Blue

Blue

ASIN: B000000DEY

Track Listings

1. Blue

2. Hurt Me

3. One Way Ticket (Because I Can)

4. My Baby

5. Honestly

6. Light in Your Eyes

7. Talk to Me

8. I'll Get Even With You

9. Cattle Call - Eddy Arnold, LeAnn Rimes

10. Good Lookin' Man

11. Fade to Blue - Eddy Arnold, LeAnn Rimes

Editorial Reviews
Amazon.com essential recording
Sounding remarkably like Patsy Cline, LeAnn Rimes's voice slices into each song like a hot knife through butter. At the age of 13, Rimes became country's brightest new star upon the release of this impressive debut. Her balanced blend of traditional and new country owes as much to Cline as it does 1990s' style. "Cattle Call," a duet with the legendary Eddy Arnold, is just one of the many highlights on this album. Attention is focused on Rimes's distinctive booming vocals, as opposed to some snappy chops--musically, it all sounds familiar, like you have heard this before. Still, there are moments where you feel this could not be the voice of a child. As she matures, so will her feelings and presumably her songs. --Paula Ghergia

Tracks:

Either Way
You Are My Face
Impossible Germany
Sky Blue Sky
Side With the Seeds
Shake It Off
Please Be Patient With Me
Hate It Here
Leave Me (Like You Found Me)
Walken
What Light
On And On And On

Amazon.com

After their wild experimental streak of the past decade, Wilco's sixth studio album might feel like a bit of a comedown. Sky Blue Sky is mellow, moody, and uncharacteristically monotone, opening with a pleasant jangle and Jeff Tweedy singing a simple song: "Maybe the sun will shine today, the clouds will blow away." He doesn't even follow it up with a barbed punchline. Could it be that the restless Chicago band has settled back into its gentle Americana roots--or does this sudden mid-career reappraisal represent Wilco's gutsiest move yet? Mostly written in the studio by the full band, it's certainly the group's most cohesive album in ages, presenting a dense song cycle padded with intricate guitar work, brushed rhythms, and '70s soft-rock accents. In places it sounds like Wings ("Hate It Here"), in others Harry Nilsson ("Walken"), and in the middle it goes a bit Grateful Dead ("Shake It Off"). At the same time, there's a distinct sense of hearing a band finally at ease in its own skin. Sky Blue Sky represents the sound of Wilco finally pulling through its petulant adolescence. --Aidin Vaziri

Album Description

Customer Reviews:

"This is important...but I know you're not listening...".......2007-07-09

It seems that with every record, Wilco has a divided audience. Here we go again. I'm a Summerteeth and Yankee guy if I could have only two. Luckily I can have them all! So I find myself in a position defending the album rather than just saying that I enjoyed it as always. First, I don't think this is a grower, I liked it just fine the first time through. That may be because I had already been alerted that it was not Yankee or Ghost part II. Allot of any initial response to a new album comes from your predispositions as to what you expect or want. If you really want Yankee or Ghost part II, I suggest you go listen to them again or get the live "Kicking Television". If you want a new Wilco experience, this should do just fine. It's been funny reading a few reviews suggesting the lyrics are weak compared to other albums. I don't think lyrically this album is much different from the others. The usual mix of the "what does that mean" (Side with the Seeds") with the straight ahead folky ("What Light"). As to the music, the essentials are still the Wilco staples: Time signature changes, quiet to loud shifts within one song, beautiful melodies, great rock vocals, all rooted in a folk idiom. To me the only significant difference is that there is more melodic guitar lead mixed in with the occasional guitar crunch. Some of these are absolutely haunting (see "On and On", "You are My Face", and "Leave Me" for starters). I happen to like that change-up on this outing. This album also doesn't have a real hard-rocker ala Spiders (from AGIB) but Spiders was a bit aberrant to me. Of course there are no noises here, but that only happened on YHF anyway and how many times can one go to that well for atmosphere? I have missed the quirkiness Jay Bennett brought to the music since he left, but Jeff still brings the good songs. And the continuing reinvention keeps me coming back. So where does that leave us? I have happily put this album next to Summerteeth, Yankee, and Ghost at the top of the Wilco oevre. Being There is very, very close behind (it has two of my favorite Wilco songs after all: "Misunderstood" and "Sunken Treasure"). So if you like Wilco because of their great music, get this! If you like 'em because you have a Conet fetish, skip it.

This must have been a really bad breakup.......2007-07-09

This is one of my absolute fave bands--This is disappointing for me even after 5 or 6 run throughs..Tweedy whines on and on about love lost on virtually every song...the most sophomoric he has ever sounded, with ocassional nice little lyrical parts (not as clever or as important as previous three records--I mean he sings about doing laundry for Christs sake, c'mon man) and some guitar parts which he relies too heavily on..it remainds me of Beck's Sea Change which he came back from thankfully and Neil Young's Tonights the Night (although Neil relied a lot on Lofgren's guitar, at least the angst was not a handcuffing factor for every track). Some good stuff on here, but get over the broken heart thing on every track man. Not nearly as pretty as previous "girl" tracks.. I look forward more inspired things from Tweedyco next time.

Beautiful!.......2007-07-08

I listen to this CD every day and will for a LONG time to come! I love all Wilco records, but I have a special place in my heart for this one, for reasons I cannot divulge, but I have a good reason.

I love the title track, Jeff's voice is better than it's ever been, and it's an emotional record, full of just downright beautiful music. Also, for the fan who wants "rock", you've got Walken, Impossible Germany, Shake it Off, what more could you want? If you've never seen Wilco live, you must, a completed rewarding experience!

You won't hear a lot of the noise that was on the last two Wilco CD's, Yankee Hotel Foxtrot or A Ghost is Born (both equally excellent records), this new one is quieter, but the lyrics and musicship are first rate. Wilco is the BEST american band today!! Highly recommended!

I'm trying really hard to like this album......still trying...........2007-07-05

this ablum is difficult. why the change to dullness? Basically, I feel like I'm back in my parents house listening to America or the Eagles or Lightfoot on 8-track. I'm sad. This album is sad. I'm sorry. I so like to idea of siding with the seeds, though. Maybe next time. Wooahis me.

AWESOME!.......2007-07-04

Wilco onc again delivers an all around solid album! I definatly recommend it for any diehard Wilco fan or anyone looking for get into Wilco for the first time!

