collection
- " one of cinema's greatest composers...John Barry"
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John Barry: The Collection
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD
Film Scores
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Similar Items:
- The Music of John Williams: 40 Years of Film Music
- Jerry Goldsmith: 40 Years of Film Music
- Beyondness of Things
- The Essential Elmer Bernstein Film Music Collection
- Eternal Echoes
ASIN: B00005BADD
Release Date: 2001-05-22 |
Tracks:
- Zulu
- From Russia With Love
- From Russia With Love - 007
- Goldfinger
- The Ipcress File
- The Knack
- Mister Moses
- Thunderball
- The Wrong Box
- Born Free
- The Quiller Memorandum
- You Only Live Twice
- The Girl With The Sun In Her Hair
- Deadfall
Tracks:
- The Lion In Winter
- On Her Majesty's Secret Service
- On Her Majesty's Secret Service
- Midnight Cowboy
- Midnight Cowboy
- The Appointment
- The Last Valley
- Walkabout
- Monte Walsh
- Diamonds Are Forever
- The Persuaders
- Mary Queen Of Scots
- The Man With The Golden Gun
- The Dove
Tracks:
- The Tamarind Seed
- King Kong
- Eleanor And Franklin
- Robin And Marian
- The Deep
- Hanover Street
- The Black Hole
- Moonraker
- Somewhere In Time
- Raise The Titanic
- Body Heat
- Frances
- Octopussy
- The Cotton Club
Tracks:
- High Road To China
- A View To A Kill
- Out Of Africa
- The Living Daylights
- Dances With Wolves
- Dances With Wolves
- Chaplin
- Moviola
- Indecent Proposal
- The Specialist
- The Scarlet Letter
- Cry The Beloved Country
- Mercury Rising
- The James Bond Theme
Customer Reviews:
The City of Prague Philharmonic Orchestra needs a guitar player!.......2006-11-09
Granted, they only need it for one composition (the last one, "The James Bond Theme") but still, without the guitar it's just not the same. Barry didn't compose this one so I suppose it was a bonus and I shouldn't complain, really. The rest of the music on all the CDs is fantastic. Some of the stuff I had heard before without realizing who had composed it. Very enjoyable, to say the least.
Persuaders Theme!.......2006-03-02
Buy it for the Persuaders theme, probably the best TV theme song ever written.
A Variety Of Classics!.......2005-12-06
John Barry has been composing film scores for over forty years and this is only scratching the surface of his productions. Never mind that the entire set is recorded by the Prague Philharmonic; it's pure to Barry's themes. While John Williams compositions ("Star Wars", etc.) are wild and flamboyant and Jerry Goldsmith's (Hoosier's, etc.) are mood pieces, John Barry crosses over all barriers and is amazingly diverse. Barry has recorded most of the exciting James Bond themes, melodramatic classics like "The Lion In Winter' and moody theme hits like "Midnight Cowboy". He also tugs at the heartstrings with compositions from, "Somewhere In Time", "Frances" and "Out Of Africa". He varies his themes for all types of films and few composers capture it so well.
There is over four hours of music in this set with a colorful and informative booklet.
Incredible Barry Collection.......2004-03-11
Any fan of movies will absolutley love this collection. Being a movie buff I couldn't wait to get this boxed set. Knowing Barry from all the James Bond movies, I did not realize his involvement with so many others. The orchestra is magnificent in all these themes. I'm listening to "High Road to China" right now and I'm drifting in the clouds in a Tiger Moth with Tom Selleck and Bess Armstrong. If you are familiar with a movie it will definitely have you seeing it again, if not the scores are still beautiful. Any fan of classical music will be pleased as well. Travellers will defintitely enjoy it for a long drive. I know from when I use to travel that music like this made the miles float by faster. I highly recommend these four CDs even if you just know a handful of the songs.
" one of cinema's greatest composers...John Barry".......2001-07-06
This collection of four compact discs...are worth their weight in GOLD! Barry creates visual moods for each film he scores...romantic, sentimental, action, adventure, suspense and mystery...the list could go on. Strings, brass and lush-velvet arrangements overlay each cue in his distinctive style of legendary scoring...we have ~ "John Barry:The Collection", Silva Screen's release traces 40 years of film music, featuring "The City Of Prague Philarmonic Orchestra" ~ conducted by Mr. Nic Raine (outstanding)..."Crouch End Festival Chorus" ~ David Temple, Choir Master...perform 56 selections, over four hours of symphonic suites with a full orchestra sound...all individually wrapped-up into one neat package...just the way "film-score-buffs" like 'em!
Must ask the following to take a bow ~ James Fitzpatrick (compilation producer), always in their pitching, Reynold da Silva (executive producer), Nic Raine (conductor, arranger, orchestrator & associate producer), a tremen!dous asset to every project he undertakes...and the man who made it all possible...a legendary icon always leading the way in film scoring ~ JOHN BARRY!
Total Time: 258:76 on 56 Tracks ~ SSD-1128 ~ (2001)
You might try other albums from Silva Screen, all worthy of a good listen ~ "The Essential James Bond" (SSD-1034)..."Bond:Back In Action" (SSD-1100)..."Bond:Back In Action 2" (SSD-1119)..."Zulu" (SSD-1095)..."Raise The Titanic" (SSD-1102)..."Walkabout" (SSD-1120)...check out my reviews on amazon.com/music.
Average customer rating:
- My idea of heaven
- Wonderful, but not quite the best of I had hoped
- A treasury
- Chanticleer: A Portrait
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Chanticleer: A Portrait
Caroll Coates , Harold / Mercer, Johnny Arlen , Spiritual Traditional , Vince Guaraldi , Joseph Jennings , Ettore Stratta , Eric Alatorre , Tim Krol , Corey McKnight , Kevin Baum , David Munderloh , and Dawn Upshaw
Manufacturer: Teldec
ProductGroup: Music
Binding: Audio CD
Foster, Stephen
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| Tavener, John Kenneth
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Similar Items:
- Our American Journey
- How Sweet the Sound: Spirituals & Traditional Gospel Music
- Wondrous Love: A World Folk Song Collection
- Sing We Christmas
- Where the Sun Will Never Go Down
ASIN: B00008J2VP
Release Date: 2003-03-18 |
Tracks:
- Quem Terra Pontus Sidera
- Ave Maria (Gregorian Chant)
- Alma Redemptoris Mater
- The Angel Cried Out
- Angelicas Milicias
- Wherewithal Shall A Young Man...
