Somebody Loves You

Somebody Loves You

ASIN: B0009SQI0E

Track Listings

1. Before I'm Fool Enough (To Give It One More Try)

2. I'll Get Over You

3. Sweet Baby on My Mind

4. I Want to Lose Me in You

5. High Time

6. Somebody Loves You

7. What You've Done for Me

8. Coming Closer

9. Dreaming My Dreams With You

10. What I've Been Needin'

Somebody Loves You,Crystal Gayle,EMI America,Country-Pop

Average customer rating:

When Somebody Loves You

Only The Best By The Best

always great, always pure country

This cd is awesome!

Alan rules!!!

When Somebody Loves You
Alan Jackson
Manufacturer: Arista
ProductGroup: Music
Binding: Audio CD

General | Contemporary Country | Country | Styles | Music
New Traditionalist | Contemporary Country | Country | Styles | Music
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Who I Am

Everything I Love

High Mileage [Enhanced CD]

Drive

A Lot About Livin' (And a Little 'Bout Love)

ASIN: B00004ZEJ2
Release Date: 2000-11-07

Tracks:

Meat and Potato Man
When Somebody Loves You
The Thrill is Back
www.memory
Where I Come From
I Still Love You
Life or Love
A Love Like That
It's Alright to be a Redneck
Maybe I Should Stay Here
Three Minute Positive Not Too Country Uptempo Love Song

Amazon.com essential recording

In the decade since his debut, Alan Jackson has matured as both singer and songwriter while his resolute traditionalism remains unchanged. As usual, his original numbers account for the best moments, including the hit "www.memory" and heartland anthem "Where I Come From," both outclassing the cartoonish non-original "It's Alright to Be a Redneck," yet another variation on Jeff Foxworthy's tired comedic hook. Jackson's masterful title track reiterates his genius with a ballad, as does his passionate interpretation of Robert Lee Castleman's loungy "Maybe I Should Stay Here." Don't dare assume he'd tone down the acerbic commentaries he began on "Gone Country" and continued on "Murder on Music Row." As roaring guitars battle traditional steel guitar, "Three Minute Positive Not Too Country Uptempo Love Song" allows Jackson to plunge his lyrical daggers into country radio consultants, whose soulless, analytical number-crunching determines who does--and doesn't--get airplay. Jackson's determination to confront Nashville's marketing, fashion, and gimmickry obsessions reaffirm his own blue-collar grit. --Rich Kienzle

Customer Reviews:

When Somebody Loves You.......2006-07-02

I have enjoyed listening to Alan Jackson's "When Somebody Loves You". I received the CD promptly.

Only The Best By The Best.......2006-04-17

I don't really Love this cd but one song on there really called out to me and it was "When Somebody loves You" I Love that song.

always great, always pure country.......2004-05-15

Alan Jackson is one of the few best-selling artists who throughout his long career has kept "real country music" thriving; during Nashville's ups and downs and pop crossover cycles, Jackson never left his roots, and for that we thank him.
In this platinum CD, which was his 10th recording, his wonderful baritone voice and relaxed style make all 11 tracks great listening.
Three of the five songs written by Jackson in this album were released as singles: "www.memory", "When Somebody Loves You", and the terrific "Where I Come From", which peaked at # 1 on the Billboard charts.

Other favorites include the opening "Meat and Potatoes Man", which is funny and tailor-made for Jackson's humor, the romantic, lilting "Maybe We Should Stay Here", and Jackson's "Three Minute Positive Not Too Country Up-tempo Love Song", which is a showpiece for his fabulous band (guitars: Bruce Watkins/acoustic, Paul Franklin/steel, Brent Mason/electric. Bass: Glenn Worf. Drums: Eddie Bayers. Fiddle: Stuart Duncan, Larry Franklin. Harmonica: Terry McMillan. Piano: Gary Prim, Keith Stegall).
Total playing time is an all-too-short (because time passes quickly when listening to Jackson) 34'01 minutes.

This cd is awesome!.......2003-01-26

This cd is a keeper! Its very "Alan Jackson" style.

Alan rules!!!.......2002-04-21

This is a great album. Some of the songs are cute like, 'Meat And Potato Man,' and 'It's Alright To Be A Redneck.' My favorite song is 'Where I Come From.' Alan Jackson is very talented and makes country excellent! I'd recommend this cd.