Average customer rating:

Insipid and inoffensive, uninspired and uninspiring
Simply Wonderful
I have a serious Norah Jones
Boring and useless...
Not Too Late - Norah Jones

Not Too Late
Norah Jones
Manufacturer: Blue Note
ProductGroup: Music
Binding: Audio CD

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ASIN: B000KCHZK6
Release Date: 2007-01-30

Tracks:

Wish I Could
Sinkin' Soon
The Sun Doesn't Like You
Until The End
Not My Friend
Thinking About You
Broken
My Dear Country
Wake Me Up
Be My Somebody
Little Room
Rosie's Lullaby
Not Too Late

Amazon.com

Although the music of Norah Jones continues to blend pop, soul, folk, and country with a seasoning of jazz, her third album for Blue Note is the first where she's written (or collaborated on) all the material. Beneath the smooth surface lie darker strains on the album-opening "Wish I Could" (about a boyfriend lost to war), intimations of mortality in "The Sun Doesn't Like You," and the post-election horrors of "My Dear Country." The last seems to channel the inspiration of Brecht/Weill, while the equally bleak "Sinkin' Soon" is set to a jaunty Dixieland rag. Throughout, Jones's vocal intimacy and melodic warmth remain as disarmingly understated as ever. The soulful "Thinking of You," the countryish "Wake Me Up," and the syncopated "Be My Somebody" reflect the captivating style of her previous work. Although too much in the same midtempo mode becomes a dreamy lull, cut by cut, Jones's voice is irresistible. --Don McLeese

From Blue Note

Album Details

1. "Wish I Could" (Norah Jones-Lee Alexander): Norah Jones: vocals; Jesse Harris: acoustic guitars; Julia Kent: pizzicato cello; Jeffery Ziegler: bowed cello

2. "Sinkin' Soon" (Lee Alexander-Norah Jones): Norah Jones: vocals, piano; Daru Oda: vocals; M. Ward: vocals; Jesse Harris: guitjo; Kevin Breit: mandolin; J. Walter Hawkes: trombone; Lee Alexander: bass; Andy Borger: drums, slit drum, pots and pans

3. "The Sun Doesn't Like You" (Norah Jones-Lee Alexander): Norah Jones: vocals, piano; Jesse Harris: acoustic guitar; Adam Levy: electric guitar; Lee Alexander: bass; Andy Borger: drums; Paul Bryan: Chamberlain keyboards

4. "Until The End" (Norah Jones-Lee Alexander): Norah Jones: vocals, Wurlitzer, piano; Jesse Harris: acoustic guitar; Adam Levy: electric guitar; Lee Alexander: bass; Andy Borger: drums; Larry Goldings: Hammond B-3 organ

5. "Not My Friend" (Norah Jones): Norah Jones: vocals; Jesse Harris: acoustic guitars; Adam Levy: backwards electric guitars; Lee Alexander: bass; Andy Borger: marimba, cymbals

6. "Thinking About You" (Norah Jones-Ilhan Ersahin): Norah Jones: vocals, Wurlitzer; Chuck Mackinnon: trumpet; Rob Suddith: tenor sax; Lee Alexander: bass; Tony Mason: drums; Devin Greenwood: Hammond B-3 organ

7. "Broken" (Norah Jones-Lee Alexander): Norah Jones: vocals, electric guitar; Julia Kent: outro cellos; Lee Alexander: pizzicato, bowed basses

8. "My Dear Country" (Norah Jones): Norah Jones: vocals, piano; J. Walter Hawkes: trombones; Jose Davilla: tuba; Bill McHenry: tenor sax; Larry Goldings: Hammond B-3 organ

9. "Wake Me Up" (Norah Jones-Lee Alexander): Norah Jones: vocals, acoustic guitars; Lee Alexander: bass, lap steel; Andy Borger: drums

10. "Be My Somebody" (Norah Jones): Norah Jones: vocals, Wurlitzer; Richard Julian: vocals; Tony Scherr: electric guitar; Lee Alexander: bass; Andy Borger: drums; Larry Goldings: Hammond B-3 organ

11. "Little Room" (Norah Jones): Norah Jones: vocals, acoustic guitar; Lee Alexander: bass; Daru Oda: whistle

12. "Rosie's Lullaby" (Norah Jones-Daru Oda): Norah Jones: vocals, Wurlitzer; Daru Oda: vocals; Adam Levy: electric guitar, vocal; Robbie McIntosh: electric guitar; Lee Alexander: bass; Andy Borger: drums

13. "Not Too Late" (Norah Jones-Lee Alexander): Norah Jones: vocals, piano, Mellotron; Lee Alexander: bass; Andy Borger: drums

Produced by Lee Alexander

Norah Jones Photos (by Danny Clinch)

More from Norah Jones

Come Away with Me
Feels Like Home
New York City

Customer Reviews:

Insipid and inoffensive, uninspired and uninspiring.......2007-07-08

That's about the highest praise I can muster for this effort. It isn't that it's BAD, but it just never achieves "lift off."

I wish I could wax enthusiastic, but after quite a few listens at this point, I don't think my opinion is likely to change appreciably.

Time for Ms. Jones to find her passion. It isn't evident on this CD.

Simply Wonderful.......2007-07-07

I have all her cds. This one is new, different and good. I like all the tracks, Be my somebody tonight got me a speeding ticket. I saw her in concert and she puts on a helluva show. Worth every penny.

I have a serious Norah Jones.......2007-07-06

For 3 months, my Norah Jones CDs have taken over my car stereo. This woman is very talented!

Boring and useless..........2007-07-06

Unfortunately, this CD is much below all what one could expect from Norah Jones. Except the cover, nothing is worth remembering.

Not Too Late - Norah Jones.......2007-07-06

There are only a couple of songs on this collection that I enjoy. "Come Away With Me" is a better collection.