- Love Is A Beautiful Dream
- This Heart That Flutters Near My Heart
- Wild Grass
- Labbra Vermiglie E Belle
- Jeanie With The Light Brown Hair
- Dulaman
- Shenandoah
- Spanish Carol
- Love Is Letting Go
- Blues In The Night
- Wade In The Wate
- We Shall Walk Through The Valley In Peace
- Christmas Time Is Here
Amazon.com
With this disc, Chanticleer, the internationally renowned, all-male 12-voice chamber choir, celebrates its 25th anniversary. Presenting songs from earlier albums plus one not previously recorded, the selection displays the group's remarkable stylistic and linguistic versatility, as well as all the qualities that have made it famous: the impeccable precision and intonation; the pristine tonal purity; the deep, inner expressiveness; the infinitely variable range of colors, textures, dynamics and moods; and the incredible vocal control that allows voices to stand out as well as to blend into a seamless, sonorous whole. Not for nothing has the group been called "an orchestra of voices" with its ability to sound like a big band in chordal passages and to imitate bass pizzicati as well as patter-songs and gospel shouts. The sopranos take off into stratospheric heights with florid coloratura; it is hard to believe that these are male voices. The program ranges from Gregorian chant and liturgical music of the 16th and 17th century, through traditional and jazz-influenced folk songs and spirituals (some in deplorably bad arrangements), to works by contemporary composers. Chanticleer's mostly vibrato-less vocal style still reflects its roots in its original Renaissance repertoire, but the way the singers use their voices in the popular, jazzy songs makes one aware of the evolving kinship between the two traditions. Though primarily an a capella ensemble, Chanticleer is occasionally joined by various instrumental groups, from period instrument orchestras to a jazz trio, and Dawn Upshaw adds her radiant, smiling, unmistakably "real" soprano to a delightful, high-spirited performance of a Spanish Carol. This disc is a fine, varied sampling of Chanticleer's discography and should inspire listeners to search out all the complete albums. --Edith Eisler
Customer Reviews:
My idea of heaven.......2007-02-17
If you liked Norman Luboff's Song's of the Sea's "Shenandoah", the price of this CD is worth it alone. That's why I ordered the CD. I heard Chanticleer's version and immediately ordered it. The rest is just the icing on the cake.
Then there is the one Kiri Tekanawa (sp?) offering, which is the only female voice on the recording.
Wonderful, but not quite the best of I had hoped.......2006-07-18
Some great material truly shines on this album, but I wsih that the group had been a little less populist in their choice of repertoire. There is a little too many arrangements and folk-like material, with the exception of the wonderful "Dulaman", and I would like to have heard some more varied repertoire. That said this is an excellent starting point for this amazing group.
A treasury.......2005-11-06
As you can tell from the samples, the music here is amazing and covers a wide territory. It is less obvious that much of this is available on other CDs. I am confident, for example, that "We Shall Walk Through the Valley In Peace" is the same track that you will find on their phenomenal and highly recommended gospel collection, _Where the Sun Shall Never Go Down_, and I see a number of familiar-looking titles from other CDs. My advice is: if you're looking for a broad sample of the group's repertoire, then you can't go wrong here -- but if you've already got several Chanticleer albums, then you'll want to check your existing collection for potential duplications before buying this 'treasury.'
Chanticleer: A Portrait.......2005-10-26
This is a marvelous singing group of all males with a little addition of Dawn Upshaw on a couple of pieces. They are thourally amazing at what they can sing with Male Voices usually unaccompanied. Obviously they have good strong Contra-Tenors that can manage the high notes without any problems. I would recommend this album to anyone who enjoys vocal music, unaccompanied and like Male Voices
Average customer rating:
- Great CD, Horrible Picks...
- Good, but missing important parts
- Great album...but it's missing a few pieces
- Great entry in the Bond scores...still mssing great tracks
- Wonderfully mastered, and one of Barry's Best Bond Scores
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A View to a Kill
Various Artists , John Barry , and Duran Duran
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Moonraker
- Octopussy
- For Your Eyes Only
- The Living Daylights
- The Man With the Golden Gun
ASIN: B00008BLCI
Release Date: 2003-02-25 |
Tracks:
- Main Title - A View to a Kill - Duran Duran
- Snow Job
- May Day Jumpers
- Bond Meets Stacey (A View to a Kill)
- Pegasus' Stable
- Tibbett Gets Washed Out
- Airship To Silicon Valley
- He's Dangerous
- Bond Underwater
- Wine With Stacey (A View To A Kill)
- Bond Escapes Roller
- Destroy Silicon Valley
- May Day Bombs Out
- Golden Gate Fight
- End Title - A View to a Kill - Duran Duran
Customer Reviews:
Great CD, Horrible Picks..........2006-04-29
This is a great movie with a GREAT soundtrack, and THE ABSOLUTE BEST let me say it again BEST TRACKS ARE LEFT OUT!!!!!!!!!!!!!!!!!!!!!!!!! The Shootout In Stacy's House, the part where Zorin picks up stacy and bond grabs on to the rope and goes for a ride over San Fransisco are just two examples of the great pieces. My advice...WAIT...yes...wait for the RE-REMASTERED version to come out(if they make one which I bet they will). If you are impatient then try to get one REALLY CHEAP.
Good, but missing important parts.......2005-10-21
In "A View to a Kill," Barry is in fine form, including many instances of the exciting themes we associate with 007 movies. To me, the highlight of the movie was tracks where Barry mixes traditional Bond thematic elements with tunes based upon the Duran Duran theme (such as the Wine with Stacy cut). However, the album to me and others is rather disappointing, as it is missing important parts of the score. Others have mentioned Bond's arrival at Zorin's estate, Stacey's arrvial, the Fanfare, and Bond dangling from the Zorin Airship. Personally, I was looking for the music from the State Office Building rooftop scene is my favorite cut from the movie, the main reason I bought the album, but that is also missing from the Soundtrack CD. I imagine if Capitol Records ever comes out with a more complete soundtrack album from this movie, there'd be a high demand for it from fans like myself, but don't hold your breath.
Great album...but it's missing a few pieces.......2005-09-29
A View to a Kill is a great score from the legendary John Barry, who has done pretty much all of the James Bond films up until 1989. I wish he'd come back and do the score to the next James Bond film. A few pieces of music are missing though from the movie, such as when Bond is attacked in Siberia and escapes but they never finish the music. Another piece missing is where Bond and Tibbett arrive at the Zorin's chateau in France. I think the most important piece that's missing is when Stacy gets taken by Zorin for a ride in the blimp and Bond hangs on to the rope going to the Golden Gate Bridge. The music that leads to the climax is always important! The best part of the album is that the music is very much James Bond and incorporates, at the time, a more modern theme to the music. Duran Duran's song is still awesome to this day and can still hold a candle to any crappy song out there today! Overall, a great job well done!
Great entry in the Bond scores...still mssing great tracks.......2003-05-13
While this score is one of Barry's greaat masterpieces, and is now even better remastered, it is still missing crucial tracks, like Bond's arrival at Zorin's estate, Stacey's arrvial, the Fanfare, and Bond dangling from the Zorin Airship. I hope in the near future, the albums will be released again with the missing tracks.