Average customer rating:

Brava Dame Kiri!
Who could ask for anything more?
i was made to listen..now im hooked
I love it!
Classic Gershwin

Kiri Sings Gershwin

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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Kiri
Kiri Te Kanawa - Greatest Hits ~ 14 Favorites of Opera, Popular & Traditional Song

ASIN: B000002SJI
Release Date: 1990-10-25

Tracks:

Somebody Loves Me
Boy Wanted
Things Are Looking Up
Love Walked In
Love Is Here To Stay
Someone To Watch Over Me
But Not For Me
Summertime
The Man I Love
Soon
Meadow Serenade
Nice Work If You Can Get It
By Strauss
Embraceable You
I Got Rhythm

Customer Reviews:

Brava Dame Kiri!.......2007-03-11

This is a delightful CD. Esteemed soprano Kiri Te Kanawa sings Gershwin. One hook making this CD interesting is the use of the original scores and choral arrangements. It adds a most pleasant element to this recording. In essence, this is simply a lot of fun to listen to. Kiri Te Kanawa takes the music for what it is, sings it with gusto, and produces a very satisfying CD.

Some examples. . . . "Somebody loves me" demonstrates her lush voice. This is a nice version of a fine Gershwin tune. The orchestral backing is solid and enjoyable. All in all, very satisfying. "Summertime," from "Porgy and Bess," is well known. This is well sung; her operatic voice handles the song most satisfactorily. A very fine version. . . .

"Nice work if you can get it" is a clever bob-bon. Dame Kiri sings this in a most sprightly fashion. She sings in the proper spirit for the song and seems to be enjoying herself in the process! There is a nice high note at the end which does not seem simply for effect (compare with Mario Lanza's efforts at ending almost any song with a high C).

"Embraceable you" is charming and well done. "I got rhythm" closes this CD. Again, very nicely done with lush orchestration and choral singing. The song is taken at a quick pace and the result is delightful. Her rich voice works well on this cut. The chorus is energetic and the orchestra sparkles.

This is a most enjoyable album. Great music sung in a charming style by a great singer

Who could ask for anything more?.......2005-12-29

That says it

i was made to listen..now im hooked.......2003-04-21

i was made to listen to this album as a requirement for my A Level course into perfrming gershwin songs...its amazing..the way kiri sings each one in a different style and makes it her own..go and buy it..u wont take it out of your CD player

I love it!.......2002-05-14

If you like Gershin and Kiri Te Kanawa you'll probably enjoy this album as much as I do!

I can imagine Nick and Nora Charles listening to this at one of Nick's favorite dives! It will transport you to a sophisticated time and place that may have never existed except in literature and debutante coming out parties.

Gatsby would have loved it, and surely would have invited Kiri to all his parties!

Classic Gershwin.......2002-04-05

Original arrangements of Gershwin tunes are rare these days, but that's what you'll hear in this album by Kiri Te Kanawa. Granted, the arrangements sound somewhat dated according to 21st century tastes, but that's what makes them fascinating. These were like nothing anyone else was writing when the George and Ira first brought them to life. Kiri uses a different, somewhat breathier voice than you might be used to on her classical albums, probably not the type of voice Gershwin had in mind, but I think it generally works pretty well.

Average customer rating:

Sheri Petta - who would a thunk?
great music and "match"
Smooth Renditions
Beautiful Fresh New Voice
Magical!

this is why
Sherry Petta
Manufacturer: Sherry Petta Music
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

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What Love Is
Surrender
The Boy Next Door
Renee Olstead
Not Too Late

ASIN: B000BUWE7G
Release Date: 2005-10-12

Tracks:

If I Had You
Until The Real Thing Comes Along
I Wish You Love
Falling For You
Teach Me Tonight
Fools Rush In
Let Me Love You
Summer Wind
Watch What Happens
Everybody Loves Somebody
Waiting
You Don't Know Me
Blue Ain't Just A Color

Product Description

Sherry Petta sings popular standards and three originals soon to be favorites. Enjoy her textured velvet vocals on songs that will keep music in your heart. Tracks include Waiting, You Don't Know Me, If I Had You, Fools Rush In, Until the Real Thing Comes Along, Summer Wind, and more.

Customer Reviews:

Sheri Petta - who would a thunk?.......2007-02-17

I heard a cut from Sheri Petta and enjoyed it so I ordered her only album and have played it over and over. She is gifted with a silky smooth syrupy voice - a torch singer with soul and perfect pitch - a real find.

great music and "match".......2007-01-08

I believe Sherry has a beautiful voice, and her music is quite entertaining and enjoyable. I would like to hear and learn more...

FrankCaruana (from hotmail)

Smooth Renditions.......2006-03-20

A superb CD. Silky voiced, smooth renditions of classic numbers excellently produced with very professional backing. Well worth a listen.