Average customer rating:

Continuing writers block
The Legend Continues...
Rock the gypsy in your soul
Ancient Highway
music for this time

The Best of Van Morrison Volume 3
Van Morrison
Manufacturer: Manhattan/EMI
ProductGroup: Music
Binding: Audio CD

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ASIN: B000IY0FDA
Release Date: 2007-06-19

Tracks:

Cry For Home
Too Long In Exile
Gloria
Help Me
Medley: Lonely Avenue/4 O'Clock In the Morning
Days Like This
Ancient Highway
Raincheck
Moondance
Centerpiece
That's Life
Benediction
The Healing Game
I Don't Want To Go On Without You

Tracks:

Shenandoah
Precious Time
Back On Top
When the Leaves Come Falling Down
Lost John
Tupelo Honey
Meet Me In the Indian Summer
Georgia On My Mind
Hey Mr. DJ
Steal My Heart Away
Crazy Love
Once In a Blue Moon
Little Village
Blue And Green
Sitting On Top Of the Wolrd
Early In the Morning
Stranded

Amazon.com

Navigating Van Morrison's extensive catalog since 1993 is a formidable task even diehard fans might not want to attempt. The Irish icon has flirted with blues, jazz, country, pop, Celtic, and his own style of indescribable into-the-mystic spiritually-oriented poetic folk on his numerous releases, making for quite a thorny culling assignment. So the EMI brass were probably ecstatic when the singer took the job himself. He weeds through a dozen or so albums released since Volume 2's mile-marker, and adds a clutch of previously unavailable mixes, rarities, and live tracks. The result: a nearly two-and-a-half-hour, 31-track double-disc set as sprawling, eclectic, and tenacious as Morrison's vision and discography. From occasionally rambling but spirited duets with veterans Bobby "Blue" Bland, Junior Wells, Georgie Fame, Lonnie Donegan, B.B. King, the Chieftains, Ray Charles, and even Tom Jones to concert versions of hits such as "Moondance" and an impressive take on Sinatra's classic "That's Life," along with hidden gems like "Steal My Heart Away," this is a beautifully assembled and sequenced collection. It presents most of this multitalented auteur's facets and softens his often crusty exterior by showing his appreciation for the journeymen that helped develop the trail that Morrison then blazed in his own distinctive style. --Hal Horowitz

Album Description

The new 2-CD collection, compiled by Morrison himself, offers a comprehensive overview of his later material. The set's 31 tracks include previously unreleased collaborations with Tom Jones and Bobby Bland, as well as duets with John Lee Hooker, B.B. King and Ray Charles.

Customer Reviews:

Continuing writers block.......2007-07-10

Despite having most of this already I paid out my money and what did I get? A reasonable overview with some obscurities, one of which "Blue and Green" is worth the cost on its own. While the music is all first class the compiling has created some jarring between tracks. I've always loved The Skiffle Sessions album but Lost John between Leaves Come Falling Down and Tupelo Honey sounds bizarre. Nearly all the tracks he has re-recorded are done better in their original incarnation and one gets the feeling that with this, the movie "best of" and the country abomination Pay The Devil before them that he has nothing to say at present. I love Morrison's music and sincerely hope there is more of it to come, its now been a fair number of years since there has been an album of original material and he is overdue for his muse to return.

The Legend Continues..........2007-07-04

This 'Best Of' is a must for any Vanatic (Van fan)... but more importantly it is a must for anyone who thinks Van's career ended in the 1970s... all the tracks on "Vol. 3" are from 1993-2005 - Van's later writing and singing are well represented on this compilation and with a superb supporting cast of John Lee Hooker, Ray Charles, Tom Jones, Carl Perkins, Lonnie Donegan, Bobby "Blue" Bland and the great Georgie Fame as they come along for the journey...

Van is still a mighty force in a world that needs more soul and less pop.

www.vanmorrisonnews.blogspot.com

Rock the gypsy in your soul.......2007-07-03

An amazing compilation of Van Morrison's enchanting and haunting melodies. Although I am not a big jazz or blues fan, he has managed to put those two elements together in a way that is a lyrical treat. The melodies are addictive and very catchy. As he has matured, his renditions of some of his earlier works are performed now with more conviction, passion, and confidence than ever before. Van is an extremely talented musician and lyricist that successfully impacts music for the ages. I could listen to Van Morrison 24/7.

Ancient Highway.......2007-06-29

Van is his element, you won't hear this almost 9 min track on
any broadcast radio station in the US.
I have quite a few of the tracks on other albums over 60% but
didn't hesitate on this purchase.

music for this time.......2007-06-20

This is the best of the best......if you like Van Morrison you must get this........if you never heard of Van Morrison you should get this set before its too late...............Van the Man.......

Hossam

Average customer rating:

Haunting sounds
The phenom Ms Jones
Glad i bought it ( Part II )...!
I'd Love To....
Good for my ears.

Come Away with Me
Norah Jones
Manufacturer: Blue Note Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005YW4H
Release Date: 2002-02-26

Tracks:

Don't Know Why
Seven Years
Cold Cold Heart
Feelin' The Same Way
Come Away With Me
Shoot The Moon
Turn Me On
Lonestar
I've Got To See You Again
Painter Song
One Flight Down
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Amazon.com

It is not just the timbre of Norah Jones's voice that is mature beyond her 22 years. Her assured phrasing and precise time are more often found in older singers as well. She is instantly recognizable, blending shades of Billie Holiday and Nina Simone without sounding like anyone but herself. Any way you slice it, she is a singer to be reckoned with. Her readings of the Hank Williams classic "Cold Cold Heart" and Hoagy Carmichael's "The Nearness of You" alone are worth the price of the CD. Jones's own material, while not bad, pales a bit next to such masterpieces. They might have fared better had she and producer Arif Mardin opted for some livelier arrangements, taking better advantage of brilliant sidemen such as Bill Frisell, Kevin Breit, and Brian Blade; or if the tunes had simply been given less laconic performances. Jones has all the tools; what will come with experience and some careful listening to artists like J.J. Cale and Shirley Horn is the knack of remaining low-key without sounding sleepy--sometimes less is not, in fact, more. --Michael Ross

Amazon.com

Norah Jones Photos (by Danny Clinch)

More from Norah Jones

Not Too Late
Feels Like Home
The Little Willies

Customer Reviews:

Haunting sounds.......2007-07-06

For 3 months, my Norah Jones CDs have taken over my car stereo. This woman is very talented!

The phenom Ms Jones.......2007-06-27

This is such an outstanding production, so much better than the later(I think) CD. Miss Jones should be careful which guitar players back her up. She should stick to Bill Frizell or maybe she should try Mark Knoffler, if she can get him away from Emmy Lou.

Glad i bought it ( Part II )...!.......2007-06-20

I knew that Nora Jones was good music but i had no idea just how good...My sister-in-law bought me this CD for Father's Day...i have listened to it 3 times today. The way i would describe her lyrics and delivery is equal to "Musical Rose Petals". So smooth and so inviting is her voice. I really love the Piano work also. Her birth name being "Geethali",Nora Jones along with the likes of Michael Buble have added a nice,new,fresh selection of music to today's currently enemic sound. This album made her only the second artist ever to sweep the "Big Four" being Album,Song,Record,& Artist of the Year at the Grammy Awards in 2003. Standouts for me include: "Come Away With Me","Don't Know Why", and i really like her rendition of Hank Williams SR.'s "Cold,Cold Heart". With her throw back to Billie Holiday/Roberta Flack days voice coupled with a very welcomed piano based style, Nora Jones can take me away anytime! If you've waited to give her a listen ,as did I, do yourself a favor and don't wait any longer.