Wonderfully mastered, and one of Barry's Best Bond Scores.......2003-03-10
John Barry has written some of the most beautiful and memorable film music ever composed. He is most noted, however, for his work on the James Bond movies. Other composers have succeeded him, but none have duplicated the magic that he brings to the Bond films. Along with "On Her Majesty's Secret Service," this album is a seminal example of his work; it features some of the most exciting music written for the Bond films. The moment I heard the themes in the movie, I committed myself to finding the soundtrack on CD. I am disappointed that the score is not extended, but the included tracks do very well in representing the overall themes in the film. In addition, the remastered edition makes much better use of the surround channels. The Japanese import focused too much on the center channel. The new mix spreads the orchestra to the left and right, providing the effect of a much fuller sound. The sound is even detailed more. I took a chance and bought this soundtrack a second time in the hopes that the sound quality was improved. It is an understatement to say that I was not disappointed.
Average customer rating:
- Ladies & gentleman: The Lord'n Savior, God Almighty
- So Fashionable, and So Disappointing
- A nice combination of period nad tradiitonal
- Wait! Before you buy...
- La mas bella y fidedigna interpretacion que se pueda obtener
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Handel - Messiah / Augér, von Otter, Chance, Crook, Tomlinson, English Concert, Pinnock
George Frideric Handel , Arleen Auger , Anne Sofie von Otter , Trevor Pinnock , The English Concert & Choir , Michael Chance , Howard Crook , and John Tomlinson
Manufacturer: Archiv Produktion
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Handel - Messiah / Ameling · A. Reynolds · Langridge · Howell · Marriner
- Beethoven: Symphony No 9 /ORR * Gardiner
- Belcea Quartet ~ Debussy · Dutilleux · Ravel
- Tchaikovsky: Symphony 6 "Pathétique" in B minor Op. 74
- Handel: Messiah /Nelson * Kirkby * Watkinson * Elliott * Thomas * AAM * Hogwood
ASIN: B0000057DB
Release Date: 1990-10-25 |
Tracks:
- Messiah: Part One - 1. Sinfony (Grave - Allegro moderato)
- Messiah: Part One - 2. Accompagnato : Comfort Ye My People
- Messiah: Part One - 3. Air : Ev'ry Valley Shall Be Exalted
- Messiah: Part One - 4. Chorus : And The Glory Of The Lord Shall Be Revealed
- Messiah: Part One - 5. Accompagnato : Thus Saith The Lord Of Hosts
- Messiah: Part One - 6. Air : But Who May Abide The Day Of His Coming
- Messiah: Part One - 7. Chorus : And He Shall Purify
- Messiah: Part One - 8. Recitative : Behold, A Virgin Shall Conceive
- Messiah: Part One - 9. Air and Chorus : O Thou That Tellest Good Tidings
- Messiah: Part One - 10. Accompagnato : For Behold, Darkness Shall Cover
- Messiah: Part One - 11. Air : The People That Walked In Darkness
- Messiah: Part One - 12. Chorus : For Unto Us A Child Is Born
- Messiah: Part One - 13. Pifa (Pastoral Symphony)
- Messiah: Part One - 14. Recitative: There Were Shepherds Abiding In The Field - Accompagnato: And Lo, The Angel Of The Lord - 15. Recitative: And The Angel Said Unto Them - 16. Accompagnato: And Suddenly There Was With The Angel
- Messiah: Part One - 17. Chorus : Glory To God In The Highest
- Messiah: Part One - 18. Air : Rejoice Greatly, O Daughter Of Zion
- Messiah: Part One - 19. Recitative : Then Shall The Eyes Of The Blind
- Messiah: Part One - 20. Air : He Shall Feed His Flock
- Messiah: Part One - 21. Chorus : His Yoke Is Easy, His Burthen Is Light
- Messiah: Part Two - 22. Chorus : Behold The Lamb Of God
- Messiah: Part Two - Air : 23. He Was Despised
Tracks:
- Messiah: Part Two - 24. Chorus : Surely He Hath Borne Our Griefs
- Messiah: Part Two - 25. Chorus : And With His Stripes We Are Healed
- Messiah: Part Two - 26. Chorus : All We Like Sheep Have Gone Astray
- Messiah: Part Two - 27. Accompagnato : All They That See Him
- Messiah: Part Two - 28. Chorus : He Trusted In God
- Messiah: Part Two - 29. Accompagnato : Thy Rebuke Hath Broken His Heart
- Messiah: Part Two - 30. Arioso : Behold, And See If There Be Any Sorrow
- Messiah: Part Two - 31. Accompagnato : He Was Cut Off Out Of The Land
- Messiah: Part Two - 32. Air : But Thou Didst Not Leave His Soul
- Messiah: Part Two - 33. Chorus : Lift Up Your Heads, O Ye Gates
- Messiah: Part Two - 34. Recitative : Unto Which Of The Angels
- Messiah: Part Two - 35. Chorus : Let All The Angels Of God Worship Him
- Messiah: Part Two - 36. Air : Thou Art Gone Up On High
- Messiah: Part Two - 37. Chorus : The Lord Gave The Word
- Messiah: Part Two - 38. Air : How Beautiful Are The Feet
- Messiah: Part Two - 39. Chorus : Their Sound Is Gone Out
- Messiah: Part Two - 40. Air : Why Do The Nations So Furiously Rage
- Messiah: Part Two - 41. Chorus : Let Us Break Their Bonds Asunder
- Messiah: Part Two - 42. Recitative : He That Dwelleth In Heaven
- Messiah: Part Two - 43. Air : Thou Shalt Break Them
- Messiah: Part Two - 44. Chorus : Hallelujah
- Messiah: Part Three - 45. Air : I Know That My Redeemer Liveth
- Messiah: Part Three - 46. Chorus : Since By Man Came Death
- Messiah: Part Three - 47. Recitative : Behold, I Tell You A Mystery
- Messiah: Part Three - 48. Air : The Trumpet Shall Sound
- Messiah: Part Three - 49. Recitative : Then Shall Be Brought To Pass
- Messiah: Part Three - 50. Duet : O Death, Where Is Thy Sting?