Beautiful Fresh New Voice.......2006-01-22

Sherry Petta's music resonates with a fresh new sound. Her voice is clear and clean...reminds me of listening to jazz in a hot club, but without any smoky haze... a contemporary sound for today. I have given Sherry's CD as a gift to many friends and they all enjoy listening to it over and over again. The lilt in Sherry's voice is just charming. Buy this CD today for hours of listening pleasure.

Magical!.......2006-01-18

You must buy this CD. While visiting Arizona recently, I heard a song from this CD on the radio. I figured the singer was some famous person, and then I heard the DJ say it was from an "upcoming star". Well he was right. This woman can sing! All of the songs put you in a calm, relaxing, and "feel good" state of mind. In short, Sherry Petta's music is magical! I highly recommend it.

Average customer rating:

Let the Buyer Beware
Historical and Pristine
"Rhapsody In Blue"

Gershwin Plays Rhapsody in Blue

Manufacturer: Shout Factory
ProductGroup: Music
Binding: Audio CD

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Gershwin: Rhapsody in Blue - Piano Concerto in F - An American in Paris

ASIN: B000098ZSS
Release Date: 2003-05-13

Tracks:

Rhapsody In Blue
An American In Paris
Swanee
Walkin' The Dog
Let's Call The Whole Thing Off
Somebody Loves Me
Our Love Is Here To Stay
S'Wonderful
Embraceable You
Oh, Lady Be Good

Customer Reviews:

Let the Buyer Beware.......2007-01-12

I do not disagree on any level with the other reviewers of this CD. However, the content is recorded from piano rolls rather than directly from the artist. This fact is not explicitly presented on the web page. Yes, if one clicks on the CD cover photo to get an enlarged image, one can read "First recording 1924 from rare piano rolls" at the bottom in small type. Not everyone will do this however. For this reason alone I only rate this product 3 stars.

Historical and Pristine.......2006-12-22

This compilation of Gershwin selections taken from the piano rolls of the composer offer a perfect introduction to the music of Gershwin, offering a balance between his serious symphonic pieces and his accessible popular songs. Beginning with two of his concert works, "The Rhapsody in Blue" and "An American in Paris," the CD just hints at what the composer accomplished in the concert hall and the world of serious music. To my understanding, the "Rhapsody in Blue" was originally performed at a concert titled 'An Experiment in Modern Music' in 1924 at Aeolian Hall in New York. The piece was performed by an orchestra with Paul Whiteman as director, and with the composer at the piano as part of a concert experiment in jazz. The version on this CD is a piano adaptation created by the composer based off of the original symphonic work.

"An American in Paris" is also a concert work that did not achieve the widespread adoration that the Rhapsody has garnered. It was intended by the composer to capture the emotions of a tourist visiting Paris, and was purportedly auto-biographical. It was performed in 1928 at New York's Carnegie Hall with Walter Damrosch conducting the New York Philharmonic. It received mixed reviews at the time but remains a favorite of Gershwin's classical works. Like the "Rhapsody," the version included here is a piano adaptation of the original orchestral work.

The remaining works on the CD are those of a popular composer, the flipside of Gershwin's career. No other American composer (or any for that matter) has strattled these two different fields of music with the success with which George Gershwin did. And the popular songs, among them, "Embraceable You," "Let's Call the Whole Thing Off," and "Love is Here to Stay" have achieved enormous pop culture penetration and secure Gershwin's place in history as a master of popular song composition. Notably missing from this CD, however, are Ira Gershwin's contributions, i.e. the words, which add an element important to these songs' true place in history. Along with Ira's contributions come the countless Gershwin vocal interpreters who helped to realize these songs' true significance and their dispersion throughout the American popular music idiom.

On these versions, it is simply Gershwin playing his works (albeit the recordings are taken from his piano rolls, not an actual live recording). In these arrangements, the melodies are incorporated into lush and often convoluted harmonic accompaniment, in which the melody often becomes lost (i.e., the bridge or B section of "Oh, Lady Be Good!"). However, the opportunity to hear the composer express the harmonic possibilities of these disguisingly "simple" American tunes is truly a valuable one. The particular bouncing style with which Gershwin jumps from chord to chord to accompany his melodies is clearly apparent on many of these tunes, and that is an aspect borrowed from Ragtime that contributes to Gershwin being labeled as a uniquely "American" styled composer. The idiosyncracy of his composition and playing are tied together and come to life on this CD. The harmonic statements are sophisticated and evasive to the common ear, and the rhythmic precision and prolificity are legendary. Together with the melody, these elements of the musical composition on which Gershwin demonstrates mastery come together to produce a truly quintessential and essential Gershwin compilation.