I'd Love To...........2007-06-05

Okay, she's not quite a standards specialist, but a lot of people think Norah Jones is well on her way to setting some new standards of her own.

The daughter of famed Indian sitarist Ravi Shankar, Jones grew up in Dallas with her mother, and her work is firmly rooted in the dry Texas soil. The youngest in this survey (she was born in 1979), Jones burst on the scene in 2002 with this debut album of nine original songs plus a handful of country and pop standards. Renowned for her sweet and soulful set of pipes, Jones has often been compared to Billie Holiday. There's also a touch of Roberta Flack and Emmylou Harris in there.

Come Away with Me is an honest-to-goodness country-blues recording that you can sit back with on the front porch rocker on a brisk autumn afternoon. Sort of like an early James Taylor, Jones mixes a little bit of country, folk, and soul into a collection that's the perfect antidote to today's insincere fare. The public must have sensed the same thing, because it bought this CD in boxcar loads, and in 2003 Jones walked away with eight Grammies, including album of the year and best new artist.

The title track, written by Jones, is the first new song I've heard in a long time that's utterly believable. "Come away with me and I'll never stop loving you," she begs, and it's as though she's singing it to you, personally. To Hank Williams's "Cold Cold Heart" she brings an R & B feel, petitioning in anguish to her lover man to come back, body and soul. "I've Got to See You Again" is an exquisite modern torch song in the same vein, while "One Flight Down" is an upbeat tune with chord progressions right out of Paul McCartney's Wings songs, like "Carry That Load." She ends with Hoagy Carmichael's "The Nearness of You." Close your eyes, let Jones's words envelope you with their soulful caress, and you'll sense that she's a lot nearer than your living room speakers.

Good for my ears........2007-06-02

I see some reviews calling her Snorah Jones, and others which debate whether what she sings is truly jazz. Who cares! If it tastes good I eat it: if it sounds good I listen to it. This girl possesses a unique and expressive vocal instrument. It sounds good to me, facilitative for relaxing in a comfortable chair with a martini or cabernet after a hard day's work. If I were three or four decades younger, it would be perfect make out music.

Average customer rating:

Shades of Blue
feeling blue...
Classic with a slight engineering problem
Simply Great !!!!
"Footprint on My Soul"

Kind of Blue
Miles Davis , John Coltrane , Cannonball Adderley , and Bill Evans
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002ADT
Release Date: 1997-03-25

Tracks:

So What
Freddie Freeloader
Blue In Green
All Blues
Flamenco Sketches
Flamenco Sketches (Alternate Take)

Amazon.com essential recording

This is the one jazz record owned by people who don't listen to jazz, and with good reason. The band itself is extraordinary (proof of Miles Davis's masterful casting skills, if not of God's existence), listing John Coltrane and Julian "Cannonball" Adderley on saxophones, Bill Evans (or, on "Freddie Freeloader," Wynton Kelly) on piano, and the crack rhythm unit of Paul Chambers on bass and Jimmy Cobb on drums. Coltrane's astringency on tenor is counterpoised to Adderley's funky self on alto, with Davis moderating between them as Bill Evans conjures up a still lake of sound on which they walk. Meanwhile, the rhythm partnership of Cobb and Chambers is prepared to click off time until eternity. It was the key recording of what became modal jazz, a music free of the fixed harmonies and forms of pop songs. In Davis's men's hands it was a weightless music, but one that refused to fade into the background. In retrospect every note seems perfect, and each piece moves inexorably towards its destiny. --John Szwed

Customer Reviews:

Shades of Blue .......2007-07-08

Miles Davis always composed like a painter.....layering shades of color on a canvas, injecting a little light in the center, a bit of darker in the corner. He cops to it with "Kind of Blue", infering that the musical journey may include shades of blue, or other colors that complement. The mood might be kind of blue as well; or maybe not.

The sound waves on "Kind of Blue" play like a rainfall pattern, a rolling brook, a waterfall, many incarnartions of water free-flowing. Perhaps that is where the blue theme came in. "So What", the opener, is probably one of the most recognized jazz standards, re-produced by many artists over the years. It evokes the sight of someone looking like "The Thinker", turning around and asking " I'm deep in thought... so what?" This seamlessly moves into "Freddie Freeloader", a tune that really does depict the lovable mooch of a friend, plying you with smooth talk and subtle requests. "Blue in Green" does seem to speak to a lover, almost a feeling of sadness combined with a little self-righteous jealousy. Truly, these emotions and nuances can be heard in the melodies.

It would require much more space to describe the remaining songs, so I will leave it to the buyer to explore and interpret on their own. Suffice to say, "Kind of Blue" has attained classic status for good reasons. Music is one of the best forms of art, and when a recording achieves the task of being audio and visual, as well as emotional, there is something to touch all sensibilities. "Kind of Blue" delivers.

feeling blue..........2007-06-20

a rainy day...I pop in 'Kind of Blue'...problems with my lover I pop in 'Kind of Blue'...feeling wistful...I pop in 'Kind of Blue'...Miles Davis on trumpet..John Coltrane on tenor sax..Cannonball Adderly on alto sax..Paul Chambers on bass..Bill Evans and Wynton Kelly on piano..drummer Jimmy Cobb..compositions composed by Davis and Evans..in an attempt to move away from bepop which dominated jazz at the time this is the first full jazz album using the modal approach which is basically composing music with a series of scales using improvisation, the results are 'Kind of Blue' one of the most influential jazz albums of all time, also recognized as one of the top albums of all time.

Classic with a slight engineering problem.......2007-06-12

This album never sounded this good before with one exception. Davis's trumpet is in the center channel and ONLY in the center channel. No bleed whatever right and left. Likewise the drums are only right and the piano only left. That is not the way I hear in a live setting. This is obviously a direct conversion from the original three-track master with out-of-phase info added for the surrounds, but the recording obviously acoustically isolated each player. Still, it's minor and shouldn't prevent you from buying. SACD, if you have a good system, is the next step up in CD reproduction.