- Messiah: Part Three - 51. Chorus : But Thanks Be To God
- Messiah: Part Three - 52. Air : If God Be For Us
- Messiah: Part Three - 53. Chorus : Worthy Is The Lamb That Was Slain --- Amen
Amazon.com essential recording
This is a terrific performance of Messiah. Not only are the soloists all superb, but Trevor Pinnock completely contradicts the image of many period instrument performances as small-scale, scrappy affairs. Indeed, he invests the choruses with as much genuine Handelian pomp as Beecham at his most extravagant. The trumpets really blaze, and the timpani thunder, and everyone simply has a great time. A joyous performance, just right for the holiday season. --David Hurwitz
Amazon.com
Trevor Pinnock meets with mixed success in this account of the Messiah with the English Concert & Choir and soloists Arleen Auger, Anne Sofie von Otter, Michael Chance, Howard Crook, and John Tomlinson, recorded and released in 1988. Its strengths are the strengths of the early-music movement in general. The size and distribution of the instrumental and vocal forces are optimal, which means that textures are clear and balances apt. Rhythms are nicely pointed, though often, in Pinnock's case, not quite well enough sprung. Tempos are well chosen; for example, "All we like sheep"--which turns out to be one of the set's best numbers--is a real bourré, and Pinnock animates it in just the right way. But the performance often seems workmanlike and unemotional, weighed down in too many instances by the humdrum work of the chorus. The alto section in particular, which is half male and half female, sings timidly and is constantly swallowing its entrances. Bass soloist John Tomlinson is a further drag on the effort. He has the right idea--that there's an Italian opera hiding behind all this biblical imagery--but his cottony sound is out of place, a misguided attempt to mimic Nicolai Ghiaurov. His usable range is less than a tenth (he croaks the low G's and F-sharps), and his diction is horrible. "Thus spake the Lord" is strangled, and when, in "The trumpet shall sound" Tomlinson gets to the words "we shall be changed," one can't help wishing that he had been changed too, right before the sessions started. --Ted Libbey
Customer Reviews:
Ladies & gentleman: The Lord'n Savior, God Almighty.......2007-06-13
Handel's Messiah is my favorite piece of classical music. Of the two versions that I had I only have left this one, and it is not the best (the other had been a cheap recording whose author's name I forgot too). This version seems to lack a little enthusiasm from the voices; too melancholic. Anyway, this is the first review of any music that I write, and probably will be the last too, so I just want to leave my impression of how I feel when I hear these solemn and heavenly sounds. One feels so raised to the heavenlies... I can almost sense the presence of the Lord Almighty up yonder among the clouds, and me being carried in solemnity to meet Him. Far away are the buzzing sounds of earthly chores. The air is fresh and clean as we are raised above the valleys, and we come to meet God's elected amid the singing, stronger and stronger. Jubilant, bathed in the glorious rays of the Savior's Light, we come together and sing: Glory to God, glory to God, praise and glory for He is coming...
So Fashionable, and So Disappointing.......2007-02-01
This would be a great 21st Century Reader's Digest version of Messiah, if such a thing existed any more. Handel did as much as he could, but really, the performers still have to do something besides posture, which, by the way, seems to me to characterize many performances these days. Fashionable, but musically deficient.
Specifically: John Tomlinson sings like he thinks he IS God, instead of singing about Him. Heavy, cumbersome, and overblown. May I add boorish?
Arleen Auger has a very sweet voice. And??
Despite the program notes insisting that certain segments of this Messiah are given to "the contralto", Anne Sofie von Otter is NOT a contralto. Not even close.
The male alto can barely sustain a legato line - why he insists upon throwing in those complicated, badly-performed embellishments I can't figure. Well, I can, but I'd really rather not say.
Wake up, choristers!! It's 'For Unto Us A Child Is Born," not "Oy, I have to go to the grocery store today."
Boy do I regret having spent almost $40 on this one. Thank goodness I have the Colin Davis to console me.
A nice combination of period nad tradiitonal.......2006-12-17
This 1988 recording sits between the euqally English, euqally period-ifnluenced Hogwood and Garidner. Of the three, Hogwood sounds more 'authentic' because it uses boys in the chorus and singers schooled period practice. By comparison, Pinnock's soprano, Arleen Auger, and mozeeo, Von Otter, are essentially modern singers--gorgeous ones, of course, Gardiner is far more anemic in his conducting and uses a scrwny-sounding orchestra, so if that's more authentic, so be it. Of the three, Pinnock gives us more traditional music values in his emotional expression and instrumental timbres.
The competiiton is mushc stiffer now than in 1988, but Pinnock's reading has survived the test of time. He is not a genuinely inspired conductor--sadly, Messiah has become a cottage industry that excludes most big-name talents--but neither are Gardiner and Hogwood. (For sheer musicality, I tend to put my money on Andrew Parrott, Robert King, Marc Minkowski, Niklaus Harnoncourt, and Rene Jacobs.) But he's certainly good eough. The reason I haven't given five stars is that the male soloists aren't first-rate, and in particular the Wotan voice of John Tomlinson sounds cavernous in the bass arias. Add to that Pinnock's tendency toward tepidness, and what you end up with is a very good but not great performance.
Wait! Before you buy..........2006-05-28
... This Messiah has recently been re-released at a much cheaper price. Go back and look for the DG "The Originals" release, which is being sold new for under $12.
La mas bella y fidedigna interpretacion que se pueda obtener.......2004-12-29
Soy uno de los mas fanaticos seguidores de Handel y de su obra El Mesias... He escuchado muchas versiones de esta genial e impresionante obra del maestro Handel y, sencillamente no me queda mas que recomendar esta interpretacion, bajo la batuta del maestro Trevor Pinnock. Se nota la exigencia con que esta version se interpreto, dentro el contexto del arte barroco y la magnificencia de la pronunciacion del ingles de la epoca. La orquesta se luce impresionantemente desde la obertura... y le da a cada movimiento, toda aquella fuerza y a la vez delicadeza requerida en el sentimiento que aplica en cada uno de los textos biblicos escogidos por el guionista Jennens. El Coro del English Concert es arrebatador y demuestra maestria en la interpretacion de cada una de las arias que le corresponde. La soprano Arleen Auger, la puedo definir como un angel cantando y resulta ser una caricia a los oidos, a la vez que es capaz de arrancarle a uno las lagrimas por lo excelso de su magia interpretativa. El tenor Crook, aunque no es un tenor con tesitura para canto barroco, es realmente habil y agil al momento de interpretar los melismas caracteristicos de este brillante periodo musical. El contratenor Michael Chance, es fenomenal y quiera Dios que yo tenga el honor de conocer a este genio del canto: "But who may abide..." interpretado por Chance en esta version, es como para caer en extasis. La contralto Anne Sophie von Otter..., tiene una voz oscura y redondeada..., tambien resulta una caricia a los oidos y su "If God be for us..." es desbordante, capaz tambien de hacerle a uno derramar lagrimas por su belleza interpretativa. El bajo Tomlinson..., es barbaro!!! (Soy bajo-baritono en el Coro de la Orquesta Sinfonica Nacional de Costa Rica...) A pesar de su voz tan oscura, es tremendamente agil cuando le toca cantar los melismas y es genial al alcanzar la tonalidad brillante en las partes de notas altas y agudas...; por ejemplo: "The people that walked in darkness..." y "Why do the nations..." Tengo seis años de experiencia, interpretando musica coral y tengo que decir que espere esos seis años, desde 1999, para felizmente cantar esta obra "El Mesias". Ha sido fantastico finalmente lograr este objetivo..., la espera valio la pena y debo admitir que mi inspiracion ha sido sin duda alguna, la version que puede usted encontrar en este disco compacto. Doy gracias a todos los que intervinieron en esta grabacion (al maestro Trevor Pinnock, al English Concert and Choir y a los solistas ya mencionados), en nombre mio y en nombre del maestro Handel.