"Rhapsody In Blue".......2006-07-12

"This piece (Rhapsody In Blue) seemed to sweep through my mind. It was the heart of America, the feverishness of life, the musical welter of races, of peoples, their joys and their passions, their dissipations and their exaltations." ~ George Gershwin (September 26, 1898 - July 11, 1937) ~

Today, July 11, 2006, marks the 69th death anniversary of one of America's most versatile songwriters, George Gershwin. The birth of one of my favorite jazz-infused-classical pieces, "Rhapsody In Blue" in 1924 made Mr. Gershwin an overnight and sensational star and had gained him a worldwide recognition. He had been my late parents' (and mine, too) favorite composer along with Irving Berlin, Jerome Kern and Cole Porter. His harmonious collaboration with his brother, Ira Gershwin, had produced the most beautiful songs of all-time. They were the most prolific team of songwriters and their compositions have been recorded countless times by famous interpreters of Great American Songbook such as Frank Sinatra, Ella Fitzgerald, John Coltrane, Tony Bennett, Miles Davis, Oscar Peterson, Joe Pass, Michael Feinstein, Natalie Cole, Linda Ronstadt, Rod Stewart, Steve Tyrell, Diana Krall, John Pizzarelli, Michael Bublé and Chris Botti, among many others.

This CD is a musical treasure and one that I would strongly recommend not only to any Gershwin enthusiast but also to any new fan for this includes the original recording of "Rhapsody In Blue" from rare Piano Rolls. The sound quality is just terrific. It highlights two of his major works - "Rhapsody In Blue" (1924) and "An American In Paris" (1928). It also features some of his well-known popular songs and favorites of mine, my parents' theme songs "Our Love Is Here To Stay" and "Embraceable You." It has been said that Mr. Gershwin functioned best and had written his very best compositions at 3 o'clock in the morning and when he finish eight bars that he likes, he can finish a chorus in a few minutes, like the songs "`S Wonderful" and "Let's Call The Whole Thing Off." This recording also includes "Swanee," "Walkin' The Dog," "Somebody Loves Me," and "Oh, Lady Be Good."

It's so amazing that he composed frequently and never run out of inspirations for writing melodic tunes that are so pleasing to the ears. He can write three to five songs in a single afternoon. When he completed the melody of a song, he gives it to Ira to write words to it. He was such a genius and played the piano by ear after a fashion, tapping out the tunes with a finger.

Not known to many, Mr. Gershwin had tried his hand at painting. I've seen a portrait of himself that he painted a year before his death from brain cancer, and I would say, it's a beautiful work of art, almost like a work of a professional painter. He could have been a great painter.

George Gershwin will always be remembered as one of the greatest 20th Century composers and his music will always linger in the hearts of music lovers like me who truly appreciate and enjoy fine music.

Average customer rating:

An Absolute Must For Lovers of Music and History
A real collector's item, especially for old-time radio buffs

George Gershwin Memorial Concert

Manufacturer: North American Class
ProductGroup: Music
Binding: Audio CD

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ASIN: B000006PDF
Release Date: 1998-04-28

Tracks:

Opening Comments
Prelude #2
Commentary
An American In Paris
Commentary
Eulogy
Swanee
The Man I Love
They Can't Take That Away From Me
Station Identification : Commentary
1st Movement : Allegro
2nd Movement : Andate con moto
Concerto In F: 3rd Movement : Allegro con brio

Tracks:

Intermission : Mrs. Leiland Atherton Irish; Oscar Hammerstein Tribute; Edward G. Robinson Tribute; Commentary
Introduction To The Second Half
Anthology : The Man I Love, Liza, Lady Be Good, Somebody Loves Me, Do It Again, I Got Rhythm, Wintergreen For President, Strike Up The Band
Commentary
Porgy And Bess: Introduction And Summertime
Commentary
Porgy And Bess: My Man's Gone Now
Porgy And Bess: The Buzzard Song
Porgy And Bess: The Train Song
Porgy And Bess: I've Got Plenty O' Nuttin'
Porgy And Bess: Bess, You Is My Woman Now
Porgy And Bess: I'm On My Way
Commentary
Rhapsody In Blue

Customer Reviews:

An Absolute Must For Lovers of Music and History.......2001-01-20

This album contains the best works of George Gershwin, played by the very best artists of the period. The quality of the recording is excellent, actually amazing considering that this recording was made in 1937. The music of the master, George Gershwin, and the authenticity of the playing is more than enough reason to buy the CD set. But there is more: The album consists of the complete two and one half hour historic radio program, broadcast as the announcer says "by short wave to the four corners of the earth." It is so moving that you can feel like you are experiencing it live. The 16 pages of liner notes that come with CD set have been carefully researched for historical accuracy and competent critical evaluation of the music. One could have wished the producers would have found room on the cover of the CD set to list Charles Previn, who conducted Concerto in F, which accounted for approximately thirty minutes of the playing time and for Nathaniel Shilkret and Nathaniel Finston who, as conductors, were the featured artists for another approximate half hour of playing time. One could only wish that there were only such minor complaints with all musical recordings. The producers deserve thanks for making this wonderful piece of history available to the public.