Simply Great !!!!.......2007-05-25

First time I heard Miles Davis was in the Tom Cruise movie Collateral.I simply had to hear more!!!!This CD is very cool and collected jazz.

"Footprint on My Soul".......2007-05-24

I was first introduced to jazz in 1997 after listening to the Love Jones soundtrack which included "In A Sentimental Mood" by Ellington and others. I cannot describe in words how deeply moved I was by that song especially being a part of the hip hop generation. I decided to explore this genre a little more and I'd always heard of the great trumpeteer Miles Davis. I knew he was a jazz player but no more. So I decided to purchase something by him in and "Kind of Blue" was the album available in the music store at the time. Again, I'd received no advice on what and who album to purchase. That Fall when I heard this album for the first time, I remained still in my bed with my eyes closed. This album not only touched but stirred my soul. Time for a brief moment was at a stand still, and I loved every moment of it. This happened at the tender age of 20 and this album is still in heavy rotation along with many other jazz musician. I am a die hard "Coltrane" fan but this album is by far the jazz album that will leave a footprint on my soul!

Average customer rating:

easy, breezy...and sexy...me likes!
expected it to be better
What To Do About Joan Osborne.
Dissapointing Effort from a Great Singer
The more I listen, the more I like..... (Was: "Not as good as I'd hoped")

Breakfast in Bed
Joan Osborne
Manufacturer: Time Life Records
ProductGroup: Music
Binding: Audio CD

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Pretty Little Stranger
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Are You Listening
West
Back to Black

ASIN: B000O78KZG
Release Date: 2007-05-22

Tracks:

I've Got To Use My Imagination
Ain't No Sunshine
Midnight Train To Georgia
Baby Is A Butterfly
Breakfast In Bed
Cream Dream
Natural High
Heart Of Stone
Sara Smile
Eliminate The Night
Break Up To Make Up
I Know What's Goin' On
Alone With You
Kiss And Say Goodbye
Heat Wave
What Becomes Of The Brokenhearted

Amazon.com

On Breakfast in Bed, her first release on Time Life Records (yes, that Time Life) Joan Osborne tackles a crop of hand-picked soul and R&B favorites with equal parts sass and sensitivity. Long an underappreciated artist, Osborne is a performer with the wisdom to exercise vocal restraint for an effect that's more Dusty Springfield than Christina Aguilera. Her fine previous outing interpreting soul standards was aptly titled How Sweet It Is, and witness her contribution to the terrific 2002 film Standing in the Shadows of Motown, where Osborne's astute readings of "What Becomes of the Brokenhearted" and "Heatwave" outshone performers like Ben Harper and Gerald Levert (happily, both songs are included here). The title track and Hall and Oates' "Sara Smile" are both canny choices that play to her strengths in delivering credible blue-eyed soul, and six new Osborne-penned songs fit neatly into the record. If her compositions pale a bit next to the classics she covers (with the sultry and slithery exception of the excellent "Eliminate the Night"), give Osborne credit for bravely placing herself side-by-side with songwriting luminaries like Holland-Dozier-Holland and Bill Withers. Breakfast in Bed makes for a leisurely listen on a sunny Sunday morning, so put up your feet and stay awhile. --Ben Heege

Album Description

Joan Osbourne's recently recorded album pays homage to the great Soul and R&B songs of the late '60s and early '70s. The album features a unique combination of unforgettable interpretations of timeless R&B classics. Her first single to radio will be "I've Got to Use My Imagination."

Customer Reviews:

easy, breezy...and sexy...me likes!.......2007-06-30

Okay, my thoughts! I dunno, it seems pretty clear Joan has been really enjoying herself lately. I'm all for that.

Speaking for myself, more times than not, Joan selects covers that are mostly new to me - on this disc, besides the 2 live tracks, I was only familiar with Midnight Train. So, generally, all the songs are new to me. Then again, I like covers and I like how Joan mixes in her own songs. She is a singer, after all! I don't think a true singer should be afraid of (or criticized for) covering songs... Admittedly, if I really had my way with Joan, I'd get her to release all those original songs that have gone unreleased over the years, but this album satisfies just as well. Simply put, it's great.

Honestly, when I first listened to the sound samples online, I wasn't quite sure what to think, but since listening to the full album, I've come to really enjoy it. I think it's an accessible album that everyone can enjoy. Joan's voice sounds unbelievably sexy and gorgeous! I don't dislike the first 2 tracks, but I could do without them at the same time. My favorites from this disc are Baby Is A Butterfly & Heart Of Stone (two originals), and Kiss And Say Goodbye (so good!). I'm not one to hum, but I've found myself randomly humming these songs (like while shopping or lounging in bed).

In any case, all the songs work and sound well alongside each other and I'm glad Joan's being more prolific and enjoying herself.

expected it to be better.......2007-06-30

Her "How Sweet It Is" CD is one of my favorites. On that release, she's in great voice, she covers great material and I think it was very bold to do a CD of all cover tunes. I was excited to find that Joan did a new 70's style CD, but I found that this disk to be just pleasant. It is also somewhat dull... no sparkle, no WOW, no "hey you gotta hear this!". I ain't bad, but if you're tempted, start with the "Sweet" CD.

What To Do About Joan Osborne........2007-06-30

Osborne's career has to be one of the most wasteful careers of all time. This is her sixth studio album, and it is her third in a row consisting MOSTLY of cover songs and NOT original material. Is her hand broken? Can she not write 10 original songs for one new cd? I WANT "RELISH" OR "RIGHTEOUS LOVE". At least the songs not written by her were new songs.

That said, I think Osborne is an excellent vocalist, but her vocals have been squandered by re-doing classic r&b, blues and soul songs. I have to admit that some of her successful covers on "Breakfast In Bed" came in unexpected places. When I looked over the titles I thought, "There's no way she's going to pull off Gladys Knight & The Pips's "I've Got To Use My Imagination", but there she was giving it a fresh coat of new paint. This didn't carry over to the other Gladys Knight & The Pips hit "Midnight Train To Georgia". To me, it was a lifeless interpretation of the original. Likewise, Bill Withers's "Ain't No Sunshine" was a rather bland interpretation. "Natural High" by Bloodstone was unfamiliar to me, so I couldn't compare the original with what Joan had done, but the song was okay, not great. "Breakfast In Bed" is eluding me. I'm not sure if it is a cover song because I've never heard it before. Hall & Oates's "Sara Smile" was treading on dangerous ground for me since I am a huge fan of theirs. I was not amused by the original take of a song about a woman being sung by a woman. Again, Osborne didn't bring anything new to the table. "Break Up To Make Up" by The Stylistics was okay. I wasn't too familiar with that song, so again, I couldn't compare. Manhattan's "Kiss And Say Goodbye" is an often covered song, and Osborne did a decent job of it. Strangely, the two songs not designed for this cd, but included as extras, tended to be some of the strongest material. Joan does a decent cover of Martha & The Vandellas' "Heat Wave" and Jimmy Ruffin's "What Becomes Of The Broken Hearted" to finish off the disc.