Average customer rating:
- Great, but no prize
- Xena;Warrior Princess volume six
- Great Collection
- Exceptional
- A MIX OF THE BEST, THE WORST AND THE MISSING
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Xena: Warrior Princess, Volume Six : Original Television Soundtrack
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD
Film Scores
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
Television Soundtracks
| Soundtracks
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Similar Items:
- Xena: Warrior Princess, Volume Four - Original Soundtrack
- Xena: Warrior Princess - Original Television Soundtrack
- Xena: Warrior Princess - Lyre, Lyre, Hearts on Fire: Original Television Soundtrack
- Xena: Warrior Princess - The Bitter Suite: A Musical Odyssey - Original Television Soundtrack
- Xena: Warrior Princess - Original Television Soundtrack, Volume Two
ASIN: B00005LMK2
Release Date: 2001-07-10 |
Tracks:
- With the Angels
- Battling Archangles
- Go to Them
- Body Snatch
- Resistence
- Gab's Trial
- They're Coming
- Back from the Dead
- She'll Be Here
- Callisto in Hell
- Way of Pain
- Kee Coming
- End of Coming
- Ring
- Valhalla
- On a Cow
- Up the Rhein
- Rhein Maidens
- Out of Options
- Kiss
- Return of the Rheingold
- Pas de Deux Femmes
- You Will Dance
Tracks:
- Sounds of War
- To the Rising Sun
- Sounds of Life and Death
- Snow Falling on Cedars
- Burning Higuchi
- Die Demon
- Reality of Dreams
- Xena Vs. Yodishi
- Return to Chin
- Power of the Book
- Secret of the Powder
- Haulin' to the North
- Mausoleum
- It's Over
- Love Is a Weapon
- United in Love
- Joxer the Mighty
- Play's the Thing
- Woman's a Natural Thing/Miss Known World
- Day in the Life
- Catching Fish
- Up in the Trees
- Things in Common
- Down the Valley
- Neighbor Lady
- Smelling Mortality
- Chasin' Chickens
- Quill Is Mightier
- Here Girl
- Xena Main Title
Customer Reviews:
Great, but no prize.......2002-03-31
The selections from the Ring trilogy, Friends in need and Fallen Angel were excellent, however, some of the special request such as joxer the mighty, seemed a little bit rushed. Wasn't that song on Volume 2 already? Where was M'Lila's song from Destiny, or the music played During the first Kiss in "The Quest"
The cd has its good points, personally "It's Over" from "THAB" with its haunting melodies portraying the consequences of war.
Xena;Warrior Princess volume six.......2002-01-09
I am so happy that the last and final cd has come out, now my collection is complete. I am very sad for the show ending, but I am glad to still collect things.
Great Collection.......2001-12-25
Well, I have them all by now, but this last one is a great collection, with the added bonus of the music from A Friend In Need.
Just another fine addition to my Xena collection!
Exceptional.......2001-11-30
I am a fanatic and devoted Xenite.I have a huge problem:i can't stop listening to that cd,since the first time i listened to it,which means 1 month!That cd is really exceptional and i think that every true and genuine Xenite should buy it!It's really good!I was moved when i heard the Fallen Angel part.I was passioned when i heard the Ring Trilogy!I was astonishing when i heard the bonus cues that were included,especially the cue from The Quill Is Mightier(fishin part),oh,i was completely satisfied!
Though,there is a complain:i can't understand,why after 6 cd's,the producers don't do a cd including cues like:M'laila's song,the cues from the Bacchaen festival,music from Deja Vou All Over Again,where in the end,Gabrielle says to Xena those wonderful words,or even the scene of the kiss in The Quest!That,i can't understand it!
Last, i believe that whoever likes LoDuca's music style,should buy this cd.
Pay attention to the 22 cue:Pas De Deux Femmes.It is one of a something and whoever remembers what's the scene of this song,will agree with me!Mmmm!
A MIX OF THE BEST, THE WORST AND THE MISSING.......2001-11-29
To all truly Xena fans this CD is a must-have but have some lacks... Fun (comedy episodes music) scores destroy the the great combination of FALLEN ANGEL, THE RHEINGOLD TRILOGY AND I FRIEND IN NEED. In the first selections LoDuca creates spectacular high level music good enough to be played in a Symphony orchestra concert. The others selections have easy-to-fill-space western cowboy music instead of put M'Lilas song of DESTINY, Amazon's climbing trees of ADVENTURES IN THE SIN TRADE and NAJARA vs XENA music that would be gladly accepted by us. I doubt the company will launch a next CD but if they'll do this track and another valuable more must be there and the adittion of some famous characters quotes like "I have many skills" from Xena.
Average customer rating:
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The War That Made America: The Story Of The French And Indian War
Brian Keane
Manufacturer: Valley
ProductGroup: Music
Binding: Audio CD
Film Scores
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
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General
| Baroque (c.1600-1750)
| Historical Periods
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Similar Items:
- The War That Made America - The Story of the French and Indian War
- The War That Made America: A Short History of the French and Indian War
- When the Forest Ran Red (Special Edition)
- Ansel Adams: Original Soundtrack Recording from the Film by Ric Burns
- The New World
ASIN: B000CEV4UE
Release Date: 2006-01-10 |
Tracks:
- Early Americans (Keane)
- Washingtonâs Blunder in the woods (Keane)
- Main Theme/Half King (Keane)
- Round Dance (Trad Six Nations)
- Young Washingtonâs Theme (Keane)
- French Tavern (Trad 18th Century French Folk Arr. Keane)
- War Breaks Out (Keane)
- Braddockâs March (G.F. Handel arr. Keane)
- Battle at the Monongahela (Keane)
- Dâune Nouvelle Terre (18th Century French Arr. Keane)
- Vanishing World (Keane)
- Bloody Morning Scout (Keane)
- Jemison Farmhouse (Keane)
- Deportation From Nova Scotia (18th Century French Arr. Keane)
- Battle Of Lake George (Keane)
- William Pittâs Deal(G. F. Handel Arr. Keane)
- Louisburg Falls (Keane)
- Versailles (Jean Baptiste Lully)
- Easton Treaty(Trad Six Nations)
- Washington Goes Home (Keane)
- Guyasuta Tries (Keane)Trouble Comes to Fort Michilimackinac (Keane)
- Smallpox (Traditional six nations)
- Conestoga/Revolution (Keane)
- Declaration Of Independence (Keane)
Product Description
1. For One Moment
2. Straws
3. Find Yourself
4. Show Me
5. Jump; Friends Along the Way
6. Oh My
7. I'll Be There
8. The Heart of Saturday Night (feat. Matthew Ryan)
9. Stupid or Something
10. Burgeoning Road
11. Sixteen
12. Stay Forever
Format: CD
Customer Reviews:
OK music.......2006-04-13
This CD is listenable and has some nice music, but has nothing memorable. There is no rousing main theme that I expect from a soundtrack and many of the songs are not particularly good. If you are interested in music from this period, get the soundtracks to "Last of the Mohicans, The Patriot, and A&E's Revolution" (if you can find and afford that last one). Pass on this one.
Worth your time.......2006-01-31
A surprisingly "listenable" and quality work that rises above the documentary/drama series that it was created for.
Average customer rating:
- Transcendent Vocalism
- Beautifully delivered as always, but not my material.