A real collector's item, especially for old-time radio buffs.......2000-09-24

This recording preserves,for all posterity and in quite listenable sound for its time, one of the most important and moving cultural events of the early twentieth century--the full-length memorial tribute to George Gershwin, the USA's greatest composer ever,IMHO.

This was broadcast on CBS Radio in September,1937, barely two months after the composer's shocking and untimely death from a brain tumor at the age of thirty-eight. All of his most famous pieces for concert hall are heard here,and the advantage of hearing them in a live performance is that they are not edited, as they often would have been in recordings made during that era. (Gershwin's own recording of the "Rhapsody in Blue",made in the 1920's in a recording studio,is rather severely cut.)

Many of the performers, such as Fred Astaire and Oscar Levant, give memorable performances,but there are a few clinkers. The great German conductor Otto Klemperer may be brilliant in Beethoven and Bach, but he was not the man to conduct Gershwin's Second Prelude, heard here in an orchestral arrangement. He has no feel for jazz idioms whatsoever, and he makes this slow, blues-like piece sound like a dirge out of Mahler or Bruckner. It is,sad to say, the worst performance of the Prelude I have ever heard. And whatever possessed the producers of this concert to get Lily Pons,with her pronounced French accent,to sing "Summertime", rather than an American soprano,which they could have gotten easily? It throws the whole "Porgy and Bess" segment out of whack.

That "Porgy" segment, however, is one of the most valuable historical documents ever recorded. It presents members of the original 1935 cast of the opera performing unedited versions of several arias,duets and ensemble pieces from the opera, conducted by Alexander Smallens, the original conductor. And it presents perhaps the only surviving recording of Ruby Elzy,the original Serena, singing "My Man's Gone Now". (Miss Elzy was NOT featured on the so-called Broadway cast album; Anne Brown,the original Bess,sang Serena's music on that one,as well as singing Bess and Clara's arias.) And we finally get to hear Todd Duncan perform "The Buzzard Song", which was cut from the opera for a very long time.

Fred Astaire's spoken tribute to Gershwin is very moving, and at one point, his voice is heard cracking with emotion. The announcer and narrator, however, speaks in that overenunciated, dramatic, actorish style which was apparently the norm for radio announcers of that period. He sounds as if he were getting ready to either impersonate Orson Welles, or audition for "Hamlet", and his style of speaking is almost quaint nowadays.

But this album is still irreplaceable.

An update to this review - This edition of the memorial concert is apparently out of print, and the concert itself has been reissued as part of the ongoing CD series "The Radio Years". DO NOT BUY THAT VERSION. It is vastly inferior to this one. This version has spectacular sound for its time, and the new reissue sounds as if had been recorded through a tin can. And not only is the sound bad on the reissue, but there is tons of surface noise and the program itself seems to be abridged.

We can only hope that the edition listed on this page will be re-issued some day. This historic concert deserves no less.

Average customer rating:

Ennio Morricone or Alain Silvestri
A complement to the movie which does not stand alone so well
soundtrack , the mexcian
Great Soundtrack for a good movie
Hot Fun

The Mexican

Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD

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Sleeping With The Enemy: Original Motion Picture Soundtrack
The Mexican
Mel Gibson's Apocalypto (Widescreen Edition)
Syriana (Widescreen Edition)

ASIN: B000059T84
Release Date: 2001-02-27

Tracks:

Main Title
Blame Shifting
Oye
These Boots are Made for Walkin' - Nancy Sinatra
10% Clint
Leroy's Morning
Why Can't We Be Friends
Want Our Life Back
Frank's Dead
You're Nobody 'Til Somebody Loves You - Dean Martin
Jerry & Ted To Pawn
The Mexican
Airport
The Safety Dance - Men Without Hats
El Cable
Margolese Compound
Where's My Stuff
Thieves
A Good F'ing Reason
It's Cursed, that Gun
Oye, Oye
A Miracle
The Mexican - End Credits Medley