This leaves six originals penned by Joan. I give her credit for making six songs that do sound like the genre she was going for. However, I found only two of the songs to really stand out in my mind: "Baby Is A Butterfly" and "Cream Dream". "Heart Of Stone", "Eliminate The Night", "I Know What's Going On" and "Alone With You" are all unremarkable.

So, what's it going to be? Give Joan five stars because you like her and she's a talented singer/songwriter, or give her three stars because she's not giving fans what they really want (all new material)? For me, it's the latter. I can't stress enough that after 7 years it's high time for Osborne to walk the walk and give us a full album of new material.

Dissapointing Effort from a Great Singer.......2007-06-27

I've been a Joan Osborne fan for years and think she usually brings new life to covers. But this disc falls flat. As soulful as her voice is, she adds nothing new (or that interesting) to most of these Motown (and pseudo-Motown) tunes. I still thnk she's great, but would have expected more from this disc. If you haven't heard much of her, go with "Pretty Little Strangers."

The more I listen, the more I like..... (Was: "Not as good as I'd hoped").......2007-06-19

Edit: I've left the text of my original note below, but I have to change my review. I've now listened to the CD on a better CD player and all I can say is wow..... This *is* everything I hoped it would be. The depth comes through beautifully and it seems like I'm listening to another CD. Though, it is true that this is a _very_ mellow set of songs. You really do have to sit there and groove for awhile to appreciate the nuances. But totally worth it!

I now return you to your previously written review.....

I have an ongoing love affair with Joan Osborne. I really think she is one of the truly excellent performers around today. Seeing her live is revalatory.

Yet this CD is only okay. Don't get me wrong, it's certainly not bad, but I went out and bought this CD today, put it on as I sit her at work finishing up a project, and quite frankly, haven't really paid much attention since. It's fine background music, but frankly, I expect a little more.

Maybe it's just because I have such high expectations, but this doesn't do it for me. By contrast, I really loved How Sweet it Is.

Van Morrison At The Movies: Soundtrack Hits

Average customer rating:

Van the Man at the Movies
Absolutely awesome album
Easy listening
Okay for Van Morrison fans
Some live, some studio

Van Morrison At The Movies: Soundtrack Hits
Van Morrison
Manufacturer: Manhattan Records
ProductGroup: Music
Binding: Audio CD

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West
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A Hundred Miles or More: A Collection
Live at Massey Hall (CD/DVD)

ASIN: B000KQF748
Release Date: 2007-02-13

Tracks:

Gloria - (Them)
Baby Please Don't Go - (Them)
Jackie Wilson Said (I'm In Heaven When You Smile)
Domino
Moondance (live) previously unreleased version
Queen Of The Slipstream
Wild Night
Caravan (live)
Wonderful Remark
Brown Eyed Girl (re-recorded)
Days Like This
Into the Mystic (live)
Hungry For Your Love
Someone Like You
Bright Side Of The Road
Have I Told You Lately
Real Real Gone
Irish Heartbeat (w/Chieftains)
Comfortably Numb (live)Recorded live at the Berlin Wall in 1990 with Roger Waters

Amazon.com

If Hollywood's marriage with pop music is too often a marketing-driven shotgun affair, there remain musicians whose artistry can't help but elevate whatever film project they're associated with. This 19-track compendium underscores that notion, gathering a career-spanning collection of the Irish rock-R&B legend's contributions to an eclectic body of films that stretches from Pope of Greenwich Village's effusive early solo hit "Jackie Wilson Said" to the unlikely live collaboration with Roger Waters on "Comfortably Numb" that seasons Martin Scorsese's Oscar-nominated The Departed. The collection serves as a concise primer to the high points of Van Morrison's mercurial career, from the gritty career-breakout hits ("Gloria," "Baby Please Don't Go") of his British Invasion band Them through such early solo touchstones as "Wild Night," "Brown Eyed Girl," "Domino," and the collection's fine, previously unreleased live version of "Moondance" from An American Werewolf in London. But, as tracks like "Wonderful Remark," "Bright Side of the Road," "Someone Like You," and his Chieftains collaboration "Irish Heartbeat" ably argue, it's also an invitation to explore less heralded, if equally seductive, corners of the singer's rich oeuvre. --Jerry McCulley

More from Van Morrison

Moondance
Astral Weeks
The Best of Van Morrison
Into the Music

Customer Reviews:

Van the Man at the Movies.......2007-07-10

As Michael Heatley notes in the excellent accompanying booklet, when Van came in at The Last Waltz, it kicked that last concert of The Band up a notch, and the ensuing energy never came back down. He has that effect and, I think, in general, helped the films his music accompanied, rather than the other way around. This compilation ranges from "Gloria" with Van's early band, Them, to a duet with Roger Waters on Pink Floyd's The Wall of "Comfortably Numb". The question is, however, how well does it hold up for general airtime in the CD player?

Quite well. If you already have The Best of Van Vols one and two CDs, you already have most of the best songs this disc leaves off. Heatley makes the choice of soundtrack songs for the films seem so much a matter of director's decision, that rather than lionizing them for what they did include, you wonder why they left off your favorites. Where's "Full Force Gale"? "When Will I Ever Learn (to Live in God)"? "And It Stoned Me"? One could go on and on. Change of tactic, therefore, to celebrate what is included rather than decry what is not.

This disc ranges over what might be considered the various Van periods, which are distinctive musically. Hungry For Your Love" comes from what Heatley calls the "often overlooked" Wavelength album, which hails from the era of horns and gospel vocal back-ups. Astral Weeks, yes, but I think Wavelength is one of Van's best albums ever. Some songs exist in alt/ live versions here, to good effect, as with the best known classics, "Domino", "Caravan". "Moondance" and "Into the Mystic". The studio versions are easily available but most fans will enjoy hearing the new takes. Van handles them confidently, and drops into his effortless live groove, slurring the words of "Into the Mystic" which, like these other songs, can survive any number of interpretations. "Bright Side of the Road" comes from another Wavelength era overlooked album, Into the Music, which unveiled the amazing "Full Force Gale", the latter conspicuous by its absence. '90s Van appears with the standout "Real Real Gone" and "Days Like These". Two songs will already be familiar to non- van fans, having been hits for John Cougar Mellencamp and Rod Stewart.