- Lives up to their reputation
- One of the best I've picked up in ages
- Fantastic recording of contemporary choral works
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Colors of Love
Steven Stucky , John Tavener , Bernard Rands , Long Zhou , Chen Yi , Augusta Read Thomas , Steven Sametz , Marianne Kach , and Chanticleer
Manufacturer: Teldec
ProductGroup: Music
Binding: Audio CD
All Works by Tavener
| Tavener, John Kenneth
| ( T )
| Featured Composers, A-Z
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Chanticleer
| ( C )
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Similar Items:
- Our American Journey
- Tavener: Lamentations & Praises
- Lost in the Stars
- Chanticleer: Magnificat (A Capella Works by Josquin, Palestrina, Titov, Victoria, and Others)
- Wondrous Love: A World Folk Song Collection
ASIN: B00000IWR3
Release Date: 1999-05-18 |
Tracks:
- Cradle Songs: Rouxinol do pico preto (Brazil)
- Cradle Songs: Lilajze, Jezuniu (Poland)
- Cradle Songs: Buy Baby Ribbon (Tobago)
- Village Wedding
- Canti d'Amor: 'Winds of May, that dance on the sea'
- Canti d'Amor: 'O cool is the valley'
- Canti d'Amor: 'This heart that flutters near my heart'
- Canti d'Amor: 'Silently she's combing her long hair'
- Canti d'Amor: 'Gentle lady, do not sing sad songs'
- Canti d'Amor: 'Sleep now, O you unquiet heart'
- Canti d'Amor: 'All day I hear the noise of waters'
- Words of the Sun
- Tang Poems: Written on a Rainy Night
- Tang Poems: Wild Grass
- The Rub of Love
- in time of
- Love Songs: 'Look out upon the stars, my love'
- Love Songs: 'Love is a beautiful dream'
- Love Songs: 'Alas, the love of women!'
- Love Songs: 'For stony limits cannot hold love out'
- Love Songs: 'All mankind love a lover'
Amazon.com
This compilation of modern-day madrigals, the latest in a fascinating series of discs from the San Francisco-based all-male vocal group Chanticleer, won the Grammy for Best Small Ensemble Performance of 1999. The selections range over a variety of styles and aesthetics, from the haunting, hypnotic sounds of Steven Stucky's Cradle Songs to the archaic, ethereal beauty and Eastern inflections of John Tavener's "Village Wedding." There are the soft (and somewhat affected) asperities of Bernard Rands' Canti d'Amor as well as the gentle, almost English pastoralism of Zhou Long's "Words of the Sun" (beautiful!) and the colorfully exotic Orientalism of Chen Yi's Tang Poems. Other examples of the wide range here are the self-conscious busywork of Augusta Read Thomas's Love Songs to the darkly lush, 12-part weave of Steven Sametz's "In Time Of," with its radiant climax and pulsating chordal sonorites like the tolling of bells. All of this Chanticleer sings with striking freshness and commitment, virtuosic to a fare-thee-well, always sensitive to the emotional cues of the texts. The recording, made at Skywalker Ranch in January of 1999, is vivid and warm, and so is much of the music. Truly a winning disc. --Ted Libbey
Customer Reviews:
Transcendent Vocalism.......2005-01-31
This compilation is essential listening, especially (but not exclusively) for those already introduced to the marvels of Chanticleer. It features a wide variety of contemporary madrigals all dedicated to the theme of love. Gorgeous polyphony, entrancing dissonance; the music is very difficult, but Chanticleer's vocalism is exemplary, as always. The whole feel of the album takes some getting used to for the uninitiated. After a few listenings, though, one can fully perceive its unique and sublime beauty.
Highlights abound. The first three tracks, all lullabies by Steven Stucky, are brilliantly executed, but it is track four, Village Wedding by John Taverner, that first knocked my socks off. It seems to represent the absolutely ideal match between composer and performer, between written and sung text. It consists of a wonderful poem by Greek poet Angelos Sikelianos, with a recurring excerpt from the Eastern Orthodox wedding ceremony interspersed throughout. Taverner is himself a member of the Eastern Orthodox church, and the song is as much a spiritual experience as a musical one.
Another fantastic piece is Words of the Sun, by Chinese composer Zhou Long. It is probably the most accessible song on the CD, with numerous lovely subtleties and nuances that can be fully appreciated after multiple exposures.
Lastly, I'd like to express my sincere conviction that In Time Of (by Steven Sametz, set to a poem by E.E. Cummings) is the single most gorgeous piece of music I have ever had the great fortune to hear. The sonority is perfectly balanced, each arching phrase better than the one before. Please, for the sake of pure unadulterated beauty, purchase this CD. You will not regret it.
Beautifully delivered as always, but not my material........2002-07-30
I came to this album as a fan of Chanticleer more than of contemporary art music, though I like to think I do have a certain ear for the stuff. I haven't been educated in it, but I've sung some in my time in choruses, and I learned to appreciate those pieces the way that I learned to appreciate the more classical stuff as a child--by feeling it and hearing it come out of my own body, the ways that it worked, what was exciting, ect. That said, there is a point where I don't get it, and I reached that point all over this album. I thought I'd pass it on because it is hard for most of us to pick this kind of music off the shelf--there will be pieces that skewer us and some that make us fidget. For my part, I am grateful to have the album for the sake of three (long) songs. The Tavner Wedding song itself is probably worth it. But the album will never be put on leisurely.
Lives up to their reputation.......2001-03-07
Just recently had the opportunity to hear Chanticleer in concert...this CD certainly gives a cross section of their range...especially liked the "Tang Poems" and "Words of the Sun", which they performed live...very esoteric mix of musical styles...well worth the purchase for Chanticleer lovers!
One of the best I've picked up in ages.......2000-11-25
First of all let me state that the 4 stars isn't for the performance...which is truly outstanding...it is for a few pieces that are a tad sub-par. I also want to mention that its not that the pieces are modern either, I happen to be extremely sympathetic to modern music.
I usually don't like to do reviews this way, but I'm going to make a few comments piece by piece:
1) CRADLE SONGS - The first two of this trio of lullabies are great...the ones from Brazil & Poland are hauntingly beautiful...I'm not so crazy about the one from Tobago. A fairly strong piece, its certainly interesting.
2) VILLAGE WEDDING - This is one of the best three pieces on the album, and probably the best. Hearing John Tavener's work next to his contemporaries is an easy indicator of why he is considered one of this century's greatest and certainly one of the greatest living composers. Simultaneously it is joyous, austere, reverent & spiritual. Simply beautiful & amazing.
3) CANTI D'AMOUR - This is an up & down work. I'm not sure what the composer had in mind, but I find the first part to be amusing. It reminds me of barbershop quartet. It has more somber moments too that are quite moving. Overall though, its okay.
4) WORDS OF THE SUN - After the Tavener piece, this is my favorite one. I would like to hear some of Zhou Long's other works. It is a very subtle piece. Very Chinese too, yet simultaneously western. This is one of my favorite pieces by eastern composers of western music. Lyrically, it is amazing. Its borrowed from a 20th century Chinese poem that is gorgeous in English, I'm sure its even more so in Chinese. Musically, it is very stirring.