Amazon.com

Having pulled often-stellar duty in both genres for many a year, film-scoring vet Alan Silvestri should know if the show-biz adage that drama is easy, it's comedy that's hard is true. For the Brad Pitt/Julia Roberts comic-romantic adventure The Mexican (the title refers to an antique pistol that must be smuggled back across the border), Silvestri taps a little of his recent history--and some sage genre insight--to conjure up a breezy, playful score that evokes everything from Leone's Dollars trilogy and traditional Mexican folk music to pastoral jazz flourishes and club kitsch. But a decidedly Morricone-meets-Bacharach sensibility prevails throughout, with the composer often lovingly tweaking the familiar banjo, harmonica, and choral clichés of the spaghetti Western into music that is refreshing even as it is strangely familiar. A handful of pop songs adds another layer of loopiness to the proceedings--especially the remix of Men Without Hats' chestnut from the early 1980s, "The Safety Dance," and the sprightly "El Cable" by Mexican exotica master Esquivel. --Jerry McCulley

Customer Reviews:

Ennio Morricone or Alain Silvestri.......2004-06-11

Alain Silvestri did a great job. He choose the songs' melodies sounds like the Spagetti Western Movies' great composer Ennio Morricone's unforgettable Spagetti Western movie themes. The Main Title and The Mexican songs are the great example ones. Also "Where is my staff" too. "Thieves" is another one of the greatest. And list goes on.. I love Ennio's songs that's why i love this soundtrack. If you love Ennio's stuffs too this soundtrack give you all you need.
Many of the soundtracks don't have every songs. So you have to find the other songs anywhere. For God's shake The Mexican is not an example oof this. This is not just a Soundtrack. IT'S a SCORE and a SOUNDTRACK. You can find the MOVIE SONGS and THE OTHER lyrical songs in this soundtrack. This is it's other plus too.

A complement to the movie which does not stand alone so well.......2002-05-27

I thought the sound track to the movie was a great complement to it but after I bought it I felt that it did not stand up by itself very well. Its themes seemed too short and disjointed. But, I plan to play it on my CD player in random mode along with other CD's. Then I think it can complement the music it is interspersed with - depending on the music.

soundtrack , the mexcian.......2001-04-22

the starting theme song, is the my all time favourite, watch the movie, and u'll know y.

Great Soundtrack for a good movie.......2001-03-06

The Soundtrack for "The Mexican" is not necessarily one of the greatest soundtracks ever made, but it does capture the essence of the movie. The distinguishable guitar plucks and the internitten catchy songs are great. Overall...if you liked the movie, you should like the soundtrack.

Hot Fun.......2001-03-06

Hot Fun is the best way to describe the soundtrack to The Mexican. It's fast paced, boisterous, and makes for great listening on any type of trip. Be prepared for drives to the grocery store to become a lot more exciting! The mix of vocal and instrumental selections add to the versatility of the disk and give it a unique flavor. Even if you haven't seen the movie, this CD would be a great addition to any CD collection!

Average customer rating:

The Best Of Gershwin Love Songs

Manufacturer: Avalon (Rock Bottom)
ProductGroup: Music
Binding: Audio CD

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Great Ladies Sing Gershwin

ASIN: B00001X5B3
Release Date: 1996-07-01

Tracks:

Summertime (4:28)
Someone To Watch Over Me (3:43)
Somebody Loves Me (3:51)
They Cant Take That Away From Me (2:45)
But Not For Me (4:40)
My Mans Gone Now (4:11)
The Man I Love (5:16)
Love Is Here To Stay (3:23)
How Long Has This Been Going On (3:21)
A Foggy Day In Londontown (4:29)
Love Walked In (4:02)
Bess You Is My Woman Now (4:34)
Love Is Here To Stay (1:17)

Average customer rating:

Genial, pero...
GREAT TE KANAWA !

Very Best Of Kiri Te Kanawa

Manufacturer: EMI Classics
ProductGroup: Music
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Duets: An American Classic

ASIN: B0000AHEAZ
Release Date: 2003-09-02

Tracks:

Signore, Ascolta
Ecco: Respiro Appena. Io Son L'Umile Ancella
La Mamma Morta
Attendo, Attendo...Addio Del Passato
Je Marche Sur Tous Les Chemins...Obeissons Quand Leur Voix Appelle
Depuis Le Jour
Elle A Fui, La Tourterelle!
Me Voila Seule...Comme Autrefois
Ach, Ich Fuhl's
Dich, Teure Halle
Wie Nahte Mir Der Schlummer...Leise, Leise, Fromme Weise!
Da Geht Er Hin, Der Aufgeblas'ne Schlechte Kerl
Gluck, Das Mir Verblieb
La Flute Enchantee
L'Invitation Au Voyage
Le Manoir De Rosemonde

Tracks:

Somebody Loves Me
Love Is Here To Stay
Embraceable You
Summertime
Long Ago And Far Away
A Fine Romance
The Song Is You
Let's Face The Music And Dance
What'll I Do?
They Say It's Wonderful
I've Got You Under My Skin
Ev'ry Time We Say Goodbye
True Love
I'll Be Home For Christmas
Silent Night
Come To The Fair
The Last Rose Of Summer
The Keel Row
Comin' Thro' The Rye
Greensleeves
Danny Boy
Hoki Hoki Tonu Mai
Po Ata Rau (Now Is The Hour)
The World You're Coming Into

Customer Reviews:

Genial, pero..........2005-04-19

Me parece que el arte vocal de Kiri posee muchas fortalezas y sòlidos atributos: brillantez, claridad, riqueza de colores, excelente fraseo, perfecta colocación y afinación, expresividad. Sin embargo, también carece de una mejor respiración para poder contrarrestar el excesivo vibrato que aplica a su canto. Sobre algunas de las obras interpretadas, recomiendo: Der Rosenkavalier: Schwarzkopf; Wagner: Kirsten Flagstad.

GREAT TE KANAWA !.......2004-02-19

THIS IS A GODD OVERVIEW OF KIRI TE KANAWA`S TALENT,THIS COMPILATION INCLUDES GREAT OPERA ARIAS,AMERICAN SONGBOOK CLASSICS,MAORI SONGS AND MORE,DIGITALLY REMASTERED. REALLY ENJOYABLE.

Fascinating Rhythm: The Complete Music for Solo Piano by George Gershwin

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Fascinating Rhythm: The Complete Music for Solo Piano by George Gershwin

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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Gershwin Plays Gershwin: The Piano Rolls

ASIN: B00000J80E
Release Date: 1999-06-08

Great Pianists of the 20th Century - Earl Wild ~ The Art of the Transcription

Average customer rating:

Entertaining
Riveting
A true romantic.
Redemption of the Transcription

Great Pianists of the 20th Century - Earl Wild ~ The Art of the Transcription
Christoph Willibald Gluck , Jean-Philippe Rameau , Johann Sebastian Bach , Richard Wagner , Nikolay Andreyevich Rimsky-Korsakov , Fritz Kreisler , Felix Mendelssohn , Gioachino Rossini , Fryderyk Chopin , Pyotr Il'yich Tchaikovsky , Adolf Schulz-Evler , Mily Balakirev , Henri Herz , Sigismond Thalberg , Leopold Godowsky , and Earl Wild
Manufacturer: Philips
ProductGroup: Music
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The Virtuosity of Earl Wild

ASIN: B00000IIYU
Release Date: 1999-04-13

Tracks:

Melodie d'Orphee
Rigaudon
Elegie
Tambourin
Toccata and Fugue in D minor, BWV 565
Isoldens Tod
The Flight Of The Bumble-Bee
Liebesleid
A Midsummer Night's Dream: Scherzo
Grande Fantaisie On 'Semiramide'
Chants polonais: My Joys
Chants polonais: Spring
Chants polonais: The Maiden's Wish
Swan Lake: Pas de quatre

Tracks:

Arabesques On 'An der sch, blauen Donau'
Fantasy On 'A Life For The Tsar'
La Cenerentola: Variations On 'Non pita'
Fantasy On 'Don Pasquale', Op.67
Symphonic Metamorphosis On 'Krleben'
7 Virtuoso Etudes: 7 The Man I Love
7 Virtuoso Etudes: 1 I Got Rhythm
7 Virtuoso Etudes: 4 Embraceable You
7 Virtuoso Etudes: 6 Fascinatin' Rhythm
7 Virtuoso Etudes: 5 Somebody Loves Me
7 Virtuoso Etudes: 3 Liza
7 Virtuoso Etudes: 2 Oh, Lady Be Good

Customer Reviews:

Entertaining.......2007-01-23

A very interesting pianist, this. He's an entertainer as well as a serious musician and he plays entertaining pieces. He is also a first class composer of transcriptions. Some of his charming Gershwin transcriptions (for which he is rightly famous) are included on this CD.

Earl Wild has an interesting pedigree in pianistic terms, having studied (if only briefly) with one of Liszt's many pupils. Technically he is often excellent, but some pieces seem to fall more easily under his fingers than others. For example, on another CD he makes rather a meal of Liszt's Grande Galope Chromatique but on this CD he plays superbly the fiendishly difficult Rachmaninoff arrangement of Mendelssohn's Midsummer Night's Dream Scherzo - a piece which never lets up in its demand for a deft touch, accuracy and speed. Whatismore, the Scherzo is recorded live, so no editing and barely a single wrong note or misplaced phrase. Bear in mind that Rachmaninoff himself is reputed to have had three takes at it before ending up with a recording he was satisfied with! Overall I don't think Wild has the same order of technical ability as Horowitz, Rachmaninoff, Rubinstein, Barere or Cziffra but he does demonstrate the vital ability to make certain pieces sound "right" in his hands. This certainly doesn't manifest itself in everything he plays, but more in the pieces where he seems to feel at home.