As I write, Van still hasn't gotten the Nobel Prize, although he's done more to bring enjoyment and harmony than almost anyone on the planet, with the possible exception of Mother Teresa, who already did get it, so it's Van's turn. But until that oversight is addressed, at least there's this compilation which shows he's not only raised the bar for music but also significantly improved the movies.

Absolutely awesome album.......2007-07-03

A great Van Morrison album for someone who really loves Van Morrison and his legendary sound. It's in my CD player all the time.

Easy listening.......2007-05-26

Great collection of some of my favorite songs and artists and with good sound quality too.

Okay for Van Morrison fans.......2007-05-25

There are some good songs, but not all are good.

Some live, some studio.......2007-05-15

Some of Van Morrison's songs on this album are live and some are studio made. I really don't much care for the live songs because I learned to like those songs made in the studio on vinyl. This is still a very good album.

Average customer rating:

Good, but not the best
a snoozer
LOVE IT
Feels Like Home
Feels Like Home

Feels Like Home
Norah Jones
Manufacturer: Blue Note Records
ProductGroup: Music
Binding: Audio CD

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Come Away with Me
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The Little Willies

ASIN: B00018D44U
Release Date: 2004-02-10

Tracks:

Sunrise
What Am I To You?
Those Sweet Words
Carnival Town
In The Morning
Be Here To Love Me
Creepin' In
Toes
Humble Me
Above Ground
The Long Way Home
The Prettiest Thing
Don't Miss You At All

Amazon.com

Norah Jones blew everybody away with her jazzy, country-tinged, Grammy-winning debut CD, Come Away with Me. On this recording, Jones doesn't mess with her trademark formula. Under Arif Mardin's cozy coproduction, Jones is supported by her writing partners, her Handsome Band, and some special guests (country legend Dolly Parton, Levon Helm and Garth Hudson of the Band, and jazz drummer Brian Blade, to name a few). Jones's Texas-twanged vocals and her sparse acoustic and electric Wurlitzer piano lines enliven the CD's 13 tracks, from the light and lively single "Sunrise" to Tom Waits's "The Long Way Home" and the bouncy duet with Parton, "Creepin' In." Jones's soul-baring piano/vocal rendition of Duke Ellington's "Melancholia," retitled "Don't Miss You at All," proves she's a true Blue Note artist with unlimited potential. --Eugene Holley Jr.

Amazon.com

Norah Jones Photos (by Danny Clinch)

More from Norah Jones

Not Too Late
Come Away With Me
The Little Willies

Album Description

'Feels Like Home' features 13 tracks & a host of special guests including Dolly Parton, Levon Helm, Garth Hudson of the Band, Jesse Harris, Robert Burger and Tony Scherr. Blue Note. 2004.

Customer Reviews:

Good, but not the best.......2007-06-17

"Feels Like Home" is a welcome addition to any fans' collection. I gave it four stars simply because I did not think it was as good as her first or third CD. If you like Norah's other work you will like this CD, but if you don't have extra money or you would like to introduce yourself to Norah Jones purchase "Come Away With Me" or "Not Too Late" instead.

a snoozer.......2007-06-09

Wonderful intimate voice,great musical heritage, extremely monotonous songs....great if your trying to lower your bloodpressure or achieve REM state. This ain't jazz it's elevator music.

LOVE IT.......2007-04-13

I love the sound of her voice, there is no other like it.

Feels Like Home.......2007-03-23

Another Norah Jones classic in its sound and unusual genre. Easy to listen to - fun to sing with!

Feels Like Home.......2007-03-16

I love the music of Norah Jones and I love this CD. She is so smooth.

Average customer rating:

Beauty & Crime
Suzanne Vega
Manufacturer: Blue Note Records
ProductGroup: Music
Binding: Audio CD

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Theology
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Breakfast in Bed

ASIN: B000H6SU9A
Release Date: 2007-07-17

Tracks:

Zephyr & I
Ludlow Street
New York Is a Woman
Pornoghrapher's Dream
Frank & Ava
Edith Wharton's Figurine
Bound
Unbound
As You Are Now
Angel's Doorway
Anniversary

Amazon.com

With a career spanning more than two decades, Suzanne Vega has long stressed quality over quantity. It's no surprise, therefore, that her first release in six years is more than worth the wait. Her eye for detail, laconic vocal cool, and thematic focus on New York City continue to distinguish her artistry, but the sonic sheen applied by British producer/multi-instrumentalist Jimmy Hogarth sparks a musical renewal. Crisp guitar riffing recalls the streetwise work of fellow New York chronicler Lou Reed, while chamber strings, electronic atmospherics, and multitracked background vocals lift the results well beyond the folk realm. Vega writes from a perspective of memory and maturity, recalling the New York of old on "Zephyr & I" and "Ludlow Street," showing the musical sophistication of bittersweet seduction on "New York Is a Woman," applying a musical Brazilian wax to "Pornographer's Dream," and contemplating her life as a wife on "Bound" and as a mother on the lullaby "As You Are Now." The results are richly satisfying throughout. --Don McLeese

Amazon.com

On Beauty & Crime, Suzanne Vega's Blue Note Records debut, the Manhattan native uses New York City as the backdrop for a collection of eleven new songs that juxtapose acoustic guitar-driven melodies with coolly synthesized beats; intensely personal lyrics with compelling, short story-like narratives; images of today's scarred cityscape with memories of Vega's old Upper West Side 'hood and Lower East Side haunts. The past commingles with the present, the public with the private, familiar sounds with the utterly new, just like the city itself. Making her first new studio album in six years, Vega says, "I feel like I really stretched my limits. I pushed myself out of my comfort zone--to sing in keys I wouldn't have sung in before, to work with different textures, to be unafraid of doing what ever sounded good to me. I wanted to make a modern classic."

Suzanne Vega Photos

Album Description

2007 album produced by Jimmy Hogarth. She is accompanied by an eclectic group including Will Malone, Gerry Leonard, Lee Renaldo, Mike Visceglia and Doub Yowell. EMI.