5) TANG POEMS - This piece too is written by a Chinese composer (Chen Yi) and it is distinctly Chinese. I am intrigued at some of the techniques used by the composer. I am really pleased with the piece, although I'm sure some find it a little "too eastern." It is extremely pretty if one is accustomed to eastern melodies. The 2nd part is a bit sharper and probably less accessible than the first part.
6) THE RUB OF LOVE - One of the duller pieces on the album.
7) IN TIME OF - Sublime. The opening few bars are unearthly. Definately one of the three best pieces. They definately need to keep this one in their concert repetoire (along with the Tavener and the two pieces by Chinese composers.) This is one of those works you have to hear to believe.
8) LOVE SONGS - This is a quirky collection of tunes by Augusta Read Thomas. It runs the gamut of serious to extremely silly. There are some strong points here, but some of it is too silly to stand the test of time ("Alas, The Love of Women"). Eventhough it is extremely unconventional, the part entitled "For Stony Limits Cannot Hold Love Out" is powerful. It is piercing & strange, but it really works with the text.
There are times when I love everything on this CD, and times when some of it gets on my nerves. It is, however, never boring and the performances are superb. I highly congratulate Chanticleer for not sitting on their laurels. This is adventursome stuff and it works 90% of the time, which is more than I can say for 99% of the ensembles out there.
I highly recommend this disc for "Village Wedding," "Words of the Sun," "In Time of," and "Tang Poems."
Pick it up, be adventuresome. Enjoy.
Fantastic recording of contemporary choral works.......2000-09-21
Chanticleer is one of the USA's finest choral ensembles, and they have picked a marvelous and diverse program for this recording -- with something that would appeal to absolutely everybody. The inclusion of two "husband-wife" pairs in the choice of music also makes for a special connection to the theme of the disc. Of special note to this reviewer are the "delicious" sonorities of Bernard Rands's "Canti d'Amor" and Augusta Read Thomas's "Love Songs" -- Chanticleer is a group who is able to pull off this difficult music beautifully. This recording was absolutely deserving of the Grammy that is received -- one of the finest discs of modern choral music in the past few years.
Average customer rating:
- Beecham's noisy Messiah
- The Big Victorian Handel 'Messiah': Indulge Yourself!
- Comfort Ye!
- Familiarity hasn't bred much affection
- Thanks to Jon!
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Handel - Messiah / Vyvyan · Sinclair · Vickers · Tozzi · Royal PO · Beecham
George Frideric Handel , Sir Thomas Beecham , Jennifer Vyvyan , Monica Sinclair , Royal Philharmonic Orchestra , Jon Vickers , and Giorgio Tozzi
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
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ASIN: B000003FB8
Release Date: 1992-07-14 |
Tracks:
- Messiah: Overture - Royal Philharmonic Orchestra
- Messiah: Recit: Comfort Ye, My People (Tenor) - Jon Vickers
- Messiah: Air: Every Valley Shall Be Exalted (Tenor) - Jon Vickers
- Messiah: Chorus: And The Glory Of The Lord - John McCarthy
- Messiah: Recit: Thus Saith The Lord Of Hosts (Bass) - Giorgio Tozzi
- Messiah: Air: But Who May Abide (Bass) - Giorgio Tozzi
- Messiah: Chorus: And He Shall Purify - John McCarthy
- Messiah: Recit: Behold, A Virgin Shall Conceive (Contralto) - Monica Sinclair
- Messiah: Air & Chorus: O Thou That Tellest Good Tidings (Contralto) - John McCarthy
- Messiah: Recit: For, Behold, Darkness Shall Cover (Bass) - Giorgio Tozzi
- Messiah: Air: The People That Walked In Darkness (Bass) - Giorgio Tozzi
- Messiah: Chorus: For Unto Us A Child Is Born - John McCarthy
- Messiah: Pastoral Symphony - Royal Philharmonic Chorus
- Messiah: Recit: There Were Shepherds Abiding (Soprano) - Jennifer Vyvyan
- Messiah: Recit: And The Angel Said Unto Them (Soprano) - Jennifer Vyvyan
- Messiah: Recit: And Suddenly There Was (Soprano) - Jennifer Vyvyan
- Messiah: Chorus: Glory To God In The Highest - John McCarthy
- Messiah: Air: Rejoice Greatly, O Daughter (Soprano) - Jennifer Vyvyan
- Messiah: Recit: Then Shall The Eyes (Contralto) - Monica Sinclair
- Messiah: Air: He Shall Feed His Flock; Come Unto Him (Contralto & Soprano) - Monica Sinclair
- Messiah: Chorus: His Yoke Is Easy - John McCarthy
Tracks:
- Messiah: Chorus: Behold The Lamb Of God - John McCarthy
- Messiah: Air: He Was Despised (Contralto) - Monica Sinclair
- Messiah: Chorus: Surely He Hath Borne Our Griefs - John McCarthy
- Messiah: Chorus: And With His Stripes We Are Healed - John McCarthy
- Messiah: Chorus: All We Like Sheep Have Gone Astray - John McCarthy
- Messiah: Recit: All They That See Him (Tenor) - Jon Vickers
- Messiah: Chorus: He Trusted In God - John McCarthy
- Messiah: Recit: Thy Rebuke Hath Broken His Heart (Tenor) - Jon Vickers
- Messiah: Air: Behold, And See If There Be (Tenor) - Jon Vickers
- Messiah: Recit: He Was Cut Off Out Of The Land (Tenor) - Jon Vickers
- Messiah: Air: But Thou Didst Not Leave (Tenor) - Jon Vickers
- Messiah: Chorus: Lift Up Your Heads - John McCarthy
- Messiah: Air: How Beautiful Are The Feet (Soprano) - Jennifer Vyvyan
- Messiah: Chorus: Their Sound Is Gone Out Into All Lands - John McCarthy
- Messiah: Air: Why Do The Nations So Furious Rage (Bass) - Giorgio Tozzi
- Messiah: Chorus: Lets Us Break Their Bonds Asunder - John McCarthy
- Messiah: Recit: He That Dwelleth In Heaven (Tenor) - Jon Vickers
- Messiah: Air: Thou Shalt Break Them (Tenor) - Jon Vickers
- Messiah: Chorus: Hallelujah! - John McCarthy
- Messiah: Part III - Air: I Know That My Redeemer Liveth (Soprano) - Jennifer Vyvyan
- Messiah: Chorus: Since By Man Came Death - John McCarthy
- Messiah: Recit: Behold, I Tell You A Mystery (Bass) - Giorgio Tozzi
- Messiah: Air: The Trumpet Shall Sound (Bass) - Giorgio Tozzi
- Messiah: Chorus: Worthy Is The Lamb - John McCarthy
Tracks:
- Messiah: Recit: Unto Which Of The Angels (Tenor) - Jon Vickers
- Messiah: Chorus: Let All The Angels Of God Worship Him - John McCarthy
- Messiah: Air: Thou Art Gone Up On High (Bass) - Giorgio Tozzi
- Messiah: Chorus: The Lord Gave The Word - John McCarthy
- Messiah: Recit: Then Shall Be Brought To Pass (Contralto) - Monica Sinclair
- Messiah: Duet: O Death, Where Is Thy Sting? (Contralto & Tenor) - Monica Sinclair
- Messiah: Chorus: But Thanks Be To God - John McCarthy
- Messiah: Air: If God Be For Us (Soprano) - Jennifer Vyvyan
Amazon.com essential recording
Sir Thomas Beecham's Messiah has become notorious among baroque purists (like this writer) for embodying the worst excesses of pre-1960 Handel performance: ponderous tempos, stentorian opera singers, huge lumbering choruses and orchestras, crashing cymbals, clanging triangles.... Well, we'll need a new straw man: this performance is WONDERFUL. Jon Vickers and Giorgio Tozzi negotiate Handel's writing surprisingly well; Jennifer Vyvyan takes to it naturally. The chorus and orchestra (yes, including trombones, tuba, triangle, and cymbals) may obscure the part-writing, but they fill the music with power, grandeur, and faith. If Mozart could re-orchestrate Messiah, why not Beecham? This may not be Handel's Messiah as such, it may even be a period piece itself--but it's magnificent. --Matthew Westphal
Customer Reviews:
Beecham's noisy Messiah.......2006-12-23
Here's the famous Messiah from Thomas Beecham and forces that uses crashing cymbals, enhanced timpani and brass to make it sound like a collusion between classical forces, a rock band and Canadian Brass. Listen to second CD excerpt from "Hallelujah!" for the opening cymbal crash to get an idea of what's going on.