He has obviously put a lot of thought and work into some of these recordings and I would single out the Schubert-Tausig March, Rigaudon, the Midsummer Night's Dream Scherzo, his Gershwin and Tschaikovsky transcriptions and the Blue Danube arabesques as particularly charming and well-performed. I doubt anyone could play his beautiful Embraceable You transcription as well as him. The 2nd Hungarian Rhapsody is also good - solidly played and with plenty of gypsy spirit, and he doesn't pull the piece about all over the place like most pianists do. And the Bumblebee isn't bad either. Also excellent is Gluck's Melodie d'Orphee. He plays this beautifully with exquisitely judged balance and tone. It's a shame some of the other pieces aren't quite as good - Isolde's Liebestod is off target, unfortunately.

I think Earl Wild was one of the great transcribers and it's a shame he didn't write a lot more transcriptions because each one is a beautiful addition to the piano literature. His short and sweet transcription of the Pas de Quatre from Swan Lake (which he plays on this CD) is a total masterpiece. He also dared to play entertaining pieces and to indulge in showmanship, and why not? Why should a concert be a dry lecture? Yes, he is one of the great pianists but not because he had a unique sound or technique - more because he was a great and daring performer and because he made a contribution to piano literature for which the world ought to be grateful.

Riveting.......2000-07-03

This is an incredible CD, marred only by audience coughing and the unnecessary, deafening applause at the end of most cuts, reminiscent of a sitcom laugh track (hence the 4 star rating instead of 5); otherwise, it would have been perfect. The excellent selection of music and Wild's virtuoso playing are both marvelous. I was particularly taken with the Bach fuge and the splendid Gershwin transcriptions. Don't miss this one!

A true romantic........2000-06-21

If you've never heard Earl Wild before, this is a good starting point for you. His technique is impeccable and his mastery of tone allows him to play the most intricate music in the clearest manner. I must admit this disc didn't grab my attention from the very beginning. I found many of these recordings to be an inconsequential jingle-jangle of notes with no true meaning. I still feel that way about the two Thalberg pieces. He may have been Liszt's worthy pianistic rival, but as a composer he comes nowhere close to the great Abbée. Here these pieces get as good a performance as they are likely to get. Also I think Moszkowski's arrangement of the D minor Prelude and Fugue is greatly inferior to Busoni's. I don't care for the way it's played here either. It's too rushed for my taste and it sounds too homophonic, I don't hear the counterpoint of the fugue. This, I believe, is the fault of the arranger and performer alike. The rest of the recordings are excellent. Schulz-Evler's Arabesques are brilliantly played although my favourite recording will always be Jorge Bolet's. Godowsky's transcriptions are so complex and crowded with melodic lines and sonorities that it will leave you gasping for breath. Their performance demands technical powers of the highest caliber. Without that the music will drown in notes. Earl Wild posesses precicely this technique, and in his hands these pieces sound spectacular. Henri Herz's variations may lack profundity but are charming nonetheless. The gems on this disc are Wild's "Virtuoso Etudes" after Gershwin. "Concert Etudes" would have been an even more appropriate title, for despite all the virtuosity, harmonic and melodic invention is the true protagonist. The mood ranges from witty to atmospheric and together with Wild's technique and beautiful tone these pieces create a wonderful unioun. Last but definently not least, I would like to mention the Glinka-Balakirev Fantasy. Here the art of transcription is at its peak and as before, Wild is in full command. Here especially is where his musical gifts shines the brightest. He has it all, perfect legato playing, beautiful singing tone and crystal clear pedaling. A flawless performance. Earl Wild is without doubt a member of the pianistic elite, an old school romantic. I for one think he would have deserved a second unit in the "Great Pianists" series.

Redemption of the Transcription.......2000-02-24

Be prepared: the first piece on this album weaves such a magical spell that you may be startled out of your chair by the applause at the end. The bulk of this collection is from a concert performance, and it was a humdinger. Wild not only displays his astonishing virtuosity, but demonstrates that many of these arrangements and transcriptions are valuable pieces of music in their own right. The Rameau becomes 20th-century neoclassicism through Godowsky and Wild. The Arabesques on the Blue Danube Waltzes becomes a more serious piece than the original ever was. And so on: the bottom line is it's an experience that you don't want to miss. The real gems of this collection, however, are not from the live recital: what I find myself going back to again and again are the Gershwin transcriptions by Wild himself. Breath-taking virtuosity, fascinating arrangements, a beautiful recorded sound, and some great tunes!

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