Average customer rating:

Give yourself time
tweedster
Phenomenal
Aimless Wandering
Wilco f**king triumphs

Sky Blue Sky (CD/DVD)
Wilco
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

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Jeff Tweedy - Sunken Treasure - Live in the Pacific Northwest
The Search
Easy Tiger
New Moon

ASIN: B000P6R6X8
Release Date: 2007-05-15

Tracks:

Either Way (CD)
You Are My Face (CD)
Impossible Germany (CD)
Sky Blue Sky (CD)
Side with the Seeds (CD)
Shake It Off (CD)
Please Be Patient with Me (CD)
Hate It Here (CD)
Leave Me (Like You Found Me) (CD)
Walken (CD)
What Light (CD)
On and On and On (CD)

Tracks:

Intro (DVD)
Sky blue sky (DVD)
Impossible Germany (DVD)
Please Be Patient With Me (DVD)
Shake It Off (DVD)
Walken (DVD)
What Light (DVD)
Side with the Seeds (DVD)
Hate it here (DVD)
Credits (DVD)

Album Description

"Sky Blue Sky" has hints of early-seventies Southern California folk-rock sweetness in the harmonies. The album is filled with brash guitar solos that take songs like "You Are My Face" and "Shake It Off" in unexpected directions. The Deluxe Edition includes a bonus DVD, which contains more than 45 minutes of footage of the band performing songs from Sky Blue Sky. The DVD also contains interview segments with all six band members. The film was directed by Christoph Green and Fugazi's Brendan Canty, the creators of the Jeff Tweedy solo concert film, Sunken Treasure: Live in the Pacific Northwest, as well as the acclaimed documentary series, Burn to Shine.

Customer Reviews:

Give yourself time.......2007-06-27

I made a mistake when I listened to this for the first time. I expected it to touch me and move me the way Wilco's previously records have, immediately. There is no way any album can meet that expectation. But its a mistake I, and others, make all the time. Some folks only want a fresh take on what they already know they like. This is not re-gurg rock. Its not YHF. Its not A Ghost is Born. Its Sky Blue Sky.

Here I am one month later and I really love this album. I found everything I want from a Wilco record in Sky Blue Sky. The roller coasters are there, its just not the same ride as before. Nor should it be. The hooks are there where you least expect them. The irritating moments of the first few listens (Shake it Off's tempo or Impossible Germany's verbiage) have long faded. Whats left is satisfying and heartfelt.

Let yourself get lost in it and you too can find exactly what you didn't know you were looking for.

tweedster.......2007-06-21

every wilco album is a must have. this one even has less noise then there past couple albums. sometimes noise, well, is annoying. this is a great album

Phenomenal.......2007-06-21

Best CD of the 21st Century. Although it is both lyrically and sonically dense and much can be said for the artistry, it just makes me smile.

Alternative fans will love it, as will fans of folk music. I think rock and country fans will enjoy it quite a bit as well. Metal only fans may want to look elsewhere.

Aimless Wandering.......2007-06-18

The most pointless record of the year.

Jeff Tweedy and his Wilco have managed to make the dullest record of their career with Sky Blue Sky. Its instrumentation is as bland as elevator music, and its lyrics are as infantile as a middle schooler's book of so-called "poems" (and good lord do I wish the preceding were hyperbole).

Since 1999's "Summerteeth," Tweedy has frustrated and befuddled old fans of Uncle Tupelo and his new band's first pair of stellar albums ("A.M." and "Being There") by striking off in new musical directions with every record. This consternation was always tempered, though, by the fact that the directions in which Tweedy took the band were interesting, particularly in the case of "Yankee Hotel Foxtrot," his first foray into his own brand of "progressive electronica," to suggest a category. But the one adjective that can't be used to describe "Sky Blue Sky" is 'interesting.' This album is interesting's absolute antithesis. Searching for days for the right descriptors for Tweedy's latest effort led this reviewer back to a small stable of terms: "directionless", "uninspired", "pointless", "inoffensive". It is the last of these I've settled on most comfortably. "Sky Blue Sky" is not a terrible album, it's just immensely disappointing. Its songs blend together in a bland soup of sound, Tweedy's vocals sound as though he's moments from slumber, and the instrumentation is derivative at best.

Gone are all the things that once made Wilco a fantastic band to listen to: the enthusiastic energy of "A.M." and "Summerteeth," the sublimity of "Being There" ("the first alt-country masterpiece," as I believe No Depression Magazine put it), the historicity and collaborative spirit of the "Mermaid Avenue" records, and the compelling sonic experimentation of "Yankee Hotel Foxtrot." With "Sky Blue Sky" Jeff Tweedy and his band achieve the acme of boredom, a greater musical sin than any other I can imagine.

Others have lamented that this record is too much a "regression" to the days of "A.M." and "Being There." If only this were true! Any sensible Wilco fan would regard a genuine return to 1994-98 stylings to be a triumph (who among us would be displeased with more work like "I Must Be High" or "Pick Up The Change" or "Sunken Treasure"?). Sadly, "Sky Blue Sky"--even in its best moments--is the palest imitation of such work. It's flat.

Go back and listen to A.M. instead. Or better yet, pick up Son Volt's new album, "The Search." *There* is an interesting record.

Wilco f**king triumphs.......2007-06-16

I really think the over-simplification that a lot of critics have been spewing forth about this album is just lazy. They just went along with the storyline of Tweedy's current vibe following his recovery as the humble and direct bandleader who 'really wants us to like this record', and how he just wanted to sing some songs for people. So, they write their little reviews about it being 'simple' and 'straightforward' 70s influenced...blah blah blah.

Anyone who has ever actually made a record within the last 10 years though knows how much less musicianship it takes to do 1,000 overdubs and then cut, paste, and edit like a madman in pro-tools to make it sound the way you want than to do it the way Wilco did on this record.

Most records today are of this cut and paste variety, with the producers and engineers often having as much or more to do with the record's final sound than the musicians themselves.

However, I still feel their is something magical about a band playing together in a room, and being able to pull it off 99% live and really capturing the moment, which to me is what rock 'n' roll is truly about. You can see and hear the amount of time and energy the band spent playing together and working out these arrangements...plus the fact that they all play together and don't try to play over each other...it's just a great band of talented, mature musicians. Something very hard to find these days.

To me this is like how the Beatles' "Let It Be" album would have turned out if they were all still working together as a cohesive unit - great rock songs with tons of feeling, played to perfection. Long Live Wilco!!!!

Album Review:

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