This performance has been debated for 40 years as to whether it is musically adept, musically correct, an exemplar of the English choral tradition, or just a big old batch of fun at Handel's expense. I first owned this during a time when I also owned a recording Handel's "Royal Fireworks Music" featuring 40 woodwinds. The two made roughly an equal amount of noise.
There isn't much question this performance is completely out of step with the way Handel is performed in most venues today. Check out the wonderful Jon Vickers' highly operatic opening aria, "Comfort ye", then compare that to any leaned-out period group you've heard. You'll get another idea of the dimension of Beecham's project.
While not on the agenda of the Flat Earth Society, the only real interest in a performance like this -- especially having to endure it on three CDs when just about everyone else puts it on two -- is nostalgia or history, whichever happens to be the case for you.
My personal favorite version is in the 4-CD box of "Messiah" and "Israel In Egypt" where Andrew Parrott leads his Taverner Choir & Players and some of the best early music singers including Emma Kirkby, Emily van Evera, Margaret Cable, David Thomas, and Joseph Cornwall. HIs Messiah isn't perfect -- it uses a countertenor for a bass in one aria -- but it is more moderate than most PPP recordings and has a wonderful romantic edge to most of the score. It comes with a top notch recording of "Israel in Egypt" and still costs less than the Beehcham.
The Big Victorian Handel 'Messiah': Indulge Yourself!.......2006-12-16
We live in an era when purity of intent and respect for composers' works is at an all time high. Not only are we blessed with superb 'authentic' performances on period instruments and with small choruses and countertenors and state of the art bel canto singers for Handel's evergreen "Messiah", there are many superlative recordings that are as polished as any one work on current recordings. Supposedly we are hearing Messiah the way Handel envisioned it. Perhaps so, but who is to say that had Handel the resources available today he wouldn't have jumped for joy at the drama of the old British Choral Societies version that Sir Thomas Beecham conducts on this anything but dusty recording from many years ago. The 'Old School' had its good points.
Beecham goes all out with an orchestration, while attributed to Sir Eugene Goosens is also probably some of Beecham's own inimitable tinkering, that adds instruments not only in numbers but also in color and depth of sound. Winds double strings, percussion includes the full battery instead of just tympani, the big cello and viola sound stand equally with the big violin sound, etc. The chorus is huge, and while this allows the big dramatic moments to be intense, the fine diction Beecham demanded remains solidly intact.
The soloists are in an operatic class of their own. Jennifer Vyvyan and Monica Sinclair were major singers when this recording was made and their singing is big and well ornamented. Jon Vickers and Giorgio Tozzi bring Verdi into the room and he is a welcome visitor to Beecham's vision of this work.
For this listener, who prefers the 'correct, authentic' performance, this recording and others even older that celebrate the BIG Messiah are a delight. And that just proves that performance standards, no matter the interpretation of the conductor, are paramount: Beecham gives a solid, convincing interpretation to the operatic Messiah. It is lush, and huge, and absolutely wonderful to hear again! Grady Harp, December 06
Comfort Ye!.......2006-10-30
If your not familiar with "Messiah" don't let the reviews scare you - this is certainly a great choice for your first or only recording. There is a lot of feeling in the playing and singing, and i feel it is quite respectful not only of the composer, but the subject matter. It includes a booklet with all the lyrics, and an essay by Beecham himself about the piece. It is a complete recording, with a "bonus cd" of extra verses not usually performed (as explained in the essay). The audio quality is great for the time it was recorded. Its much more worthy to be listened to and contemplated than to be put on as backround music at Christmastime. The price is certainly reasonable in light of the quality of the performance.
Familiarity hasn't bred much affection.......2005-11-02
I first became acquainted with this recording at the tender age of 12 when I received the original Soria edition as a Christmas gift. I remember being intensely disappointed at what seemed to me then as more circus than music. Time has mellowed that negative reaction and gives a more balanced assessment of Beecham's achievement - I bought the CD reissue after all. It still doesn't inspire much affection in yours truly although I can appreciate the soloists' contributions, particularly Tozzi. The lamented Vyvyan was in better voice with Boult. Here she has a rapid vibrato and a curious way of articulating the high notes. The orchestrations seem to maintain more of the clarity of the writing by concentrating on the bass and the top without clogging up the middle voices in the manner of the Victorians. There are three pieces where it just doesn't work at all to these ears: the brassy "All we like sheep," "Hallelujah" (which summons visions of Fucik's 'Entry of the Gladiators' every time I hear it), and the disintegration of the obbligato trumpet into flute noodlings in "The trumpet shall sound," in a lightweight performance that is at odds with the grandeur of the text. I'll also admit that the splashy brilliance of "For unto us a Child is born" and the surging drama of "Surely, He hath borne our griefs" are very satisfying.
In the forty some recordings I own (and the many performances I've attended) there's no best and no definitive. This is one I respect but don't care to hear very often.
Thanks to Jon!.......2005-03-08
This recording is worth having first of all beacause of the credible singing of Jon Vickers! Yes, he really sings on the words. The "Comfort Ye" and "Every valley..." have a knew dimension after Jons reading of the score. Of course I know that in tradition we want a very much more lyrical voice to this masterpiece. But he's not alone here, and now we are already into the problem; the choir! It's just terrible, yes terrible!
I'm just ending up with "Thanks to Jon!"
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Handel: The Masterworks (Box Set)
Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD
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ASIN: B00062FLI8
Release Date: 2004-11-30 |
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